Run: 2026-02-25-01KJ95V1E2BD14VKR85D5H3S37

Run Details

Duration:
30.8s
Cost:
$0.003447
Provider:
Google AI Studio

Model input

System
You are an expert and award-winning novel writer in the dark Fantasy genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4418" name="Nyx" aliases="Nyx, the Shadow, Nightwhisper" pronouns="they/them" species="Shade" storyRole="Wild Card"> <eyeColor>faintly glowing violet</eyeColor> <height>approximately 6'2" in solid form</height> <age>ageless</age> <form>humanoid silhouette of living shadow, can shift between solid and incorporeal</form> <voice>sounds like a whisper carried on the wind</voice> <description>A being of living shadow, existing between the mortal plane and the spaces between realms.</description> <backstory>Nyx was once a human sorcerer named Aldric who became trapped between realms during a failed summoning ritual in 1643. They now exist as a Shade, bound to the mortal plane but able to slip between shadows.</backstory> </character> <character id="4424" name="Isolde Varga" aliases="Isolde, the Seer" pronouns="she/her" species="Half-Fae" storyRole="Oracle"> <eyeColor>pale lavender</eyeColor> <hair>silver, reaching her waist</hair> <height>5'5"</height> <age>300 years old</age> <appearance>ethereal, ageless</appearance> <speech>speaks in riddles</speech> <footprints>leaves no footprints when she walks</footprints> <compulsion>cannot lie (Fae compulsion) but can mislead</compulsion> <description>A Half-Fae seer exiled from the Fae Courts for sharing visions with mortals.</description> <backstory>She now lives in a hidden grove in Richmond Park, offering cryptic prophecies to those who seek her out.</backstory> </character> <location id="853" name="Dymas (Gluttony)" aliases="Dymas, gluttony, Dymasian" realm="Hel" sin="Gluttony"> <ruler>Prince Belphegor</ruler> <skyColor>warm amber</skyColor> <description>A place of excess and indulgence. Sprawling vineyards, orchards, and gardens provide exotic ingredients for master chefs — often helbound souls contracted from Earth. Grand feasts and culinary competitions are common.</description> </location> <location id="861" name="The Fae Grove" aliases="Isolde's grove, Richmond grove, the Grove" realm="Earth (Fae-touched)"> <parkLocation>Richmond Park</parkLocation> <standingStones>ancient oak standing stones mark the boundary</standingStones> <timeBehavior>time moves differently — an hour inside can be minutes or days outside</timeBehavior> <flora>wildflowers bloom year-round</flora> <description>A hidden clearing that exists in a pocket between Earth and the Fae realm.</description> </location> <item id="2001" name="Heartstone Pendant" aliases="the pendant, Heartstone" type="Artifact" origin="Dymas"> <gemstoneColor>deep crimson</gemstoneColor> <chainMaterial>silver chain</chainMaterial> <size>roughly the size of a thumbnail</size> <behavior>pulses faintly with warmth when near a Hel portal</behavior> <glow>faint inner glow</glow> <description>Given to Aurora by an unknown benefactor.</description> </item> <item id="2006" name="Fae-Forged Blade" aliases="the Fae blade, Isolde's gift" type="Weapon" origin="The Fae Courts"> <material>moonsilver</material> <shape>slender, leaf-shaped dagger</shape> <temperature>always cold to the touch</temperature> <glow>faintly luminescent in moonlight</glow> <power>can cut through magical wards; particularly effective against demons</power> <givenTo>given to Aurora by Isolde as a gift</givenTo> <description>A weapon of the Fae Courts, rare and highly coveted.</description> </item> <lore id="7001" name="The Veil" aliases="the Veil, the Barrier, the Boundary" category="Cosmology"> <solsticeEffect>weakens during the winter solstice, strengthens during the summer solstice</solsticeEffect> <appearance>faint shimmering distortion visible only to those with supernatural sight</appearance> <monitoring>rift points (tears in the Veil) are monitored by the Wardens</monitoring> <description>The Veil is the metaphysical barrier separating Earth from Hel and the Fae Realms.</description> </lore> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the fantasy genre. A small group enters an ancient, otherworldly place for the first time. The environment is alien and wondrous. Describe their exploration — what they see, hear, and feel as they move deeper. Include moments of discovery, unease, and wonder. Let the world-building emerge through the characters' experience rather than exposition. Use the codex entries above as your world reference for characters, setting, and lore. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The air ripped like old canvas, then sealed itself with a faint, resonant *thrum*. Aurora Carter landed not on her feet, but sprawling onto a carpet of moss so plush it felt like velvet soaked in dew. The Heartstone Pendant, a cool weight beneath her jumper, pulsed with a steady, low warmth against her skin, a beacon in the sudden, profound quiet. Beside her, Nyx didn't stumble. They simply *were*, a shifting column of deeper shadow solidifying from the void they had stepped through. "That was… jarring," Aurora managed, pushing herself up. Her leather jacket squeaked, a jarringly mundane sound in this place. Sunlight, or something like it, filtered through a canopy of ancient, impossibly dark leaves overhead, casting dappled patterns that shifted with a life of their own. The light itself seemed to have a colour – a pale, spectral green, tinged with lavender. "Jarring is the whisper before the scream," Nyx replied, their voice a murmur woven from wind and dust. "This is merely the introduction." Aurora scanned their surroundings, her bright blue eyes wide. They stood in a clearing unlike any she had ever seen. Towering around them were colossal trees with bark like petrified lightning, their branches twisted into impossible, supplicating shapes. And between these titans, like forgotten sentinels, stood immense, moss-draped standing stones, carved with symbols that writhed at the edge of her vision. Wildflowers, audacious splashes of scarlet, sapphire, and gold, bloomed riotously at their bases, nestled amongst ferns whose fronds unfurled like feathered scrolls. It was a riot of life and stone, ancient beyond reckoning, and utterly divorced from the familiar geometry of London. She reached for the pendant again, its crimson depths seeming to drink the strange light. It was this artifact, this inexplicable gift from an unknown hand, that had led her to Nyx, and Nyx to this breach in the world. The warmth intensified, a gentle pressure against her sternum. "Where are we, exactly?" she asked, her voice quieter now, awed despite herself. Nyx turned their indistinct head towards the nearest standing stone. The air around it seemed to waver, like heat haze, yet the stone itself was immovably cold when Aurora reached out a tentative hand. "A place where the roots of the world tangle with the dreams of other worlds. A seam in the tapestry of existence. Some call it the Fae Grove." The name resonated with a strange familiarity, a half-forgotten echo from Isolde's riddles. Richmond Park. A hidden grove. Time moving… differently. Aurora glanced at her wristwatch, a practical, battered thing. The second hand was sweeping at a furious pace, its ticking a frantic drumbeat against the pervasive stillness. Then, as she watched, it faltered, slowed, and then began to drift backwards for a heart-stopping moment before resuming its abnormal haste. "Right," Aurora breathed, retracting her hand from the stone. "Differently." She followed Nyx deeper into the clearing. The standing stones formed a rough circle, and as they moved towards its centre, the flora became even more riotous and peculiar. Flowers bloomed in impossible hues – iridescent purples that seemed to shimmer with captured starlight, luminous oranges that glowed from within as if holding internal embers, and velvety blacks that swallowed the ambient light. Vines festooned with what looked like tiny, crystalline bells, delicate as spun sugar, hung from the branches of the titanic trees. They chimed with an inaudible melody that vibrated deep in Aurora's bones rather than echoing in her ears, a subtle symphony only the soul could perceive. The air grew heavier, sweeter, carrying the potent scent of nectar and something sharp, like ozone after a lightning strike. A butterfly with wings like shattered stained glass, each intricate segment edged in shimmering silver, flitted past Aurora's nose. It was followed by another, and another, their flight paths weaving an intricate, fleeting, silent aurora of insectoid grace. They pulsed with their own internal light, casting tiny, moving rainbows onto the thick, mossy ground. "These are not mortal butterflies," Nyx stated, their form elongating, stretching like smoke towards a particularly ancient oak whose roots snaked across a small, crystal-clear pool. The pool’s surface was unnaturally still, a perfect mirror reflecting the gnarled, skeletal branches above with unnerving clarity. "They are messengers, woven from light and lost wishes, born from the fading memories of realms that no longer exist." Aurora knelt by the pool, her breath catching. The water was colder than ice, yet utterly clear. She could see smooth, grey stones at its bottom, ancient and worn, smoothed by an eternity of unseen currents. As she gazed into the depths, a subtle ripple spread across the surface, not from any external disturbance, but from within. The reflection of the trees above seemed to twist, the branches momentarily morphing into grasping claws, the leaves into leering, sharp-toothed faces. Then, just as quickly, it settled back into serene, innocent stillness. The water was a looking glass, but not for this world. "It's the Veil bleeding through, perhaps?" Aurora murmured, her mind racing. The Veil, the boundary between worlds, weakened during the winter solstice. But this grove existed in its own pocket dimension, its own peculiar time. "The Veil here is less a barrier and more a suggestion," Nyx said, their voice devoid of inflection. "A permeable membrane. This place thrives on what slips through the cracks, what tumbles over the edges." A rustling sound broke the ethereal quiet. It was not the gentle whisper of wind through leaves, but a more deliberate, furtive shuffling. Aurora's hand instinctively went to her side, where the Fae-Forged Blade usually rested, though she had left it back at the flat, a precaution she now regretted. Nyx, however, seemed to notice nothing untoward, their focus drawn to the heart of the grove, where the standing stones formed a dense ring. "Look," Nyx whispered, pointing towards the centre of the stone circle. There, nestled within the protective embrace of the ancient stones, stood an altar. It wasn't carved from conventional rock, but seemed to be a single, enormous crystal, pulsing with a soft, internal luminescence that shifted between violet and deep indigo. Upon it lay a single object: a silver circlet, delicate and intricate, woven with what looked like moonbeams. Aurora felt an irresistible pull towards it, a whisper of power that tugged at her latent magical sense, awakening senses she'd only brushed against before. The Heartstone Pendant around her neck grew noticeably warmer, almost hot now, vibrating against her skin like a frantic heartbeat. "That circlet… it feels like… a key," Aurora said, her voice hushed with a mixture of awe and trepidation. "A key to what? Or perhaps a lock, preventing something from escaping?" Nyx turned their shadowed gaze upon her. Before Aurora could formulate a response, the standing stones around them began to hum. Not the subtle thrum from before, but a deep, vibrating drone that shook the very air. The symbols etched into the ancient rock flared with an internal, sickly green light. The wildflowers at their bases withered instantly, their vibrant colours draining away, leaving behind only brittle, grey husks. The light filtering through the canopy intensified, coalescing into sharp, piercing beams that seemed to follow them. Aurora stumbled back, her senses reeling. The air tasted metallic, like blood and fear. She looked at Nyx, whose form was now contorting, elongating, the shadows within them churning as if in distress or preparation for battle. "Nyx? What's happening?" A guttural sound, like grinding stone, echoed from behind the largest standing stone. It wasn't the whispered voice of Nyx or the wind. It was something ancient, something hungry. The shadows Nyx usually commanded seemed to recoil, as if in fear. And then, from behind the altar, a figure began to emerge. It was tall, impossibly so, its body composed of twisting, sentient vines and sharp, obsidian shards. Its eyes, if they could be called that, were twin points of malevolent amber light that fixed directly on Aurora. A low growl rumbled from its chest, a sound that promised exquisite, drawn-out suffering. The Fae Grove, a place of wonder, had just shown its teeth.
created_at"2026-02-25T01:15:28.586Z" 2/25/2026, 1:15:28 AM
model"google/gemini-2.5-flash-lite"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency1260
moderation_latency(null)
generation_time30727
tokens_prompt5338
tokens_completion4822
native_tokens_prompt5247
native_tokens_completion8450
native_tokens_completion_images0
native_tokens_reasoning6682
native_tokens_cached5084
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"STOP"
usage0.00344714
router(null)
provider_responses
0
endpoint_id"ce839073-aa24-4f29-8358-15b319bd05ec"
is_byokfalse
latency1260
model_permaslug"google/gemini-2.5-flash-lite"
provider_name"Google AI Studio"
status200
api_type"completions"
id"gen-1771982128-eC9NFPDBTfV1zMFMSAWL"
upstream_id(null)
total_cost0.00344714
cache_discount0.00045756
upstream_inference_cost0
provider_name"Google AI Studio"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags10
adverbTagCount0
adverbTags(empty)
dialogueSentences16
tagDensity0.625
leniency1
rawRatio0
effectiveRatio0
85.20% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1351
totalAiIsmAdverbs4
found
0
adverb"utterly"
count2
1
adverb"quickly"
count1
2
adverb"very"
count1
highlights
0"utterly"
1"quickly"
2"very"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
0.00% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1351
totalAiIsms38
found
0
word"velvet"
count1
1
word"weight"
count1
2
word"pulsed"
count2
3
word"warmth"
count2
4
word"beacon"
count1
5
word"profound"
count1
6
word"spectral"
count1
7
word"tinged"
count1
8
word"whisper"
count3
9
word"scanned"
count1
10
word"sentinels"
count1
11
word"familiar"
count1
12
word"depths"
count2
13
word"tapestry"
count1
14
word"resonated"
count1
15
word"echo"
count1
16
word"crystalline"
count1
17
word"vibrated"
count1
18
word"echoing"
count1
19
word"symphony"
count1
20
word"shattered"
count1
21
word"intricate"
count3
22
word"fleeting"
count1
23
word"crystal"
count2
24
word"perfect"
count1
25
word"racing"
count1
26
word"trepidation"
count1
27
word"etched"
count1
28
word"churning"
count1
29
word"echoed"
count1
highlights
0"velvet"
1"weight"
2"pulsed"
3"warmth"
4"beacon"
5"profound"
6"spectral"
7"tinged"
8"whisper"
9"scanned"
10"sentinels"
11"familiar"
12"depths"
13"tapestry"
14"resonated"
15"echo"
16"crystalline"
17"vibrated"
18"echoing"
19"symphony"
20"shattered"
21"intricate"
22"fleeting"
23"crystal"
24"perfect"
25"racing"
26"trepidation"
27"etched"
28"churning"
29"echoed"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells1
narrationSentences82
matches
0"f in fear"
0.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount11
narrationSentences82
filterMatches(empty)
hedgeMatches
0"seemed to"
1"began to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences88
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen33
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans2
markdownWords2
totalWords1353
ratio0.001
matches
0"thrum"
1"were"
97.22% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions9
unquotedAttributions1
matches
0"Then, as she watched, it faltered, slowed, and then began to drift backwards for a heart-stopping moment before resuming…"
84.53% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions44
wordCount1222
uniqueNames13
maxNameDensity1.31
worstName"Aurora"
maxWindowNameDensity2
worstWindowName"Nyx"
discoveredNames
Carter1
Heartstone2
Pendant2
Nyx14
Aurora16
London1
Isolde1
Park1
Veil1
Fae-Forged1
Blade1
Fae2
Grove1
persons
0"Carter"
1"Nyx"
2"Aurora"
3"Blade"
places
0"London"
1"Isolde"
2"Park"
3"Fae"
4"Grove"
globalScore0.845
windowScore1
0.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences75
glossingSentenceCount6
matches
0"felt like velvet soaked in dew"
1"something like it, filtered through a canopy"
2"as if holding internal embers, and velvety blacks that swallowed the ambient light"
3"purples that seemed to shimmer with captured starlight, luminous oranges that glowed from within as if holding internal embers, and velvety blacks that swallowed the ambient light"
4"looked like tiny, crystalline bells, deli"
5"looked like moonbeams"
6"beams that seemed to follow them"
0.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches4
per1kWords2.956
wordCount1353
matches
0"not on her feet, but sprawling onto a carpet of moss so plush it felt like velvet"
1"not from any external disturbance, but from within"
2"not the gentle whisper of wind through leaves, but a more deliberate, furtive shuffling"
3"Not the subtle thrum from before, but a deep, vibrating drone"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences88
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs26
mean52.04
std31.51
cv0.606
sampleLengths
084
161
223
3103
449
513
662
770
810
9130
1054
1164
12101
1335
1435
1574
1611
1758
1845
1919
2019
2179
2237
233
2441
2573
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount1
totalSentences82
matches
0"was followed"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs193
matches(empty)
77.92% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount2
semicolonCount0
flaggedSentences2
totalSentences88
ratio0.023
matches
0"The light itself seemed to have a colour – a pale, spectral green, tinged with lavender."
1"Flowers bloomed in impossible hues – iridescent purples that seemed to shimmer with captured starlight, luminous oranges that glowed from within as if holding internal embers, and velvety blacks that swallowed the ambient light."
86.63% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1227
adjectiveStacks2
stackExamples
0"small, crystal-clear pool."
1"internal, sickly green light."
adverbCount51
adverbRatio0.04156479217603912
lyAdverbCount24
lyAdverbRatio0.019559902200488997
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences88
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences88
mean15.38
std7.1
cv0.462
sampleLengths
014
123
225
35
417
58
611
726
816
918
105
119
1211
1318
1423
1522
1620
1715
1825
199
2013
2110
2224
2328
2413
252
263
272
281
299
3018
3122
329
331
347
3522
3634
3721
3826
3920
4019
4119
4216
4326
4418
4520
468
479
4819
4921
57.95% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats4
diversityRatio0.375
totalSentences88
uniqueOpeners33
84.39% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount2
totalSentences79
matches
0"Then, as she watched, it"
1"Then, just as quickly, it"
ratio0.025
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount19
totalSentences79
matches
0"They simply *were*, a shifting"
1"Her leather jacket squeaked, a"
2"They stood in a clearing"
3"It was a riot of"
4"She reached for the pendant"
5"It was this artifact, this"
6"she asked, her voice quieter"
7"She followed Nyx deeper into"
8"They chimed with an inaudible"
9"It was followed by another,"
10"They pulsed with their own"
11"She could see smooth, grey"
12"It was not the gentle"
13"It wasn't carved from conventional"
14"She looked at Nyx, whose"
15"It wasn't the whispered voice"
16"It was something ancient, something"
17"It was tall, impossibly so,"
18"Its eyes, if they could"
ratio0.241
29.62% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount68
totalSentences79
matches
0"The air ripped like old"
1"Aurora Carter landed not on"
2"The Heartstone Pendant, a cool"
3"They simply *were*, a shifting"
4"Aurora managed, pushing herself up"
5"Her leather jacket squeaked, a"
6"Sunlight, or something like it,"
7"The light itself seemed to"
8"Nyx replied, their voice a"
9"Aurora scanned their surroundings, her"
10"They stood in a clearing"
11"Wildflowers, audacious splashes of scarlet,"
12"It was a riot of"
13"She reached for the pendant"
14"It was this artifact, this"
15"The warmth intensified, a gentle"
16"she asked, her voice quieter"
17"Nyx turned their indistinct head"
18"The air around it seemed"
19"The name resonated with a"
ratio0.861
63.29% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences79
matches
0"Before Aurora could formulate a"
ratio0.013
42.61% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences57
technicalSentenceCount8
matches
0"Sunlight, or something like it, filtered through a canopy of ancient, impossibly dark leaves overhead, casting dappled patterns that shifted with a life of thei…"
1"Flowers bloomed in impossible hues – iridescent purples that seemed to shimmer with captured starlight, luminous oranges that glowed from within as if holding i…"
2"They chimed with an inaudible melody that vibrated deep in Aurora's bones rather than echoing in her ears, a subtle symphony only the soul could perceive."
3"It wasn't carved from conventional rock, but seemed to be a single, enormous crystal, pulsing with a soft, internal luminescence that shifted between violet and…"
4"Aurora felt an irresistible pull towards it, a whisper of power that tugged at her latent magical sense, awakening senses she'd only brushed against before."
5"The light filtering through the canopy intensified, coalescing into sharp, piercing beams that seemed to follow them."
6"She looked at Nyx, whose form was now contorting, elongating, the shadows within them churning as if in distress or preparation for battle."
7"A low growl rumbled from its chest, a sound that promised exquisite, drawn-out suffering."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags10
uselessAdditionCount4
matches
0"Nyx replied, their voice a murmur woven from wind and dust"
1"she asked, her voice quieter now, awed despite herself"
2"Aurora murmured, her mind racing"
3"Nyx said, their voice devoid of inflection"
0.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags8
fancyCount4
fancyTags
0"Aurora breathed (breathe)"
1"Nyx stated (state)"
2"Aurora murmured (murmur)"
3"Nyx whispered (whisper)"
dialogueSentences16
tagDensity0.5
leniency1
rawRatio0.5
effectiveRatio0.5
70.3122%