Run: 2026-03-11-01KKFCAPNYH199FA7CKSMRXKT8

Run Details

Duration:
23.9s
Cost:
$0.000000
Provider:
Stealth

Model input

System
You are an expert fiction writer. Always keep the following rules in mind: - Write in past tense and use General English spelling, grammar, and colloquialisms/slang. - Write in active voice - Always follow the "show, don't tell" principle. - Avoid adverbs and cliches and overused/commonly used phrases. Aim for fresh and original descriptions. - Convey events and story through dialogue. - Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. - Skip "he/she said said" dialogue tags and convey people's actions or face expressions through their speech - Avoid mushy dialog and descriptions, have dialogue always continue the action, never stall or add unnecessary fluff. Vary the descriptions to not repeat yourself. - Put dialogue on its own paragraph to separate scene and action. - Reduce indicators of uncertainty like "trying" or "maybe" When writing text: - NEVER conclude the scene on your own, follow the beat instructions very closely. - NEVER end with foreshadowing. - NEVER write further than what I prompt you with. - AVOID imagining possible endings, NEVER deviate from the instructions. - STOP EARLY if the continuation contains what was required in the instructions. You do not need to fill out the full amount of words possible.
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4414" name="Eva Kowalski" aliases="Eva, Evie" pronouns="she/her" species="Human" storyRole="Best Friend"> <eyeColor>green</eyeColor> <hair>curly red</hair> <height>5'4"</height> <age>26</age> <glasses>round glasses</glasses> <satchel>worn leather satchel full of books</satchel> <freckles>freckled complexion</freckles> <nervousHabit>tucking hair behind her left ear</nervousHabit> <description>Aurora's childhood friend and an occult researcher.</description> <backstory>Moved to London two years before Aurora and works as a research assistant at the British Museum's restricted archives. She holds a master's degree in Ancient History from Oxford.</backstory> </character> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> <item id="2004" name="Veil Compass" aliases="the Compass, shadow compass" type="Tool" origin="The Veil Market"> <casingMaterial>small brass compass</casingMaterial> <faceMarkings>face etched with protective sigils</faceMarkings> <needle>points toward the nearest supernatural rift or portal</needle> <patina>casing has a patina of verdigris</patina> <creator>crafted by a Shade artisan</creator> <description>A compass attuned to supernatural energy.</description> </item> </codex> Continue the story using the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the mystery genre. A detective arrives at a crime scene in an unusual location. Something is wrong — the evidence doesn't add up. A colleague is present, offering a different interpretation. Through careful observation and deduction, the detective begins to see what others have missed. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The rain hadn't stopped in three days. It hammered the streets of Camden and pooled in the gutters like the city itself was trying to wash something clean. Detective Harlow Quinn pulled her collar up against her neck and descended the stairwell into the abandoned Primrose Hill station. The entrance had been sealed with police tape that sagged in the damp air, heavy with condensation. She ducked underneath it and kept moving, her leather-soled shoes echoing off tile that hadn't seen a commuter in decades. The station had been decommissioned since the sixties. No platform lighting. No signage. Just a long corridor of cream-colored walls bleeding into green mold, and a set of stairs leading deeper underground. Somewhere below, a light source flickered—forensics setting up their panels. She checked her watch. 11:47 PM. Three hours since the call had come in. The dead man's name was Marcus Webb. Fifty-three. No fixed address. Street vendors in Camden Market had told her he slept rough near the canal, talked to himself, occasionally sold trinkets people didn't ask too many questions about. Now he was downstairs with his eyes open and his chest caved in. She reached the platform level and found DS Aaron Pryce already there, crouched beside the body with a Maglite angled at the wounds. Two CSIs worked the perimeter, dusting surfaces and bagging samples. The space smelled like iron and something else—something sweet and vegetal, like crushed herbs left to rot. Pryce looked up. He was younger than her by a decade, still sharp enough to do the job but carrying the kind of quiet ambition that made every case a stepping stone. "Quinn. Figured you'd want to see this yourself." "What do we know?" He stood and stepped back, giving her a clear line of sight. Marcus Webb lay on his back with his arms at his sides, legs straight, fingers splayed open. His clothes—layers of mismatched wool, canvas, and corduroy—were dry. That was the first thing that caught her attention. The platform was damp. The air was damp. Webb's clothes weren't. "The station entrance was locked from the inside," Pryce continued. "CSIs had to force the secondary maintenance door on the north side to get in. No other entry points. No signs of forced entry elsewhere." "Locked from inside," Quinn repeated. She circled the body slowly, keeping her distance from the evidence markers. Webb's face was slack, mouth slightly parted, brown eyes fixed on the ceiling. His expression was almost peaceful if you ignored the ruin of his sternum. "The cause of death looks blunt force," she said. "Something struck him from above." "That's what I thought," Pryce said. He pointed upward. The ceiling was concrete, maybe four meters above the platform. There was nothing up there—no fixtures, no beams, no exposed pipes that could have fallen. "No source. Nothing overhead that could have come loose and hit him with that kind of force. No debris on the ground either." Quinn crouched. Up close, the wound told a more complicated story. The chest cavity had been compressed inward, ribs fractured in a pattern that radiated from a central point. She'd seen similar injuries before. Three years ago. On the floor of a warehouse in Hackney, her partner Marcus Morris lying in a position not unlike this one, chest caved in, eyes open, that same sweet smell in the air. She pushed the thought down and kept her jaw tight. "Coroner give a preliminary?" "Dr. Okonjo says the pattern is consistent with sustained pressure, not a single impact. Like something knelt on him. Or held him down and compressed." Pryce frowned. "But there's no bruising on the arms, no defensive wounds. No scratches on the hands. If someone held him down, he didn't fight back." Quinn stood. "When did the lockup crew last sweep this station?" "Priory Holdings owns the building. They contracted a security firm to do monthly walkthroughs. The last one was eleven days ago. Report says the station was empty. No signs of habitation." "But Webb had been living here." Quinn gestured at the far end of the platform where she'd spotted it—a collection of objects arranged with deliberate care. A coil of rope. Three glass bottles filled with dark liquid. A folded blanket. A stack of books with cracked spines. "Someone knew this place was empty and made use of it." "Could have been squatting for weeks." Pryce shrugged. "Homeless population in Camden has doubled since the shelters cut their budgets. This station's not exactly on anyone's radar." Quinn walked to the collection of objects and crouched beside them. She didn't touch anything, just observed. The bottles were hand-labeled in cramped script: *Mandrake extract, Nightshade tincture, Bindweed ash.* The books weren't novels or magazines. She tilted her head to read the spines through the evidence bag one of the CSIs had already sealed around them—*The Lesser Key of Solomon. A Field Guide to Apotropaic Sigils. Methods of Ward and Binding.* "Occult material," she said. Pryce moved beside her. "Barking mad, probably. Lots of these rough sleepers drift into conspiracy territory. DMT, bath salts, the whole carnival. Doesn't mean the books are relevant to how he died." "He labeled those bottles by hand. That's not someone scavenging for a high." Quinn pointed at the titles. "That's research. Methodical. Organized." "We've got a thousand murders a year in London, Quinn. Most of them are domestic or gang-related. Guy gets in over his head with the wrong crowd, they find him and make a point." Pryce paused. "The locks being sealed from inside—could have been rigged. Door left ajar, string pulled through, something simple. We'll check the mechanism." "The locks," Quinn said. She turned back toward the body. The position was wrong. She'd been thinking it was wrong since the moment she saw it. Webb lay perfectly centered on the platform, equidistant from the yellow tactile tiles at the edge and the wall behind him. Arms straight. Legs straight. Symmetrical. No one died like that unless someone arranged them. She pulled her gloves on and moved closer. The CSIs gave her room without being asked. She'd been doing this long enough that her presence carried its own weight. "Look at the placement," she said. "He's positioned. Deliberately. Whoever did this laid him out." Pryce crouched on the opposite side. "Or he laid himself down. Heart attack, seizure, whatever the underlying condition was—he went down and didn't get back up. Position's just coincidence." "His shirt's torn where the injury is, but the rest of the garment is folded neatly underneath him. You don't fold your own shirt while dying." She nodded at Webb's right hand. "And look at his fingers. Open, palms up. Ritual posture. He's been placed in a specific position for a specific purpose." "A purpose. Right." Pryce stood and rubbed the back of his neck. "Quinn, I respect your instincts, but we're standing in a dead-end station with a vagrant who died of undetermined causes. The simplest explanation—" "—isn't always the right one." "Is this about Morris?" The question landed like a slap. Quinn didn't flinch, but something behind her eyes went cold. She held Pryce's gaze for three seconds, then four, then turned back to the evidence. "Don't do that," she said. Her voice was level. Flat. "I'm not asking you to follow me down a rabbit hole. I'm asking you to look at what's actually in front of you and tell me it makes sense." Pryce exhaled through his nose. "Alright. Walk me through it." Quinn moved to the entrance at the top of the platform stairs. She examined the lock mechanism—a deadbolt with a thumb-turn on the interior side. The CSIs had photographed it already. She studied the scratch marks on the bolt's housing. Fresh. Deep. Not from years of rust and neglect. "This bolt was recently oiled," she said. "The metal's smooth. No corrosion in the screw grooves. Someone maintained it." "So Webb was squatting here and wanted privacy. Maintained the lock to keep people out. Still doesn't explain the cause of death." She descended the stairs again, moving slower this time, letting her eyes adjust to the deeper shadows beyond the forensic lights. Halfway down, she stopped. There, on the fourth step from the bottom, someone had drawn something in what looked like a mixture of ash and oil. A circle. Inside the circle, a pattern of lines and curves that meant nothing to her. The drawing was incomplete—the bottom arc had been smudged, interrupted, as though whoever was drawing it had been disturbed. "Pryce." He came down two steps at a time and froze when he saw it. "What the hell." "Someone was drawing in the stairwell. Ash and oil. Same substance as what's in those bottles." Quinn pointed to the incomplete circle. "This was meant to connect to something. Probably the body. Webb wasn't lying there randomly. He was the center of something." Pryce stared at the marking, then at the body, then back at the marking. His expression shifted—the professional mask slipping just enough to show the uncertainty beneath it. "The labs will check the substance," he said. "If it matches—" "If it matches, we've got a crime scene with deliberate symbolic elements. Not a random death." Quinn pulled her gloves off and slipped them into her jacket pocket. She took out her phone and opened the camera, photographing the marking on the stairs from multiple angles. Her hands were steady. They were always steady at scenes. It was afterward that things came undone. She moved back to the body and stood over Webb one more time. The sweet smell was stronger here. Not rot. Not decay. Something else. She'd smelled it in the warehouse three years ago, right before Marcus Morris— Her phone buzzed in her pocket. She answered. "Quinn." "Detective, it's Dr. Okonjo. I finished the preliminary external exam. I need you to hear this." "Go ahead." "No trace of external force consistent with a weapon. No fibers, no transfer evidence on the clothing or skin. The wound pattern is—" Okonjo paused. Quinn heard papers shifting. "In twenty-six years of pathology, I've never seen tissue damage like this. The compression isn't from above. It's from the inside out." Quinn's grip tightened on the phone. "The sternum fractured inward, but the underlying musculature shows tearing consistent with expansion. Something pressed outward against the chest wall. Hard enough to collapse it." "That's not possible." "I know what it sounds like. I'm telling you what the tissue says." Quinn lowered the phone. Pryce was watching her. "What did Okonjo say?" She slipped the phone back into her pocket and looked at the body. Marcus Webb. Fifty-three. Lived rough. Sold trinkets no one asked about. Kept occult texts and labeled bottles of botanical extracts. Drew circles in ash and oil on the stairs of a dead Tube station. Lay down in the center of a platform with his arms open and his chest caved in from the inside. "His cause of death wasn't external force," Quinn said. "It came from within." Pryce opened his mouth. Closed it. Opened it again. "What does that mean?" Quinn stared at the drawing on the stairwell. The incomplete circle. The interrupted lines. Something had gone wrong here. Someone had been in the middle of something that broke apart before it was finished. "It means we don't process this like a standard homicide." She turned to the lead CSI. "I need everything from this scene catalogued and transported to my desk at the Yard. Every bottle, every book, every flake of ash. Nothing goes to the evidence locker." "And if the super asks—" "Tell the super I've got a suspicious death with a locked-room scenario and a victim who died of impossible causes. If she wants to argue, she can meet me down here." Quinn walked to the far end of the platform where Webb's belongings waited. Through the plastic sheathing of the evidence bag, she could see the cover of one book more clearly now—an old binding, cracked leather, a symbol embossed on the front that she didn't recognize. Her eyes traced it, filed it away. She'd find out what it meant. She'd find out what Marcus Webb had been doing in this station. And she'd find out why the smell in this room was exactly the same as the smell in a warehouse where her partner had died three years ago under circumstances she'd never been able to explain. The rain kept hammering the streets above them, and somewhere deep in the tunnel beyond the platform, a sound carried through the dark—low, resonant, like a bell struck once and left to fade. Pryce heard it too. He turned toward the darkness. "What was that?" Quinn listened until the sound died. Then she kept walking toward the exit. "Let's get out of this place."
created_at"2026-03-11T21:20:01.753Z" 3/11/2026, 9:20:01 PM
model"openrouter/healer-alpha"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency464
moderation_latency(null)
generation_time23729
tokens_prompt1149
tokens_completion3594
native_tokens_prompt1035
native_tokens_completion3013
native_tokens_completion_images(null)
native_tokens_reasoning270
native_tokens_cached494
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0
router(null)
provider_responses(null)
user_agent"langchainjs-openai/1.0.0 ((node/v24.14.0; linux; x64))"
http_referer(null)
api_type"completions"
id"gen-1773264001-JvObaztfL7bhOXQF6tsg"
upstream_id"gen-1773264001-JvObaztfL7bhOXQF6tsg"
total_cost0
cache_discount(null)
upstream_inference_cost0
provider_name"Stealth"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags21
adverbTagCount0
adverbTags(empty)
dialogueSentences65
tagDensity0.323
leniency0.646
rawRatio0
effectiveRatio0
90.72% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount2155
totalAiIsmAdverbs4
found
0
adverb"slowly"
count1
1
adverb"slightly"
count1
2
adverb"perfectly"
count1
3
adverb"deliberately"
count1
highlights
0"slowly"
1"slightly"
2"perfectly"
3"deliberately"
80.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found
0"Marcus"
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
81.44% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount2155
totalAiIsms8
found
0
word"echoing"
count1
1
word"flickered"
count1
2
word"fractured"
count2
3
word"methodical"
count1
4
word"weight"
count1
5
word"standard"
count1
6
word"traced"
count1
highlights
0"echoing"
1"flickered"
2"fractured"
3"methodical"
4"weight"
5"standard"
6"traced"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences155
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount1
hedgeCount0
narrationSentences155
filterMatches
0"watch"
hedgeMatches(empty)
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences198
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen37
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans2
markdownWords22
totalWords2141
ratio0.01
matches
0"Mandrake extract, Nightshade tincture, Bindweed ash."
1"The Lesser Key of Solomon. A Field Guide to Apotropaic Sigils. Methods of Ward and Binding."
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions23
unquotedAttributions0
matches(empty)
66.67% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions76
wordCount1351
uniqueNames25
maxNameDensity1.41
worstName"Quinn"
maxWindowNameDensity3
worstWindowName"Quinn"
discoveredNames
Camden2
Harlow1
Quinn19
Primrose1
Hill1
Marcus6
Webb10
Market1
Aaron1
Pryce16
Maglite1
Hackney1
Morris2
Nightshade1
Bindweed1
Lesser1
Key1
Solomon1
Field1
Guide1
Apotropaic1
Sigils1
Ward1
Tube1
Three3
persons
0"Harlow"
1"Quinn"
2"Marcus"
3"Webb"
4"Market"
5"Aaron"
6"Pryce"
7"Maglite"
8"Morris"
9"Solomon"
places
0"Camden"
1"Primrose"
2"Hill"
3"Hackney"
4"Apotropaic"
5"Three"
globalScore0.797
windowScore0.667
93.82% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences89
glossingSentenceCount2
matches
0"smelled like iron and something else—somet"
1"looked like a mixture of ash and oil"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount2141
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences198
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs79
mean27.1
std20.67
cv0.763
sampleLengths
028
157
242
314
438
513
650
732
88
94
1058
1135
1243
1314
1457
1569
1610
174
1851
1911
2031
2158
2227
2372
244
2532
2622
2757
2852
299
3029
3115
3229
3353
3435
355
364
3731
3839
3910
4049
4119
4222
4382
441
4514
463
4743
4828
4911
93.94% Passive voice overuse
Target: ≤2% passive sentences
passiveCount5
totalSentences155
matches
0"been sealed"
1"been decommissioned"
2"been compressed"
3"being asked"
4"been smudged"
5"been disturbed"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount3
totalVerbs249
matches
0"was trying"
1"was drawing"
2"was watching"
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount14
semicolonCount0
flaggedSentences13
totalSentences198
ratio0.066
matches
0"Somewhere below, a light source flickered—forensics setting up their panels."
1"The space smelled like iron and something else—something sweet and vegetal, like crushed herbs left to rot."
2"His clothes—layers of mismatched wool, canvas, and corduroy—were dry."
3"There was nothing up there—no fixtures, no beams, no exposed pipes that could have fallen."
4"\"But Webb had been living here.\" Quinn gestured at the far end of the platform where she'd spotted it—a collection of objects arranged with deliberate care."
5"She tilted her head to read the spines through the evidence bag one of the CSIs had already sealed around them—*The Lesser Key of Solomon."
6"\"—isn't always the right one.\""
7"She examined the lock mechanism—a deadbolt with a thumb-turn on the interior side."
8"The drawing was incomplete—the bottom arc had been smudged, interrupted, as though whoever was drawing it had been disturbed."
9"His expression shifted—the professional mask slipping just enough to show the uncertainty beneath it."
10"She'd smelled it in the warehouse three years ago, right before Marcus Morris—"
11"Through the plastic sheathing of the evidence bag, she could see the cover of one book more clearly now—an old binding, cracked leather, a symbol embossed on the front that she didn't recognize."
12"The rain kept hammering the streets above them, and somewhere deep in the tunnel beyond the platform, a sound carried through the dark—low, resonant, like a bell struck once and left to fade."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1037
adjectiveStacks0
stackExamples(empty)
adverbCount29
adverbRatio0.027965284474445518
lyAdverbCount8
lyAdverbRatio0.007714561234329798
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences198
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences198
mean10.81
std8.58
cv0.793
sampleLengths
07
121
220
317
420
58
63
72
819
910
104
112
128
137
141
153
1627
1713
1823
1910
2017
213
2229
238
244
2512
2617
279
289
294
304
313
3210
3325
345
3512
3613
3713
389
395
406
413
4210
4315
4423
452
469
4718
485
493
59.09% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats8
diversityRatio0.3787878787878788
totalSentences198
uniqueOpeners75
83.33% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount3
totalSentences120
matches
0"Just a long corridor of"
1"Somewhere below, a light source"
2"Then she kept walking toward"
ratio0.025
90.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount39
totalSentences120
matches
0"It hammered the streets of"
1"She ducked underneath it and"
2"She checked her watch."
3"She reached the platform level"
4"He was younger than her"
5"He stood and stepped back,"
6"His clothes—layers of mismatched wool,"
7"She circled the body slowly,"
8"His expression was almost peaceful"
9"He pointed upward."
10"She'd seen similar injuries before."
11"She pushed the thought down"
12"She didn't touch anything, just"
13"She tilted her head to"
14"She turned back toward the"
15"She'd been thinking it was"
16"She pulled her gloves on"
17"She'd been doing this long"
18"She nodded at Webb's right"
19"She held Pryce's gaze for"
ratio0.325
51.67% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount98
totalSentences120
matches
0"The rain hadn't stopped in"
1"It hammered the streets of"
2"Detective Harlow Quinn pulled her"
3"The entrance had been sealed"
4"She ducked underneath it and"
5"The station had been decommissioned"
6"She checked her watch."
7"The dead man's name was"
8"Street vendors in Camden Market"
9"She reached the platform level"
10"The space smelled like iron"
11"Pryce looked up."
12"He was younger than her"
13"He stood and stepped back,"
14"Marcus Webb lay on his"
15"His clothes—layers of mismatched wool,"
16"That was the first thing"
17"The platform was damp."
18"The air was damp."
19"Webb's clothes weren't."
ratio0.817
41.67% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences120
matches
0"Now he was downstairs with"
ratio0.008
100.00% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences53
technicalSentenceCount2
matches
0"He was younger than her by a decade, still sharp enough to do the job but carrying the kind of quiet ambition that made every case a stepping stone."
1"The drawing was incomplete—the bottom arc had been smudged, interrupted, as though whoever was drawing it had been disturbed."
100.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags21
uselessAdditionCount0
matches(empty)
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags11
fancyCount2
fancyTags
0"Pryce continued (continue)"
1"Quinn repeated (repeat)"
dialogueSentences65
tagDensity0.169
leniency0.338
rawRatio0.182
effectiveRatio0.062
87.7449%