Run: 2026-03-06-01KK1GR92GEFCJNTMQCBD9MNQX

Run Details

Duration:
6.9s
Cost:
$0.003550
Provider:
Inception

Model input

System
You are an expert and award-winning novel writer in the dark Romance genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4415" name="Lucien Moreau" aliases="Lucien, Luc, the Frenchman" pronouns="he/him" species="Half-Demon" storyRole="Ally"> <eyeColor>heterochromatic — one amber, one black</eyeColor> <hair>slicked-back platinum blond</hair> <height>5'11"</height> <age>32</age> <cane>ivory-handled cane that conceals a thin blade</cane> <dress>tailored charcoal suits</dress> <description>An impeccably dressed fixer and information broker in London's supernatural underworld. He speaks four languages fluently.</description> <backstory>Born in Marseille to a human mother and a demon father from the realm of Avaros.</backstory> </character> <location id="858" name="Eva's Flat" aliases="Eva's place, the flat on Brick Lane" realm="Earth"> <cat>tabby cat named Ptolemy</cat> <security>three deadbolts on the front door</security> <description>A cramped one-bedroom flat above a curry house on Brick Lane, East London. Every surface is covered with books, scrolls, and research notes.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the romance genre. Two people who parted on complicated terms are forced together again when one shows up unannounced at the other's flat. There's history between them — attraction, hurt, and things left unsaid. Write the scene from the moment the door opens. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The knob turned with a metallic click, and the door swung inward on a gust of stale curry smoke from the shop below. Ptolemy leapt from the windowsill, claws scraping the wooden floor, and vanished into the shadows as a tall figure stepped across the threshold. Aurora stared, her bright blue eyes narrowing. The stranger’s coat brushed the worn rug, leaving faint charcoal marks. He held an ivory‑handled cane, the tip glinting like a hidden blade. The cat’s amber eye met hers for a heartbeat before slipping away. “Lucien,” she said, voice flat, the word hanging between them like a drawn sword. “You’re not supposed to be here.” He tilted his head, the black half of his heterochromatic gaze flickering to the amber. “I’m here because you asked for help,” he replied, his French accent curling the ends of his words. “And because the night refused to stay quiet.” Aurora crossed the kitchen, the scent of fried rice mingling with the metallic tang of the cane. “You know I never ask for anything,” she muttered, grabbing a mug from the shelf. “What do you want?” “Information,” he said, tapping the cane against the wall. “The client who hired you for the courier job—he’s not a simple merchant. He’s a conduit for a demon that feeds on promises broken.” She set the mug down, the porcelain clinking against the tile. “You think he’s after us?” “Think,” he answered, a faint smile tugging at his lips. “You’ve been delivering more than food, Rory. You’ve been delivering secrets.” Aurora’s scar on her left wrist caught the dim light, a crescent mark that reminded her of a childhood accident she rarely mentioned. “You always liked to make things sound… theatrical.” “Only when the truth is already a drama,” Lucien replied, his voice low. “You remember the night at the pier? The fire, the blood, the promise you made to me?” She swallowed, the memory surfacing like a bitter aftertaste. “I didn’t mean to betray you.” “Betrayal is a word the market uses for convenience,” he said, stepping closer. “You walked away, and the demon grew stronger. It feeds on the void you left.” The cat Ptolemy reappeared, rubbing against Aurora’s ankle, its fur warm against her skin. Aurora knelt, feeling the animal’s purr vibrate through her bones. “What do we do?” Lucien’s cane twitched, the hidden blade catching a sliver of light. “We close the conduit before the next moonrise. The ritual requires two bloodlines—your human resolve and my half‑demon heritage.” Aurora stood, the scar on her wrist throbbing as if in rhythm with the ticking clock on the mantelpiece. “You think we can do it without drawing the council’s attention?” “The council is a maze of shadows,” Lucien said, his tone casual but his eyes sharp. “We’ll move through the back alleys, the old tunnels beneath Brick Lane. Their deadbolts won’t stop us.” She glanced at the three deadbolts on the front door, the heavy iron that kept the flat secure. “You’re sure you can get past them?” He lifted his cane, the ivory handle gleaming. “I have a blade that slides like a whisper. The lock will bow to it.” Aurora gave a short laugh, the sound brittle. “You always were a showman, Luc.” “Only when the audience is willing to watch,” he replied, his voice softening. “And you, Aurora, have always been the audience and the performer.” She turned toward the kitchen, the fridge humming, the faint hum of the street outside seeping through the thin walls. “If we’re doing this, we need a plan. The demon’s anchor is in the cellar beneath the curry house. I’ll need a rope, a lantern, and a way to keep the cat from getting into trouble.” Lucien nodded, his cane tapping a quick rhythm on the floorboards. “I’ll fetch the rope from my satchel. The lantern is already in my pocket. As for Ptolemy, I’ll keep him away with a charm.” She raised an eyebrow. “A charm? Since when do you trust charms?” “Since I learned that the demon respects symbols as much as it despises lies,” he said, his voice low, almost a whisper. “And since I have a spare one in my coat.” Aurora moved toward the door, the deadbolts clanking as she lifted them. “If we’re caught, we’ll have to fight. I’m not sure the city’s police will understand a half‑demon with a blade hidden in a cane.” Lucien’s amber eye flickered, a flash of something ancient and dangerous. “The police can’t see what they cannot name. They’ll call it a disturbance, a burglary, a murder. We’ll be ghosts.” She slipped the cane into his hand, feeling the weight of the hidden blade. “Fine. Let’s move.” The cat darted out the back door, disappearing into the night. The hallway smelled of fried spices and damp brick. Aurora and Lucien descended the narrow stairwell, the wooden steps creaking under their weight. The flickering bulb above them sputtered, casting a jittery light that made the shadows dance. “Do you still have the sigil?” Aurora asked, her voice barely above a whisper. He pulled a small parchment from his coat, the ink still fresh. “It’s etched with the ancient script of Avaros. It will bind the demon for the duration of the ritual.” She took the parchment, feeling the rough texture of the paper. “And the blood?” “The blood must be yours and mine,” Lucien said, his breath warm against her cheek. “Your scar is the key. It marks the line between promise and betrayal.” Aurora’s hand trembled as she traced the crescent scar on her wrist. The memory of the accident, the pain, the scar’s reminder of a past she tried to forget surged forward. “I never thought I’d be here again, with you.” Lucien’s black eye softened, the amber flickering like a candle flame. “We never truly left. The world pulls us back when the threads are frayed.” A sudden clatter echoed from the cellar below, a metallic clang that reverberated through the stairwell. The sound was followed by a low, guttural growl that seemed to rise from the very walls. Aurora froze, her heart pounding. “What was that?” Lucien’s cane twitched, the hidden blade sliding out with a soft hiss. “The demon is aware. It’s trying to break the seal.” The floorboards ahead gave way to a narrow doorway, the wood warped by moisture. A faint, oily sheen covered the threshold, and a faint, sulphuric smell wafted out. “Ready?” Aurora asked, voice steady despite the tremor in her hands. He nodded, his cane steady. “Let’s close the loop.” They slipped through the doorway, the darkness swallowing them. The cellar was a low, vaulted space, lit only by the faint glow of Lucien’s lantern. The walls were lined with old barrels, their metal surfaces corroded, the air thick with the scent of fermented rice and something else—something metallic, like blood. In the centre of the room, a stone altar stood, covered in ancient runes that pulsed with a faint, red light. A copper bowl sat atop it, filled with a dark, viscous liquid that seemed to ripple on its own. The demon’s presence surged, a wave of cold that brushed against Aurora’s skin. She felt the scar on her wrist tighten, as if the wound were being pulled open by an unseen force. “Now,” Lucien whispered, his voice barely audible over the low hum of the runes. She lifted her hand, the scar glowing faintly, a blue light emanating from the wound. Lucien pressed his cane against the altar, the hidden blade sinking into the stone, the iron tip sparking. The copper bowl trembled, the liquid inside churning. A guttural howl rose from the depths, echoing off the stone walls, shaking the lantern’s flame. “Hold it steady!” Aurora shouted, gripping the edge of the altar. “Don’t let it break!” Lucien’s eyes flickered, the amber and black swirling like storm clouds. “It’s fighting back,” he said, his voice strained. “The seal is weakening.” The lantern sputtered, the flame guttering. The darkness seemed to close in, the shadows moving like living things. A cold hand brushed Aurora’s cheek, sending a shiver down her spine. “Lucien!” she cried, eyes wide. “The rope—” He reached into his coat, pulling a length of rope, its fibers coarse yet strong. He looped it around the altar, pulling tight. The demon’s howl crescendoed, a deafening roar that reverberated through the cellar. The stone beneath their feet cracked, dust falling like ash. “Now!” Lucien shouted, his voice booming. “Give it the blood!” Aurora pressed her scar against the copper bowl, the blue light flaring, the liquid bubbling violently. The demon’s roar turned into a guttural screech, a sound that seemed to tear at the very air. A sudden flash of light erupted from the altar, blinding them. The sound of shattering glass filled the room, and a scream—high, piercing, and human—cut through the chaos. The lantern went out, plunging them into darkness. The floor beneath Aurora’s feet gave way, a hidden trapdoor swinging open, revealing a yawning abyss below. Lucien’s cane clanged against the stone as he tried to keep his balance. “Hold on!” he shouted, his voice echoing. Aurora felt herself falling, the cold air rushing past her, the scar on her wrist burning like a brand. The last thing she saw before the darkness swallowed her was Lucien’s eyes—half black, half amber—locked onto hers, a silent promise flashing between them. The trapdoor slammed shut, the sound reverberating like a gunshot, and the cellar fell silent, the only remaining echo the faint, metallic ticking of a hidden clock.
created_at"2026-03-06T12:07:58.818Z" 3/6/2026, 12:07:58 PM
model"inception/mercury-2-20260304"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency3013
moderation_latency(null)
generation_time6864
tokens_prompt4556
tokens_completion3752
native_tokens_prompt4031
native_tokens_completion3392
native_tokens_completion_images(null)
native_tokens_reasoning1249
native_tokens_cached6
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0.0035504
router(null)
provider_responses
0
endpoint_id"c2a24e34-c306-4b4d-9e2f-b162c2d8bf0e"
id"chatcmpl-98bbefe0-ff7a-4716-a950-4d2cb07bc08e"
is_byokfalse
latency143
model_permaslug"inception/mercury-2-20260304"
provider_name"Inception"
status200
user_agent"langchainjs-openai/1.0.0 ((node/v24.14.0; linux; x64))"
http_referer(null)
api_type"completions"
id"gen-1772798878-iQXWzs8gTsgbkBy1Bai5"
upstream_id"chatcmpl-98bbefe0-ff7a-4716-a950-4d2cb07bc08e"
total_cost0.0035504
cache_discount0.00000135
upstream_inference_cost0
provider_name"Inception"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags19
adverbTagCount0
adverbTags(empty)
dialogueSentences56
tagDensity0.339
leniency0.679
rawRatio0
effectiveRatio0
87.55% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1606
totalAiIsmAdverbs4
found
0
adverb"barely above a whisper"
count1
1
adverb"truly"
count1
2
adverb"very"
count2
highlights
0"barely above a whisper"
1"truly"
2"very"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
0.37% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1606
totalAiIsms32
found
0
word"glinting"
count1
1
word"porcelain"
count1
2
word"resolve"
count1
3
word"gleaming"
count1
4
word"whisper"
count3
5
word"charm"
count2
6
word"eyebrow"
count1
7
word"flickered"
count2
8
word"weight"
count2
9
word"dance"
count1
10
word"etched"
count1
11
word"trembled"
count2
12
word"traced"
count1
13
word"reminder"
count1
14
word"echoed"
count1
15
word"reverberated"
count2
16
word"pounding"
count1
17
word"pulsed"
count1
18
word"churning"
count1
19
word"depths"
count1
20
word"echoing"
count2
21
word"down her spine"
count1
22
word"the last thing"
count1
23
word"echo"
count1
highlights
0"glinting"
1"porcelain"
2"resolve"
3"gleaming"
4"whisper"
5"charm"
6"eyebrow"
7"flickered"
8"weight"
9"dance"
10"etched"
11"trembled"
12"traced"
13"reminder"
14"echoed"
15"reverberated"
16"pounding"
17"pulsed"
18"churning"
19"depths"
20"echoing"
21"down her spine"
22"the last thing"
23"echo"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences88
matches(empty)
45.45% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount6
narrationSentences88
filterMatches(empty)
hedgeMatches
0"tried to"
1"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences125
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen36
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1599
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions20
unquotedAttributions0
matches(empty)
63.87% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions38
wordCount1103
uniqueNames4
maxNameDensity1.72
worstName"Aurora"
maxWindowNameDensity3
worstWindowName"Aurora"
discoveredNames
French1
Aurora19
Ptolemy2
Lucien16
persons
0"Aurora"
1"Ptolemy"
2"Lucien"
places(empty)
globalScore0.639
windowScore0.667
53.85% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences78
glossingSentenceCount3
matches
0"growl that seemed to rise from the very walls"
1"liquid that seemed to ripple on its own"
2"sound that seemed to tear at the very air"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1599
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount1
totalSentences125
matches
0"runes that pulsed"
73.18% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs59
mean27.1
std11.01
cv0.406
sampleLengths
046
142
220
341
436
533
616
721
831
930
1015
1128
1228
1330
1430
1533
1625
1723
1814
1924
2056
2135
2212
2332
2436
2531
2617
2749
2814
2931
3014
3128
3240
3325
3433
358
3622
3728
3811
399
4051
4140
4233
4314
4433
4524
4615
4723
4830
497
93.30% Passive voice overuse
Target: ≤2% passive sentences
passiveCount3
totalSentences88
matches
0"was followed"
1"were lined"
2"being pulled"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs192
matches(empty)
74.29% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount5
semicolonCount0
flaggedSentences3
totalSentences125
ratio0.024
matches
0"The walls were lined with old barrels, their metal surfaces corroded, the air thick with the scent of fermented rice and something else—something metallic, like blood."
1"The sound of shattering glass filled the room, and a scream—high, piercing, and human—cut through the chaos."
2"The last thing she saw before the darkness swallowed her was Lucien’s eyes—half black, half amber—locked onto hers, a silent promise flashing between them."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1108
adjectiveStacks0
stackExamples(empty)
adverbCount24
adverbRatio0.021660649819494584
lyAdverbCount8
lyAdverbRatio0.007220216606498195
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences125
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences125
mean12.79
std5.99
cv0.468
sampleLengths
023
123
27
311
412
512
614
76
815
918
108
1117
1215
134
149
1524
1611
175
1810
1911
2023
218
2213
2317
249
256
2613
2715
2814
2910
304
3111
3219
3319
3411
3516
3617
3718
387
398
4015
418
426
4313
4411
4520
4636
4711
4824
494
42.00% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats10
diversityRatio0.24
totalSentences125
uniqueOpeners30
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences88
matches(empty)
ratio0
92.73% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount28
totalSentences88
matches
0"He held an ivory‑handled cane,"
1"she said, voice flat, the"
2"He tilted his head, the"
3"he replied, his French accent"
4"she muttered, grabbing a mug"
5"he said, tapping the cane"
6"She set the mug down,"
7"he answered, a faint smile"
8"She swallowed, the memory surfacing"
9"he said, stepping closer"
10"She glanced at the three"
11"He lifted his cane, the"
12"he replied, his voice softening"
13"She turned toward the kitchen,"
14"She raised an eyebrow."
15"he said, his voice low,"
16"She slipped the cane into"
17"He pulled a small parchment"
18"She took the parchment, feeling"
19"He nodded, his cane steady."
ratio0.318
0.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount87
totalSentences88
matches
0"The knob turned with a"
1"Ptolemy leapt from the windowsill,"
2"Aurora stared, her bright blue"
3"The stranger’s coat brushed the"
4"He held an ivory‑handled cane,"
5"The cat’s amber eye met"
6"she said, voice flat, the"
7"He tilted his head, the"
8"he replied, his French accent"
9"Aurora crossed the kitchen, the"
10"she muttered, grabbing a mug"
11"he said, tapping the cane"
12"She set the mug down,"
13"he answered, a faint smile"
14"Aurora’s scar on her left"
15"Lucien replied, his voice low"
16"She swallowed, the memory surfacing"
17"he said, stepping closer"
18"The cat Ptolemy reappeared, rubbing"
19"Aurora knelt, feeling the animal’s"
ratio0.989
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences88
matches(empty)
ratio0
79.08% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences56
technicalSentenceCount5
matches
0"Aurora’s scar on her left wrist caught the dim light, a crescent mark that reminded her of a childhood accident she rarely mentioned."
1"Aurora stood, the scar on her wrist throbbing as if in rhythm with the ticking clock on the mantelpiece."
2"The flickering bulb above them sputtered, casting a jittery light that made the shadows dance."
3"A sudden clatter echoed from the cellar below, a metallic clang that reverberated through the stairwell."
4"Aurora felt herself falling, the cold air rushing past her, the scar on her wrist burning like a brand."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags19
uselessAdditionCount13
matches
0"he replied, his French accent curling the ends of his words"
1"he answered, a faint smile tugging at his lips"
2"Lucien replied, his voice low"
3"Lucien said, his tone casual but his eyes sharp"
4"he replied, his voice softening"
5"he said, his voice low, almost a whisper"
6"Aurora asked, her voice barely above a whisper"
7"Lucien said, his breath warm against her cheek"
8"Aurora asked, voice steady despite the tremor in her hands"
9"he said, his voice strained"
10"she cried, eyes wide"
11"Lucien shouted, his voice booming"
12"he shouted, his voice echoing"
42.86% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags19
fancyCount6
fancyTags
0"she muttered (mutter)"
1"Lucien whispered (whisper)"
2"Aurora shouted (shout)"
3"she cried (cry)"
4"Lucien shouted (shout)"
5"he shouted (shout)"
dialogueSentences56
tagDensity0.339
leniency0.679
rawRatio0.316
effectiveRatio0.214
71.6174%