Run: 2026-03-11-01KKFFEJYQ8MQ71B0VBXEXA14V

Run Details

Duration:
44.8s
Cost:
$0.000000
Provider:
Nvidia

Model input

System
You are an expert and award-winning novel writer in the dark Romance genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4415" name="Lucien Moreau" aliases="Lucien, Luc, the Frenchman" pronouns="he/him" species="Half-Demon" storyRole="Ally"> <eyeColor>heterochromatic — one amber, one black</eyeColor> <hair>slicked-back platinum blond</hair> <height>5'11"</height> <age>32</age> <cane>ivory-handled cane that conceals a thin blade</cane> <dress>tailored charcoal suits</dress> <description>An impeccably dressed fixer and information broker in London's supernatural underworld. He speaks four languages fluently.</description> <backstory>Born in Marseille to a human mother and a demon father from the realm of Avaros.</backstory> </character> <location id="858" name="Eva's Flat" aliases="Eva's place, the flat on Brick Lane" realm="Earth"> <cat>tabby cat named Ptolemy</cat> <security>three deadbolts on the front door</security> <description>A cramped one-bedroom flat above a curry house on Brick Lane, East London. Every surface is covered with books, scrolls, and research notes.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the romance genre. Two people who parted on complicated terms are forced together again when one shows up unannounced at the other's flat. There's history between them — attraction, hurt, and things left unsaid. Write the scene from the moment the door opens. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The rap on the door was three quick knocks, sharp enough to make the cat’s ears flatten. Aurora jerked the bolt back and flung the door wide, her heart hammering against her ribs like a trapped bird. “Lucien?” she said, voice low, edged with surprise. He stood in the narrow hallway, his platinum blond hair slicked back despite the damp that clung to his coat. The ivory‑handled cane tapped once against the worn floorboards, the concealed blade whispering a promise of danger. His heterochromatic gaze—one amber, one black—locked onto hers, unreadable. “May I come in?” he asked, his tone smooth, the faint lilt of Marseille colouring his consonants. She stepped aside, the scent of spices from the curry house below drifting up the stairwell. The flat was a jumble of books, scrolls and half‑filled mugs, every surface a testament to Eva’s nocturnal research. Aurora closed the door softly, the deadbolts clicking into place with a finality that felt like a barrier she had erected herself. “You’re not supposed to be here,” she said, crossing her arms, the crescent scar on her left wrist catching the weak light from the lone lamp. Lucien’s smile was thin, more a twitch of the mouth than a grin. “Circumstances change. I needed to speak with you before the night grows older.” She moved to the small kitchenette, pulling a chipped mug from the rack and filling it with tea. The kettle whistled, a thin wail that seemed to echo the tension in the room. “You always did have a knack for showing up uninvited.” He followed, his shoes silent on the threadbare rug. “And you always had a knack for disappearing when things got complicated.” He paused, eyes flicking to the scar on her wrist before returning to her face. “I heard about Evan. I’m sorry.” The apology hung between them, heavy and unexpected. Aurora’s shoulders tightened, the memory of bruised nights and shouted accusations flaring behind her eyes. She set the mug down with a clatter that sounded louder than it should. “Sorry doesn’t undo what he did,” she replied, voice flat. “And it doesn’t explain why you’re here now.” Lucien’s amber eye glinted, the black one seeming to swallow the light. “I need your help. Something’s stirring in the Undercity. A rift, thin as parchment, bleeding shadows into Brick Lane. If it widens, the wardings Eva’s been studying won’t hold.” She frowned, the logical part of her mind already cataloguing possibilities. “Why come to me? You have contacts, resources.” He tapped the cane once, the hidden blade catching a glint. “Because you think outside the box. Because you’re the only one who’s ever managed to read Eva’s notes without getting a migraine. And because… because I still owe you a conversation we never finished.” Aurora’s breath hitched. The memory of their last encounter surfaced—a rain‑slicked alley behind Golden Empress, his hand warm on hers, his promise whispered against her ear before he vanished into the night, citing duty. The hurt of his abrupt departure had lingered, a dull ache she had tried to numb with work and solitude. “You left without a word,” she said, the words sharper than she intended. “You left me wondering if I’d imagined the whole thing.” He stepped closer, the heat of his body radiating despite the cool air. The cane rested against his thigh, the ivory smooth under his fingertips. “I was called away. A matter of Avaros bloodlines. I could not refuse without endangering those I protect.” His voice dropped, earnest. “I should have sent a note. I should have trusted you enough to explain.” She searched his face, seeking the flicker of deceit she had learned to spot in barristers’ chambers. What she found instead was a raw vulnerability that made her throat tighten. The attraction she had tried to bury surged, a familiar pull that felt both dangerous and inevitable. “Why now?” she asked, softer. He glanced toward the window, where the neon sign of the curry house flickered, casting a ruddy glow on the floorboards. “Because the rift is growing. Because I cannot seal it alone. And because… because I cannot pretend the night we spent together never happened.” Aurora swallowed, the tea forgotten on the counter. The scent of sandalwood and something darker—perhaps ozone—mingled with the curry spices, making her head spin. She reached out, fingertips brushing the forearm of his coat, feeling the tense muscle beneath. “Help me seal it,” he whispered, his amber eye earnest, the black one shadowed with something unspoken. “Let me make amends.” She hesitated, the part of her that had survived Evan’s abuse screaming to keep her distance, the part that remembered Lucien’s steady presence in chaos urging her to lean in. The decision felt like standing on a knife’s edge. “Alright,” she said finally, her voice steady despite the tremor in her hands. “Show me what we’re dealing with.” Lucien’s shoulders relaxed fractionally, a sigh escaping him that sounded almost relieved. He turned, gesturing toward the cluttered table where Eva’s notes lay in chaotic piles. “First, we need to bind the sigil. The markings are reversed Greek, but the caster used a Sigma instead of an S. It’s a summoning gone wrong.” Aurora leaned over the parchment, her black hair falling forward to shield her face as she traced the strange symbols with a fingertip. The ink was fresh, still slightly tacky. “Whoever did this was amateur hour,” she muttered, more to herself than to him. “They tried to pull a shade through but botched the anchoring.” He peered over her shoulder, his breath warm against her ear. “Exactly. We need to invert the flow, reinforce the binding with iron and a personal token—something that ties the caster to this plane.” Her mind raced, cataloguing the flat’s contents. “I have an old iron key from my father’s desk. It’s been sitting in the drawer for years.” She stood, moving swiftly to the small chest beside the sofa. The wood groaned as she pulled it open, revealing a tarnished key wrapped in a scrap of cloth. Lucien took the key, his fingers closing around it with a reverence that belied his usual cool detachment. “This will work. Thank you.” She watched him, noting the way his heterochromatic eyes seemed to absorb the dim light, the cane resting now against his thigh like an extension of his will. The space between them crackled, unspoken words hanging like smoke. “You still carry that scar,” he said suddenly, his voice low. “From the accident when you were a child?” She glanced down at the pale crescent on her wrist, the memory of a fall from a tree resurfacing. “It reminds me I survived.” He lifted his hand, not to touch the scar but to let his knuckles hover just above it, the heat of his palm palpable without contact. “You’re stronger than you think.” A shiver ran through her, not from fear but from the intimacy of his nearness. The world outside faded—the hum of traffic, the distant siren, the ever‑present scent of spices—leaving only the two of them in the cramped flat, the air thick with possibility and peril. Lucien stepped back, the moment broken as he unfurled a small leather pouch from his coat. Inside lay a handful of crushed hematite and a sliver of moonstone. “We’ll need these for the binding circle.” Aurora nodded, pulling a piece of chalk from the drawer beside the sink. “I’ll draw the sigil. You handle the incantation.” They moved in tandem, a practiced rhythm despite the months apart. She traced the reversed Greek letters on the floorboards, her strokes sure, the chalk leaving a faint white line that glowed faintly under the lamp’s glow. Lucien began to chant, his voice a low murmur that seemed to vibrate the very walls, the words slipping between English and something older, guttural, resonant. As the chant rose, the temperature dropped. A faint mist curled from the edges of the sigil, coiling like smoke. The hematite particles lifted, swirling in the air before settling into the lines of the drawing, turning the chalk lines a deep, bruised violet. Lucien’s amber eye flared, the black one narrowing as he focused his will. “Now, the key.” Aurora slipped the iron key into the centre of the sigil, feeling its cold weight press into the wood. The moment the metal touched the chalk, a surge of energy shot upward, a crack of light that made both of them flinch. The mist recoiled, screaming silently as it was sucked back into the sigil, the violet lines flaring bright before dimming to a steady, soft glow. The oppressive pressure in the room eased, replaced by a faint hum, like a heart beating steadily beneath the floorboards. Silence settled, heavy and charged. Aurora lowered her hands, breathing hard, her chest rising and falling with exertion. Lucien lowered his cane, the ivory handle catching the light as he straightened. “We did it,” she whispered, more to herself than to him. He smiled, a genuine curve of his lips that softened the harsh lines of his face. “We did. Thank you, Rory.” The nickname slipped out effortlessly, a reminder of the intimacy they had once shared. Aurora felt a blush creep up her neck, unbidden and warm. He stepped closer again, the distance between them negligible. “There’s still… much left unsaid,” he said, his voice barely above a whisper, his breath stirring the strands of hair that had escaped her braid. She lifted her chin, meeting his gaze. The amber held warmth, the black held depth, both reflecting the flicker of the lamp and something else—a promise, fragile but present. “Maybe we can start with… why you left,” she said, the words tentative but honest. Lucien’s expression darkened just slightly, memories crossing his features like shadows. “I was bound by oath, by blood. My father’s clan summoned me back to Avaros when the veil thinned. I had no choice but to obey, lest I bring ruin upon those I cared for.” He paused, his throat working. “I should have sent a word. I should have trusted you enough to explain.” Aurora searched his face, the hurt still there but mingling with a growing understanding. “You could have tried.” “I know.” He reached out, his hand hovering near her cheek, the heat radiating without touching. “I am trying now.” She closed the distance, her forehead resting against his. The scent of sandalwood and old books enveloped her, mingling with the faint iron tang of the key still embedded in the sigil. Their breaths mingled, warm and urgent. A sudden crash from the street below made them both start—a bottle shattering against the curb, a shouted curse drifting up the stairwell. The moment shattered, the spell of intimacy broken by the intrusion of the city’s chaos. Lucien pulled back, his hand falling to his cane, the ivory cool against his palm. “We should check the wards. Make sure nothing else slipped through.” Aurora nodded, straightening her clothes, trying to steady her racing heart. “Right.” They moved to the window, peering out at the rain‑slicked street below Brick Lane. Neon signs reflected in puddles, casting garish colours onto the wet cobbles. Somewhere distant, a siren wailed, a reminder that the city never truly slept. She turned to him, feeling the residual energy of the binding still humming beneath her skin. “Whatever comes next, we face it together.” Lucien’s gaze softened, the amber glinting with something akin to hope. “Together.” The door to the flat creaked open a fraction as Eva’s tabby, Ptolemy, slipped inside, tail high, oblivious to the tension that still lingered. Aurora stroked the cat’s head absentmindedly, her mind already racing through the possibilities of what the night might bring—and what it might finally allow them to say to each other.
created_at"2026-03-11T22:14:34.741Z" 3/11/2026, 10:14:34 PM
model"nvidia/nemotron-3-super-120b-a12b-20230311:free"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency3538
moderation_latency(null)
generation_time44672
tokens_prompt4573
tokens_completion4305
native_tokens_prompt4230
native_tokens_completion3641
native_tokens_completion_images(null)
native_tokens_reasoning1178
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0
router(null)
provider_responses
0
endpoint_id"970aecad-f13b-4ec3-9362-e1758aea3e56"
id"chatcmpl-aaab100d6b599ab8"
is_byokfalse
latency247
model_permaslug"nvidia/nemotron-3-super-120b-a12b-20230311"
provider_name"Nvidia"
status200
user_agent"langchainjs-openai/1.0.0 ((node/v24.14.0; linux; x64))"
http_referer(null)
api_type"completions"
id"gen-1773267274-QyOZpxdCOkU6Gg83lDbU"
upstream_id"chatcmpl-aaab100d6b599ab8"
total_cost0
cache_discount(null)
upstream_inference_cost0
provider_name"Nvidia"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags19
adverbTagCount2
adverbTags
0"she said finally [finally]"
1"he said suddenly [suddenly]"
dialogueSentences48
tagDensity0.396
leniency0.792
rawRatio0.105
effectiveRatio0.083
82.32% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1980
totalAiIsmAdverbs7
found
0
adverb"softly"
count1
1
adverb"slightly"
count2
2
adverb"suddenly"
count1
3
adverb"very"
count1
4
adverb"barely above a whisper"
count1
5
adverb"truly"
count1
highlights
0"softly"
1"slightly"
2"suddenly"
3"very"
4"barely above a whisper"
5"truly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
19.19% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1980
totalAiIsms32
found
0
word"unreadable"
count1
1
word"lilt"
count1
2
word"testament"
count1
3
word"echo"
count1
4
word"tension"
count2
5
word"glint"
count1
6
word"encounter"
count1
7
word"flicker"
count2
8
word"familiar"
count1
9
word"flickered"
count1
10
word"unspoken"
count2
11
word"chaotic"
count1
12
word"traced"
count2
13
word"raced"
count1
14
word"palpable"
count1
15
word"peril"
count1
16
word"weight"
count1
17
word"oppressive"
count1
18
word"silence"
count1
19
word"charged"
count1
20
word"reminder"
count2
21
word"whisper"
count1
22
word"warmth"
count1
23
word"shattered"
count1
24
word"racing"
count2
25
word"glinting"
count1
highlights
0"unreadable"
1"lilt"
2"testament"
3"echo"
4"tension"
5"glint"
6"encounter"
7"flicker"
8"familiar"
9"flickered"
10"unspoken"
11"chaotic"
12"traced"
13"raced"
14"palpable"
15"peril"
16"weight"
17"oppressive"
18"silence"
19"charged"
20"reminder"
21"whisper"
22"warmth"
23"shattered"
24"racing"
25"glinting"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells1
narrationSentences103
matches
0"d with surprise"
59.64% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount6
narrationSentences103
filterMatches(empty)
hedgeMatches
0"seemed to"
1"tried to"
2"began to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences133
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen40
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1969
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions22
unquotedAttributions0
matches(empty)
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions37
wordCount1511
uniqueNames12
maxNameDensity0.86
worstName"Aurora"
maxWindowNameDensity1.5
worstWindowName"Lucien"
discoveredNames
Marseille1
Eva3
Lucien12
Golden1
Empress1
Evan1
Greek1
English1
Aurora13
Brick1
Lane1
Ptolemy1
persons
0"Eva"
1"Lucien"
2"Evan"
3"Aurora"
4"Ptolemy"
places
0"Marseille"
1"Brick"
2"Lane"
globalScore1
windowScore1
21.13% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences97
glossingSentenceCount5
matches
0"felt like a barrier she had erected her"
1"wail that seemed to echo the tension in the room"
2"felt like standing on a knife’s edge"
3"murmur that seemed to vibrate the very walls, the words slipping between English and something older, guttural, resonant"
4"something akin to hope"
47.64% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches3
per1kWords1.524
wordCount1969
matches
0"not to touch the scar but to let his knuckles hover just above it, the heat of his pal"
1"not from fear but from the intimacy of his nearness"
2"no choice but"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences133
matches(empty)
84.30% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs59
mean33.37
std14.85
cv0.445
sampleLengths
037
18
246
317
457
526
626
743
842
937
1018
1141
1219
1345
1454
1523
1661
1747
185
1945
2039
2121
2239
2319
2453
2555
2634
2754
2823
2938
3019
3124
3231
3346
3435
3521
3663
3744
3816
3942
4045
4131
4211
4321
4425
4534
4629
4715
4865
4918
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount1
totalSentences103
matches
0"was sucked"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs271
matches(empty)
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount10
semicolonCount0
flaggedSentences7
totalSentences133
ratio0.053
matches
0"His heterochromatic gaze—one amber, one black—locked onto hers, unreadable."
1"The memory of their last encounter surfaced—a rain‑slicked alley behind Golden Empress, his hand warm on hers, his promise whispered against her ear before he vanished into the night, citing duty."
2"The scent of sandalwood and something darker—perhaps ozone—mingled with the curry spices, making her head spin."
3"The world outside faded—the hum of traffic, the distant siren, the ever‑present scent of spices—leaving only the two of them in the cramped flat, the air thick with possibility and peril."
4"The amber held warmth, the black held depth, both reflecting the flicker of the lamp and something else—a promise, fragile but present."
5"A sudden crash from the street below made them both start—a bottle shattering against the curb, a shouted curse drifting up the stairwell."
6"Aurora stroked the cat’s head absentmindedly, her mind already racing through the possibilities of what the night might bring—and what it might finally allow them to say to each other."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount646
adjectiveStacks0
stackExamples(empty)
adverbCount12
adverbRatio0.018575851393188854
lyAdverbCount1
lyAdverbRatio0.0015479876160990713
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences133
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences133
mean14.8
std7.57
cv0.511
sampleLengths
017
120
28
320
417
59
617
716
819
922
1026
1113
1213
1318
1415
1510
169
1727
186
198
2015
2114
2210
238
2412
2529
2611
278
2811
2934
303
3131
3220
3313
3410
3513
3612
3722
3814
3917
4013
4117
425
4321
4424
458
4616
4715
4817
494
46.12% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats7
diversityRatio0.3082706766917293
totalSentences133
uniqueOpeners41
32.36% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount1
totalSentences103
matches
0"Somewhere distant, a siren wailed,"
ratio0.01
41.36% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount46
totalSentences103
matches
0"she said, voice low, edged"
1"He stood in the narrow"
2"His heterochromatic gaze—one amber, one"
3"he asked, his tone smooth,"
4"She stepped aside, the scent"
5"she said, crossing her arms,"
6"She moved to the small"
7"He followed, his shoes silent"
8"He paused, eyes flicking to"
9"She set the mug down"
10"she replied, voice flat"
11"She frowned, the logical part"
12"He tapped the cane once,"
13"she said, the words sharper"
14"He stepped closer, the heat"
15"His voice dropped, earnest"
16"She searched his face, seeking"
17"she asked, softer"
18"He glanced toward the window,"
19"She reached out, fingertips brushing"
ratio0.447
0.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount98
totalSentences103
matches
0"The rap on the door"
1"Aurora jerked the bolt back"
2"she said, voice low, edged"
3"He stood in the narrow"
4"The ivory‑handled cane tapped once"
5"His heterochromatic gaze—one amber, one"
6"he asked, his tone smooth,"
7"She stepped aside, the scent"
8"The flat was a jumble"
9"Aurora closed the door softly,"
10"she said, crossing her arms,"
11"Lucien’s smile was thin, more"
12"She moved to the small"
13"The kettle whistled, a thin"
14"He followed, his shoes silent"
15"He paused, eyes flicking to"
16"The apology hung between them,"
17"Aurora’s shoulders tightened, the memory"
18"She set the mug down"
19"she replied, voice flat"
ratio0.951
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences103
matches(empty)
ratio0
32.19% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences71
technicalSentenceCount11
matches
0"The attraction she had tried to bury surged, a familiar pull that felt both dangerous and inevitable."
1"She reached out, fingertips brushing the forearm of his coat, feeling the tense muscle beneath."
2"She hesitated, the part of her that had survived Evan’s abuse screaming to keep her distance, the part that remembered Lucien’s steady presence in chaos urging …"
3"Lucien’s shoulders relaxed fractionally, a sigh escaping him that sounded almost relieved."
4"Lucien took the key, his fingers closing around it with a reverence that belied his usual cool detachment."
5"She traced the reversed Greek letters on the floorboards, her strokes sure, the chalk leaving a faint white line that glowed faintly under the lamp’s glow."
6"Lucien began to chant, his voice a low murmur that seemed to vibrate the very walls, the words slipping between English and something older, guttural, resonant."
7"The moment the metal touched the chalk, a surge of energy shot upward, a crack of light that made both of them flinch."
8"Aurora lowered her hands, breathing hard, her chest rising and falling with exertion."
9"He smiled, a genuine curve of his lips that softened the harsh lines of his face."
10"Aurora nodded, straightening her clothes, trying to steady her racing heart."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags19
uselessAdditionCount8
matches
0"she said, voice low, edged with surprise"
1"she replied, voice flat"
2"His voice dropped, earnest"
3"she asked, softer"
4"she said finally, her voice steady despite the tremor in her hands"
5"she muttered, more to herself than to him"
6"he said suddenly, his voice low"
7"she whispered, more to herself than to him"
87.50% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags13
fancyCount3
fancyTags
0"he whispered (whisper)"
1"she muttered (mutter)"
2"she whispered (whisper)"
dialogueSentences48
tagDensity0.271
leniency0.542
rawRatio0.231
effectiveRatio0.125
68.4586%