Run: 2026-03-03-01KJTZTF96F4CCSVWHKBEY04J4

Run Details

Duration:
10.1s
Cost:
$0.003924
Provider:
Google AI Studio

Model input

System
You are an expert and award-winning novel writer in the dark Horror genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <location id="861" name="The Fae Grove" aliases="Isolde's grove, Richmond grove, the Grove" realm="Earth (Fae-touched)"> <parkLocation>Richmond Park</parkLocation> <standingStones>ancient oak standing stones mark the boundary</standingStones> <timeBehavior>time moves differently — an hour inside can be minutes or days outside</timeBehavior> <flora>wildflowers bloom year-round</flora> <description>A hidden clearing that exists in a pocket between Earth and the Fae realm.</description> </location> <item id="2001" name="Heartstone Pendant" aliases="the pendant, Heartstone" type="Artifact" origin="Dymas"> <gemstoneColor>deep crimson</gemstoneColor> <chainMaterial>silver chain</chainMaterial> <size>roughly the size of a thumbnail</size> <behavior>pulses faintly with warmth when near a Hel portal</behavior> <glow>faint inner glow</glow> <description>Given to Aurora by an unknown benefactor.</description> </item> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the horror genre. A character is alone in a strange, isolated place at night. They came here for a reason, but something feels off from the moment they arrive. The wrongness builds slowly — sounds that shouldn't be there, things that move at the edge of vision, a growing certainty that they are not alone. Build tension through restraint, not through gore. Use the codex entries above as your world reference for the character and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
My boots crunched against the frost-covered grass of Richmond Park, the sound deceptively loud in the heavy, unnatural silence. The Heartstone pendant nestled against my sternum felt like a live coal, pulsing a rhythmic heat that thrummed in time with my own racing pulse. I tightened my grip on the delivery bag, the strap digging painfully into my shoulder, but the weight of the forgotten Golden Empress meal felt secondary to the biting apprehension crawling up my spine. "Should have stayed in the flat," I muttered, my voice swallowed instantly by the vast, suffocating dark. Ahead, the ancient oak standing stones loomed like jagged teeth protruding from the earth. I halted. The air changed, shifting from the crisp chill of a London autumn to a thick, humid stillness that smelled of rot and crushed jasmine. Fae-touched. The border between my world and the Grove stood just inches from my nose. I reached out, fingers brushing the rough, lichen-covered surface of the central monolith. A static charge danced across my skin, raising the fine hairs on my arms. "Rory? Is that you?" The voice did not come from the clearing. It came from behind me, echoing from the dense, tangled thicket of the outer woods. It sounded like Eva. Exactly like her. The same airy cadence, the familiar stutter she used when she was nervous. I didn't turn. I knew better. "Eva’s in Islington," I whispered to the cold, dead air. "Stupid," the voice replied, closer now. "Islington is a long way to go for a ghost." A shadow detached itself from the gnarled roots of a nearby yew tree, elongated and wrong. It lacked the jagged edges of a true silhouette. Instead, it draped over the ferns like spilled ink, shifting with a fluid, liquid grace that made my stomach churn. I backed away, my heel catching on a protruding root, and I barely caught my balance before plunging into the inner circle of the stones. The transition hit like a physical blow. One second I stood in the manicured, familiar territory of Richmond, and the next, the world exploded into vibrant, impossible colour. Wildflowers that shouldn't bloom in October carpeted the earth in bioluminescent blues and violets, casting eerie, dancing patterns on the white stone. I wasn't alone. Shapes darted between the trees, pale as bone, quick as dragonflies. They stopped just at the edge of my peripheral vision, hovering, waiting. When I snapped my head toward them, the clearing sat vacant, filled only with the scent of damp moss and the low, throbbing hum of the earth itself. The Heartstone pendant scorched my chest. I pulled the silver chain out, staring as the crimson gem flared with an inner, violent light. It beat rapidly, a panicked metallic rhythm. "Looking for this?" I whipped around. A man—or a creature wearing the shape of one—stood by the entrance stone. He wore a sharp, charcoal-grey suit that looked borrowed from a boardroom, but his skin was the colour of wet slate, and his eyes were voids, lacking even the hint of an iris. He stood perfectly still, his hands clasped behind his back, watching me with a predatory intensity that bypassed every logical defense I had. "The stone belongs to the messenger," I said, my voice steady despite the way my hands trembled inside my pockets. "The messenger is late," he chirped, his head tilting at an angle that suggested a broken neck. "The Empress doesn't like cold food, Carter. Or broken promises." He moved. It wasn't a walk; it was a blink-and-you-miss-it blur. One moment, he stood at the perimeter, the next, he loomed over me, the smell of damp earth and metallic copper radiating from his pores. He didn't touch me, but the sheer malevolence of his proximity pulled the breath from my lungs. "Give it to me," he commanded, his voice a chorus of overlapping whispers. "Eat the noodles first," I spat, shoving the damp takeaway container toward his chest. He stared at the cardboard box, his features twitching. A flicker of genuine confusion crossed his faceless visage. He reached out a long, obsidian-tipped finger and traced the grease stain on the lid. "Garlic," he murmured, tasting the air. "You brought us... garlic." "House special," I lied, stepping back until my shoulder blades hit the rough stone. "Take it, or I leave it on the grass. Your choice." "You are bold for a human," he said, stepping closer, his presence expanding to fill the clearing. "Did you forget where you are, Aurora? The Grove doesn't care for laws. It doesn't care for lawyers. It feeds on the things you’re too afraid to say out loud." The ground beneath us vibrated. I glanced down. The vibrant blue flowers were wilting, turning black, sinking into the soil to reveal pulsating, vein-like structures beneath the surface. The Grove didn't just exist here; it lived. It was hungry. "I’m not afraid," I lied, my voice shaking just enough to betray the truth. "Then why does your heart flutter like a trapped moth?" He laughed, a dry, raspy sound like autumn leaves skittering over pavement. He lunged. I threw myself to the side, my shoulder slamming into the stone. The impact sent a jolt of ice through my arm, numbing my fingers. I scrambled along the base of the monolith, searching for a gap, for anything that didn't end in a wall of rock. The Grove reacted to his movement. Branches whipped down from the canopy, hooking into the ground like gnarled claws, forming a barricade between me and the exit. He hadn't just cornered me; he had invited the forest to participate in the meal. "The pendant," he rasped, his hand darting out to grab my wrist. His grip felt like iron bands, cold and unforgiving. I looked down at my wrist, at the small crescent scar from my childhood, and saw his fingernails biting into the skin beside it. The Heartstone flared, blindingly bright, and a searing wave of heat travelled up the silver chain. He recoiled, his hand smoking where it had brushed the glowing gem. He shrieked—a sound like metal tearing against stone—and the entire clearing shook in sympathy. "Dirty relic," he snarled, backing away as the flora turned toward him, thorns elongating into barbed needles as the Grove shifted its focus. "You don't even know what you carry, girl." I didn't wait for him to recover. I scrambled to my feet, my breath hitching as the ground began to heave. The stones groaned, the ancient oak anchors grinding against the shifting earth. "Rory!" The voice returned, but this time it wasn't behind me. It was everywhere. It echoed from the stones, from the swaying boughs, from the very air I inhaled. A hundred versions of Eva, all screaming, all pleading, pulling at the threads of my focus. I stumbled toward where the entrance should have been, but the trees had knotted together, creating a seamless wall of bark and shadow. A low, guttural growl vibrated through the soles of my shoes. Something large, something that made the ground tremble with every shift of its weight, began to push through the undergrowth behind me. I looked back. The man in the grey suit was gone, but in his place, a mass of shifting, impossible limbs spilled from the treeline, a tangle of ivory bone and dark, glossy fur. It lacked a face, save for a singular, vertical slit that pulsed with the same crimson light as my pendant. The Heartstone felt heavier, pulling me toward the earth. I grasped it, my knuckles white, and turned to face the encroaching dark. There was no way out. The path I’d taken had vanished, replaced by a dense, suffocating wall of thorns. The creature stopped. It tilted its head, mimicking the man’s gesture, and I felt a cold, invasive pressure press against the walls of my mind. It wasn't speaking; it was projecting. Showing me images: a burning flat, a silver key, a name I’d spent years trying to scrub from my memory. "Evan?" I choked out, the name tasting like ash. The creature’s slit widened, revealing row upon row of needle-thin, translucent teeth. It took a slow, deliberate step forward, the earth shattering under its weight. Everything went silent. Even the wind stopped, leaving me alone in the absolute, crushing dark of the Grove with something that remembered exactly what I was trying to forget.
created_at"2026-03-03T23:16:38.34Z" 3/3/2026, 11:16:38 PM
model"google/gemini-3.1-flash-lite-preview-20260303"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency626
moderation_latency(null)
generation_time9999
tokens_prompt4560
tokens_completion2129
native_tokens_prompt4427
native_tokens_completion1878
native_tokens_completion_images0
native_tokens_reasoning0
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"STOP"
usage0.00392375
router(null)
provider_responses
0
endpoint_id"e004ce39-eb0c-4474-93d5-55072e725970"
is_byokfalse
latency626
model_permaslug"google/gemini-3.1-flash-lite-preview-20260303"
provider_name"Google AI Studio"
status200
api_type"completions"
id"gen-1772579798-goi8ertIJWsrg4OZIL6z"
upstream_id(null)
total_cost0.00392375
cache_discount(null)
upstream_inference_cost0
provider_name"Google AI Studio"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags15
adverbTagCount0
adverbTags(empty)
dialogueSentences24
tagDensity0.625
leniency1
rawRatio0
effectiveRatio0
92.90% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1408
totalAiIsmAdverbs2
found
0
adverb"perfectly"
count1
1
adverb"very"
count1
highlights
0"perfectly"
1"very"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
7.67% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1408
totalAiIsms26
found
0
word"silence"
count1
1
word"rhythmic"
count1
2
word"racing"
count1
3
word"pulse"
count1
4
word"weight"
count3
5
word"apprehension"
count1
6
word"loomed"
count2
7
word"chill"
count1
8
word"echoing"
count1
9
word"familiar"
count2
10
word"stomach"
count1
11
word"churn"
count1
12
word"dancing"
count1
13
word"intensity"
count1
14
word"trembled"
count1
15
word"flicker"
count1
16
word"traced"
count1
17
word"vibrated"
count2
18
word"searing"
count1
19
word"echoed"
count1
20
word"pulsed"
count1
highlights
0"silence"
1"rhythmic"
2"racing"
3"pulse"
4"weight"
5"apprehension"
6"loomed"
7"chill"
8"echoing"
9"familiar"
10"stomach"
11"churn"
12"dancing"
13"intensity"
14"trembled"
15"flicker"
16"traced"
17"vibrated"
18"searing"
19"echoed"
20"pulsed"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells2
narrationSentences99
matches
0"was nervous"
1"k in sympathy"
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount2
narrationSentences99
filterMatches(empty)
hedgeMatches
0"began to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences108
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen34
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1404
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions14
unquotedAttributions0
matches(empty)
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions19
wordCount1268
uniqueNames10
maxNameDensity0.39
worstName"Grove"
maxWindowNameDensity1
worstWindowName"Grove"
discoveredNames
Richmond2
Park1
Heartstone4
Golden1
Empress1
Ahead1
London1
Grove5
Eva2
October1
persons
0"Heartstone"
1"Grove"
2"Eva"
places
0"Richmond"
1"Park"
2"London"
globalScore1
windowScore1
86.71% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences79
glossingSentenceCount2
matches
0"felt like a live coal, pulsing a rhythm"
1"felt like iron bands, cold and unforgiv"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1404
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences108
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs43
mean32.65
std20.39
cv0.624
sampleLengths
078
117
255
327
44
543
66
710
816
970
1050
113
1251
1330
143
1572
1620
1727
1853
1913
2014
2133
2210
2325
2447
2539
2614
2722
2849
2942
3012
3149
3226
3331
3433
351
3644
3756
3854
3941
4051
419
4254
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount1
totalSentences99
matches
0"was gone"
80.42% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount4
totalVerbs223
matches
0"were wilting"
1"was projecting"
2"wasn't speaking"
3"was trying"
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount4
semicolonCount4
flaggedSentences6
totalSentences108
ratio0.056
matches
0"A man—or a creature wearing the shape of one—stood by the entrance stone."
1"It wasn't a walk; it was a blink-and-you-miss-it blur."
2"The Grove didn't just exist here; it lived."
3"He hadn't just cornered me; he had invited the forest to participate in the meal."
4"He shrieked—a sound like metal tearing against stone—and the entire clearing shook in sympathy."
5"It wasn't speaking; it was projecting."
76.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1282
adjectiveStacks4
stackExamples
0"rough, lichen-covered surface"
1"sharp, charcoal-grey suit"
2"long, obsidian-tipped finger"
3"needle-thin, translucent teeth."
adverbCount27
adverbRatio0.02106084243369735
lyAdverbCount10
lyAdverbRatio0.0078003120124804995
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences108
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences108
mean13
std7.81
cv0.601
sampleLengths
019
125
234
317
414
52
624
71
814
913
1014
114
128
1315
144
153
1613
173
183
1910
206
2110
2216
239
2420
2525
267
2721
2822
293
3011
3112
3228
336
3417
357
363
373
3813
3933
4023
4120
4217
4310
442
459
4625
4717
4813
4914
48.46% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats11
diversityRatio0.35185185185185186
totalSentences108
uniqueOpeners38
100.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount3
totalSentences95
matches
0"Exactly like her."
1"Instead, it draped over the"
2"Even the wind stopped, leaving"
ratio0.032
0.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount54
totalSentences95
matches
0"My boots crunched against the"
1"I tightened my grip on"
2"I muttered, my voice swallowed"
3"I reached out, fingers brushing"
4"It came from behind me,"
5"It sounded like Eva."
6"I didn't turn."
7"I knew better."
8"I whispered to the cold,"
9"It lacked the jagged edges"
10"I backed away, my heel"
11"I wasn't alone."
12"They stopped just at the"
13"I pulled the silver chain"
14"It beat rapidly, a panicked"
15"I whipped around."
16"He wore a sharp, charcoal-grey"
17"He stood perfectly still, his"
18"I said, my voice steady"
19"he chirped, his head tilting"
ratio0.568
2.11% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount87
totalSentences95
matches
0"My boots crunched against the"
1"The Heartstone pendant nestled against"
2"I tightened my grip on"
3"I muttered, my voice swallowed"
4"The air changed, shifting from"
5"The border between my world"
6"I reached out, fingers brushing"
7"A static charge danced across"
8"The voice did not come"
9"It came from behind me,"
10"It sounded like Eva."
11"The same airy cadence, the"
12"I didn't turn."
13"I knew better."
14"I whispered to the cold,"
15"the voice replied, closer now"
16"A shadow detached itself from"
17"It lacked the jagged edges"
18"I backed away, my heel"
19"The transition hit like a"
ratio0.916
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences95
matches(empty)
ratio0
35.04% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences53
technicalSentenceCount8
matches
0"The Heartstone pendant nestled against my sternum felt like a live coal, pulsing a rhythmic heat that thrummed in time with my own racing pulse."
1"The air changed, shifting from the crisp chill of a London autumn to a thick, humid stillness that smelled of rot and crushed jasmine."
2"I backed away, my heel catching on a protruding root, and I barely caught my balance before plunging into the inner circle of the stones."
3"Wildflowers that shouldn't bloom in October carpeted the earth in bioluminescent blues and violets, casting eerie, dancing patterns on the white stone."
4"He wore a sharp, charcoal-grey suit that looked borrowed from a boardroom, but his skin was the colour of wet slate, and his eyes were voids, lacking even the h…"
5"He stood perfectly still, his hands clasped behind his back, watching me with a predatory intensity that bypassed every logical defense I had."
6"Something large, something that made the ground tremble with every shift of its weight, began to push through the undergrowth behind me."
7"Even the wind stopped, leaving me alone in the absolute, crushing dark of the Grove with something that remembered exactly what I was trying to forget."
25.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags15
uselessAdditionCount3
matches
0"he commanded, his voice a chorus of overlapping whispers"
1"I lied, my voice shaking just enough to betray the truth"
2"he rasped, his hand darting out to grab my wrist"
0.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags13
fancyCount10
fancyTags
0"I muttered (mutter)"
1"I whispered (whisper)"
2"he chirped (chirp)"
3"I spat (spit)"
4"he murmured (murmur)"
5"I lied (lie)"
6"I lied (lie)"
7"He laughed (laugh)"
8"he snarled (snarl)"
9"I choked (choke)"
dialogueSentences24
tagDensity0.542
leniency1
rawRatio0.769
effectiveRatio0.769
71.8099%