Run: 2026-03-11-01KKFFW52Z99SJK07DHN5RYVFV

Run Details

Duration:
38.0s
Cost:
$0.001124
Provider:
DeepInfra

Model input

System
You are an expert and award-winning novel writer in the dark Mystery genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4414" name="Eva Kowalski" aliases="Eva, Evie" pronouns="she/her" species="Human" storyRole="Best Friend"> <eyeColor>green</eyeColor> <hair>curly red</hair> <height>5'4"</height> <age>26</age> <glasses>round glasses</glasses> <satchel>worn leather satchel full of books</satchel> <freckles>freckled complexion</freckles> <nervousHabit>tucking hair behind her left ear</nervousHabit> <description>Aurora's childhood friend and an occult researcher.</description> <backstory>Moved to London two years before Aurora and works as a research assistant at the British Museum's restricted archives. She holds a master's degree in Ancient History from Oxford.</backstory> </character> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> <item id="2004" name="Veil Compass" aliases="the Compass, shadow compass" type="Tool" origin="The Veil Market"> <casingMaterial>small brass compass</casingMaterial> <faceMarkings>face etched with protective sigils</faceMarkings> <needle>points toward the nearest supernatural rift or portal</needle> <patina>casing has a patina of verdigris</patina> <creator>crafted by a Shade artisan</creator> <description>A compass attuned to supernatural energy.</description> </item> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the mystery genre. A detective arrives at a crime scene in an unusual location. Something is wrong — the evidence doesn't add up. A colleague is present, offering a different interpretation. Through careful observation and deduction, the detective begins to see what others have missed. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
Blood doesn’t stain stone The Veil Market exhaled a chill that curled around the cracked stone arches of the abandoned Tube station. Lanterns fashioned from salvaged oil lamps flickered, casting long shadows that danced across piled crates of rattling curios. A faint scent of ozone lingered, mixing with the metallic tang of spilled potion. Detective Harlow Quinn stepped through the cracked doorway, her military precision evident in the way she cleared a path with a measured stride. She brushed away a layer of dust from a rusted metal gate, her eyes scanning for irregularities. Eva Kowalski crouched beside a low wooden table littered with jars of preserved insects and vials of swirling liquid. She tucked a strand of fiery hair behind her left ear, her round glasses catching the dim light. “Quinn,” Eva whispered, her voice trembling slightly, “you’ll want to see this.” Harlow knelt, her left wrist watch glinting against the soot‑stained floor. The corpse lay on its back, draped in a tattered cloak of midnight velvet. Its skin held a pallor that seemed too uniform, as if the flesh were a painted façade. “The victim’s heart still beats,” Eva murmured, pointing to a faint pulse visible beneath the collar. Harlow’s gaze narrowed. “Is that a pulse or a resonance?” She lifted the Veil Compass from her coat pocket, its brass casing etched with protective sigils. The needle quivered, then steadied, pointing toward a sealed alcove hidden behind a stack of ancient grimoires. Eva’s fingers trembled as she reached out to the compass. “The artefact’s been missing for weeks.” “Missing?” Harlow snapped, her tone sharp as a blade. “It’s here, in the middle of a market that shouldn’t exist.” Eva opened the alcove with a careful push. Inside, a shallow pool of iridescent liquid reflected the lantern light. A small brass key rested on a pedestal, its surface worn smooth by countless touches. “The key matches the lock on the old banking vault we raided three months ago,” Eva said, eyes widening. Harlow lifted the key, turning it over. Engraved upon its head was a sigil of a crescent moon intertwined with a serpent. She recognized it instantly. “Crescent Serpent,” she said, voice low, “belongs to the Sable Brotherhood.” A sudden clatter echoed from deeper within the market. Several cloaked figures emerged, their faces hidden beneath hoods stitched with intricate patterns. One of them lifted a hand, revealing a silver medallion that pulsed with a faint violet glow. “Identify yourselves,” Harlow commanded, her voice echoing off the stone walls. The lead figure stepped forward, their cloak rustling like dry leaves. “You trespass where you are not invited,” they intoned, voice resonating with an ancient cadence. Eva’s satchel thumped against her hip as she shifted, her nervous habit betraying her composure. “We’re here for the Compass. It belongs to the police.” The figure laughed, a sound that seemed to reverberate through the stone. “The Compass belongs to those who can read its needle.” Harlow pressed the compass tighter against her palm, feeling the faint tug toward the hidden alcove. “Your sigil matches the Brotherhood’s mark on the ledger we recovered from the crime scene at St. James’s.” “The ledger,” the figure hissed, “was fabricated. The real ledger resides in the vault beneath the Thames.” Harlow’s eyes flicked to the pool, then to the key. “Why hide the key here?” “The market moves with the moon,” the figure replied, gesturing to the ceiling where a faint lunar glow seeped through a crack. “Every full moon the market relocates. Tonight the Veil opens its gate for a single transaction.” Eva’s eyes darted to a sack of strange herbs spilling from a cracked barrel. “Those are Nightshade root extract. Illegal to trade.” “Exactly,” the figure snarled. “We trade in the forbidden.” Harlow’s hand tightened around the compass. “If the needle points to the alcove, there’s a rift nearby. Someone opened it, used it, and left a trail.” Eva’s freckled cheeks flushed. “The victims in the recent disappearances were all linked to occult circles. Their families whispered about a ‘shadow gate.’” “Shadow gate,” Harlow repeated, her voice steady. “A portal that bleeds reality into this world.” The cloaked figure raised a gloved hand, and the pool surged, sending a wave of luminous water toward the detectives. Harlow shoved Eva aside, their bodies colliding with a stack of crates that toppled with a thunderous crash. The impact sent a cloud of dust spiralling into the air. “Run!” Harlow shouted, pulling Eva toward the exit. Eva stumbled, her glasses slipping down her nose. She caught herself on a stone pillar, the worn leather satchel swinging violently. “Don’t—” Eva began, but a sudden burst of white light erupted from the pool, engulfing the figure’s medallion. The light intensified, and the figure’s hood fell away, revealing a gaunt face marked with runes. “The gate is opening,” the figure gasped, eyes wide with terror. Harlow seized the opportunity, thrusting the compass forward. The needle spun faster, its tip piercing the pool’s surface as if seeking an anchor. “Pull it!” Harlow yelled, gripping the edge of the pool. Eva lunged, grabbing the edge of the pool’s rim. Her satchel hit the ground with a thud, spilling vials that shattered, releasing a cascade of glowing particles that hovered in the air like fireflies. The water surged higher, forming a vortex that threatened to swallow them whole. “Don’t let it close!” Harlow roared, her voice reverberating through the stone. Eva’s fingers brushed against the key, feeling its cold metal. She yanked it free, turning it in the lock of an unseen door that had materialised behind the pool. The door swung open with a guttural creak, revealing a narrow tunnel lit by a faint amber glow. “Now!” Harlow urged, pulling Eva into the tunnel. They sprinted down the dim corridor, the sound of their footsteps echoing like war drums. The tunnel narrowed, walls closing in, the air growing colder. Behind them, the portal’s tendrils reached out, lashing at the stone arches, sending shards of obsidian flying. Harlow glanced back, catching a glimpse of the cloaked figure’s form dissolving into shadows, the violet glow fading into nothingness. Eva gasped, clutching the key tightly. “What is this?” Harlow glanced at the compass, its needle now pointing straight ahead. “A path. Follow it.” They emerged into a hidden cavern illuminated by phosphorescent crystals embedded in the walls. The cavern stretched infinitely, its ceiling disappearing into darkness. In its centre stood a massive altar carved from obsidian, upon which lay a silvered dagger pulsing with an inner fire. Eva’s breath hitched as she approached the altar, her fingers hovering over the dagger’s hilt. “Is this… the Blade of Aether?” Harlow examined the dagger, noting the intricate engravings of celestial bodies across its blade. “Aether,” she whispered, “a weapon capable of cutting through the veil between worlds.” A sudden roar reverberated through the cavern, shaking the crystals. The ground trembled, and a fissure cracked open near the altar, spewing a jet of blackened flame. From the fissure, a swarm of black silhouettes surged forward, their shapes shifting like smoke. Harlow drew her service pistol, its barrel glinting in the dim light. She raised it, aiming at the oncoming silhouettes. Eva’s breath caught, eyes fixed on the key still clutched in her hand. “Don’t—” she started, but before she could finish, a thunderous crack split the air. A hidden panel slid open behind the altar, revealing a narrow stairwell descending further into darkness. The silhouettes hesitated, their forms flickering as if caught in an unseen wind. Harlow’s pistol clicked empty. Eva’s hand tightened around the key, the metal humming with an odd resonance. The cloaked figure reappeared, stepping out from the shadows, their eyes burning with a fierce light. “You cannot stop what has already begun,” they whispered, voice now a susurrus. The ground beneath Harlow’s boots gave way, a yawning chasm appearing where solid stone once stood. Sonic boom of metal striking stone echoed as Harlow leapt forward, grabbing Eva’s wrist and pulling her toward the stairwell. Just as they reached the first step, a blinding flash erupted from the pool behind them, illuminating the cavern in stark white light. The vortex surged, swallowing the altar, the dagger, and the cloaked figure in a cascade of shimmering energy. The stairwell trembled, the walls vibrating with an unseen frequency. Harlow felt the pull of the Veil Compass, its needle now pointing directly down the staircase. Eva’s voice cracked, “We have to go—” The staircase collapsed behind them, sealing the cavern with a deafening roar. The stone floor beneath their feet gave way, and a torrent of water surged upward, threatening to drown them. Harlow gripped the rail, pulling Eva upward with a mighty heave. “Hold on!” Harlor barked, muscles straining. A figure lurked in the darkness above, its silhouette framed by the flickering lanterns. The figure raised a hand, and a glyph flared to life on the wall, casting an eerie glow that bathed the scene in an otherworldly hue. The cloaked figure’s hand reached out, fingers elongated, grasping for the key. Eva’s heart hammered against her ribs, fear and adrenaline warring within her. Harlow’s eyes locked onto the key, seeing the faint glow of the compass reflected within its grooves. A voice boomed from the depths, reverberating through the stone, “You cannot escape the Veil.” The key slipped from Eva’s grasp, clattering against the rail with a resonant clang. It rolled toward the edge of the chasm, teetering on the brink. Time seemed to stretch, each second a heartbeat of impending doom. The compass needle whipped wildly, its motion erratic, as if the supernatural energy within the market surged one final time. Harlow lunged, fingers closing around the key just as the vortex threatened to swallow them both. A guttural howl rose from the abyss, echoing through the tunnels. She thrust the key into a slot she had not noticed before, a hidden indentation etched into the stone wall beside the stairwell. The key turned with a resonant click, and the vortex recoiled, its tendrils snapping back like a whip. The cloaked figure let out a final, guttural scream as the energy imploded, collapsing inward with a sound like a shattered mirror. The cavern fell silent, save for the distant drip of water and the faint hum of the lingering magic. The vortex sealed itself, leaving only a smooth stone wall where the portal had once roared. Harlow staggered backward, breath ragged, her pistol smoking faintly. Eva stared at the key, now lodged securely in the slot, its surface now bearing a fresh sigil—a spiraling vortex intertwined with a key. A soft whisper rose from the shadows, a voice that seemed to come from everywhere and nowhere. “You have unlocked what you were never meant to see.” Harlow’s eyes narrowed, her mind racing through possibilities. She glanced at Eva, who stared at the compass, its needle now pointing toward a narrow opening in the stone. “Ready?” Harlow asked, voice firm, no room for hesitation. Eva’s fingers brushed the edge of the opening, feeling the cool draft of something ancient and powerful. “What lies beyond?” she asked, voice barely a whisper. Harlow’s gaze hardened, her mind already mapping the possibilities. “We find out.” The opening widened, revealing a darkness speckled with twinkling lights, as if stars lay just beyond a veil of stone. A sudden gust of wind blew through, carrying with it a faint scent of copper and ozone. The compass needle pulsed once, twice, then steadied, pointing directly into the darkness. Both women took a step forward, their silhouettes disappearing into the unknown. The stone behind them sealed shut with a resonant thud, sealing their fate.
created_at"2026-03-11T22:21:59.293Z" 3/11/2026, 10:21:59 PM
model"nvidia/nemotron-3-nano-30b-a3b"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency732
moderation_latency(null)
generation_time37860
tokens_prompt4671
tokens_completion5267
native_tokens_prompt4333
native_tokens_completion4539
native_tokens_completion_images(null)
native_tokens_reasoning1948
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason(null)
native_finish_reason(null)
usage0.00112445
router(null)
provider_responses
0
endpoint_id"2bd3912d-8b35-4818-b873-24ccfefa6cf9"
id"chatcmpl-RinBpOvXfAGSptI14GOY3lQK"
is_byokfalse
latency129
model_permaslug"nvidia/nemotron-3-nano-30b-a3b"
provider_name"DeepInfra"
status200
user_agent"langchainjs-openai/1.0.0 ((node/v24.14.0; linux; x64))"
http_referer(null)
api_type"completions"
id"gen-1773267719-aqQaUEaiGZmQ95ytbJMO"
upstream_id"chatcmpl-RinBpOvXfAGSptI14GOY3lQK"
total_cost0.00112445
cache_discount(null)
upstream_inference_cost0
provider_name"DeepInfra"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags26
adverbTagCount0
adverbTags(empty)
dialogueSentences43
tagDensity0.605
leniency1
rawRatio0
effectiveRatio0
94.87% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1951
totalAiIsmAdverbs2
found
0
adverb"slightly"
count1
1
adverb"tightly"
count1
highlights
0"slightly"
1"tightly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
5.18% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1951
totalAiIsms37
found
0
word"chill"
count1
1
word"flickered"
count1
2
word"measured"
count1
3
word"scanning"
count1
4
word"glinting"
count2
5
word"velvet"
count1
6
word"pulse"
count2
7
word"resonance"
count2
8
word"etched"
count2
9
word"quivered"
count1
10
word"trembled"
count3
11
word"echoed"
count2
12
word"intricate"
count2
13
word"pulsed"
count2
14
word"echoing"
count3
15
word"flicked"
count1
16
word"shattered"
count2
17
word"footsteps"
count1
18
word"reverberated"
count1
19
word"stark"
count1
20
word"otherworldly"
count1
21
word"depths"
count1
22
word"whisper"
count2
23
word"racing"
count1
highlights
0"chill"
1"flickered"
2"measured"
3"scanning"
4"glinting"
5"velvet"
6"pulse"
7"resonance"
8"etched"
9"quivered"
10"trembled"
11"echoed"
12"intricate"
13"pulsed"
14"echoing"
15"flicked"
16"shattered"
17"footsteps"
18"reverberated"
19"stark"
20"otherworldly"
21"depths"
22"whisper"
23"racing"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches1
maxInWindow1
found
0
label"eyes widened/narrowed"
count1
highlights
0"eyes narrowed"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells1
narrationSentences129
matches
0"e with terror"
87.49% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount1
hedgeCount4
narrationSentences129
filterMatches
0"watch"
hedgeMatches
0"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences146
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen26
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1950
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions15
unquotedAttributions0
matches(empty)
50.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions68
wordCount1668
uniqueNames8
maxNameDensity1.86
worstName"Harlow"
maxWindowNameDensity3.5
worstWindowName"Harlow"
discoveredNames
Veil3
Market1
Tube1
Harlow31
Quinn1
Kowalski1
Compass2
Eva28
persons
0"Harlow"
1"Quinn"
2"Kowalski"
3"Eva"
places
0"Veil"
1"Compass"
globalScore0.571
windowScore0.5
85.90% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences117
glossingSentenceCount3
matches
0"sound that seemed to reverberate through the stone"
1"as if seeking an anchor"
2"voice that seemed to come from everywhere and nowhere"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1950
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences146
matches(empty)
97.86% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs103
mean18.93
std9.32
cv0.492
sampleLengths
04
150
240
337
412
542
616
743
816
920
1034
1119
1226
1311
1439
1511
1626
1725
1822
1934
2017
2115
2238
2322
249
2526
2623
2715
2820
2929
308
3121
3234
3311
3423
3510
3634
3713
3812
3929
4018
418
4225
4317
4420
459
4615
4744
4821
4927
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount0
totalSentences129
matches(empty)
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs329
matches(empty)
100.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount1
semicolonCount0
flaggedSentences1
totalSentences146
ratio0.007
matches
0"Eva stared at the key, now lodged securely in the slot, its surface now bearing a fresh sigil—a spiraling vortex intertwined with a key."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1669
adjectiveStacks0
stackExamples(empty)
adverbCount42
adverbRatio0.025164769322947873
lyAdverbCount13
lyAdverbRatio0.007789095266626723
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences146
echoCount0
echoWords(empty)
94.34% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences146
mean13.36
std5.15
cv0.386
sampleLengths
022
118
214
323
417
519
618
712
811
914
1017
1116
123
1323
1417
1510
166
179
1811
198
2011
2115
2219
237
2415
254
2611
279
2813
2917
3011
3111
3215
3315
3410
3512
3610
3716
3818
3917
4010
415
4222
4316
4414
458
464
475
486
4920
45.89% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats8
diversityRatio0.3082191780821918
totalSentences146
uniqueOpeners45
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences128
matches(empty)
ratio0
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount19
totalSentences128
matches
0"She brushed away a layer"
1"She tucked a strand of"
2"Its skin held a pallor"
3"She lifted the Veil Compass"
4"She recognized it instantly."
5"she said, voice low"
6"they intoned, voice resonating with"
7"She caught herself on a"
8"Her satchel hit the ground"
9"She yanked it free, turning"
10"They sprinted down the dim"
11"They emerged into a hidden"
12"She raised it, aiming at"
13"she started, but before she"
14"they whispered, voice now a"
15"It rolled toward the edge"
16"She thrust the key into"
17"She glanced at Eva, who"
18"she asked, voice barely a"
ratio0.148
0.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount120
totalSentences128
matches
0"Blood doesn’t stain stone The"
1"Lanterns fashioned from salvaged oil"
2"A faint scent of ozone"
3"Detective Harlow Quinn stepped through"
4"She brushed away a layer"
5"Eva Kowalski crouched beside a"
6"She tucked a strand of"
7"Eva whispered, her voice trembling"
8"Harlow knelt, her left wrist"
9"The corpse lay on its"
10"Its skin held a pallor"
11"Eva murmured, pointing to a"
12"Harlow’s gaze narrowed."
13"She lifted the Veil Compass"
14"The needle quivered, then steadied,"
15"Eva’s fingers trembled as she"
16"Harlow snapped, her tone sharp"
17"Eva opened the alcove with"
18"A small brass key rested"
19"Eva said, eyes widening"
ratio0.938
39.06% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences128
matches
0"Just as they reached the"
ratio0.008
59.80% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences86
technicalSentenceCount10
matches
0"Lanterns fashioned from salvaged oil lamps flickered, casting long shadows that danced across piled crates of rattling curios."
1"Harlow shoved Eva aside, their bodies colliding with a stack of crates that toppled with a thunderous crash."
2"The needle spun faster, its tip piercing the pool’s surface as if seeking an anchor."
3"Her satchel hit the ground with a thud, spilling vials that shattered, releasing a cascade of glowing particles that hovered in the air like fireflies."
4"She yanked it free, turning it in the lock of an unseen door that had materialised behind the pool."
5"Harlow glanced back, catching a glimpse of the cloaked figure’s form dissolving into shadows, the violet glow fading into nothingness."
6"The silhouettes hesitated, their forms flickering as if caught in an unseen wind."
7"The cloaked figure reappeared, stepping out from the shadows, their eyes burning with a fierce light."
8"The compass needle whipped wildly, its motion erratic, as if the supernatural energy within the market surged one final time."
9"The opening widened, revealing a darkness speckled with twinkling lights, as if stars lay just beyond a veil of stone."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags26
uselessAdditionCount13
matches
0"Eva whispered, her voice trembling slightly,"
1"She lifted, its brass casing etched with protective sigils"
2"Harlow snapped, her tone sharp as a blade"
3"Eva said, eyes widening"
4"she said, voice low,"
5"Harlow commanded, her voice echoing off the stone walls"
6"they intoned, voice resonating with an ancient cadence"
7"Harlow repeated, her voice steady"
8"the figure gasped, eyes wide with terror"
9"Harlow roared, her voice reverberating through the stone"
10"Harlor barked, muscles straining"
11"Harlow asked, voice firm, no room for hesitation"
12"she asked, voice barely a whisper"
0.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags19
fancyCount14
fancyTags
0"Eva whispered (whisper)"
1"Eva murmured (murmur)"
2"Harlow snapped (snap)"
3"the figure hissed (hiss)"
4"the figure snarled (snarl)"
5"Harlow repeated (repeat)"
6"Harlow shouted (shout)"
7"the figure gasped (gasp)"
8"Harlow yelled (yell)"
9"Harlow roared (roar)"
10"Harlow urged (urge)"
11"she whispered (whisper)"
12"they whispered (whisper)"
13"Harlor barked (bark)"
dialogueSentences43
tagDensity0.442
leniency0.884
rawRatio0.737
effectiveRatio0.651
75.3462%