Run: 2026-03-06-01KK1H56M6BY2KSA3B3SABZ0FM

Run Details

Duration:
7.8s
Cost:
$0.003744
Provider:
Inception

Model input

System
You are an expert and award-winning novel writer in the dark Literary Fiction genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4413" name="Silas Blackwood" aliases="Silas, Si, the Spymaster" pronouns="he/him" species="Human" storyRole="Mentor"> <eyeColor>hazel</eyeColor> <hair>grey-streaked auburn</hair> <height>6'1"</height> <age>58</age> <beard>neatly trimmed, matching his grey-streaked auburn hair</beard> <limp>slight limp in his left leg from an old knee injury</limp> <signetRing>silver signet ring, always worn on his right hand</signetRing> <description>Silas is a retired intelligence operative turned bar owner. He carries himself with quiet authority.</description> <backstory>Former MI6 field agent who retired after a botched operation in Prague left him with a permanent knee injury. He opened "The Raven's Nest" bar in Soho as a front for his network of contacts.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the literary fiction genre. Two old friends who haven't seen each other in years run into each other unexpectedly at a bar. One of them has changed significantly. Through their conversation and the tension between who they were and who they've become, reveal the weight of time and unspoken regret. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
A glass shattered across the polished wood, scattering amber shards onto the floor. Rory steadied the battered delivery bag, the weight of the Golden Empress’s takeout pressing into her forearm, and glanced up. The neon green sign above the doorway flickered, casting a sickly glow over the dim interior of The Raven’s Nest. A low murmur rose from the patrons, punctuated by the clink of glasses and the occasional hiss of a cigarette. Silas stood behind the bar, his grey‑streaked auburn hair catching the light, a silver signet ring glinting on his right hand. His limp shifted his weight onto his left leg as he lifted a glass, his hazel eyes narrowing at the newcomer. “Rory?” he said, voice low, a hint of surprise threading the words. “Silas,” she replied, the name slipping out like a practiced code. “Didn’t expect to find you here.” The bartender, a wiry man with ink‑stained fingers, slid a pint across the bar without a word. The scent of stale beer and old paper mingled with the faint perfume of incense from a corner incense burner. A map of Europe, yellowed and frayed, hung crooked on the wall behind the bar, its edges curling like old parchment. “You’ve changed,” Silas observed, his gaze drifting to the crescent‑shaped scar on her left wrist, a faint line that caught the light as she lifted her hand. “People do,” she answered, the words clipped, efficient. “You’ve always liked the shadows.” Silas chuckled, a dry rasp that seemed to echo off the brick. “Shadows keep secrets safe.” He tapped the back of his hand against the bar, the ring catching the neon glow. “You still deliver for Yu‑Fei?” “Only when the city needs a miracle,” she said, a faint smile tugging at the corner of her mouth. “The Empress’s broth still tastes like home.” Silas leaned forward, his elbow resting on the polished wood, the faint creak of the chair under his weight audible. “You left Cardiff for a reason.” “Evan was a storm,” she replied, voice steady. “You know how it feels to be caught in a gale you can’t outrun.” Silas’s eyes flickered, a brief flash of something unspoken. “I left Prague after the botched one. The knee didn’t heal, but the memories did.” He pressed his thumb against the scar on his own left knee, a faint win.. “The world never forgets a mistake.” A sudden clang echoed from the back of the bar, the sound of a door slamming shut. The secret room behind the bookshelf, a hidden enclave for clandestine meetings, remained dark, its heavy wooden door ajar just enough for a sliver of light to escape. A figure slipped inside, the silhouette barely visible against the gloom. Rory’s eyes narrowed. “What’s that?” she asked, her voice low, the words laced with curiosity and caution. Silas glanced toward the hidden doorway, his hand instinctively moving toward the pocket of his coat. “Old habits die hard,” he murmured. “Some doors stay closed for a reason.” The figure emerged, a woman in a black coat, her hair pulled back into a tight knot. She carried a briefcase, the metal clasp clinking as she moved. Her eyes met Rory’s, a flash of recognition sparking between them. “Eva?” Rory whispered, the name slipping out like a secret. The woman’s lips twitched, a half‑smile forming. “You still call me Eva, Rory? I see you haven’t forgotten the old name.” Rory’s breath caught, the scar on her wrist throbbing as if echoing the pulse of a distant memory. “What are you doing here?” she demanded, the words sharp, edged with accusation. Eva’s gaze shifted to Silas, who stood unmoved, his signet ring catching the neon light. “Business,” she said, voice smooth, rehearsed. “And a little… unfinished business.” Silas’s hand tightened around the bar’s edge, the wood splintering under his grip. “You’re not supposed to be here,” he warned, his tone low, the words measured. Eva lifted the briefcase, the metal latch clicking open. Inside, a stack of photographs lay face down, each image a snapshot of a life that seemed both familiar and alien. She pulled one out, the paper crackling as she turned it over. “Do you remember this?” she asked, holding up a picture of a younger Rory, hair wild, eyes bright, standing beside a man with a grin that could melt steel. Rory stared, the image blurring as tears welled in her eyes. “That was… before.” Silas stepped forward, his limp shifting his weight, his voice a low rumble. “We all have ghosts, Rory. Some wear them on their wrist.” A sudden burst of static crackled through the bar’s old speaker system, the sound of a phone ringing, sharp and insistent. The ringtone cut through the tension, a shrill note that seemed to slice the air. Silas reached for the receiver, his fingers brushing the edge of the bar’s wood. “Silas?” a voice whispered from the other end, breathless. “They’re coming. The package is moving.” Silas’s eyes flicked to the briefcase, then to the hidden door, his mind racing. “What package?” he asked, voice barely a whisper. The voice on the line hissed, “The one you thought you buried. The one that could bring the whole city down.” A sudden crash erupted from the back of the bar as the hidden door slammed shut, the sound reverberating through the cramped space. The figure in the black coat lunged forward, a glint of metal flashing in her hand. Rory’s hand flew to her wrist, the scar throbbing as if alive. “What are you doing?” she shouted, the words tearing through the din. Eva’s eyes narrowed, a cold smile forming. “Saving you, Rory. From the past you can’t outrun.” Silas lunged, his signet ring flashing as he tried to wrest the weapon from Eva’s grasp. The metal clanged against the bar’s wood, a harsh, discordant note. “Enough!” Silas roared, his voice echoing off the walls. “We’re not here to play games.” A sudden, deafening pop cracked the air, a flash of light illuminating the room. The gunfire sent a spray of dust and shattered glass raining down. The neon sign outside flickered, casting a staccato glow over the chaos. Rory staggered back, the delivery bag slipping from her grip, its contents spilling onto the floor – steaming parcels of food, their aromas mingling with the acrid smell of gunpowder. Silas fell to one knee, his limp forcing him onto his side, the ring slipping off his finger and clattering onto the floor. Eva stood motionless, her coat billowing, the briefcase open on the ground, photographs fluttering like wounded birds. A scream rose from the back of the bar, a patron’s voice cracking as the hidden room’s door burst open, a figure silhouetted against the night, a gun raised, eyes wild. The neon green sign sputtered, the light flickering in a rhythm that matched the frantic heartbeat of the room. Rory’s breath hitched, the scar on her wrist pulsing, a reminder of a childhood accident that had once marked her as fragile. Silas stared at the empty space where his ring had lain, the metal glinting in the dying light, a symbol of his past that now seemed as fragile as glass. A sudden, guttural laugh echoed from the shadows, a voice that seemed to belong to no one and everyone at once. The gunfire ceased, replaced by a heavy, oppressive silence that settled over The Raven’s Nest like a thick blanket. Rory’s eyes locked onto Silas’s, the unspoken question hanging between them, weighty and sharp. Silas raised his hand, the movement slow, deliberate, his fingers trembling as they hovered over the empty space where his ring had been. The figure in the black coat raised her own weapon, the barrel pointing directly at the hidden door, the faint outline of a second figure visible through the crack. A sudden, metallic clang rang out as the door’s lock gave way, the hidden room’s interior spilling out into the bar, a flood of darkness swallowing the neon glow. The world tilted, the neon sign sputtering, the sound of a distant siren wailing, growing louder, closer. Rory felt the scar on her wrist flare, a burning reminder that some wounds never truly heal. Silas’s breath came in ragged bursts, his eyes darting between the intruders, the broken glass, the empty space where his ring had slipped. The figure in the black coat whispered, “It’s over.” A sudden, deafening roar of an engine roared outside, the sound of a car screeching to a halt, its headlights slicing through the night. The bar’s back wall shuddered, a hidden panel sliding open, revealing a staircase leading down into darkness. Rory’s heart pounded, the weight of the moment crushing her throat. Silas stared at the staircase, his mind racing, the ghost of his past operation flashing before his eyes. A hand slipped into Rory’s palm, the scar pressing against a cold metal object. The neon sign flickered one last time, then went dark, plunging The Raven’s Nest into an abyss of silence, broken only by the distant echo of a gunshot. The black‑coated figure turned, a smile playing on her lips, as she stepped into the darkness, the door closing behind her with a final, resonant thud. Rory stared at the empty bar, the smell of burnt incense lingering, the taste of copper on her tongue. Silas clenched his fists, his ring gone, his signet ring forgotten, the weight of his past pressing down like a stone. A sudden, sharp crackle of a radio burst through the silence, a voice crackling, “All units, we have a breach at The Raven’s Nest. Proceed with caution.” The bar’s neon sign sputtered back to life for a heartbeat, casting a sickly green glow over the shattered glass and the scar on Rory’s wrist, before fading into darkness. The night outside pressed in, the city’s distant hum a low, ominous drone. Rory’s eyes narrowed, the unspoken question still hanging, the weight of time and regret a palpable force between them. Silas took a step forward, his limp shifting his weight, his breath shallow, the silence broken only by the distant wail of sirens and the soft, steady thrum of a heartbeat that seemed to echo through the empty bar. A sudden, metallic clang rang from the hidden staircase, a door slamming shut, the darkness swallowing whatever lay beyond. The neon green sign flickered once more, a brief flash of light illuminating the shattered glass, the scar, the ring, the empty space where a future once lay. And then, without warning, a deafening explosion ripped through the night, the sound reverberating through the streets, the bar shaking as if the very walls might collapse. Rory’s eyes widened, the scar on her wrist pulsing, the weight of the past crashing into the present. Silas’s hand flew to his head, the pain of the explosion searing his mind, the memory of the botched operation flashing like a broken film. The black‑coated figure emerged from the darkness, a gun still raised, a smile now twisted into something cruel. “Welcome back,” she whispered, the words a promise and a threat. The neon sign sputtered, then flared, casting a harsh, green light over the chaos, the bar’s walls trembling as the night swallowed everything whole. Rory felt the world tilt, the weight of time and regret crushing her chest, the scar on her wrist burning brighter than ever. Silas stared at the doorway, his eyes reflecting the green glow, his mind racing, the signet ring gone, the past a phantom that refused to stay buried. A sudden, deafening crack split the air, a gunshot echoing through the bar, the sound reverberating like a gunshot that seemed to shatter the very fabric of the night. The neon sign flickered, the green light pulsing, the darkness pressing in, the weight of unspoken regret hanging heavy. The bar’s doors burst open, a flood of police officers streaming in, their flashlights cutting through the gloom like knives. Rory’s breath caught, the scar on her wrist throbbing, the weight of the night pressing down. Silas raised his hand, the gesture slow, deliberate, his eyes locked onto the black‑coated figure, the gun still aimed. The figure smiled, a cold, bitter grin, and pulled the trigger. The gunshot rang out, a deafening crack that seemed to split the night in two, the neon sign sputtering, the darkness swallowing everything. The world went black.
created_at"2026-03-06T12:15:02.293Z" 3/6/2026, 12:15:02 PM
model"inception/mercury-2-20260304"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency2291
moderation_latency(null)
generation_time7765
tokens_prompt4618
tokens_completion4319
native_tokens_prompt4011
native_tokens_completion3656
native_tokens_completion_images(null)
native_tokens_reasoning908
native_tokens_cached5
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0.003743625
router(null)
provider_responses
0
endpoint_id"c2a24e34-c306-4b4d-9e2f-b162c2d8bf0e"
id"chatcmpl-b033bfb8-1796-4bca-a072-6ed4135464dc"
is_byokfalse
latency50
model_permaslug"inception/mercury-2-20260304"
provider_name"Inception"
status200
user_agent"langchainjs-openai/1.0.0 ((node/v24.14.0; linux; x64))"
http_referer(null)
api_type"completions"
id"gen-1772799302-gAc8T6X7yEKgZzlCDvk0"
upstream_id"chatcmpl-b033bfb8-1796-4bca-a072-6ed4135464dc"
total_cost0.003743625
cache_discount0.000001125
upstream_inference_cost0
provider_name"Inception"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags23
adverbTagCount0
adverbTags(empty)
dialogueSentences38
tagDensity0.605
leniency1
rawRatio0
effectiveRatio0
92.75% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount2069
totalAiIsmAdverbs3
found
0
adverb"truly"
count1
1
adverb"very"
count2
highlights
0"truly"
1"very"
100.00% AI-ism character names
Target: 0 AI-default names (16 tracked, −20% each)
codexExemptions
0"Blackwood"
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
0.00% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount2069
totalAiIsms60
found
0
word"shattered"
count4
1
word"weight"
count12
2
word"flickered"
count6
3
word"glinting"
count2
4
word"efficient"
count1
5
word"echo"
count3
6
word"unspoken"
count4
7
word"echoed"
count2
8
word"clandestine"
count1
9
word"gloom"
count2
10
word"echoing"
count3
11
word"pulse"
count1
12
word"measured"
count1
13
word"familiar"
count1
14
word"tension"
count1
15
word"flicked"
count1
16
word"racing"
count3
17
word"whisper"
count1
18
word"glint"
count1
19
word"reminder"
count2
20
word"oppressive"
count1
21
word"silence"
count4
22
word"palpable"
count1
23
word"searing"
count1
24
word"streaming"
count1
highlights
0"shattered"
1"weight"
2"flickered"
3"glinting"
4"efficient"
5"echo"
6"unspoken"
7"echoed"
8"clandestine"
9"gloom"
10"echoing"
11"pulse"
12"measured"
13"familiar"
14"tension"
15"flicked"
16"racing"
17"whisper"
18"glint"
19"reminder"
20"oppressive"
21"silence"
22"palpable"
23"searing"
24"streaming"
0.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches7
maxInWindow4
found
0
label"eyes widened/narrowed"
count4
1
label"clenched jaw/fists"
count1
2
label"weight of words/silence"
count1
3
label"flicker of emotion"
count1
highlights
0"eyes narrowed"
1"eyes widened"
2"clenched his fists"
3"the weight of the moment"
4"a flash of recognition"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences111
matches(empty)
52.77% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount7
narrationSentences111
filterMatches(empty)
hedgeMatches
0"seemed to"
1"tried to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences126
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen39
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords2070
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions25
unquotedAttributions0
matches(empty)
83.33% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions58
wordCount1861
uniqueNames8
maxNameDensity1.29
worstName"Silas"
maxWindowNameDensity2.5
worstWindowName"Silas"
discoveredNames
Golden1
Empress1
Raven3
Nest3
Europe1
Silas24
Rory20
Eva5
persons
0"Empress"
1"Raven"
2"Nest"
3"Silas"
4"Rory"
5"Eva"
places
0"Europe"
globalScore0.855
windowScore0.833
0.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences106
glossingSentenceCount7
matches
0"rasp that seemed to echo off the brick"
1"as if echoing the pulse of a distant memory"
2"note that seemed to slice the air"
3"voice that seemed to belong to no one and everyone at once"
4"heartbeat that seemed to echo through the empty bar"
5"gunshot that seemed to shatter the very fabric of the night"
6"crack that seemed to split the night in two, the neon sign sputtering, the darkness swallowing everything"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount2070
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences126
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs84
mean24.64
std13.01
cv0.528
sampleLengths
013
1102
212
317
458
527
613
737
826
926
1022
1145
1256
1317
1429
1539
1610
1721
1831
1926
2027
2142
2229
2314
2424
2550
2615
2722
2821
2939
3024
3116
3227
3315
3438
3530
3623
3717
3831
3919
4022
4130
4221
4319
4414
4523
4629
4729
4817
4917
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount0
totalSentences111
matches(empty)
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs298
matches(empty)
100.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount1
semicolonCount0
flaggedSentences1
totalSentences126
ratio0.008
matches
0"Rory staggered back, the delivery bag slipping from her grip, its contents spilling onto the floor – steaming parcels of food, their aromas mingling with the acrid smell of gunpowder."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1860
adjectiveStacks0
stackExamples(empty)
adverbCount32
adverbRatio0.017204301075268817
lyAdverbCount9
lyAdverbRatio0.004838709677419355
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences126
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences126
mean16.43
std7.45
cv0.453
sampleLengths
013
120
220
320
421
521
612
711
86
917
1020
1121
1227
138
145
1512
1620
175
1819
197
2020
216
228
2314
249
2530
266
2717
2828
2911
303
3114
3216
336
347
3517
3611
3711
3810
397
4014
4118
4213
4315
446
455
4613
4714
489
4921
43.65% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats8
diversityRatio0.2222222222222222
totalSentences126
uniqueOpeners28
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences110
matches(empty)
ratio0
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount19
totalSentences110
matches
0"His limp shifted his weight"
1"he said, voice low, a"
2"she replied, the name slipping"
3"she answered, the words clipped,"
4"He tapped the back of"
5"she said, a faint smile"
6"she replied, voice steady"
7"He pressed his thumb against"
8"she asked, her voice low,"
9"She carried a briefcase, the"
10"Her eyes met Rory’s, a"
11"she demanded, the words sharp,"
12"she said, voice smooth, rehearsed"
13"he warned, his tone low,"
14"She pulled one out, the"
15"she asked, holding up a"
16"he asked, voice barely a"
17"she shouted, the words tearing"
18"she whispered, the words a"
ratio0.173
0.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount108
totalSentences110
matches
0"A glass shattered across the"
1"Rory steadied the battered delivery"
2"The neon green sign above"
3"A low murmur rose from"
4"Silas stood behind the bar,"
5"His limp shifted his weight"
6"he said, voice low, a"
7"she replied, the name slipping"
8"The bartender, a wiry man"
9"The scent of stale beer"
10"A map of Europe, yellowed"
11"Silas observed, his gaze drifting"
12"she answered, the words clipped,"
13"Silas chuckled, a dry rasp"
14"He tapped the back of"
15"she said, a faint smile"
16"Silas leaned forward, his elbow"
17"she replied, voice steady"
18"Silas’s eyes flickered, a brief"
19"He pressed his thumb against"
ratio0.982
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences110
matches(empty)
ratio0
0.00% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences82
technicalSentenceCount17
matches
0"Rory’s breath caught, the scar on her wrist throbbing as if echoing the pulse of a distant memory."
1"Eva’s gaze shifted to Silas, who stood unmoved, his signet ring catching the neon light."
2"Rory staggered back, the delivery bag slipping from her grip, its contents spilling onto the floor – steaming parcels of food, their aromas mingling with the ac…"
3"Eva stood motionless, her coat billowing, the briefcase open on the ground, photographs fluttering like wounded birds."
4"The neon green sign sputtered, the light flickering in a rhythm that matched the frantic heartbeat of the room."
5"A sudden, metallic clang rang out as the door’s lock gave way, the hidden room’s interior spilling out into the bar, a flood of darkness swallowing the neon glo…"
6"A sudden, deafening roar of an engine roared outside, the sound of a car screeching to a halt, its headlights slicing through the night."
7"Silas stared at the staircase, his mind racing, the ghost of his past operation flashing before his eyes."
8"Silas took a step forward, his limp shifting his weight, his breath shallow, the silence broken only by the distant wail of sirens and the soft, steady thrum of…"
9"And then, without warning, a deafening explosion ripped through the night, the sound reverberating through the streets, the bar shaking as if the very walls mig…"
10"Rory’s eyes widened, the scar on her wrist pulsing, the weight of the past crashing into the present."
11"Rory felt the world tilt, the weight of time and regret crushing her chest, the scar on her wrist burning brighter than ever."
12"Silas stared at the doorway, his eyes reflecting the green glow, his mind racing, the signet ring gone, the past a phantom that refused to stay buried."
13"A sudden, deafening crack split the air, a gunshot echoing through the bar, the sound reverberating like a gunshot that seemed to shatter the very fabric of the…"
14"The bar’s doors burst open, a flood of police officers streaming in, their flashlights cutting through the gloom like knives."
15"Rory’s breath caught, the scar on her wrist throbbing, the weight of the night pressing down."
16"The gunshot rang out, a deafening crack that seemed to split the night in two, the neon sign sputtering, the darkness swallowing everything."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags23
uselessAdditionCount15
matches
0"he said, voice low, a hint of surprise threading the words"
1"she replied, the name slipping out like a practiced code"
2"she answered, the words clipped, efficient"
3"He tapped, the ring catching the neon glow"
4"she said, a faint smile tugging at the corner of her mouth"
5"she replied, voice steady"
6"she asked, her voice low, the words laced with curiosity and caution"
7"Rory whispered, the name slipping out like a secret"
8"she said, voice smooth, rehearsed"
9"he warned, his tone low, the words measured"
10"a voice whispered, breathless"
11"he asked, voice barely a whisper"
12"she shouted, the words tearing through the din"
13"Silas roared, his voice echoing off the walls"
14"she whispered, the words a promise and a threat"
0.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags21
fancyCount12
fancyTags
0"Silas observed (observe)"
1"He pressed (press)"
2"he murmured (murmur)"
3"Rory whispered (whisper)"
4"she demanded (demand)"
5"he warned (warn)"
6"a voice whispered (whisper)"
7"the line hissed (hiss)"
8"she shouted (shout)"
9"Silas roared (roar)"
10"the black coat whispered (whisper)"
11"she whispered (whisper)"
dialogueSentences38
tagDensity0.553
leniency1
rawRatio0.571
effectiveRatio0.571
65.7500%