Run: 2026-03-09-01KK9QEW6P84G81KJMSSMTK7F2

Run Details

Duration:
2m 19s
Cost:
$0.079562
Provider:
OpenAI

Model input

System
You are an expert fiction writer. Always keep the following rules in mind: - Write in past tense and use General English spelling, grammar, and colloquialisms/slang. - Write in active voice - Always follow the "show, don't tell" principle. - Avoid adverbs and cliches and overused/commonly used phrases. Aim for fresh and original descriptions. - Convey events and story through dialogue. - Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. - Skip "he/she said said" dialogue tags and convey people's actions or face expressions through their speech - Avoid mushy dialog and descriptions, have dialogue always continue the action, never stall or add unnecessary fluff. Vary the descriptions to not repeat yourself. - Put dialogue on its own paragraph to separate scene and action. - Reduce indicators of uncertainty like "trying" or "maybe" When writing text: - NEVER conclude the scene on your own, follow the beat instructions very closely. - NEVER end with foreshadowing. - NEVER write further than what I prompt you with. - AVOID imagining possible endings, NEVER deviate from the instructions. - STOP EARLY if the continuation contains what was required in the instructions. You do not need to fill out the full amount of words possible.
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4414" name="Eva Kowalski" aliases="Eva, Evie" pronouns="she/her" species="Human" storyRole="Best Friend"> <eyeColor>green</eyeColor> <hair>curly red</hair> <height>5'4"</height> <age>26</age> <glasses>round glasses</glasses> <satchel>worn leather satchel full of books</satchel> <freckles>freckled complexion</freckles> <nervousHabit>tucking hair behind her left ear</nervousHabit> <description>Aurora's childhood friend and an occult researcher.</description> <backstory>Moved to London two years before Aurora and works as a research assistant at the British Museum's restricted archives. She holds a master's degree in Ancient History from Oxford.</backstory> </character> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> <item id="2004" name="Veil Compass" aliases="the Compass, shadow compass" type="Tool" origin="The Veil Market"> <casingMaterial>small brass compass</casingMaterial> <faceMarkings>face etched with protective sigils</faceMarkings> <needle>points toward the nearest supernatural rift or portal</needle> <patina>casing has a patina of verdigris</patina> <creator>crafted by a Shade artisan</creator> <description>A compass attuned to supernatural energy.</description> </item> </codex> Continue the story using the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the mystery genre. A detective arrives at a crime scene in an unusual location. Something is wrong — the evidence doesn't add up. A colleague is present, offering a different interpretation. Through careful observation and deduction, the detective begins to see what others have missed. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
Detective Harlow Quinn came down the service stairs one hand at a time, palm sliding over the iron rail, boots ringing on metal steps that had not welcomed the public for half a century. The air changed the deeper she went. Camden’s night smell of rain and petrol dropped away. Damp brick took over. Old soot. Wet pennies. Something sweeter underneath, cloying and wrong, as if someone had split a sack of liquorice root and left it to rot. A constable waited on the landing below with a torch clenched in her fist. “Mind the last three steps. They flooded in winter and the concrete broke up.” Quinn stepped over the fractured edge and into a disused ticket hall tiled in cream squares gone the colour of old teeth. The police tape stretched from pillar to pillar. Beyond it, the station opened into a platform lit by scene lamps and the cold white wash of forensic torches. It did not look like any ordinary murder scene. Market stalls stood in crooked rows down the platform, the kind that folded flat, only these had been built from black wood and brass pipe, and several had collapsed as if people had fled so fast they left the bones of the place behind. Glass jars lay smashed on the tiles. Wax had run in pale rivers. Cards, feathers, rusted keys, little stoppered bottles, twisted lengths of chain and bundles of dried plants had been tagged and bagged in neat police evidence tents. The old station roundels had long since been prised off the walls, yet hand-painted signs hung from the beams in their place. One had fallen face down in a puddle. Another swung from a nail, its lettering done in silver leaf. NO BONE TOKEN. NO TRADE. Quinn stopped beneath it. “TfL called this in as squatters?” DS Keane stood near the body with his notebook tucked under one arm. He had broad shoulders, a face built for newspapers, and a tie that never survived a full shift. “Squatters, dealers, lunatics with a flair for set dressing. Pick one.” He glanced around the platform. “Engineers came down after a drain on the service line tripped twice. Found the body, found this carnival, rang us. Uniform locked the street. We’ve got no public access on record, no licence, no fire safety, no nothing.” He offered her a paper overshoe packet. “You’re late.” “You’re early.” Keane snorted and watched her pull the overshoes on over her boots. “Body’s male, mid-thirties to forties. No wallet. No phone. Knife wound to the throat by the look of it. My money’s on a deal that turned sour.” Quinn ducked under the tape and walked onto the platform. Her left wrist brushed the leather strap of her watch as she checked the time out of habit. Twenty-two past one. The second hand moved clean and steady. She looked up at the station clock bolted over the tunnel mouth. Its hands pointed at twelve and did not budge. A forensics photographer squeezed past with a muttered apology. Flash burst against the tunnel tiles and threw the place into hard negative shadows. For a beat the stalls looked occupied. Figures hunched over them. Faces bent. Then the dark settled back into wood and tarpaulin. Keane pointed with his pen. “Victim landed there.” The dead man lay on his back between two stalls, one arm flung out, chin tipped towards the black ceiling. His coat had quality to it, dark wool, hand-stitched seams, now speckled with dust. A pool of blood had spread beneath his neck. Not enough. Even from three paces away Quinn saw that much. She crouched. The man’s skin held its colour. Death had not had long with him. His throat had been opened from left to right with a deep, clean cut. His hands were empty, fingers stiffened around nothing. Under the nails sat a red grit that did not belong on the platform’s grey tiles. Quinn leaned closer to his cuffs. Fine white dust clung to the wool. “Plaster?” A SOCO officer looked up from the next evidence marker. “Brick and lime so far. We’ll confirm.” Keane shifted beside her. “Could’ve been upstairs first. Builders’ yard, derelict wall, one slash, dump him down here for effect.” Quinn touched the edge of the blood pool with a gloved fingertip. Sticky at the centre. A skin had formed at the rim. She looked at the wound again, then at the dead man’s collar. No arterial spray on the lapels. No cast-off on the jaw. The front of the coat wore a few dark flecks, not the fan she expected. The blood had pooled where he lay, but it had not burst from him here. She rose and turned slowly. The tiles around the body had been marked in fluorescent arrows and numbered tents, but the platform still told its own story beneath the tape. Dust lay thick along the wall and under the benches, undisturbed for years. The centre of the platform had been swept by traffic. Hundreds of footfalls had crossed it recently. Some prints stayed clear: heavy work boots from the first responders, scene shoes from forensics. Others had blurred into a single restless smear. Yet around the body the dust sat almost pristine, except for the victim’s heels and the kneeling marks from the paramedic who had confirmed death. Keane followed her gaze. “Crowd pulled back once they saw blood. Not unusual.” “Where are the exit tracks?” He frowned. “Sorry?” “If a crowd pulled back, they left tracks. If one killer ran, he left tracks. I’ve got six officers’ prints on top and nothing under them except stall traffic.” Keane opened his notebook, flipped a page, then shut it again. “There are a dozen ways in and out of a place like this. Utility tunnels. Maintenance shafts. Half of Camden’s built on hidden doors.” “Then someone came through air.” She moved past him to the nearest stall. A label tied to one of the brass uprights read EVIDENCE 14. On the tabletop sat the chalk ghost of a rectangular shape where something had rested before forensics bagged it. Beside it, dried petals had crushed into the grain. Further along she found another sign, overturned and snapped at the middle. Gold paint glimmered through grime. RIFT TOOLS CASH OR FAVOURS Keane saw her reading and rolled his eyes. “Camden does love a costume.” Quinn let that sit. Her gaze had caught on the line of the stall legs instead. Every stall faced the wall, not the tracks. Merchants would have stood with their backs to the platform edge, their goods displayed towards the tiled adverts and the sealed service doors. Towards the wall. She crossed to it. Old posters layered the curve in strips: theatre bills from the nineties, a faded anti-smoking campaign, a peeling map of the Northern line. Someone had pasted newer paper over parts of them, thick black sheets with silver symbols printed in circles and knots. Most had torn when the station crew stormed through. One remained mostly intact at shoulder height. Keane came up behind her. “You’ve got that look.” “What look?” “The one that tells me paperwork’s about to breed.” She ignored him and put her hand an inch from the wall without touching it. Cold pushed off the tiles. Not station cold. Not damp. A sharper chill, dry as cellar air. A constable at the far end rubbed both arms. “Anyone else freezing, or is it just me?” No one answered. No one wanted to own feeling strange down here. Quinn looked back at the body. “Who found him first?” “Two engineers. Briggs and Sutherland. They’re upstairs with uniforms.” “Did they touch anything?” “Briggs checked for a pulse. Sutherland nearly fainted into the tracks. Both swear the market was empty when they came down.” “Stalls up. Goods out. Lamps lit?” “Half the lamps, yes.” Quinn turned. “Lit?” “Battery lanterns and candles.” “And nobody.” “That’s what they said.” She walked back to the body and let her eyes sweep the platform in a slower arc. Scene lamps carved out details the first glance missed. A dropped scarf near the bench. Three candle stubs burnt to saucers. A broken birdcage. A scattering of teeth. Not human. Too small and too many. Near the victim’s right hand, marker 9 sat beside a small brass compass sealed in a clear evidence bag. Verdigris mottled the casing. Protective symbols had been etched around the face so fine they looked machine-cut until the torchlight hit the groove depth. The needle quivered though the bag lay still on flat tile. Quinn held out a hand. “Let me see that.” The SOCO officer hesitated. “Photographed in place already.” “Good.” He passed the bag across. The brass felt colder than it should through the plastic. Quinn tilted it. The needle snapped north, spun, then swung hard towards the wall with the torn black posters. Keane peered over her shoulder. “Cheap trick compass. Magnet behind the tiles.” “There’s no rail current on this platform.” “Wiring in the wall. Old signal box. Something.” Quinn shifted one step left. The needle corrected, still pulling towards the same section of wall. She walked three paces right. Same correction. Not north. Not any fixed direction she could fit into a normal room. The dead man’s empty hand lay two feet from where the compass had been found. “He dropped it?” Keane shrugged. “Looks that way.” “He wasn’t carrying it loose in a coat pocket.” “What makes you so sure?” She crouched again, lowering the bagged compass near the victim’s coat. The needle did not care about the metal buttons. It strained for the wall. “His pockets were turned out after death. Whoever searched him left this beside his hand instead of taking it. Either they missed an object built to catch the eye, or they wanted it found. I don’t like either answer.” Keane rubbed his chin. “Could be one of the stallholder’s bits. Fell when the crowd bolted.” Quinn nodded at the man’s fingers. “Then why has he got verdigris under his nails?” Keane bent. For the first time his expression lost its easy shape. A green smear marked the cuticle of the index finger. Another traced the thumb pad. He looked at the bagged compass, then back at Quinn. “You didn’t mention that.” “You didn’t see it.” She turned the victim’s left sleeve with gentle pressure. A line of bruising marked the wrist, almost a cuff, but not from restraint. More like pressure from carrying something tight against the skin. A strap. A cord. The flesh there stayed pale while the rest of the arm had darkened. “He wore it.” “The compass?” “Or something the same size.” Keane straightened. “All right. He owned the trinket. That still gets us to robbery. Killer slashes him, rummages pockets, drops one item in the rush.” Quinn shook her head. “No rush.” She pointed to the blood. “A throat wound like that throws. Not much if the blade catches low and quick, but enough. Look at the floor. Look at the stall legs. Nothing. He didn’t die where he bled first.” “He could’ve been held from behind. Blade in, body lowered. Cleaner.” “Then where’s the transfer on his shoulders? Where are the grip marks through the coat? Why’s the pool round and centred instead of dragged?” Keane’s jaw worked once. “So someone killed him elsewhere on the platform and laid him here.” “On a crowded platform with no witness, no fleeing steps and half the market left standing?” She rose and walked past the body towards the wall again. At the base of the tiles, almost hidden where a poster had peeled back, sat three dark specks. Blood. Not pooled. Spattered. High impact, tiny and fine. Not from a body on the floor. From a wound opened while the victim stood upright. Quinn crouched and peeled the loose poster edge back with two fingers. Behind it, the tile had cracked in a narrow vertical line. Fresh mortar dust had settled in the groove. The line ran from chest height to the skirting and disappeared behind a rusted enamel advert. She put her face near the crack. The draft touched her cheek. Keane stepped in close. “What is it?” “A door.” “In a tiled wall.” “In a tiled wall.” He gave the crack a flat look. “Hidden access. Fine. Smugglers’ route. That helps my point, not yours.” Quinn pointed at the floor between the body and the wall. No drag marks. No heel scrapes. No smudged blood. “If he came through that opening alive, he took two or three steps and went down. If he came through dead, somebody carried him without leaving a trace. Pick one.” Keane looked from the wall to the compass and back again. The banter had gone. He had started counting in his head now, matching distances, timing, weight. At the far end, one of the uniforms called over. “Ma’am, we found this under the bench.” The constable approached with a gloved hand held out. Resting on the palm sat a small token carved from bone, smooth with age, a hole drilled through one end for a cord. A symbol had been burned into it, the same curling mark printed on the black posters. Quinn took it. The bone felt warm. Keane stared. “Please tell me that’s from an Etsy stall.” Quinn slipped the token beside the bagged compass and watched the needle twitch harder towards the cracked section of wall. On the platform edge, the dead man’s polished shoes reflected the lamps. The soles had a film of pale dust on them. Not station dust. Fine as sifted flour. The same powder sat in the crack, in the bruised cuff, in the seams of the nearby stall tops, as if the whole market had breathed it out. She glanced up at the sign still swinging over the platform. NO BONE TOKEN. NO TRADE. “This wasn’t a pop-up for goths.” Keane folded his arms. “What was it then?” Quinn looked at the sealed wall, the impossible compass, the deserted market left warm enough for candle wax to stay soft, and the body arranged too neatly in the open. “A locked room with a hidden door and a victim who brought his own key.” She handed the compass back to SOCO without taking her eyes off the crack. “Get me Briggs and Sutherland. No one leaves. And fetch a crowbar. We’re opening this wall.”
created_at"2026-03-09T16:39:06.207Z" 3/9/2026, 4:39:06 PM
model"openai/gpt-5.4-20260305"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency52838
moderation_latency(null)
generation_time139297
tokens_prompt1149
tokens_completion3946
native_tokens_prompt1009
native_tokens_completion5136
native_tokens_completion_images0
native_tokens_reasoning2045
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"completed"
usage0.0795625
router(null)
provider_responses
0
endpoint_id"9ff5625c-403f-4d7f-b895-58ac7295062c"
id"resp_032f02daec6a382e0169aef7aa49a88196a380b98a4463f612"
is_byokfalse
latency171
model_permaslug"openai/gpt-5.4-20260305"
provider_name"OpenAI"
status200
user_agent"langchainjs-openai/1.0.0 ((node/v24.14.0; linux; x64))"
http_referer(null)
api_type"completions"
id"gen-1773074346-fv4cNpJYckkYzWMzubEU"
upstream_id"resp_032f02daec6a382e0169aef7aa49a88196a380b98a4463f612"
total_cost0.0795625
cache_discount(null)
upstream_inference_cost0
provider_name"OpenAI"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags1
adverbTagCount1
adverbTags
0"He glanced around [around]"
dialogueSentences69
tagDensity0.014
leniency0.029
rawRatio1
effectiveRatio0.029
97.93% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount2412
totalAiIsmAdverbs1
found
0
adverb"slowly"
count1
highlights
0"slowly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
83.42% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount2412
totalAiIsms8
found
0
word"fractured"
count1
1
word"pristine"
count1
2
word"chill"
count1
3
word"pulse"
count1
4
word"etched"
count1
5
word"quivered"
count1
6
word"traced"
count1
7
word"weight"
count1
highlights
0"fractured"
1"pristine"
2"chill"
3"pulse"
4"etched"
5"quivered"
6"traced"
7"weight"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences191
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount1
hedgeCount0
narrationSentences191
filterMatches
0"watch"
hedgeMatches(empty)
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences259
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen44
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords2412
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions8
unquotedAttributions0
matches(empty)
66.67% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions41
wordCount1764
uniqueNames4
maxNameDensity1.19
worstName"Quinn"
maxWindowNameDensity3
worstWindowName"Keane"
discoveredNames
Harlow1
Quinn21
Keane18
Northern1
persons
0"Harlow"
1"Quinn"
2"Keane"
places(empty)
globalScore0.905
windowScore0.667
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences119
glossingSentenceCount0
matches(empty)
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches1
per1kWords0.415
wordCount2412
matches
0"Not much if the blade catches low and quick, but enough"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount2
totalSentences259
matches
0"saw that much"
1"let that sit"
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs154
mean15.66
std17.9
cv1.143
sampleLengths
079
114
214
350
49
583
641
75
84
96
1031
1154
127
132
142
1512
1627
1710
1849
1945
205
213
2254
232
2451
2513
261
2710
287
294
3016
3135
3241
335
3478
3525
364
379
385
392
401
4129
4211
4324
445
4565
465
478
485
4947
88.73% Passive voice overuse
Target: ≤2% passive sentences
passiveCount9
totalSentences191
matches
0"been built"
1"been tagged"
2"been prised"
3"been opened"
4"been marked"
5"been swept"
6"been etched"
7"been found"
8"been burned"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs288
matches(empty)
100.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount0
semicolonCount0
flaggedSentences0
totalSentences259
ratio0
matches(empty)
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1769
adjectiveStacks0
stackExamples(empty)
adverbCount40
adverbRatio0.022611644997173545
lyAdverbCount5
lyAdverbRatio0.002826455624646693
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences259
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences259
mean9.31
std7.52
cv0.807
sampleLengths
034
17
29
34
42
52
621
714
814
922
108
1120
129
1344
147
156
1626
1722
188
1911
203
212
224
236
2413
2518
2616
2738
287
292
302
3112
3227
3310
3418
353
367
3712
389
399
4014
417
424
432
449
455
463
4720
4814
499
65.25% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats16
diversityRatio0.42857142857142855
totalSentences259
uniqueOpeners111
78.90% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount4
totalSentences169
matches
0"Then the dark settled back"
1"Further along she found another"
2"Too small and too many."
3"More like pressure from carrying"
ratio0.024
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount30
totalSentences169
matches
0"It did not look like"
1"He had broad shoulders, a"
2"He glanced around the platform"
3"He offered her a paper"
4"Her left wrist brushed the"
5"She looked up at the"
6"Its hands pointed at twelve"
7"His coat had quality to"
8"His throat had been opened"
9"His hands were empty, fingers"
10"She looked at the wound"
11"She rose and turned slowly."
12"She moved past him to"
13"Her gaze had caught on"
14"She crossed to it."
15"She ignored him and put"
16"She walked back to the"
17"He passed the bag across."
18"She walked three paces right."
19"She crouched again, lowering the"
ratio0.178
100.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount119
totalSentences169
matches
0"Detective Harlow Quinn came down"
1"The air changed the deeper"
2"Camden’s night smell of rain"
3"Something sweeter underneath, cloying and"
4"A constable waited on the"
5"Quinn stepped over the fractured"
6"The police tape stretched from"
7"It did not look like"
8"Glass jars lay smashed on"
9"Wax had run in pale"
10"The old station roundels had"
11"Another swung from a nail,"
12"Quinn stopped beneath it."
13"DS Keane stood near the"
14"He had broad shoulders, a"
15"He glanced around the platform"
16"He offered her a paper"
17"Keane snorted and watched her"
18"Quinn ducked under the tape"
19"Her left wrist brushed the"
ratio0.704
29.59% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences169
matches
0"Even from three paces away"
ratio0.006
100.00% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences74
technicalSentenceCount4
matches
0"Something sweeter underneath, cloying and wrong, as if someone had split a sack of liquorice root and left it to rot."
1"Market stalls stood in crooked rows down the platform, the kind that folded flat, only these had been built from black wood and brass pipe, and several had coll…"
2"Under the nails sat a red grit that did not belong on the platform’s grey tiles."
3"The same powder sat in the crack, in the bruised cuff, in the seams of the nearby stall tops, as if the whole market had breathed it out."
100.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags1
uselessAdditionCount0
matches(empty)
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags0
93.6824%