Run: 2026-02-25-01KJ95S9PTA1A2G5P7TP6H37J5

Run Details

Duration:
27.2s
Cost:
$0.003280
Provider:
Google AI Studio

Model input

System
You are an expert and award-winning novel writer in the dark Romance genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4415" name="Lucien Moreau" aliases="Lucien, Luc, the Frenchman" pronouns="he/him" species="Half-Demon" storyRole="Ally"> <eyeColor>heterochromatic — one amber, one black</eyeColor> <hair>slicked-back platinum blond</hair> <height>5'11"</height> <age>32</age> <cane>ivory-handled cane that conceals a thin blade</cane> <dress>tailored charcoal suits</dress> <description>An impeccably dressed fixer and information broker in London's supernatural underworld. He speaks four languages fluently.</description> <backstory>Born in Marseille to a human mother and a demon father from the realm of Avaros.</backstory> </character> <location id="858" name="Eva's Flat" aliases="Eva's place, the flat on Brick Lane" realm="Earth"> <cat>tabby cat named Ptolemy</cat> <security>three deadbolts on the front door</security> <description>A cramped one-bedroom flat above a curry house on Brick Lane, East London. Every surface is covered with books, scrolls, and research notes.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the romance genre. Two people who parted on complicated terms are forced together again when one shows up unannounced at the other's flat. There's history between them — attraction, hurt, and things left unsaid. Write the scene from the moment the door opens. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The sharp, insistent rap against her door didn't sound like Silas, and it certainly wasn't the usual delivery driver dropping off the last of the day's Chinese. This was a precise, measured beat, like a hammer striking steel, repeated three times. Rory froze, mid-way through scrubbing a patch of stubborn grease from a frying pan. Her flat above the Golden Empress, usually a sanctuary of quiet after a long shift, felt suddenly exposed. Ptolemy the cat, usually curled asleep on the worn armchair, twitched his ears, green eyes narrowing in my direction from his perch. She dried her hands on her apron, a cheap, food-stained thing, and moved towards the door. Three deadbolts, courtesy of Silas, clicked open, each one a small declaration of independence from whatever lurked outside. She peered through the peephole, her bright blue eyes widening just a fraction. The man standing there was a silhouette against the dim hallway light, but the impossibly tailored charcoal suit, the precisely slicked-back platinum blond hair, the subtle tilt of his head… there was no mistaking him. Recognition warred with a sudden, visceral unease that coiled in her gut like a cold serpent. "Lucien." The name was barely a breath against the wood, a sound dredged up from a past she’d fought hard to bury. The door swung inwards, not under her push, but under his smooth, almost imperceptible ingress. He didn't barge in, he simply *occupied* the space as if he’d always belonged there, his amber and black heterochromatic eyes taking in the cramped kitchen, the overflowing bookshelves, the general organised chaos of her life. The faint scent of sandalwood and something sharper, like ozone after a storm, clung to him. His ivory-handled cane tapped lightly against the linoleum floor. "Rory," he replied, his voice a low, resonant rumble that bypassed her ears and vibrated somewhere deeper, a phantom echo of shared nights and whispered secrets. He didn’t smile. His expression was one of polite curiosity, the kind one might afford a particularly stubborn specimen under a microscope. "You seem… surprised." "Surprised is an understatement," she managed, hooking a thumb in the waistband of her jeans, trying to project an air of calm she didn't feel. Her heart hammered an erratic rhythm against her ribs. "It's been… what? Three years?" "Three years, two months, and seventeen days," he corrected, his gaze sweeping over her. It lingered for a fraction too long on the faint crescent moon scar on her left wrist as she shifted her weight. "You run a tight ship, it seems. For a delivery girl." The jab, so typical of him, landed. It wasn't cruel, not overtly, but it was laced with the condescending familiarity of someone who saw her as a project rather than a person. "And you're still peddling information and looking like you stepped off a runway. Some things never change, Luc." He inclined his head, a subtle gesture that acknowledged the barb without yielding ground. "One must maintain certain standards. Especially when navigating the less… savoury corners of this city." He took another step, his expensive leather shoes making no sound on the worn rug. "Your current profession, however, is a slight departure from the legal aspirations we once discussed?" "Life happens," Rory said, turning her back on him for a moment to deposit the frying pan in the sink. The gesture was deliberate, a small act of reclaiming her space. The water hissed as it hit the hot metal, a small, satisfying sound. "And some lives lead you down different paths. Didn't you once say something about destiny being a matter of perspective?" "An observation I made shortly after you decided destiny involved a one-way ticket to London without so much as a forwarding address," he said, his voice losing none of its smooth cadence. He ran a gloved hand along the edge of her cluttered workbench, his touch impossibly light. "Eva's notes on abyssal cartography, if I recall correctly. You always were drawn to the dangerous unknowns." He knew about Eva? And her research? A chill that had nothing to do with the draft from the ill-fitting window crept up her spine. Eva's flat was supposed to be a secret, a sanctuary for her occult studies, safe from prying eyes. "How do you know about Eva's notes?" Lucien finally turned fully towards her, his heterochromatic eyes catching the meagre light. The amber side held a spark of something predatory, ancient. The black side seemed to absorb all light, all warmth. "My dear Rory, my business is knowing. It's about the whispers in the shadows, the threads that connect disparate points. And you and Eva, you’ve been leaving faint trails for some time now." "What do you want, Luc?" she asked, pushing away from the sink. She walked past him, heading for the small living area where Ptolemy blinked imperiously from his armchair throne. The cat let out a low growl as Lucien’s scent permeated the air. "No pleasantries, no 'how have you been'. You don't do those things. So, what's the crisis that requires your particular brand of… intervention?" He followed, his cane tapping a slow, deliberate rhythm. "A rather significant one. It involves a missing artifact. A rather unique specimen, with a penchant for destabilising planar boundaries." He paused, letting the words hang in the air. "And a rather significant group of interested parties who are willing to employ rather unsavoury methods to acquire it. Methods that are starting to attract the attention of certain… entities." "Entities? Like demons?" The word felt ludicrous, absurd, coming from her lips. Yet, Lucien Moreau was standing in her tiny London flat, a half-demon himself, talking about artifacts and planar boundaries. Her carefully constructed reality, built on mundane deliveries and cheap Chinese food, felt like it was cracking at the seams. Lucien let out a sound that might have been amusement, a low gurgle in his chest that didn’t reach his eyes. "That is a crude but not entirely inaccurate assessment, Rory. Your studies with Eva, while rudimentary, provided a foundation. You understand the risks better than most." He gestured vaguely with his cane towards the door. "Those who seek this artifact are careless. They stir things that should remain dormant. And when those things awaken, they tend to spill over. The ripples are already reaching the human realm with… unpleasant consequences." He was talking about something she'd only read about in Eva's grimoires, dismissed as theoretical dangers. "And you’ve come to me because… ?" "Because you have a particular knack for untangling knots others deem insoluble," he said, his gaze unwavering. "Because you possess a mind that sees patterns where others see chaos. And, perhaps," he allowed his gaze to drift, taking in the stacks of books, the faint glow of a laptop screen, the general aura of someone who *worked* with information, "because you have an uncanny ability to access places and people I cannot, or rather, with whom establishing direct contact would be… problematic." "You want me to find this artifact. For you." The implication hung heavy. He wasn't asking; he was stating. He was offering her a proposition, cloaked in the guise of necessity. "What if I don't want to be involved? What if I’ve moved on from all that?" "You haven't," Lucien stated, his tone definitive. He stepped closer, the cane now resting by his side, the air between them charged with unspoken history. The subtle scent of ozone intensified. "I saw the reports. The uptick in unusual activity. The whispers you’ve been listening to yourself, from the periphery. You’ve been itching for something more, Rory. Something that requires more than a delivery route and a perpetually grumpy landlord." He knew about the whispers. He *knew*. He’d always had a way of seeing through her defences, of unearthing the parts of herself she tried to keep hidden. His heterochromatic eyes seemed to see not just her, but the ambition and the fear tangled within. "It's dangerous," she said, her voice barely a whisper, the words tasting like dust in her mouth. "The last time I got involved in your kind of 'business', it nearly broke me. You know what Evan did." His jaw tightened almost imperceptibly. The scar on her wrist seemed to throb. Evan. An abusive ex, a ghost from her past. Lucien had pulled her out of that situation, slick and efficient, but with a cold detachment that had always unnerved her. He’d saved her, yes, but the cost, the methods, the way he looked at her afterwards… it was complicated. "I am aware of your previous unpleasant entanglement," he said, his voice suddenly rougher, losing its polished edge for a fleeting moment. "Evan was a brute, a fool playing with forces he couldn't comprehend. This is different. This is… delicate. High stakes. And if this artifact falls into the wrong hands—hands that favour crude, violent acquisition—the damage would be catastrophic. Entire districts could be… re-arranged." He held her gaze, and she saw it then – a flicker of genuine concern beneath the calculated facade. Or was it just another layer of his manipulation? With Lucien, it was so hard to tell. He was a puzzle box, intricate and dangerous, and she’d always been drawn to peeling back its layers, even when it meant being cut. "Who are these 'interested parties'?" she asked, her mind already racing, replaying fractured memories of Eva's cryptic warnings, of hushed conversations overheard near Silas’ bar. Lucien’s lips curved into a slow, dangerous smile. It didn’t reach his eyes, but it tightened their corners, revealing a hint of something sharp and ancient. "That, my dear Rory, is where your unique talents come into play. The ones who operate in my shadows aren't always the best suited for light reconnaissance. And then there’s the matter of payment." He reached inside his tailored jacket, pulling out a slim, unmarked envelope. He didn't offer it, just held it between thumb and forefinger. "Substantial. Enough to ensure you never have to worry about grease stains or early mornings again. Enough to… relocate. To start anew, somewhere far from the grime and the ghosts." The offer was tempting. Terribly tempting. A clean slate, funded by whatever dark machinations Lucien Moreau was involved in. A life where she didn't have to constantly look over her shoulder. But the price… the price was always more than just money. It was getting entangled again, trading one set of dangers for another, likely far worse. And with Lucien, involvement always meant something more. A potent, destructive attraction that had simmered beneath the surface for years, a dark current she’d tried to dam up. "And if I work with you," she began, trying to keep her voice steady, "what guarantee do I have that I won't end up another one of your… loose ends?" He stepped even closer. The air grew thick, charged with an energy she hadn't felt since their last, explosive encounter. His heterochromatic eyes bored into hers, sharp and intense. "You don't have one, Rory. You never did. But you and I… we understand the risks. And you know, deep down, that this is the only path worth taking. The only path that matters, now." His gaze dropped, his lips brushing provocially close to her ear. "Besides," he murmured, a hint of something wicked in his tone, "I find I miss your particular brand of chaos far too much to let you stay buried in anonymity." A sudden crash from the street below, a screech of metal on metal, shattered the charged silence. Both their heads snapped towards the window. Distant shouts erupted, followed by the wail of sirens. Lucien’s eyes narrowed, the flicker of the predator returning tenfold. "It seems," he said, his voice dropping to a low, dangerous growl, "that my associates have arrived prematurely. And they are not known for their patience. Or their subtlety." He turned back to Rory, his expression grim. "They are here for you, Rory. Or rather, for what they believe you know." Rory’s blood ran cold. Not for her. For Eva. For the research. For everything she thought she’d left behind. The sounds from outside escalated – a guttural roar, a high-pitched scream, the sickening thud of something heavy hitting pavement. This wasn't just a negotiation anymore. This was an invasion. "You said they were careless," Rory spat, her mind already shifting into survival mode. The apartment felt too small, too vulnerable. Ptolemy hissed, arching his back, eyes wide and fixed on the door. "Indeed," Lucien said, his hand instinctively going to his cane, the ivory handle slick beneath his glove. His platinum blond hair seemed to gleam in the dim light. "And when a pack of starved hounds scents blood, they tend to make a rather… messy entrance." He met her gaze, the heterochromatic depths burning with an intensity that was both terrifying and undeniably magnetic. "Welcome back to my world, Rory. It seems the quiet life wasn't your destiny after all." Another violent thud against the door, this time accompanied by the sickening sound of splintering wood. Then, a guttural, inhuman shriek echoed from the hallway, closer now, much closer. Rory braced herself, her gaze locked on Lucien's, the unspoken attraction now a cold dread laced with a primal instinct to fight. Silas's bar downstairs vibrated with the sudden commotion. The deadbolts wouldn't hold for long.
created_at"2026-02-25T01:14:31.522Z" 2/25/2026, 1:14:31 AM
model"google/gemini-2.5-flash-lite"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency1079
moderation_latency(null)
generation_time27126
tokens_prompt4556
tokens_completion5749
native_tokens_prompt4440
native_tokens_completion7091
native_tokens_completion_images0
native_tokens_reasoning4165
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"STOP"
usage0.0032804
router(null)
provider_responses
0
endpoint_id"ce839073-aa24-4f29-8358-15b319bd05ec"
is_byokfalse
latency1079
model_permaslug"google/gemini-2.5-flash-lite"
provider_name"Google AI Studio"
status200
api_type"completions"
id"gen-1771982071-UnKJbnUybvSjv2PelmRT"
upstream_id(null)
total_cost0.0032804
cache_discount(null)
upstream_inference_cost0
provider_name"Google AI Studio"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags24
adverbTagCount1
adverbTags
0"He gestured vaguely [vaguely]"
dialogueSentences46
tagDensity0.522
leniency1
rawRatio0.042
effectiveRatio0.042
88.77% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount2227
totalAiIsmAdverbs5
found
0
adverb"suddenly"
count2
1
adverb"precisely"
count1
2
adverb"lightly"
count1
3
adverb"carefully"
count1
highlights
0"suddenly"
1"precisely"
2"lightly"
3"carefully"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
10.19% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount2227
totalAiIsms40
found
0
word"measured"
count1
1
word"sanctuary"
count2
2
word"vibrated"
count2
3
word"echo"
count1
4
word"weight"
count1
5
word"navigating"
count1
6
word"abyssal"
count1
7
word"chill"
count1
8
word"warmth"
count1
9
word"constructed"
count1
10
word"unwavering"
count1
11
word"uncanny"
count1
12
word"implication"
count1
13
word"charged"
count3
14
word"unspoken"
count2
15
word"whisper"
count1
16
word"throb"
count1
17
word"efficient"
count1
18
word"fleeting"
count1
19
word"flicker"
count2
20
word"calculated"
count1
21
word"facade"
count1
22
word"intricate"
count1
23
word"racing"
count1
24
word"fractured"
count1
25
word"ensure"
count1
26
word"encounter"
count1
27
word"shattered"
count1
28
word"silence"
count1
29
word"predator"
count1
30
word"depths"
count1
31
word"intensity"
count1
32
word"magnetic"
count1
33
word"echoed"
count1
highlights
0"measured"
1"sanctuary"
2"vibrated"
3"echo"
4"weight"
5"navigating"
6"abyssal"
7"chill"
8"warmth"
9"constructed"
10"unwavering"
11"uncanny"
12"implication"
13"charged"
14"unspoken"
15"whisper"
16"throb"
17"efficient"
18"fleeting"
19"flicker"
20"calculated"
21"facade"
22"intricate"
23"racing"
24"fractured"
25"ensure"
26"encounter"
27"shattered"
28"silence"
29"predator"
30"depths"
31"intensity"
32"magnetic"
33"echoed"
66.67% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches2
maxInWindow2
found
0
label"blood ran cold"
count1
1
label"eyes widened/narrowed"
count1
highlights
0"blood ran cold"
1"eyes narrowed"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences119
matches(empty)
70.83% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount6
narrationSentences119
filterMatches(empty)
hedgeMatches
0"seemed to"
1"tried to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences141
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen66
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans3
markdownWords3
totalWords2227
ratio0.001
matches
0"occupied"
1"worked"
2"knew"
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions17
unquotedAttributions0
matches(empty)
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions37
wordCount1489
uniqueNames10
maxNameDensity0.87
worstName"Lucien"
maxWindowNameDensity2
worstWindowName"Rory"
discoveredNames
Silas3
Chinese2
Golden1
Empress1
Rory6
Eva5
Ptolemy3
Lucien13
Moreau2
London1
persons
0"Silas"
1"Rory"
2"Eva"
3"Ptolemy"
4"Lucien"
5"Moreau"
places
0"London"
globalScore1
windowScore1
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences98
glossingSentenceCount1
matches
0"felt like it was cracking at the seams"
65.29% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches3
per1kWords1.347
wordCount2227
matches
0"not under her push, but under his smooth, almost imperceptible ingress"
1"not overtly, but it was laced with the condescending familiarity of someone w"
2"not just her, but the ambition"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences141
matches(empty)
52.62% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs39
mean57.1
std19.08
cv0.334
sampleLengths
095
198
222
376
451
539
647
750
859
964
1065
1150
1266
1366
1468
1551
1691
1723
1882
1947
2070
2145
2237
2362
2465
2560
2625
2760
2853
2985
3030
3164
3241
3333
3461
3549
3633
3779
3865
93.47% Passive voice overuse
Target: ≤2% passive sentences
passiveCount4
totalSentences119
matches
0"was laced"
1"was supposed"
2"been drawn"
3"was involved"
31.22% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount6
totalVerbs237
matches
0"was standing"
1"was cracking"
2"was talking"
3"was stating"
4"wasn't asking"
5"was offering"
82.07% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount2
semicolonCount1
flaggedSentences3
totalSentences141
ratio0.021
matches
0"He wasn't asking; he was stating."
1"He held her gaze, and she saw it then – a flicker of genuine concern beneath the calculated facade."
2"The sounds from outside escalated – a guttural roar, a high-pitched scream, the sickening thud of something heavy hitting pavement."
86.36% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1207
adjectiveStacks1
stackExamples
0"cheap, food-stained thing,"
adverbCount58
adverbRatio0.048053024026512015
lyAdverbCount25
lyAdverbRatio0.020712510356255178
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences141
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences141
mean15.79
std10.13
cv0.641
sampleLengths
027
114
214
318
422
516
618
713
830
95
1016
1122
1215
1336
1416
159
1626
173
1819
193
2025
219
225
2314
2422
2511
267
2725
2818
2914
3030
3115
3220
3311
3413
3520
3632
3716
3817
394
403
4118
4218
437
4413
4510
4610
4733
4812
4918
51.30% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats11
diversityRatio0.3546099290780142
totalSentences141
uniqueOpeners50
28.99% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount1
totalSentences115
matches
0"Then, a guttural, inhuman shriek"
ratio0.009
35.65% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount53
totalSentences115
matches
0"Her flat above the Golden"
1"She dried her hands on"
2"She peered through the peephole,"
3"He didn't barge in, he"
4"His ivory-handled cane tapped lightly"
5"he replied, his voice a"
6"He didn’t smile."
7"His expression was one of"
8"she managed, hooking a thumb"
9"Her heart hammered an erratic"
10"he corrected, his gaze sweeping"
11"It lingered for a fraction"
12"It wasn't cruel, not overtly,"
13"He inclined his head, a"
14"He took another step, his"
15"he said, his voice losing"
16"He ran a gloved hand"
17"He knew about Eva?"
18"she asked, pushing away from"
19"She walked past him, heading"
ratio0.461
16.52% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount102
totalSentences115
matches
0"The sharp, insistent rap against"
1"This was a precise, measured"
2"Rory froze, mid-way through scrubbing"
3"Her flat above the Golden"
4"Ptolemy the cat, usually curled"
5"She dried her hands on"
6"She peered through the peephole,"
7"The man standing there was"
8"Recognition warred with a sudden,"
9"The name was barely a"
10"The door swung inwards, not"
11"He didn't barge in, he"
12"The faint scent of sandalwood"
13"His ivory-handled cane tapped lightly"
14"he replied, his voice a"
15"He didn’t smile."
16"His expression was one of"
17"she managed, hooking a thumb"
18"Her heart hammered an erratic"
19"he corrected, his gaze sweeping"
ratio0.887
43.48% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences115
matches
0"Yet, Lucien Moreau was standing"
ratio0.009
55.14% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences57
technicalSentenceCount7
matches
0"Recognition warred with a sudden, visceral unease that coiled in her gut like a cold serpent."
1"He didn't barge in, he simply *occupied* the space as if he’d always belonged there, his amber and black heterochromatic eyes taking in the cramped kitchen, the…"
2"It wasn't cruel, not overtly, but it was laced with the condescending familiarity of someone who saw her as a project rather than a person."
3"He inclined his head, a subtle gesture that acknowledged the barb without yielding ground."
4"A chill that had nothing to do with the draft from the ill-fitting window crept up her spine."
5"Lucien had pulled her out of that situation, slick and efficient, but with a cold detachment that had always unnerved her."
6"A potent, destructive attraction that had simmered beneath the surface for years, a dark current she’d tried to dam up."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags24
uselessAdditionCount8
matches
0"he corrected, his gaze sweeping over her"
1"he said, his voice losing none of its smooth cadence"
2"he said, his gaze unwavering"
3"Lucien stated, his tone definitive"
4"she began, trying to keep her voice steady,"
5"he murmured, a hint of something wicked in his tone,"
6"he said, his voice dropping to a low, dangerous growl,"
7"Rory spat, her mind already shifting into survival mode"
63.04% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags14
fancyCount4
fancyTags
0"he corrected (correct)"
1"Lucien stated (state)"
2"he murmured (murmur)"
3"Rory spat (spit)"
dialogueSentences46
tagDensity0.304
leniency0.609
rawRatio0.286
effectiveRatio0.174
71.3869%