Run: 2026-03-06-01KK1HD0F7Y3E1FXMGTATGX09J

Run Details

Duration:
12.5s
Cost:
$0.010971
Provider:
Inception

Model input

System
You are an expert and award-winning novel writer in the dark Fantasy genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4418" name="Nyx" aliases="Nyx, the Shadow, Nightwhisper" pronouns="they/them" species="Shade" storyRole="Wild Card"> <eyeColor>faintly glowing violet</eyeColor> <height>approximately 6'2" in solid form</height> <age>ageless</age> <form>humanoid silhouette of living shadow, can shift between solid and incorporeal</form> <voice>sounds like a whisper carried on the wind</voice> <description>A being of living shadow, existing between the mortal plane and the spaces between realms.</description> <backstory>Nyx was once a human sorcerer named Aldric who became trapped between realms during a failed summoning ritual in 1643. They now exist as a Shade, bound to the mortal plane but able to slip between shadows.</backstory> </character> <character id="4424" name="Isolde Varga" aliases="Isolde, the Seer" pronouns="she/her" species="Half-Fae" storyRole="Oracle"> <eyeColor>pale lavender</eyeColor> <hair>silver, reaching her waist</hair> <height>5'5"</height> <age>300 years old</age> <appearance>ethereal, ageless</appearance> <speech>speaks in riddles</speech> <footprints>leaves no footprints when she walks</footprints> <compulsion>cannot lie (Fae compulsion) but can mislead</compulsion> <description>A Half-Fae seer exiled from the Fae Courts for sharing visions with mortals.</description> <backstory>She now lives in a hidden grove in Richmond Park, offering cryptic prophecies to those who seek her out.</backstory> </character> <location id="853" name="Dymas (Gluttony)" aliases="Dymas, gluttony, Dymasian" realm="Hel" sin="Gluttony"> <ruler>Prince Belphegor</ruler> <skyColor>warm amber</skyColor> <description>A place of excess and indulgence. Sprawling vineyards, orchards, and gardens provide exotic ingredients for master chefs — often helbound souls contracted from Earth. Grand feasts and culinary competitions are common.</description> </location> <location id="861" name="The Fae Grove" aliases="Isolde's grove, Richmond grove, the Grove" realm="Earth (Fae-touched)"> <parkLocation>Richmond Park</parkLocation> <standingStones>ancient oak standing stones mark the boundary</standingStones> <timeBehavior>time moves differently — an hour inside can be minutes or days outside</timeBehavior> <flora>wildflowers bloom year-round</flora> <description>A hidden clearing that exists in a pocket between Earth and the Fae realm.</description> </location> <item id="2001" name="Heartstone Pendant" aliases="the pendant, Heartstone" type="Artifact" origin="Dymas"> <gemstoneColor>deep crimson</gemstoneColor> <chainMaterial>silver chain</chainMaterial> <size>roughly the size of a thumbnail</size> <behavior>pulses faintly with warmth when near a Hel portal</behavior> <glow>faint inner glow</glow> <description>Given to Aurora by an unknown benefactor.</description> </item> <item id="2006" name="Fae-Forged Blade" aliases="the Fae blade, Isolde's gift" type="Weapon" origin="The Fae Courts"> <material>moonsilver</material> <shape>slender, leaf-shaped dagger</shape> <temperature>always cold to the touch</temperature> <glow>faintly luminescent in moonlight</glow> <power>can cut through magical wards; particularly effective against demons</power> <givenTo>given to Aurora by Isolde as a gift</givenTo> <description>A weapon of the Fae Courts, rare and highly coveted.</description> </item> <lore id="7001" name="The Veil" aliases="the Veil, the Barrier, the Boundary" category="Cosmology"> <solsticeEffect>weakens during the winter solstice, strengthens during the summer solstice</solsticeEffect> <appearance>faint shimmering distortion visible only to those with supernatural sight</appearance> <monitoring>rift points (tears in the Veil) are monitored by the Wardens</monitoring> <description>The Veil is the metaphysical barrier separating Earth from Hel and the Fae Realms.</description> </lore> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the fantasy genre. A small group enters an ancient, otherworldly place for the first time. The environment is alien and wondrous. Describe their exploration — what they see, hear, and feel as they move deeper. Include moments of discovery, unease, and wonder. Let the world-building emerge through the characters' experience rather than exposition. Use the codex entries above as your world reference for characters, setting, and lore. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
Aurora’s breath hissed as she stepped through the shimmering veil. “We’re in the wrong place,” she said, eyes flicking over the strange lattice of light that surrounded them. Nyx’s form rippled, a dark silhouette against the luminescent air. “The shadows breathe here,” it murmured, voice like wind over a canyon. Isolde, the half‑fae seer, appeared beside them, her silver hair trailing like moonlight. “The Veil thins, and the old world leans forward.” Her words hung, a riddle, but the tremor in her voice suggested urgency. The ground beneath their feet was not stone but a living carpet of phosphorescent moss that pulsed in rhythm with their heartbeat. The air smelled of pine and something sweeter, a scent that seemed to echo from deep within the earth. As they moved deeper, the ancient oak standing stones that marked the boundary of the grove rose taller, their bark etched with runes that glimmered faintly. The runes seemed to shift when they glanced away, as if the stones were alive. Aurora’s hand brushed the silver chain of the Heartstone Pendant around her neck. The pendant pulsed, a warm glow that seemed to sync with the pulse of the grove. “It’s reacting to the Veil,” she whispered, a tremor in her voice. The glow intensified, casting a soft light over the moss. Nyx’s shadow elongated, slipping between the stones like a living thing. “The veil’s breath is a tide,” it said, its whisper echoing off the bark. The tide rose, and a low hum rose from the earth, a sound that resonated in their bones. Isolde stepped forward, her silver hair brushing the moss. “The forest remembers,” she said, voice a lilting echo. “It remembers the old songs.” She placed a hand on a stone, and the runes flared, a bright blue light that illuminated the path ahead. The light faded as quickly as it came, leaving a faint afterimage of a figure that seemed to be watching them from the shadows. The figure’s eyes were pale lavender, a mirror of Isolde’s own. “A ghost of the past,” she murmured, a half‑smile playing on her lips. The figure vanished, leaving behind a faint scent of lavender. They followed the illuminated path, the moss beneath their feet softening into a damp, earthy carpet. The air grew colder, and a faint chill ran down Aurora’s spine. “It’s cold,” she said, voice steady. “The forest keeps its secrets.” Nyx’s form flickered, a dark silhouette against the light. “The secrets are shadows,” it whispered, voice like wind over a canyon. The shadows seemed to move, shifting and swirling like a living thing. They moved, a living thing the the the a they. 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a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the. The ground trembled beneath them, a low hum rose, and a shadow slipped from the stone.
created_at"2026-03-06T12:19:18.134Z" 3/6/2026, 12:19:18 PM
model"inception/mercury"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency2201
moderation_latency(null)
generation_time12378
tokens_prompt5338
tokens_completion9126
native_tokens_prompt4682
native_tokens_completion13073
native_tokens_completion_images(null)
native_tokens_reasoning0
native_tokens_cached17
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0.010971425
router(null)
provider_responses
0
endpoint_id"da1082ea-721e-460e-b330-034ae7aefc7f"
id"chatcmpl-bd9998e8-182e-4052-b839-76a53ff2bbc0"
is_byokfalse
latency50
model_permaslug"inception/mercury"
provider_name"Inception"
status200
user_agent"langchainjs-openai/1.0.0 ((node/v24.14.0; linux; x64))"
http_referer(null)
api_type"completions"
id"gen-1772799558-GlEXvzFRcpgEHwiWowAT"
upstream_id"chatcmpl-bd9998e8-182e-4052-b839-76a53ff2bbc0"
total_cost0.010971425
cache_discount0.000003825
upstream_inference_cost0
provider_name"Inception"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags11
adverbTagCount0
adverbTags(empty)
dialogueSentences11
tagDensity1
leniency1
rawRatio0
effectiveRatio0
99.54% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount10825
totalAiIsmAdverbs1
found
0
adverb"quickly"
count1
highlights
0"quickly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
94.46% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount10825
totalAiIsms12
found
0
word"pulsed"
count2
1
word"echo"
count2
2
word"etched"
count1
3
word"pulse"
count1
4
word"whisper"
count1
5
word"echoing"
count1
6
word"resonated"
count1
7
word"chill"
count1
8
word"flickered"
count1
9
word"trembled"
count1
highlights
0"pulsed"
1"echo"
2"etched"
3"pulse"
4"whisper"
5"echoing"
6"resonated"
7"chill"
8"flickered"
9"trembled"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences33
matches(empty)
0.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount5
narrationSentences33
filterMatches(empty)
hedgeMatches
0"seemed to"
0.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences33
gibberishSentences1
adjustedGibberishSentences1
longSentenceCount1
runOnParagraphCount0
giantParagraphCount1
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen10365
ratio0.03
matches
0"The the the a the the a the, the a a they a the, the a a the, the a a the, the a a the, the a a, the a a the, the a a the, the a a the, the a a the, the a a the, the a a the, the a…"
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords10825
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions10
unquotedAttributions0
matches(empty)
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions11
wordCount10772
uniqueNames5
maxNameDensity0.03
worstName"Nyx"
maxWindowNameDensity1
worstWindowName"Nyx"
discoveredNames
Nyx3
Isolde3
Heartstone1
Pendant1
Aurora3
persons
0"Nyx"
1"Aurora"
places
0"Isolde"
globalScore1
windowScore1
0.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences32
glossingSentenceCount4
matches
0"appeared beside them, her silver hair trailing like moonlight"
1"scent that seemed to echo from deep within the earth"
2"glow that seemed to sync with the pulse of the grove"
3"figure that seemed to be watching them from the shadows"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches1
per1kWords0.092
wordCount10825
matches
0"not stone but a living carpet of phosphorescent moss"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences33
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs6
mean1804.17
std3865.29
cv2.142
sampleLengths
085
182
294
3101
410447
516
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount0
totalSentences33
matches(empty)
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs68
matches(empty)
100.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount0
semicolonCount0
flaggedSentences0
totalSentences33
ratio0
matches(empty)
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount10772
adjectiveStacks0
stackExamples(empty)
adverbCount7
adverbRatio0.0006498329001114
lyAdverbCount2
lyAdverbRatio0.0001856665428889714
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences33
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences33
mean328.03
std1774.31
cv5.409
sampleLengths
010
118
210
312
413
522
622
719
826
915
1013
1116
1212
1310
1411
1514
1618
179
189
1925
2024
2111
2213
2310
2416
2512
266
2714
2812
2912
3010
3110365
3216
28.79% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats7
diversityRatio0.2727272727272727
totalSentences33
uniqueOpeners9
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences33
matches(empty)
ratio0
74.55% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount12
totalSentences33
matches
0"she said, eyes flicking over"
1"it murmured, voice like wind"
2"Her words hung, a riddle,"
3"she whispered, a tremor in"
4"it said, its whisper echoing"
5"she said, voice a lilting"
6"She placed a hand on"
7"she murmured, a half‑smile playing"
8"They followed the illuminated path,"
9"she said, voice steady"
10"it whispered, voice like wind"
11"They moved, a living thing"
ratio0.364
0.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount32
totalSentences33
matches
0"Aurora’s breath hissed as she"
1"she said, eyes flicking over"
2"Nyx’s form rippled, a dark"
3"it murmured, voice like wind"
4"Isolde, the half‑fae seer, appeared"
5"Her words hung, a riddle,"
6"The ground beneath their feet"
7"The air smelled of pine"
8"The runes seemed to shift"
9"Aurora’s hand brushed the silver"
10"The pendant pulsed, a warm"
11"she whispered, a tremor in"
12"The glow intensified, casting a"
13"Nyx’s shadow elongated, slipping between"
14"it said, its whisper echoing"
15"The tide rose, and a"
16"Isolde stepped forward, her silver"
17"she said, voice a lilting"
18"She placed a hand on"
19"The light faded as quickly"
ratio0.97
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences33
matches(empty)
ratio0
40.82% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences21
technicalSentenceCount3
matches
0"As they moved deeper, the ancient oak standing stones that marked the boundary of the grove rose taller, their bark etched with runes that glimmered faintly."
1"The tide rose, and a low hum rose from the earth, a sound that resonated in their bones."
2"The light faded as quickly as it came, leaving a faint afterimage of a figure that seemed to be watching them from the shadows."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags11
uselessAdditionCount5
matches
0"it said, its whisper echoing off the bark"
1"She placed, and the runes flared, a bright blue light that illuminated the path ahead"
2"she murmured, a half‑smile playing on her lips"
3"she said, voice steady"
4"Nyx’s form flickered, a dark silhouette against the light"
0.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags8
fancyCount4
fancyTags
0"it murmured (murmur)"
1"she whispered (whisper)"
2"she murmured (murmur)"
3"it whispered (whisper)"
dialogueSentences11
tagDensity0.727
leniency1
rawRatio0.5
effectiveRatio0.5
67.9382%