Run: 2026-03-11-01KKFE6F9Q78KYV12J1FZV18CE

Run Details

Duration:
53.1s
Cost:
$0.001155
Provider:
DeepInfra

Model input

System
You are an expert and award-winning novel writer in the dark Literary Fiction genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4413" name="Silas Blackwood" aliases="Silas, Si, the Spymaster" pronouns="he/him" species="Human" storyRole="Mentor"> <eyeColor>hazel</eyeColor> <hair>grey-streaked auburn</hair> <height>6'1"</height> <age>58</age> <beard>neatly trimmed, matching his grey-streaked auburn hair</beard> <limp>slight limp in his left leg from an old knee injury</limp> <signetRing>silver signet ring, always worn on his right hand</signetRing> <description>Silas is a retired intelligence operative turned bar owner. He carries himself with quiet authority.</description> <backstory>Former MI6 field agent who retired after a botched operation in Prague left him with a permanent knee injury. He opened "The Raven's Nest" bar in Soho as a front for his network of contacts.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the literary fiction genre. Two old friends who haven't seen each other in years run into each other unexpectedly at a bar. One of them has changed significantly. Through their conversation and the tension between who they were and who they've become, reveal the weight of time and unspoken regret. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The green neon flickered, sputtering as the door slammed shut behind her. Aurora stumbled over the threshold, the bar's cramped back room swallowing the sudden gust of rain and the smell of stale ale. She dropped her delivery satchel onto the floor with a thud that rattled the copper‑stained copper kettle hanging above the sink. “Rory!” Silas’s voice cut through the low hum of chatter. He was perched on a barstool, his grey‑streaked auburn hair catching the amber glow of the hanging bulbs. The limp in his left leg was more pronounced now, his shoulders stooped further than the last time she’d seen him, which had been five years ago, when the war in Iraq still echoed in the corridors of MI6. She froze, the scar on her wrist pulsing faintly under the sleeve of her black leather jacket. The scar, a crescent cut from a childhood accident, had always been a quiet reminder of fragility. Now it seemed a badge of survival. Silas’s hazel eyes flicked to the gold signet ring on his right hand, catching the light. He didn’t smile; the ring’s cool metal pressed against his knuckles like a secret weapon. “You’ve got the look of someone who’s been running for a while,” he said, his tone a mix of curiosity and caution. She forced a laugh, the sound thin, almost brittle. “Just a delivery drop. Thought I’d take a shortcut.” She brushed a stray lock of straight black hair behind her ear, the motion sending a tremor through the sleeve of her jacket. “You haven’t changed. Still running a bar that smells of old maps and worse decisions.” Silas chuckled, a sound that seemed to rustle the old photographs on the walls. “And you haven’t. Still chasing the law with a delivery driver’s shoes.” The words hung between them like a brittle glass, each syllable resonating with the years that had slipped by. Aurora’s bright blue eyes lingered on the bar’s shelves lined with bottles of whisky, on the cracked wooden tables scarred by countless elbows. She noted how the room had aged; the walls now bore fresh graffiti—tags that spelled out a warning she didn’t understand, yet felt oddly familiar. “Do you remember the night we climbed the roof of the old warehouse?” Silas asked, his voice low, almost a whisper. “You swore we’d never come back here.” She blinked, trying to place the memory. “The one by the Thames? With the fireworks?” She squeezed her wristband, feeling the faint imprint of the scar against her skin. “We were teenagers, daring each other to jump.” Silas’s lips twitched, not quite a smile. “You jumped first. I stayed behind, watching the river swallow the lights. I thought you’d be gone when the sun rose.” Aurora let out a breath that fogged in the chill of the back room. “I was gone for a while. Ran. Got a law degree. Got an ex. Got a scar.” She tapped the crescent on her wrist, then lifted her cuff to reveal a thin silver bracelet she’d never shown before. “Got a new job. Delivery routes. It’s... messy.” She glanced at the barman, who kept polishing a glass with a rag, his eyes never leaving Silas. Silas’s gaze softened. “You always liked to control the pieces on the board.” He tapped the ring, the silver catching the light once more. “But you’ve always been the one who rewrote the rules.” A flicker of something raw passed through Aurora’s eyes. “I tried to rewrite them. For a while I believed I could outrun everything. I thought I could make a clean break, but—” She swallowed, her throat tight. “The past has a way of bleeding into the present.” His limp shifted as he stood, the barstool scraping against the floor. “The past bleed,” he repeated, almost tasting the phrase. “It’s the ink that stains everything you touch.” The barman swept the floor nearby, his eyes flickering to a shadow in the corner. The air thickened, a faint metallic scent tinged the room. Aurora’s hand tightened around the strap of her satchel, the strap biting into her palm. She could feel the weight of the unspoken regrets pressing against her ribs. “Did you ever think about coming back?” Silas asked, leaning forward, elbows resting on the polished wood. The movement sent a ripple through the half‑filled glasses lining the bar. She stared at the amber liquid in his glass, watching the bubbles rise and pop. “I thought I could. I thought I could be someone else.” Aurora’s voice cracked, the rawness cutting through the chatter. “But the name ‘Aurora’ still fits like a coat that never quite fits.” Silas’s fingers drummed on the bar, the rhythm a nervous tap. “Names are only labels. It’s the actions that define us. You walked away from that life, yet here you are, standing in the same place where you once plotted rebellion with a child’s excitement.” She forced a grin, but it cracked like thin ice. “I was what you wanted me to be. A lawyer. A decent mind. I even tried to be… respectable.” She glanced at the scarred edge of her wrist again, as if the wound still spoke. “Turns out respectability doesn’t pay the bills. Not when you’re living above a bar owned by a former spy.” Silas laughed, a sound that seemed to vibrate the copper kettle above the sink. “Pay the bills? That’s the cheap beer talking.” He gestured to a row of green bottles behind the bar. “If you wanted to pay off a debt, you could have taken a different route. Instead, you chose the one that led you back here.” A sudden clang echoed from the back door, the metal door of a storage closet rattling as someone forced it open. A figure stepped into the doorway, a silhouette framed by the harsh streetlight. The figure’s coat was slick with rain, the collar turned up against the wind. Their face was hidden beneath a hood, but a glint of metal flashed near the hem—a pistol. Silas’s hand slipped instinctively to his signet ring, the metal cold and familiar. He didn’t move; his limp seemed to freeze, as though his mind had locked his muscles. The bar’s low hum fell to a tense silence, the only sound the soft hiss of rain against the windows. “Who are you?” Silas asked, voice steady, though the muscles around his mouth twitched. The hooded figure removed the hood, revealing a young woman with a shaved head and a tattoo of a compass intertwined with a rose on her forearm. She held up a small, battered notebook, the pages fluttering in the gust of wind that followed the door. “Someone’s been looking for this,” she said, her voice a low hiss. “It’s not yours, Silas. Not yours at all.” Aurora’s eyes widened, the bright blue of them reflecting the neon green sign outside. The notebook slipped from the woman’s grasp, its pages scattering across the sticky floor. One page landed near Aurora’s feet, open to a hastily scribbled list of names. Among them, circled in red ink, was a name she recognized instantly—Evan. Silas’s breath hitched. “I thought you were dead,” he muttered, the words barely a whisper. He glanced at Aurora, his eyes searching for recognition. “Evan... he was…” “Your ex,” the woman snapped, pulling out a glinting flash drive. “He’s not dead. He’s… busy. And he wants this.” She thrust the drive toward Silas. “You have to hand it over. Or you both die.” Silas’s eyes flickered to Aurora, then to the woman, then to the barman, whose expression had gone stone‑cold. The tension crackled like static in the air, the copper scent now laced with a metallic sharpness that seemed to seep into the skin. Aurora’s mind raced, her scar throbbing in rhythm with the sudden urgency. She felt the weight of all the years pressing down, the unspoken regrets turning into a palpable force. She lifted her hand, fingers trembling over the satchel, as if she could will the situation into a different outcome with sheer will. “Take it,” Silas said, his voice barely a breath. “But we need to move. Now.” The barman lunged, grabbing a nearby bottle and hurling it at the hooded figure. The bottle shattered, a spray of amber liquid spilling onto the floor, slipping toward the woman's boots. The scent of spilled whiskey mingled with the metallic tang, filling the room with a choking perfume. The woman dodged, but not unscathed—a shallow cut appeared on the side of her neck, a drop of blood staining her coat. She winced, but her eyes stayed fixed on Silas. “You think you can run with this? You think you can hide?” Silas’s hand tightened around his signet ring, the metal biting into his palm. He lifted it, the silver glinting against the dim light, as if preparing to throw it. “If you want it, you’ll have to take it from me.” For a heartbeat, all three figures held their gazes, each reading the other’s intent. Aurora’s breath came shallow, her heart hammering against her ribs, her pulse audible in the quiet bar. The door behind them burst open again, a flood of cold wind sweeping across the floorboards, bringing with it the distant wail of sirens and the distant clamor of the city beyond the river. A black trench coat entered the doorway. A man whose silhouette made the room feel smaller, his silhouette framed by the neon “Raven” sign outside, stepped forward. He raised a hand, and in his palm rested a sleek black laptop, its screen glowing ominously. The woman staggered back, her eyes darting between the two men. “You’re bluffing,” she whispered, her voice cracking. Silas’s limp disappeared in an instant, as though his body remembered something older—perhaps a training he’d buried. He moved, his hand swift, his wrist flicking open the signet ring, which snapped shut with a soft click, like a catching mechanism. He thrust the ring toward the laptop, and a silent burst of something erupted—light flashed from the ring, bathing the faces of everyone in the room in an eerie, almost ethereal glow. Aurora didn’t understand what it was, only that it felt like a bridge between past and present, between the girl who had once dared to jump from a rooftop and the woman who now faced a choice that would shape her remaining days. The man with the laptop pressed a button, the screen flashing a single word: “EVA.” The name pulsed, a ghost from Aurora’s past, a reminder of the friend who had once urged her to flee, to live, to survive. Silence fell again, but it was different now; it was charged, as if the very air thrummed with anticipation. Aurora’s hand hovered over the satchel, her fingers unsteady. Silas’s eyes locked on hers, a shared understanding passing between them—regret, accusation, a promise that whatever lay ahead would not be faced alone. A sudden, sharp sound cracked through the bar—a metallic clang as the back door slammed shut, the green neon outside flickering once more, casting the scene in stark relief. The bar’s door swung open again, this time revealing a figure that Aurora recognized instantly: a man in a tailored suit, his face set in a grim expression, his eyes scanning the chaos. He stepped inside, his shoes making no sound on the worn wooden floor. He placed another file on the bar, one that seemed to pulse with an eerie light. He opened it, and inside lay a photograph—an image of Aurora as a child, laughing, perched on Silas’s shoulders, her arms wrapped around his neck, the scar on her wrist visible, a splash of sunlight caught in her eyes. The man spoke, his voice low and steady: “You can’t outrun the past, Aurora. It always catches up.” She stared at the photograph, the years folding into a single instant. Her mind raced, her scar pulsing as if urging her forward. The tension hung, each breath a ticking clock, each heartbeat a drum of an impending storm. And just as the rain began to drum harder against the glass, the bar’s neon sign sputtered, flickered, and then went dark, plunging the room into a sudden, oppressive darkness. The last thing Aurora felt was the cold seeping into her bones, the metallic taste of fear on her tongue, and the hollow echo of a gunshot reverberating from somewhere deep within the building. She turned, half‑expecting to see Silas behind her, but the shadows held only whispers and promises of an outcome none of them could foresee. The night outside roared, and the bar’s interior seemed to hold its breath, waiting for whatever came next.
created_at"2026-03-11T21:52:40.277Z" 3/11/2026, 9:52:40 PM
model"nvidia/nemotron-3-nano-30b-a3b"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency738
moderation_latency(null)
generation_time52965
tokens_prompt4618
tokens_completion5472
native_tokens_prompt4285
native_tokens_completion4704
native_tokens_completion_images(null)
native_tokens_reasoning2242
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason(null)
native_finish_reason(null)
usage0.00115505
router(null)
provider_responses
0
endpoint_id"2bd3912d-8b35-4818-b873-24ccfefa6cf9"
id"chatcmpl-R1JwZmfLcFfgzR9KJSCpvZTa"
is_byokfalse
latency61
model_permaslug"nvidia/nemotron-3-nano-30b-a3b"
provider_name"DeepInfra"
status200
user_agent"langchainjs-openai/1.0.0 ((node/v24.14.0; linux; x64))"
http_referer(null)
api_type"completions"
id"gen-1773265960-I5R0pWJgOpFDlOpKFuT4"
upstream_id"chatcmpl-R1JwZmfLcFfgzR9KJSCpvZTa"
total_cost0.00115505
cache_discount(null)
upstream_inference_cost0
provider_name"DeepInfra"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags23
adverbTagCount0
adverbTags(empty)
dialogueSentences42
tagDensity0.548
leniency1
rawRatio0
effectiveRatio0
97.65% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount2129
totalAiIsmAdverbs1
found
0
adverb"very"
count1
highlights
0"very"
100.00% AI-ism character names
Target: 0 AI-default names (16 tracked, −20% each)
codexExemptions
0"Blackwood"
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
3.71% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount2129
totalAiIsms41
found
0
word"flickered"
count3
1
word"echoed"
count2
2
word"reminder"
count2
3
word"flicked"
count1
4
word"familiar"
count2
5
word"whisper"
count2
6
word"chill"
count1
7
word"flicker"
count1
8
word"tinged"
count1
9
word"could feel"
count1
10
word"weight"
count2
11
word"unspoken"
count2
12
word"glint"
count1
13
word"silence"
count2
14
word"glinting"
count2
15
word"tension"
count2
16
word"raced"
count2
17
word"palpable"
count1
18
word"shattered"
count1
19
word"pulse"
count2
20
word"pulsed"
count1
21
word"charged"
count1
22
word"anticipation"
count1
23
word"stark"
count1
24
word"scanning"
count1
25
word"oppressive"
count1
26
word"the last thing"
count1
27
word"echo"
count1
highlights
0"flickered"
1"echoed"
2"reminder"
3"flicked"
4"familiar"
5"whisper"
6"chill"
7"flicker"
8"tinged"
9"could feel"
10"weight"
11"unspoken"
12"glint"
13"silence"
14"glinting"
15"tension"
16"raced"
17"palpable"
18"shattered"
19"pulse"
20"pulsed"
21"charged"
22"anticipation"
23"stark"
24"scanning"
25"oppressive"
26"the last thing"
27"echo"
66.67% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches2
maxInWindow2
found
0
label"let out a breath"
count1
1
label"eyes widened/narrowed"
count1
highlights
0"let out a breath"
1"eyes widened"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells1
narrationSentences106
matches
0"d with anticipation"
35.04% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount1
hedgeCount7
narrationSentences106
filterMatches
0"feel"
hedgeMatches
0"seemed to"
1"began to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences124
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen43
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords2120
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions18
unquotedAttributions0
matches(empty)
83.33% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions42
wordCount1699
uniqueNames4
maxNameDensity1.29
worstName"Silas"
maxWindowNameDensity2.5
worstWindowName"Silas"
discoveredNames
Iraq1
Silas22
Aurora18
Evan1
persons
0"Silas"
1"Aurora"
2"Evan"
places
0"Iraq"
globalScore0.853
windowScore0.833
0.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences102
glossingSentenceCount7
matches
0"sound that seemed to rustle the old photographs on the walls"
1"not quite a smile"
2"sound that seemed to vibrate the copper kettle above the sink"
3"sharpness that seemed to seep into the skin"
4"as if preparing to throw it"
5"felt like a bridge between past and pre"
6"as if urging her forward"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount2120
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences124
matches(empty)
60.35% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs49
mean43.27
std15.63
cv0.361
sampleLengths
055
167
241
331
422
556
626
767
828
937
1028
1178
1234
1347
1429
1553
1629
1748
1845
1964
2058
2165
2249
2314
2446
2520
2654
2727
2836
2942
3053
3115
3248
3343
3440
3565
3644
3718
3840
3932
4043
4139
4251
4362
4468
4518
4639
4764
4842
95.33% Passive voice overuse
Target: ≤2% passive sentences
passiveCount3
totalSentences106
matches
0"was perched"
1"was hidden"
2"was charged"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs283
matches(empty)
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount9
semicolonCount4
flaggedSentences12
totalSentences124
ratio0.097
matches
0"He didn’t smile; the ring’s cool metal pressed against his knuckles like a secret weapon."
1"She noted how the room had aged; the walls now bore fresh graffiti—tags that spelled out a warning she didn’t understand, yet felt oddly familiar."
2"Their face was hidden beneath a hood, but a glint of metal flashed near the hem—a pistol."
3"He didn’t move; his limp seemed to freeze, as though his mind had locked his muscles."
4"Among them, circled in red ink, was a name she recognized instantly—Evan."
5"The woman dodged, but not unscathed—a shallow cut appeared on the side of her neck, a drop of blood staining her coat."
6"Silas’s limp disappeared in an instant, as though his body remembered something older—perhaps a training he’d buried."
7"He thrust the ring toward the laptop, and a silent burst of something erupted—light flashed from the ring, bathing the faces of everyone in the room in an eerie, almost ethereal glow."
8"Silence fell again, but it was different now; it was charged, as if the very air thrummed with anticipation."
9"Silas’s eyes locked on hers, a shared understanding passing between them—regret, accusation, a promise that whatever lay ahead would not be faced alone."
10"A sudden, sharp sound cracked through the bar—a metallic clang as the back door slammed shut, the green neon outside flickering once more, casting the scene in stark relief."
11"He opened it, and inside lay a photograph—an image of Aurora as a child, laughing, perched on Silas’s shoulders, her arms wrapped around his neck, the scar on her wrist visible, a splash of sunlight caught in her eyes."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1708
adjectiveStacks0
stackExamples(empty)
adverbCount50
adverbRatio0.02927400468384075
lyAdverbCount12
lyAdverbRatio0.00702576112412178
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences124
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences124
mean17.1
std8.34
cv0.488
sampleLengths
012
122
221
310
418
539
617
717
87
916
1015
1122
129
1332
1415
1514
1612
1719
1823
1925
2021
217
227
2322
248
257
2621
2714
2838
2926
303
3121
3210
339
3428
3510
3612
379
388
3915
4010
4115
4213
4317
4412
4515
4620
4713
4811
4934
41.94% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats10
diversityRatio0.27419354838709675
totalSentences124
uniqueOpeners34
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences106
matches(empty)
ratio0
61.51% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount42
totalSentences106
matches
0"She dropped her delivery satchel"
1"He was perched on a"
2"She froze, the scar on"
3"He didn’t smile; the ring’s"
4"he said, his tone a"
5"She forced a laugh, the"
6"She brushed a stray lock"
7"She noted how the room"
8"She blinked, trying to place"
9"She squeezed her wristband, feeling"
10"She tapped the crescent on"
11"She glanced at the barman,"
12"He tapped the ring, the"
13"She swallowed, her throat tight"
14"His limp shifted as he"
15"he repeated, almost tasting the"
16"She could feel the weight"
17"She stared at the amber"
18"She forced a grin, but"
19"She glanced at the scarred"
ratio0.396
0.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount101
totalSentences106
matches
0"The green neon flickered, sputtering"
1"Aurora stumbled over the threshold,"
2"She dropped her delivery satchel"
3"Silas’s voice cut through the"
4"He was perched on a"
5"The limp in his left"
6"She froze, the scar on"
7"The scar, a crescent cut"
8"Silas’s hazel eyes flicked to"
9"He didn’t smile; the ring’s"
10"he said, his tone a"
11"She forced a laugh, the"
12"She brushed a stray lock"
13"Silas chuckled, a sound that"
14"The words hung between them"
15"Aurora’s bright blue eyes lingered"
16"She noted how the room"
17"Silas asked, his voice low,"
18"She blinked, trying to place"
19"She squeezed her wristband, feeling"
ratio0.953
47.17% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences106
matches
0"Now it seemed a badge"
ratio0.009
42.25% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences71
technicalSentenceCount10
matches
0"She dropped her delivery satchel onto the floor with a thud that rattled the copper‑stained copper kettle hanging above the sink."
1"The limp in his left leg was more pronounced now, his shoulders stooped further than the last time she’d seen him, which had been five years ago, when the war i…"
2"He didn’t move; his limp seemed to freeze, as though his mind had locked his muscles."
3"She held up a small, battered notebook, the pages fluttering in the gust of wind that followed the door."
4"She lifted her hand, fingers trembling over the satchel, as if she could will the situation into a different outcome with sheer will."
5"He lifted it, the silver glinting against the dim light, as if preparing to throw it."
6"Silas’s limp disappeared in an instant, as though his body remembered something older—perhaps a training he’d buried."
7"He moved, his hand swift, his wrist flicking open the signet ring, which snapped shut with a soft click, like a catching mechanism."
8"The bar’s door swung open again, this time revealing a figure that Aurora recognized instantly: a man in a tailored suit, his face set in a grim expression, his…"
9"Her mind raced, her scar pulsing as if urging her forward."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags23
uselessAdditionCount13
matches
0"he said, his tone a mix of curiosity and caution"
1"Silas asked, his voice low, almost a whisper"
2"He tapped, the silver catching the light once more"
3"She swallowed, her throat tight"
4"Aurora’s voice cracked, the rawness cutting through the chatter"
5"She glanced, as if the wound still spoke"
6"Silas asked, voice steady, though the muscles around his mouth twitched"
7"she said, her voice a low hiss"
8"he muttered, the words barely a whisper"
9"Silas said, his voice barely a breath"
10"she whispered, her voice cracking"
11"the laptop pressed, the screen flashing a single word:"
12"The man spoke, his voice low and steady:"
7.14% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags12
fancyCount6
fancyTags
0"he repeated (repeat)"
1"he muttered (mutter)"
2"the woman snapped (snap)"
3"she whispered (whisper)"
4"the laptop pressed (press)"
5"The man spoke (speak)"
dialogueSentences42
tagDensity0.286
leniency0.571
rawRatio0.5
effectiveRatio0.286
64.7364%