Run: 2026-02-25-01KJ95PNF3X3Q1KQ1BZWDBBTZJ

Run Details

Duration:
33.5s
Cost:
$0.003519
Provider:
Google AI Studio

Model input

System
You are an expert and award-winning novel writer in the dark Literary Fiction genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4413" name="Silas Blackwood" aliases="Silas, Si, the Spymaster" pronouns="he/him" species="Human" storyRole="Mentor"> <eyeColor>hazel</eyeColor> <hair>grey-streaked auburn</hair> <height>6'1"</height> <age>58</age> <beard>neatly trimmed, matching his grey-streaked auburn hair</beard> <limp>slight limp in his left leg from an old knee injury</limp> <signetRing>silver signet ring, always worn on his right hand</signetRing> <description>Silas is a retired intelligence operative turned bar owner. He carries himself with quiet authority.</description> <backstory>Former MI6 field agent who retired after a botched operation in Prague left him with a permanent knee injury. He opened "The Raven's Nest" bar in Soho as a front for his network of contacts.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the literary fiction genre. Two old friends who haven't seen each other in years run into each other unexpectedly at a bar. One of them has changed significantly. Through their conversation and the tension between who they were and who they've become, reveal the weight of time and unspoken regret. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The cheap whiskey burned a familiar path down Rory’s throat, a small, controlled wildfire against the damp chill that had settled in her bones. She’d chosen the corner booth at The Raven’s Nest, the one that offered a decent view of the door without demanding she make eye contact with Silas’s ever-shifting clientele. He was probably in his back room, poring over whatever arcane intelligence had crossed his desk since dawn. But Rory wasn’t meeting Silas tonight. She was merely sheltering, a brief respite between the last delivery for Golden Empress and the cold, hard pavement that awaited her battered scooter. A man standing by the bar, his back to her, shifted. The expensive cut of his charcoal grey suit, the glint of a solid gold watch on his wrist – elements that screamed ‘not a regular’ in Silas’s eclectic haunt – caught Rory's eye. He turned, a laugh rumbling low in his chest, and the sound snagged on something in her memory, a rough-hewn familiar cord. Her breath hitched. Liam. Liam Thorne. He hadn't aged like fine wine; he'd aged like polished obsidian, all sharp angles and a dangerous sheen. The hopeful, slightly awkward boy she’d known in secondary school, the one who’d dreamed of escaping Cardiff’s grey skies as much as she had, was gone. In his place stood a man chiseled by purpose, his hazel eyes, once warm and easily amused, now held a cool, assessing glint. He was taller, his frame broader, but the shock wasn't the physical change. It was the sheer, startling presence he exuded, a quiet authority that belied his proximity to Silas's hushed dens. He saw her then. His smile faltered, only slightly, before reforming into something that looked less like genuine surprise and more like an actor hitting their mark. He navigated his way through the sparse tables, each step deliberate, his gaze fixed on her with unnerving intensity. "Rory?" His voice was deeper, smoother. The faint Welsh lilt was still there, a ghost beneath layers of London polish. "Is that really you?" She managed a tight smile, her heart doing a clumsy jig against her ribs. "Liam. What are you doing here?" "Enjoying a drink. Apparently, I've stumbled into a reunion." He paused, his eyes sweeping over her – the worn jeans, the practical jumper, the subtle weariness around her bright blue eyes that she tried so hard to mask. His gaze lingered for a fraction too long on the small crescent scar on her left wrist, a detail he should have long forgotten. "And you? Still living above dreams, or have they finally landed you somewhere interesting?" The jab, however subtle, landed. "Something like that," she deflected, gesturing vaguely to the empty seat opposite her. "Care to sit? Unless you're meeting someone." "Not at all," he said, sliding into the booth. He was careful, almost too careful, not to jostle the table. His signet ring, a heavy silver affair, glinted under the dim lights, a stark contrast to the weathered state of his hands. It looked ancient, powerful, utterly alien on him. "It's been a while. Eight? Nine years since Cardiff?" "Eight," Rory corrected, her voice firm. "Since I left. Since *everything*." He winced almost imperceptibly at the implication. "Eight years. London air must agree with you. You look… well." The compliment felt hollow, a perfunctory nod to politeness. He didn’t elaborate. He didn’t need to. His eyes said volumes about the gulf between them – the world he’d built versus the one she’d merely survived. "And you?" Rory countered, leaning back. "You look like you've conquered the world, or at least a significant portion of it." Liam chuckled, a dry, brittle sound. "Just business. London's been good to me. Opportunity knocks, you know? You just have to be brave enough to answer, and ruthless enough to keep it from leaving." He picked up a coaster from his side of the table, turning it over and over like a worn worry stone. "I thought you were off to conquer the legal world. Cardiff U, wasn't it? Pre-Law? Brendan Carter's daughter, always destined for tribunals and bar associations." "Circumstances," she said, the word tasting like ash. "They change. People change." She watched him carefully. This new Liam was all sharp edges and self-possession. "What about you? Still running from your father’s reputation? Or did you decide to wear the crown yourself?" His hand stilled on the coaster. The glint in his eyes intensified, hardening into something sharp and dangerous. He leaned back, the movement fluid, predatory. "My father's legacy was… a foundation. One I've built upon. Not merely inherited, but shaped. Molded into something far more… significant." Significant. The word hung in the air, heavy with unspoken implications. What did that mean? Silas worked with shadows and whispers, but Liam’s success, his ‘significance’, felt carved from something harder, less forgiving. "Significant how?" Rory asked, her curiosity piqued, a dangerous thread in her own nature. "Let’s just say I understand the mechanisms of power far better than you ever will, Rory. I don't just deliver the fuel for the furnace; I influence the heat. I shape the markets. I grease the wheels of industries that would make your old law professors weep." He paused, his smile returning, wider this time, more chilling. "Funny, isn't it? You ran from trouble, from a bad ex, from Cardiff's grey to London's maze. I ran towards the real games. The ones played for keeps, where the stakes aren't just about innocence, but empires." A chill unrelated to the bar’s temperature traced its way down Rory’s spine. Evan, her abusive ex. That was the escape hatch that had propelled her to London. Liam’s escape was something else entirely. Something that had involved ‘empires’. "Empires of what, Liam?" she pressed, her voice barely a whisper. "Yours might have been law, Rory. Mine… mine is built on understanding how people *truly* operate. Their desires, their fears, their weaknesses." He leaned closer, his gaze unwavering. "And I’ve found mine. The same ones that drove you away from Cardiff, the ones you thought you buried under delivery uniforms and anonymous flats. The need for security, for control, for… protection." He was talking about Evan. He’d found out somehow. Or worse, he’d observed enough in their brief, suffocating reunion tonight to piece it together. The ease with which he spoke of ‘desires’ and ‘fears’ was deeply unsettling. It was the language of a manipulator, not an architect. "You always were good at observing the wrong things," Rory said, forcing a lightness into her tone that she didn't feel. Liam’s smile didn't reach his eyes. "Oh, I observe everything, Rory. It’s my business. And I’ve observed that you’re still running. Still afraid." He reached into his inner jacket pocket, his movements smooth and unhurried. When his hand emerged, it held not a wallet or a phone, but a small, intricately carved wooden bird. Its wings were outstretched, as if in mid-flight, its eyes dark glass beads. "Your mother collected these, didn't she?" he murmured, turning the bird over in his palm. "Said they looked like little angels, watching over us. A silly sentiment from a simpler time." Rory’s breath hitched again. Her mother. Jennifer Carter, her Welsh teacher mother. The collection of small wooden birds, carved by local artisans, was one of her mother's few small joys. How could Liam possibly know that? Unless… unless he’d known more than just her. The memory of her mother’s gentle voice, describing the artisan who’d carved each bird with such care, flooded back. It was a memory she guarded fiercely, a scrap of warmth against the encroaching cold. "Where did you get that?" Her voice was tight, strained. Her hand instinctively went to her left wrist, to the crescent scar, a childish reminder of a time before fear ruled her. Liam merely smiled, a slow, unnerving smile that revealed a glimpse of something cold and sharp beneath the surface of his charm. He placed the wooden bird on the table between them, between the cheap whiskey glass and his expensive, polished shoes. "Found," he said, his voice low and resonant. "Just like so many other things that get lost when people aren't careful." He met her eyes, and the intensity there was not of recognition, but of… ownership. "You still have that scar, I see. From when you fell off the garden shed trying to rescue Mrs. Higgins’ cat. Such a brave little thing." Rory’s blood ran cold. That was *years* ago. Before Evan. Before leaving home. Stories her mother had told him, perhaps, or things he’d observed during their fragile, childhood friendship. He dredged them up now, like weapons. The man across from her wasn't just successful; he was a predator who collected vulnerabilities. The casualness with which he revealed these details felt like a violation. "This is… unsettling, Liam," Rory said, her voice shaking slightly despite her efforts. "We're strangers now." Liam's gaze flickered down to the wooden bird, then back to her. "Are we?" He pushed the bird closer to her side of the booth. "Because I have a proposition. Something that could give you back the security you're clearly still chasing. Something that requires intelligence, discretion, and a willingness to adapt. Not flight." He let the words hang in the air, thick with promise and menace. Rory stared at the small wooden bird, then at Liam's piercing, calculating gaze. She felt a primal urge to bolt, to run from the bar, from this man, from the chilling recognition that the darkness she’d fled in Cardiff had merely found a new, more polished, and infinitely more dangerous manifestation in Liam Thorne. The ice in her drink clinked as the bar saw a sudden, unexpected commotion near the entrance. A familiar, stern voice, laced with authority, called out Silas's name. And then, heavy footsteps echoed towards their booth.
created_at"2026-02-25T01:13:05.26Z" 2/25/2026, 1:13:05 AM
model"google/gemini-2.5-flash-lite"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency1055
moderation_latency(null)
generation_time33448
tokens_prompt4618
tokens_completion6228
native_tokens_prompt4497
native_tokens_completion7673
native_tokens_completion_images0
native_tokens_reasoning5442
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"STOP"
usage0.0035189
router(null)
provider_responses
0
endpoint_id"ce839073-aa24-4f29-8358-15b319bd05ec"
is_byokfalse
latency1054
model_permaslug"google/gemini-2.5-flash-lite"
provider_name"Google AI Studio"
status200
api_type"completions"
id"gen-1771981985-CQT64TCBeWHy8AMtOCy0"
upstream_id(null)
total_cost0.0035189
cache_discount(null)
upstream_inference_cost0
provider_name"Google AI Studio"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags22
adverbTagCount0
adverbTags(empty)
dialogueSentences38
tagDensity0.579
leniency1
rawRatio0
effectiveRatio0
78.67% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1641
totalAiIsmAdverbs7
found
0
adverb"slightly"
count3
1
adverb"really"
count1
2
adverb"utterly"
count1
3
adverb"carefully"
count1
4
adverb"truly"
count1
highlights
0"slightly"
1"really"
2"utterly"
3"carefully"
4"truly"
100.00% AI-ism character names
Target: 0 AI-default names (16 tracked, −20% each)
codexExemptions
0"Blackwood"
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
14.69% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1641
totalAiIsms28
found
0
word"familiar"
count3
1
word"chill"
count2
2
word"glint"
count3
3
word"navigated"
count1
4
word"intensity"
count2
5
word"lilt"
count1
6
word"stark"
count1
7
word"implication"
count1
8
word"unspoken"
count1
9
word"chilling"
count2
10
word"traced"
count1
11
word"whisper"
count1
12
word"unwavering"
count1
13
word"warmth"
count1
14
word"reminder"
count1
15
word"charm"
count1
16
word"predator"
count1
17
word"flickered"
count1
18
word"calculating"
count1
19
word"footsteps"
count1
20
word"echoed"
count1
highlights
0"familiar"
1"chill"
2"glint"
3"navigated"
4"intensity"
5"lilt"
6"stark"
7"implication"
8"unspoken"
9"chilling"
10"traced"
11"whisper"
12"unwavering"
13"warmth"
14"reminder"
15"charm"
16"predator"
17"flickered"
18"calculating"
19"footsteps"
20"echoed"
66.67% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches2
maxInWindow2
found
0
label"blood ran cold"
count1
1
label"hung in the air"
count1
highlights
0"blood ran cold"
1"hung in the air"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences102
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount0
narrationSentences102
filterMatches(empty)
hedgeMatches(empty)
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences118
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen57
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans3
markdownWords3
totalWords1645
ratio0.002
matches
0"everything"
1"truly"
2"years"
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions21
unquotedAttributions0
matches(empty)
98.10% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions44
wordCount1156
uniqueNames13
maxNameDensity1.04
worstName"Liam"
maxWindowNameDensity2
worstWindowName"Rory"
discoveredNames
Rory11
Raven1
Nest1
Silas5
Golden1
Empress1
Thorne2
Cardiff2
Welsh2
London2
Liam12
Evan3
Carter1
persons
0"Rory"
1"Silas"
2"Thorne"
3"Liam"
4"Evan"
5"Carter"
places
0"Raven"
1"Cardiff"
2"London"
globalScore0.981
windowScore1
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences76
glossingSentenceCount1
matches
0"felt like a violation"
17.63% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches3
per1kWords1.824
wordCount1645
matches
0"Not merely inherited, but shaped"
1"not a wallet or a phone, but a small, intricately carved wooden bird"
2"not of recognition, but of…"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences118
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs36
mean45.69
std28.36
cv0.621
sampleLengths
0101
166
23
31
4101
546
624
720
876
925
1059
1111
1254
1321
1480
1543
1646
1733
1814
1994
2039
2111
2261
2347
2421
2567
2631
2778
2832
2942
3062
3163
3216
3354
3495
358
98.38% Passive voice overuse
Target: ≤2% passive sentences
passiveCount2
totalSentences102
matches
0"was gone"
1"were outstretched"
88.89% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount3
totalVerbs180
matches
0"wasn’t meeting"
1"was merely sheltering"
2"was talking"
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount3
semicolonCount3
flaggedSentences6
totalSentences118
ratio0.051
matches
0"The expensive cut of his charcoal grey suit, the glint of a solid gold watch on his wrist – elements that screamed ‘not a regular’ in Silas’s eclectic haunt – caught Rory's eye."
1"He hadn't aged like fine wine; he'd aged like polished obsidian, all sharp angles and a dangerous sheen."
2"\"Enjoying a drink. Apparently, I've stumbled into a reunion.\" He paused, his eyes sweeping over her – the worn jeans, the practical jumper, the subtle weariness around her bright blue eyes that she tried so hard to mask."
3"His eyes said volumes about the gulf between them – the world he’d built versus the one she’d merely survived."
4"\"Let’s just say I understand the mechanisms of power far better than you ever will, Rory. I don't just deliver the fuel for the furnace; I influence the heat. I shape the markets. I grease the wheels of industries that would make your old law professors weep.\" He paused, his smile returning, wider this time, more chilling."
5"The man across from her wasn't just successful; he was a predator who collected vulnerabilities."
85.40% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount688
adjectiveStacks0
stackExamples(empty)
adverbCount39
adverbRatio0.056686046511627904
lyAdverbCount11
lyAdverbRatio0.015988372093023256
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences118
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences118
mean13.94
std10.23
cv0.734
sampleLengths
024
129
218
36
424
511
633
722
83
91
102
1118
1226
1323
1413
1519
164
1723
1819
196
2014
214
2214
236
2438
2524
2614
275
2813
297
309
3111
3222
338
349
356
365
377
3820
393
404
4120
426
4315
446
4549
4625
478
488
499
67.51% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats7
diversityRatio0.4406779661016949
totalSentences118
uniqueOpeners52
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences95
matches(empty)
ratio0
17.89% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount48
totalSentences95
matches
0"She’d chosen the corner booth"
1"He was probably in his"
2"She was merely sheltering, a"
3"He turned, a laugh rumbling"
4"Her breath hitched."
5"He hadn't aged like fine"
6"He was taller, his frame"
7"It was the sheer, startling"
8"He saw her then."
9"His smile faltered, only slightly,"
10"He navigated his way through"
11"His voice was deeper, smoother"
12"She managed a tight smile,"
13"He paused, his eyes sweeping"
14"His gaze lingered for a"
15"she deflected, gesturing vaguely to"
16"he said, sliding into the"
17"He was careful, almost too"
18"His signet ring, a heavy"
19"It looked ancient, powerful, utterly"
ratio0.505
7.37% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount86
totalSentences95
matches
0"The cheap whiskey burned a"
1"She’d chosen the corner booth"
2"He was probably in his"
3"She was merely sheltering, a"
4"A man standing by the"
5"The expensive cut of his"
6"He turned, a laugh rumbling"
7"Her breath hitched."
8"He hadn't aged like fine"
9"The hopeful, slightly awkward boy"
10"He was taller, his frame"
11"It was the sheer, startling"
12"He saw her then."
13"His smile faltered, only slightly,"
14"He navigated his way through"
15"His voice was deeper, smoother"
16"The faint Welsh lilt was"
17"She managed a tight smile,"
18"He paused, his eyes sweeping"
19"His gaze lingered for a"
ratio0.905
52.63% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences95
matches
0"Before leaving home."
ratio0.011
26.58% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences43
technicalSentenceCount7
matches
0"The cheap whiskey burned a familiar path down Rory’s throat, a small, controlled wildfire against the damp chill that had settled in her bones."
1"She was merely sheltering, a brief respite between the last delivery for Golden Empress and the cold, hard pavement that awaited her battered scooter."
2"It was the sheer, startling presence he exuded, a quiet authority that belied his proximity to Silas's hushed dens."
3"His smile faltered, only slightly, before reforming into something that looked less like genuine surprise and more like an actor hitting their mark."
4"Its wings were outstretched, as if in mid-flight, its eyes dark glass beads."
5"Liam merely smiled, a slow, unnerving smile that revealed a glimpse of something cold and sharp beneath the surface of his charm."
6"The man across from her wasn't just successful; he was a predator who collected vulnerabilities."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags22
uselessAdditionCount6
matches
0"Rory corrected, her voice firm"
1"He paused, his smile returning, wider this time, more chilling"
2"she pressed, her voice barely a whisper"
3"He leaned, his gaze unwavering"
4"he said, his voice low and resonant"
5"Rory said, her voice shaking slightly despite her efforts"
18.42% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags11
fancyCount5
fancyTags
0"Rory corrected (correct)"
1"Silas worked (work)"
2"she pressed (press)"
3"he spoke (speak)"
4"he murmured (murmur)"
dialogueSentences38
tagDensity0.289
leniency0.579
rawRatio0.455
effectiveRatio0.263
67.9610%