Run: 2026-03-09-01KK9QJM0AVZEZ0A2P407QK946

Run Details

Duration:
2m 51s
Cost:
$0.100892
Provider:
OpenAI

Model input

System
You are an expert fiction writer. Always keep the following rules in mind: - Write in past tense and use General English spelling, grammar, and colloquialisms/slang. - Write in active voice - Always follow the "show, don't tell" principle. - Avoid adverbs and cliches and overused/commonly used phrases. Aim for fresh and original descriptions. - Convey events and story through dialogue. - Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. - Skip "he/she said said" dialogue tags and convey people's actions or face expressions through their speech - Avoid mushy dialog and descriptions, have dialogue always continue the action, never stall or add unnecessary fluff. Vary the descriptions to not repeat yourself. - Put dialogue on its own paragraph to separate scene and action. - Reduce indicators of uncertainty like "trying" or "maybe" When writing text: - NEVER conclude the scene on your own, follow the beat instructions very closely. - NEVER end with foreshadowing. - NEVER write further than what I prompt you with. - AVOID imagining possible endings, NEVER deviate from the instructions. - STOP EARLY if the continuation contains what was required in the instructions. You do not need to fill out the full amount of words possible.
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4414" name="Eva Kowalski" aliases="Eva, Evie" pronouns="she/her" species="Human" storyRole="Best Friend"> <eyeColor>green</eyeColor> <hair>curly red</hair> <height>5'4"</height> <age>26</age> <glasses>round glasses</glasses> <satchel>worn leather satchel full of books</satchel> <freckles>freckled complexion</freckles> <nervousHabit>tucking hair behind her left ear</nervousHabit> <description>Aurora's childhood friend and an occult researcher.</description> <backstory>Moved to London two years before Aurora and works as a research assistant at the British Museum's restricted archives. She holds a master's degree in Ancient History from Oxford.</backstory> </character> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> <item id="2004" name="Veil Compass" aliases="the Compass, shadow compass" type="Tool" origin="The Veil Market"> <casingMaterial>small brass compass</casingMaterial> <faceMarkings>face etched with protective sigils</faceMarkings> <needle>points toward the nearest supernatural rift or portal</needle> <patina>casing has a patina of verdigris</patina> <creator>crafted by a Shade artisan</creator> <description>A compass attuned to supernatural energy.</description> </item> </codex> Continue the story using the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the mystery genre. A detective arrives at a crime scene in an unusual location. Something is wrong — the evidence doesn't add up. A colleague is present, offering a different interpretation. Through careful observation and deduction, the detective begins to see what others have missed. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The old station sat beneath Camden like a rotten tooth left in the jaw. Harlow Quinn came down the service stairs with one hand on the rail and her torch cutting a pale tunnel through the dark. Rust flaked beneath her palm. Water tapped somewhere below, steady as a metronome. Halfway down, the air changed. The city smell thinned out. Damp brick took over, mixed with hot metal, candle wax, and something sharper that scraped the back of her throat. Blue forensic lamps turned the ticket hall ghostly. Police tape ran between two dead turnstiles. Beyond them, the tiled corridor opened on to a platform that London had forgotten decades ago. Faded adverts clung to the curved walls in strips. A woman in a 1970s lipstick smile sold cigarettes no one had made in years. A crooked enamel sign still promised WAY OUT with an arrow towards a bricked-up arch. DS Colin Reed stood near the platform edge with his hands buried in his overcoat. His tie had slipped sideways. Grey grit marked one knee where he’d knelt by the body. “You picked a cheerful one.” Harlow stepped under the tape without looking at him. “Brief me.” “Male. Mid-thirties, give or take. No wallet, no phone, no ID. Stab wound to the chest. Transport workers found him forty minutes ago when they came down to check a report of power theft. No train line down here for years, so that already smelled off.” He glanced around the station. “Looks like some underground market or rave. Tables were here.” He pointed at clean rectangles in the dust. “Candles, crates, all that dramatic nonsense. Someone got lively. Someone else ended up dead.” Harlow stopped three paces from the body. He lay on his back between the yellow line and a pillar striped with old soot. Expensive coat. Dark wool, tailored shoulders, one horn button hanging by a thread. Black hair matted to his forehead. Mouth open. One hand splayed flat on the tile, the other clenched around something pale. Blood had soaked through his shirt beneath the coat, but the pool under him looked mean, almost neat, a dinner-plate stain on cracked cream tiles. Not enough. She crouched. Her leather watch creaked against her wrist as she planted her hand on her knee. “Who rolled him?” “No one.” “Good.” She let her torch travel over him. Shoes polished. Soles clean except for a paste of white dust gathered in the tread. Not station dust. Too fine. His right cuff sat higher than the left, exposing a watch tan and no watch. A silver signet ring still sat on his smallest finger. Not a mugging, then, unless the thief had lost interest halfway through. A SOCO in a paper suit hovered behind her. “Core temperature’s still high. He hasn’t been here long.” Harlow nodded. Her gaze dropped to the blood again. The wound sat just below the sternum, a narrow slit in the shirt and coat, almost precise. She leaned closer. The fibres around the cut had folded inward. No tearing. No frantic motion. The shirtfront carried a dark bloom, but the blood hadn’t run the way it should have if he’d been upright when the blade went in. Reed shifted beside her. “Could’ve bled inside.” “He didn’t.” She pointed with her pen. “If he took that wound standing here, I’d have spray on the coat, cast-off on the tiles, something on the pillar. Instead I’ve got seepage. He leaked after he was laid down.” Reed pulled a face. “So he was stabbed somewhere else and dumped. Same ending.” Harlow looked at the dead man’s hand. “Open that fist for me.” The SOCO crouched, peeled back stiff fingers, and revealed a small token the size of a pound coin. Bone, polished smooth from use. One side bore a drilled hole plugged with tarnished wire. The other had a mark carved into it, a crescent crossed by three short lines. Reed took one look. “Poker chip from a goth casino.” Harlow held out her gloved palm. The technician placed the token there. It felt heavier than it looked. Old, dense, oily with the heat of his grip. “Bag it.” She rose and turned in a slow circle. The platform had hosted a crowd. That much sat in the floor. Dust-free islands marked where stalls or tables had stood in two orderly rows. Wax freckles dotted the tile between them. Someone had chalked numbers on the base of the pillars: 4, 7, 11, 16. They hadn’t hosted a rave. No beer cans. No cigarette ends. No foil. No discarded masks, flyers, lighters, glow sticks, needles. Whatever gathered here had packed its rubbish and taken it. Order. Rules. Her eyes settled on the far wall where an old map of the Underground hung behind cloudy glass. A black smear marked the frame, like someone had snuffed a greasy hand across it. Beneath it, three short lines and a crescent had been drawn in pale chalk. The same mark as the token. Reed followed her line of sight. “Cult, then. Happy?” “Cults leave a mess. This looked invoiced.” He gave a tired snort. “You hear yourself?” Harlow walked to the first clean rectangle on the floor. The edge of it cut sharp through the grime. Recent. She knelt again, touched a wax drip, and found it still faintly soft. “Station’s been dead for years. Dust should’ve settled over this by now.” “Market last night. That fits.” “It fits until you look at the exits.” She straightened and pointed. One tunnel mouth yawned beyond the platform, black and dripping. The other had been sealed with corrugated metal and a chain older than either of them. The service stairs behind them formed the only obvious route in and out. “You’ve got space for, what, thirty people down here? Forty? They all leave in a hurry after a killing, and no one kicks over a candle, drops a phone, smears a footprint through the wax, nothing?” Reed spread his hands. “Careful criminals. You’ll be thrilled.” She crossed to the body again and looked at his shoes. The clean white dust in the soles pulled at her. “Lift him enough for me to see underneath. Two inches.” The SOCO glanced at Reed. Reed gave a shrug. Together they raised the corpse just off the floor. The tile beneath his shoulders wore a skin of dust as smooth as old icing. No smear. No drag. No scuffle marks. Only two compressed patches under his heels where someone had lowered him with care. “Back down.” They eased him into place. Reed blew out a breath through his nose. “All right. Dumped.” “Carried.” “That changes my paperwork, not the murder.” Harlow ignored him and searched the body’s face. There it was. Black grit clung to the inside of his lower lip. More sat in the nostrils. Soot, but finer than soot from candles. Almost silky. She looked up at the curved ceiling. No smoke bloom above him. No burn damage nearby. “What’s with the ash?” The technician checked her notes. “In the mouth and nose only. Nothing obvious on the hair or coat.” “He inhaled it.” “From what?” “That’s what I’m asking.” Reed rocked back on his heels. “Generator fumes. Braziers. Christ, Harlow, not every odd thing is a code.” The smell in the air sharpened again as she moved towards the bricked arch marked WAY OUT. Ozone. Hot pennies. Her jaw tightened before she could stop it. Three years had passed and her body still remembered a warehouse in Deptford, Morris on the floor, scorch marks where no fire had burned. She crouched at the base of the arch. The mortar between the bricks looked wrong. Fresh in a patch no wider than a suitcase. One corner held a crescent scrape in the dust, as if something metal had knocked against it. “Hm.” Reed came over. “What now?” She held her torch low. On the floor by the wall, almost invisible unless the light skimmed it, ran a half-moon of disturbed dust. Not a footprint. A sweep. Hinged movement. She tapped the brick with her knuckle. Solid. Two bricks over, the sound changed. Hollow. Thin. Reed heard it too. His shoulders shifted. “There’s a service cavity behind some of these old walls.” “Then why plaster the front like a stage set?” He rubbed the back of his neck. “Squatters hid a stash.” Harlow stood and turned back to the body. “Search his pockets again. Slowly.” The SOCO went through them piece by piece. Coat pockets empty. Trouser pockets empty. Inside breast pocket—her gloved fingers paused, then produced a small brass compass with a green bloom of verdigris around the hinge. Reed barked a laugh. “There’s your cult. Fancy dress navigator.” Harlow took it. The casing sat cold in her palm. Sigils ringed the face instead of ordinary markings, scratched with a craftsman’s patience. The needle quivered so hard it clicked against the glass. She angled it away from the wall. The needle swung back towards the bricked arch. She turned her body until she faced the platform. The needle still pointed behind her shoulder, at the wall. Reed frowned. “It’s magnetised.” “By what?” He looked around at rusted track, cables, metal beams. “All this.” Harlow pulled her own phone from her pocket and opened the compass app. North sat off to the left, steady and dull. She held the brass compass beside it. Its needle trembled, then fixed once more on the bricked arch. The SOCO leaned in. “That’s not north.” “No.” Reed folded his arms. “Novelty tat.” She flipped the compass closed, then opened it again. The needle snapped back to the same point with the hunger of a dog on a lead. The carved sigils on its face matched the chalk mark on the wall and the token from the dead man’s hand. “Novelty tat doesn’t earn a hidden pocket.” She stepped towards the bricked arch, the compass held chest-high. The needle steadied as she neared the patched mortar. It stopped dead over the hollow section. Reed’s mouth thinned. “You know what this looks like?” “Yes.” “It looks like you’re letting grief write your case notes.” The words hung between them. The station seemed to hold its breath. Harlow looked at the wall, not at him. “Grief made me sloppy for six months. Then it made me careful.” She pointed at the corpse with the compass. “He carried this because it took him somewhere specific. He grabbed that token because he needed entry to something with rules. He got dressed after he died or close enough to make no difference, and whoever moved him set him here by a false wall in a cleaned-out market that left no ordinary trace. That wound is theatre.” Reed opened his mouth. She cut across him. “Look at the shirt. Buttoned wrong at the collar. Whoever put his coat back on missed it. Look at the soles. White brick dust, fresh, same colour as the mortar in that patch, but there’s none on the route from the stairs. He didn’t walk in through our only entrance. He came through there or died trying.” Reed stared at the wall for a long moment. The set of his jaw changed first. Then his eyes. “You think there’s a door.” “I think there was.” She crouched and ran her torch over the floor once more. A single print emerged in the skim of dust beside the arch, almost erased, narrow heel, deep toe, as if the person had pivoted hard. Not police issue. Not the victim’s polished shoe. Near it sat another wax droplet, black this time, and a pinch of coarse salt worked into the grout line. Market. Token. Compass. Hidden passage. Body placed as a message or a payment. She rose. “Get me station plans from every decade they’ve got. Original build, refits, wartime conversions, the lot. I want the wall photographed, scanned, and opened, and no one puts a crowbar through it until I’ve had a structural engineer down here.” Reed looked back at the platform and all its careful absences. “And the scene?” Harlow slipped the compass into an evidence bag and held it up. The needle still strained at the arch like it wanted to burrow through. “This isn’t a dump site.” She met Reed’s eyes. “This is the entrance.”
created_at"2026-03-09T16:41:08.883Z" 3/9/2026, 4:41:08 PM
model"openai/gpt-5.4-20260305"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency100824
moderation_latency(null)
generation_time171332
tokens_prompt1149
tokens_completion4435
native_tokens_prompt1009
native_tokens_completion6558
native_tokens_completion_images0
native_tokens_reasoning3896
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"completed"
usage0.1008925
router(null)
provider_responses
0
endpoint_id"9ff5625c-403f-4d7f-b895-58ac7295062c"
id"resp_0914c7c7f609fcec0169aef824f56c819692c0f5df2c7cd118"
is_byokfalse
latency200
model_permaslug"openai/gpt-5.4-20260305"
provider_name"OpenAI"
status200
user_agent"langchainjs-openai/1.0.0 ((node/v24.14.0; linux; x64))"
http_referer(null)
api_type"completions"
id"gen-1773074468-ZiTnlzfLYTdr4uD2rXUe"
upstream_id"resp_0914c7c7f609fcec0169aef824f56c819692c0f5df2c7cd118"
total_cost0.1008925
cache_discount(null)
upstream_inference_cost0
provider_name"OpenAI"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags1
adverbTagCount0
adverbTags(empty)
dialogueSentences61
tagDensity0.016
leniency0.033
rawRatio0
effectiveRatio0
97.57% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount2058
totalAiIsmAdverbs1
found
0
adverb"slowly"
count1
highlights
0"slowly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
92.71% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount2058
totalAiIsms3
found
0
word"quivered"
count1
1
word"trembled"
count1
2
word"scanned"
count1
highlights
0"quivered"
1"trembled"
2"scanned"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences188
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount1
hedgeCount1
narrationSentences188
filterMatches
0"watch"
hedgeMatches
0"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences248
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen59
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords2057
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions1
unquotedAttributions0
matches(empty)
83.33% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions44
wordCount1504
uniqueNames10
maxNameDensity1.33
worstName"Reed"
maxWindowNameDensity2.5
worstWindowName"Reed"
discoveredNames
Camden1
Quinn1
London1
Colin1
Reed20
Harlow13
Underground1
Deptford1
Morris1
One4
persons
0"Camden"
1"Quinn"
2"Colin"
3"Reed"
4"Harlow"
5"Underground"
6"Morris"
7"One"
places
0"London"
1"Deptford"
globalScore0.835
windowScore0.833
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences113
glossingSentenceCount0
matches(empty)
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount2057
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences248
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs135
mean15.24
std18.11
cv1.189
sampleLengths
014
166
270
331
45
59
62
746
85
932
107
1175
122
1317
143
152
161
1764
189
199
2067
214
223
232
245
2532
264
2710
287
295
3048
314
326
3327
342
358
3677
372
3847
396
406
413
427
435
443
4533
4612
475
488
4943
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount2
totalSentences188
matches
0"been drawn"
1"been sealed"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs242
matches(empty)
100.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount1
semicolonCount0
flaggedSentences1
totalSentences248
ratio0.004
matches
0"Inside breast pocket—her gloved fingers paused, then produced a small brass compass with a green bloom of verdigris around the hinge."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1510
adjectiveStacks0
stackExamples(empty)
adverbCount46
adverbRatio0.030463576158940398
lyAdverbCount6
lyAdverbRatio0.003973509933774834
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences248
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences248
mean8.29
std7.93
cv0.956
sampleLengths
014
123
25
38
45
55
620
78
87
916
109
1115
1215
1315
145
1511
165
179
182
1946
205
2118
2214
237
2416
252
2611
276
282
2913
3025
312
322
3315
343
352
361
377
382
3913
403
412
4215
4310
4412
459
469
472
487
4917
68.41% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats12
diversityRatio0.43951612903225806
totalSentences248
uniqueOpeners109
62.50% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount3
totalSentences160
matches
0"Only two compressed patches under"
1"More sat in the nostrils."
2"Then his eyes."
ratio0.019
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount38
totalSentences160
matches
0"His tie had slipped sideways."
1"He glanced around the station."
2"He pointed at clean rectangles"
3"He lay on his back"
4"Her leather watch creaked against"
5"She let her torch travel"
6"His right cuff sat higher"
7"Her gaze dropped to the"
8"She leaned closer."
9"She pointed with her pen."
10"It felt heavier than it"
11"She rose and turned in"
12"They hadn’t hosted a rave."
13"Her eyes settled on the"
14"He gave a tired snort."
15"She knelt again, touched a"
16"She straightened and pointed."
17"She crossed to the body"
18"They eased him into place."
19"She looked up at the"
ratio0.238
88.12% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount119
totalSentences160
matches
0"The old station sat beneath"
1"Harlow Quinn came down the"
2"Rust flaked beneath her palm."
3"Water tapped somewhere below, steady"
4"Halfway down, the air changed."
5"The city smell thinned out."
6"Police tape ran between two"
7"A woman in a 1970s"
8"A crooked enamel sign still"
9"DS Colin Reed stood near"
10"His tie had slipped sideways."
11"Harlow stepped under the tape"
12"He glanced around the station."
13"He pointed at clean rectangles"
14"Harlow stopped three paces from"
15"He lay on his back"
16"Blood had soaked through his"
17"Her leather watch creaked against"
18"She let her torch travel"
19"Soles clean except for a"
ratio0.744
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences160
matches(empty)
ratio0
100.00% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences57
technicalSentenceCount1
matches
0"A single print emerged in the skim of dust beside the arch, almost erased, narrow heel, deep toe, as if the person had pivoted hard."
100.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags1
uselessAdditionCount0
matches(empty)
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags0
93.0885%