Run: 2026-03-11-01KKFGJ1JPNQ2KXTW3Z2ESBKAF

Run Details

Duration:
3m 42s
Cost:
$0.002228
Provider:
DeepInfra

Model input

System
You are an expert and award-winning novel writer in the dark Literary Fiction genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4413" name="Silas Blackwood" aliases="Silas, Si, the Spymaster" pronouns="he/him" species="Human" storyRole="Mentor"> <eyeColor>hazel</eyeColor> <hair>grey-streaked auburn</hair> <height>6'1"</height> <age>58</age> <beard>neatly trimmed, matching his grey-streaked auburn hair</beard> <limp>slight limp in his left leg from an old knee injury</limp> <signetRing>silver signet ring, always worn on his right hand</signetRing> <description>Silas is a retired intelligence operative turned bar owner. He carries himself with quiet authority.</description> <backstory>Former MI6 field agent who retired after a botched operation in Prague left him with a permanent knee injury. He opened "The Raven's Nest" bar in Soho as a front for his network of contacts.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the literary fiction genre. Two old friends who haven't seen each other in years run into each other unexpectedly at a bar. One of them has changed significantly. Through their conversation and the tension between who they were and who they've become, reveal the weight of time and unspoken regret. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The glass hit the floor and shattered. Silas turned, eyes locking on a silhouette leaning against the back wall. The figure lifted a hand, brushed powder from a sleeve, and stared at her as if recognizing a ghost. Aurora’s fingertips brushed the rim of the mug; the porcelain was cool, the warmth still lingering. Mira stood there, shoulders caught in a charcoal coat, hair shaved at the sides, a streak of magenta running through the remaining length. She lifted the drink, took a sip, and set it down with deliberate calm. “You still have the scar,” Mira said, voice low, tinged with a note that sounded both surprise and accusation. She gestured toward Aurora’s left wrist. The crescent‑shaped mark caught the bar light. Aurora smiled, a thin line that didn’t reach her eyes. “I kept it. It reminds me of the day I realised legal briefs weren’t the only thing that could cut.” “Mira laughed, short and sharp. “I kept it.” Mira’s eyes narrowed slightly. “You always had a knack for finding shortcuts.” Silence stretched, heavy, filled only by the low hum of the neon sign buzzing above the doorway. Silas approached, his limp subtle but evident. He placed a glass of amber ale on the bar, slid it toward Mira. “Your usual?” He asked. Mira glanced at him, then at Aurora. “Just water, thank you.” Silas poured, the liquid sliding smoothly into the glass. He set it down, his hands steady despite the tremor that occasionally ran through his left leg. “Time does strange things, doesn’t it?” He muttered, more to himself than anyone else. Aurora stared into the dark liquid, watching the liquid swirl. “Time. It’s funny how it gathers the pieces we drop, then rearranges them.” Mira’s gaze drifted to the back‑room door. “You still talk about hidden rooms.” Aurora’s smile faded. “I didn’t think you’d remember that.” Mira leaned forward, the coat rustling. “I remember everything, Aunt Aurora.” The use of the word made Aurora’s breath catch. She hadn’t heard that nickname in years. Mira’s background seemed to surface in that single word; they had once called each other by family names when they were children, hiding secrets in the attic of an old cottage. Aurora took a sip of ale. The bitterness lingered, not unpleasant. “It’s funny how the law used to sit on a page, and now it sits on a bike rack.” Mira’s smile slipped, a brief crack in the polished surface. “It’s funny how you left that table behind and walked onto a different one.” Silas cleared a plate from the nearby table, the clatter echoing softly. He placed it on a nearby shelf; the movement was precise, almost ritualistic. “Morning, sir,” he said to a late‑arriving customer; the customer nodded, eyes flicking to the spilled glass. Mira’s eyes flicked back to Aurora. “You kept that scar, but the city’s ink covers more than skin now.” Aurora’s expression hardened. “You think you can paint over it and think it won’t show?” Mira’s tone sharpened. “The ink’s only skin deep. The ink that sticks is deeper.” Silas slid a fresh glass in front of Mira; the glass clinked against the wood. “We have a meeting tonight. Midnight. It isn’t a joke.” Mira’s lips twitched, a flash of teeth. “We left that promise behind.” Aurora’s eyes flicked to the doorway; a man in a dark coat stood framed, his shoulders narrow, his face obscured by a brimmed hat. He held a folded piece of paper in one hand, his knuckles white. Mira’s voice dropped, barely above a whisper. “You shouldn’t have come here.” The man in the coat didn’t move. He lifted the paper slowly, revealing a printed image: a grainy photograph of a small, weathered house with a crooked chimney. The same house appeared in the background of a childhood photograph Aurora kept tucked in her wallet. Aurora’s pulse quickened; the memory flooded back, the creak of floorboards, the smell of pine sap, the laughter echoing across the water. Mira’s hand tightened around the glass. “I thought I’d buried that,” she whispered, but the tremor in her voice exposed more than words. The man in the coat stepped forward, the tip of his shoe scraping the floor. “Names get whispered here, but the message stays the same.” He dropped the paper onto the bar; the image landed, face down, its edges fluttering. Silas bent, picked up the paper, and read the typed words aloud. “Meet me at the old pier at midnight. Bring the key.” A chill ran through the room, though there was no wind. The bar’s green neon sign flickered, casting an uneven glow across the faces of the three strangers. Mira’s eyes darted to Aurora. “You know what this means.” Aurora’s mind raced; she saw the image, felt the weight of a promise broken years ago. She remembered the night they had hidden a small wooden box under a loose floorboard, whispering about secrets that would never surface. Mira swallowed, her throat dry. “I thought it was just a story, a bedtime myth.” The man in the coat pressed his palm against the bar, the pressure making a faint indentation. “The tide rises. It won’t wait for nostalgia.” Silas looked at Aurora, his hazel eyes steady. “You said you wanted to keep digging, but this… this is more than curiosity.” Aurora felt the scar on her wrist throb lightly. The pain was a reminder of a broken car windshield years ago, the moment she decided to walk away from a different kind of fight. “Your old friend’s name on that paper bears a story,” Silas said, his voice low, measured. “Someone wants something from you both.” Mira’s expression hardened. “You have no idea what we left behind.” The man in the coat lifted his hat, revealing a scar mirrored on his left cheek. He spoke softly, almost reverently. “The past never stays buried, especially when the key is missing.” Aurora’s thoughts swirled. She remembered the key’s shape, the intricate notch that fit only one lock; the memory was vivid, a flash of sunlight caught in dusty dust. She looked at Mira, who stared at the photograph with a mixture of fear and resolve. The tension built like a taut string ready to snap. A sudden crash echoed as the bar’s back door slammed open; a gust of cold air swept in, dislodging ash from a nearby candle. A figure stepped through the doorway, tall, wearing a dark suit, badge glinting. He held a badge that read “Security.” He scanned the room with a practiced gaze. The man in the coat turned, his eyes narrowing. “It’s not over.” Mira’s breath hitched. She placed the glass firmly on the bar, her knuckles white. The security officer stepped nearer, his boots thudding against the wooden floor. “Everyone, stay calm. We have a situation to discuss.” Silas raised his hands in a calming gesture. “Officer, we’re… discussing.” The officer’s gaze lingered on the photograph lying face down. He lifted it with a gloved hand. The image displayed a faded photograph of two girls standing side by side on a hill, arms linked, the horizon painted orange. Mira’s face turned ashen. She turned her head abruptly, as if the sight could erase the memory. Aurora’s eyes widened. “You still have that picture?” Mira’s voice trembled. “I kept it hidden.” The officer turned his gaze to Silas. “You’re involved in an active case, sir.” Silas’s jaw tightened. “I’ve retired from that world.” The officer’s stare lingered. “Names are mentioned, debts are settled.” The room seemed to contract; the neon sign’s buzzing grew louder, the green light pulsing like a heartbeat. The air thickened with the smell of spilled ale and iron. Mira looked directly at Aurora. “I never thought we’d meet again like this.” Aurora clenched her fist around the scarred wrist. She felt the metal of the signet ring that Silas habitually wore on his right hand brush against her skin as she reached out. Their fingers touched briefly, electric. The man in the coat lifted his hand, revealing a small device blinking red. “It’s time.” The device emitted a buzzing tone that vibrated the bar stools, the glass, the wooden beams. Mira flinched; the movement drew a gasp from a nearby patron. The security officer reached for his radio. “All units, now.” Silas shouted, but his voice was swallowed by the buzzing. He grabbed the bar’s edge, his fingers digging into the wood. The buzzing intensified, the red light flickering faster. The photograph trembled as if reacting to the field. A sudden, sharp clang reverberated as the back door swung open again, this time revealing a figure in a black coat holding a sleek black case. He stepped forward, eyes scanning the room, searching for something specific. His boots landed on the cracked tiles, echoing starkly. Mira’s eyes widened further, a gasp escaping her lips. The man in the coat raised his hand, palm open, the device now humming with an ominous frequency. “Everyone stay where you are,” he commanded. Silas stepped forward, chest puffed, voice firm. “What do you want?” The intruder’s eyes flicked to the photograph, then back to Mira. “The key,” he said, voice flat, “and the story you keep buried.” Mira’s fingers rose, trembling, as if reaching for something intangible. A sudden screech cut through the air as a metal latch burst open, the lock on the back room giving way with a guttural groan. A narrow slit of light spilled across the floor, illuminating a narrow corridor that disappeared into darkness. Silas’ limp faltered, then steadied; he took a step toward the opening, pulling Aurora gently by the elbow. “Don’t run,” he whispered to her, but his tone carried an undercurrent of command. Mira’s mouth opened, a sound caught mid‑air, then she turned and faced the doorway, eyes fixed on the intruder. The man’s hand tightened around the case; a faint whirr rose, like a mosquito’s wings. The green neon sign flickered wildly, casting frantic shadows across the walls. Aurora’s palm pressed against the scar, feeling the pulse of her own heartbeat echo in the rhythm of the humming device. Mira’s gaze flicked from the intruder to Aurora, then to Silas, as if weighing a decision in that single breath. The intruder’s button on the case clicked, releasing a stream of tiny paper sheets that fluttered like startled birds. The sheets fluttered across the bar top, landing on the mug, the glass, the floor. One sheet landed on Aurora’s lap, the printed words stark and unfamiliar. She leaned forward, read the first line, eyes widening as a name appeared in crisp black ink: “E. J. Collins.” Mira’s shoulders slumped, the weight of years pressing down; she whispered, “I never thought it would come to this.” The intruder’s eyes narrowed further; the device emitted a rapid series of beeps, each one a digital heartbeat. Silas pushed his palm hard against the bar, his knuckles white. “You’ll regret this.” The intruder’s mouth formed a line that could have been a smile. “Regret is irrelevant.” A loud clang echoed as a metal tray collided with the bar, sending a cascade of bottles clinking together. The glasses shivered, their contents rippling; some spilled, staining the polished wood a dark hue. The buzzing grew louder, the device’s light strobing faster, casting frantic patterns across the surrounding faces. Mira stood frozen, eyes wide, breath caught in her throat. Aurora’s hand fell to her scar, fingers gripping tighter, as if seeking anchor. The security officer raised his pistol, the barrel aimed at the intruder’s chest. “Drop it,” he ordered, voice carrying authority. The intruder’s hand moved, but the case emitted a sudden flash, a blinding white burst that filled the bar’s interior. The light washed over everything, illuminating dust motes, the green neon sign, the spilled ale, the faces of the three women. For a heartbeat, the world seemed to freeze. Then everything shattered. The bar’s glass doors burst open, flooding the space with harsh external light, the clamor of sirens outside reverberating through the walls. Police vehicles screeched to a halt outside, lights flashing, officers pouring in, weapons drawn. A figure in a dark coat stumbled, dropping the case; the case slid across the floor, stopping abruptly at Aurora’s foot. A gasp escaped Mira, a sound that seemed both a prayer and a warning. Silas stood still for a fraction of a second, his breath held, then he stepped back, eyes never leaving the scene. The buzzing device fell silent, its light extinguished, leaving only the harsh glare of police lights that painted the room in stark contrast. Mira’s shoulders trembled, her eyes fixed on the case now lying open, revealing a set of folded keys and a folded piece of paper bearing a single word: “FORGIVE.” Aurora reached out, touching the paper, the ink fresh and wet. The scene held, the tension palpable, unbroken, as the chapter ended on the sound of sirens and the smell of rain seeping inside, the weight of the night pressing forward, awaiting whatever came next.
created_at"2026-03-11T22:33:56.596Z" 3/11/2026, 10:33:56 PM
model"nvidia/nemotron-3-nano-30b-a3b"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency726
moderation_latency(null)
generation_time221989
tokens_prompt4618
tokens_completion11565
native_tokens_prompt4285
native_tokens_completion10068
native_tokens_completion_images(null)
native_tokens_reasoning8112
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason(null)
native_finish_reason(null)
usage0.00222785
router(null)
provider_responses
0
endpoint_id"2bd3912d-8b35-4818-b873-24ccfefa6cf9"
id"chatcmpl-RLwaS8qI0Tcsk9ltlOq1lBmw"
is_byokfalse
latency55
model_permaslug"nvidia/nemotron-3-nano-30b-a3b"
provider_name"DeepInfra"
status200
user_agent"langchainjs-openai/1.0.0 ((node/v24.14.0; linux; x64))"
http_referer(null)
api_type"completions"
id"gen-1773268436-tkbkdHC0t63LPhbrsaxj"
upstream_id"chatcmpl-RLwaS8qI0Tcsk9ltlOq1lBmw"
total_cost0.00222785
cache_discount(null)
upstream_inference_cost0
provider_name"DeepInfra"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags52
adverbTagCount5
adverbTags
0"Mira’s eyes narrowed slightly. [slightly]"
1"Mira’s eyes flicked back [back]"
2"Mira’s voice dropped barely [barely]"
3"Mira’s hand tightened around [around]"
4"Mira looked directly [directly]"
dialogueSentences61
tagDensity0.852
leniency1
rawRatio0.096
effectiveRatio0.096
83.92% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount2177
totalAiIsmAdverbs7
found
0
adverb"slightly"
count1
1
adverb"softly"
count2
2
adverb"barely above a whisper"
count1
3
adverb"slowly"
count1
4
adverb"lightly"
count1
5
adverb"gently"
count1
highlights
0"slightly"
1"softly"
2"barely above a whisper"
3"slowly"
4"lightly"
5"gently"
100.00% AI-ism character names
Target: 0 AI-default names (16 tracked, −20% each)
codexExemptions
0"Blackwood"
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
0.00% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount2177
totalAiIsms49
found
0
word"shattered"
count2
1
word"porcelain"
count1
2
word"warmth"
count1
3
word"tinged"
count1
4
word"silence"
count1
5
word"echoing"
count3
6
word"flicked"
count4
7
word"whisper"
count1
8
word"pulse"
count2
9
word"quickened"
count1
10
word"chill"
count1
11
word"flickered"
count2
12
word"raced"
count1
13
word"weight"
count3
14
word"throb"
count1
15
word"reminder"
count1
16
word"measured"
count1
17
word"intricate"
count1
18
word"resolve"
count1
19
word"tension"
count2
20
word"echoed"
count2
21
word"glinting"
count1
22
word"scanned"
count1
23
word"firmly"
count1
24
word"trembled"
count3
25
word"electric"
count1
26
word"vibrated"
count1
27
word"reverberated"
count1
28
word"scanning"
count1
29
word"echo"
count1
30
word"fluttered"
count2
31
word"stark"
count2
32
word"palpable"
count1
highlights
0"shattered"
1"porcelain"
2"warmth"
3"tinged"
4"silence"
5"echoing"
6"flicked"
7"whisper"
8"pulse"
9"quickened"
10"chill"
11"flickered"
12"raced"
13"weight"
14"throb"
15"reminder"
16"measured"
17"intricate"
18"resolve"
19"tension"
20"echoed"
21"glinting"
22"scanned"
23"firmly"
24"trembled"
25"electric"
26"vibrated"
27"reverberated"
28"scanning"
29"echo"
30"fluttered"
31"stark"
32"palpable"
0.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches5
maxInWindow4
found
0
label"eyes widened/narrowed"
count4
1
label"clenched jaw/fists"
count1
highlights
0"eyes narrowed"
1"eyes widened"
2"clenched her fist"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences126
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount3
narrationSentences126
filterMatches(empty)
hedgeMatches
0"seemed to"
0.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences130
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount1
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen45
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords2177
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions23
unquotedAttributions0
matches(empty)
33.33% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions77
wordCount1829
uniqueNames3
maxNameDensity1.8
worstName"Mira"
maxWindowNameDensity4
worstWindowName"Mira"
discoveredNames
Aurora27
Mira33
Silas17
persons
0"Aurora"
1"Mira"
2"Silas"
places(empty)
globalScore0.598
windowScore0.333
27.45% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences102
glossingSentenceCount5
matches
0"as if recognizing a ghost"
1"as if reacting to the field"
2"as if reaching for something intangible"
3"as if weighing a decision in that single breath"
4"as if seeking anchor"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount2177
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount1
totalSentences130
matches
0"heard that nickname"
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs1
mean0
std0
cv0
sampleLengths
02177
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount1
totalSentences126
matches
0"was swallowed"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs335
matches(empty)
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount0
semicolonCount19
flaggedSentences18
totalSentences130
ratio0.138
matches
0"Aurora’s fingertips brushed the rim of the mug; the porcelain was cool, the warmth still lingering."
1"Mira’s background seemed to surface in that single word; they had once called each other by family names when they were children, hiding secrets in the attic of an old cottage."
2"Silas cleared a plate from the nearby table, the clatter echoing softly. He placed it on a nearby shelf; the movement was precise, almost ritualistic. “Morning, sir,” he said to a late‑arriving customer; the customer nodded, eyes flicking to the spilled glass."
3"Silas slid a fresh glass in front of Mira; the glass clinked against the wood. “We have a meeting tonight."
4"Aurora’s eyes flicked to the doorway; a man in a dark coat stood framed, his shoulders narrow, his face obscured by a brimmed hat. He held a folded piece of paper in one hand, his knuckles white."
5"Aurora’s pulse quickened; the memory flooded back, the creak of floorboards, the smell of pine sap, the laughter echoing across the water."
6"The man in the coat stepped forward, the tip of his shoe scraping the floor. “Names get whispered here, but the message stays the same.” He dropped the paper onto the bar; the image landed, face down, its edges fluttering."
7"Aurora’s mind raced; she saw the image, felt the weight of a promise broken years ago. She remembered the night they had hidden a small wooden box under a loose floorboard, whispering about secrets that would never surface."
8"Aurora’s thoughts swirled. She remembered the key’s shape, the intricate notch that fit only one lock; the memory was vivid, a flash of sunlight caught in dusty dust."
9"A sudden crash echoed as the bar’s back door slammed open; a gust of cold air swept in, dislodging ash from a nearby candle."
10"The room seemed to contract; the neon sign’s buzzing grew louder, the green light pulsing like a heartbeat."
11"Mira flinched; the movement drew a gasp from a nearby patron."
12"Silas’ limp faltered, then steadied; he took a step toward the opening, pulling Aurora gently by the elbow."
13"The man’s hand tightened around the case; a faint whirr rose, like a mosquito’s wings."
14"Mira’s shoulders slumped, the weight of years pressing down; she whispered, “I never thought it would come to this.”"
15"The intruder’s eyes narrowed further; the device emitted a rapid series of beeps, each one a digital heartbeat."
16"The glasses shivered, their contents rippling; some spilled, staining the polished wood a dark hue."
17"A figure in a dark coat stumbled, dropping the case; the case slid across the floor, stopping abruptly at Aurora’s foot."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount363
adjectiveStacks0
stackExamples(empty)
adverbCount12
adverbRatio0.03305785123966942
lyAdverbCount2
lyAdverbRatio0.005509641873278237
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences130
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences130
mean16.75
std9.2
cv0.549
sampleLengths
07
112
219
316
423
514
619
76
87
910
1020
118
1212
1317
1425
1511
1640
1711
1812
1913
209
2111
2216
2331
2430
2524
2642
2719
2815
298
306
3120
321
334
3412
3537
3612
3745
3822
3923
4040
4120
423
4328
4410
4538
4615
4720
485
4917
41.54% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats11
diversityRatio0.2076923076923077
totalSentences130
uniqueOpeners27
27.55% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount1
totalSentences121
matches
0"Then everything shattered."
ratio0.008
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount12
totalSentences121
matches
0"She lifted the drink, took"
1"She gestured toward Aurora’s left"
2"It’s funny how it gathers"
3"It isn’t a"
4"It won’t wait for"
5"She looked at Mira, who"
6"We have a situation to"
7"He stepped forward, eyes scanning"
8"His boots landed on the"
9"he whispered to her, but"
10"She leaned forward, read the"
11"he ordered, voice carrying authority"
ratio0.099
0.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount118
totalSentences121
matches
0"The glass hit the floor"
1"Silas turned, eyes locking on"
2"The figure lifted a hand,"
3"Aurora’s fingertips brushed the rim"
4"Mira stood there, shoulders caught"
5"She lifted the drink, took"
6"Mira said, voice low, tinged"
7"She gestured toward Aurora’s left"
8"The crescent‑shaped mark caught the"
9"Aurora smiled, a thin line"
10"Mira’s eyes narrowed slightly."
11"Silence stretched, heavy, filled only"
12"Silas approached, his limp subtle"
13"Mira glanced at him, then"
14"Silas poured, the liquid sliding"
15"Aurora stared into the dark"
16"It’s funny how it gathers"
17"Mira’s gaze drifted to the"
18"Aurora’s smile faded."
19"Mira leaned forward, the coat"
ratio0.975
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences121
matches(empty)
ratio0
9.69% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences59
technicalSentenceCount11
matches
0"Aurora’s mind raced; she saw the image, felt the weight of a promise broken years ago. She remembered the night they had hidden a small wooden box under a loose…"
1"Silas shouted, but his voice was swallowed by the buzzing. He grabbed the bar’s edge, his fingers digging into the wood."
2"The buzzing intensified, the red light flickering faster. The photograph trembled as if reacting to the field."
3"Mira’s fingers rose, trembling, as if reaching for something intangible."
4"A narrow slit of light spilled across the floor, illuminating a narrow corridor that disappeared into darkness."
5"The intruder’s button on the case clicked, releasing a stream of tiny paper sheets that fluttered like startled birds."
6"The glasses shivered, their contents rippling; some spilled, staining the polished wood a dark hue."
7"The buzzing grew louder, the device’s light strobing faster, casting frantic patterns across the surrounding faces."
8"Aurora’s hand fell to her scar, fingers gripping tighter, as if seeking anchor."
9"The intruder’s hand moved, but the case emitted a sudden flash, a blinding white burst that filled the bar’s interior."
10"A gasp escaped Mira, a sound that seemed both a prayer and a warning."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags18
uselessAdditionCount7
matches
0"He muttered, more to himself than anyone else"
1"he said, eyes flicking to the spilled glass"
2"Silas said, his voice low, measured"
3"he said, voice flat,"
4"he whispered, but his tone carried an undercurrent of command"
5"Mira’s shoulders slumped, the weight of years pressing down; she whispered,"
6"he ordered, voice carrying authority"
84.43% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags6
fancyCount4
fancyTags
0"Mira’s hand tightened around (tighten)"
1"the coat pressed (press)"
2"he whispered (whisper)"
3"he ordered (order)"
dialogueSentences61
tagDensity0.098
leniency0.197
rawRatio0.667
effectiveRatio0.131
63.5968%