Run: 2026-03-11-01KKFGNQR4F2XEHZM3N2TBRXQX

Run Details

Duration:
1m 12s
Cost:
$0.000938
Provider:
DeepInfra

Model input

System
You are an expert and award-winning novel writer in the dark Romance genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4415" name="Lucien Moreau" aliases="Lucien, Luc, the Frenchman" pronouns="he/him" species="Half-Demon" storyRole="Ally"> <eyeColor>heterochromatic — one amber, one black</eyeColor> <hair>slicked-back platinum blond</hair> <height>5'11"</height> <age>32</age> <cane>ivory-handled cane that conceals a thin blade</cane> <dress>tailored charcoal suits</dress> <description>An impeccably dressed fixer and information broker in London's supernatural underworld. He speaks four languages fluently.</description> <backstory>Born in Marseille to a human mother and a demon father from the realm of Avaros.</backstory> </character> <location id="858" name="Eva's Flat" aliases="Eva's place, the flat on Brick Lane" realm="Earth"> <cat>tabby cat named Ptolemy</cat> <security>three deadbolts on the front door</security> <description>A cramped one-bedroom flat above a curry house on Brick Lane, East London. Every surface is covered with books, scrolls, and research notes.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the romance genre. Two people who parted on complicated terms are forced together again when one shows up unannounced at the other's flat. There's history between them — attraction, hurt, and things left unsaid. Write the scene from the moment the door opens. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The door slammed open, reverberating through the cramped hallway of Eva’s flat and rattling the stack of manuscripts propped against the wall. Lucien Moreau stood in the doorway, his charcoal suit immaculate despite the grime of the street outside, the ivory handle of his cane catching the flicker of the lone bulb overhead. He lifted his head, amber eye glinting against the black, and the scent of polished leather and distant incense drifted in, cutting through the stale perfume of cheap incense that Aurora kept burning for late‑night work. “Rory,” he said, the single word a blend of accusation and invitation, his voice smooth as poured ink. The cadence was unmistakably French‑tinged, each syllable measured, each consonant clipped. “I see the city has not yet claimed your sense of decorum.” Aurora’s heart thudded against her ribcage, the crescent scar on her left wrist pulsing as if remembering the old wound. She had not expected him, not in this weather, not now. Yet the sight of his tailored silhouette made the room feel suddenly too small, the air thick with memories of nights spent arguing over contracts and stolen glances that never quite reached the surface. “Luc,” she replied, her tone steadier than she felt, the coolness of her voice a shield. She crossed her arms, the gold‑threaded cuff of her sleeve catching the weak light. “What brings a Frenchman to my doorstep when the streets are drenched in rain and rumour?” The words slipped out in a quick, stabbing rhythm, a reflex of defence. Lucien moved further into the flat, the cane tapping a soft, metallic beat on the worn wooden floor. He brushed past a pile of research notes on the floor, his polished shoes making no sound. “My dear, I have a proposition that cannot wait for the sunrise. It involves a matter of... considerable import to both our… interests.” He paused, his gaze flicking over the scattered scrolls, the tabby cat Ptolemy blinking lazily from its perch on a bookshelf. “And perhaps,” he added with a faint smile, “to discuss the… misunderstanding that led to our parting.” Aurora’s fingertips hovered over the edge of a scattered parchment, her mind racing through the sequence of events that had driven them apart. The memory slammed into her like a sudden gust: the heated argument in the rain‑slicked alley of Covent Garden, the shattered glass of a broken bottle, the whispered promise of a future that never materialised. She pressed her palm flat against the wooden table, feeling the grain under her skin. “You mean the night you sold the ledger to the councilors, and I… I thought you were protecting me.” She let the words tumble out, raw and unfiltered. Lucien’s mouth twitched, a flash of amber caught in his eye. “You took it as betrayal, but I was protecting you from a greater danger. The ledger was a bait, a trap set by those who would see the underworld crumble. I never intended for you to bear the brunt of their games.” He stepped closer, the cane’s blade catching a glint, the steel whispering against the floorboards. “You left the city, Aurora. You fled your ex, you built a new life here. Yet you still cling to the flame of curiosity that once made you question everything.” She felt the heat rising to her cheeks, the urge to speak, to explain, to unburden the weight of unsaid things. “And you?” she asked, barely above a whisper, “you left the city for power, for influence. Yet you keep resurfacing like a ghost, always on the edge of shadows.” She tried to keep the bitterness from her tone, but it leaked through like a thin seam of cracked glass. Lucien placed a gloved hand on the back of a chair, his fingertips brushing the fabric. “Power is a fickle companion, my dear. It is often the very thing that keeps us tethered to those we love, whether we admit it or not.” His words hung in the air, a promise and a threat intertwined. “You remember the night we first met, in that dimly lit bar? I bought you a drink, you laughed at my jokes, and we talked about the future—about books, about stars, about a world beyond the pages we were forced to read.” Aurora’s breath caught. The memory surged: the cramped bar above Silas’s establishment, the low hum of conversation, the way Lucien’s eyes had lingered on her when she poured the ale, his hand almost touching hers before pulling back. “We talked about stars,” she repeated, a small laugh escaping. “You said the night sky was just a map of the forgotten sins of men.” She shook her head, trying to keep the tears at bay. “And I told you that I would rather read a book than chase myths.” The room seemed to contract, the walls closing in as if the very air sensed the gravity of the moment. The tabby cat mewed, arching its back, as if sensing the tension. “You always were a scholar of darkness,” Aurora said, a wry edge to her voice. “Even when you wore a smile, I could see the gears turning behind those amber eyes.” Lucien’s smile didn’t waver, but something else flickered—a shadow across his heterochromatic gaze. “You always read too much between the lines, Rory. Sometimes the line is simply blank, yet the ink still stains.” He lifted his cane and tapped it lightly on the floor, the closed blade glinting ominously. “I have been tracking someone, a name you would recognize—” Before he could finish, a sudden crash shattered the fragile stillness. The kitchen window shattered, shards glittering like ice, rainwater flooding in, soaking the wooden floorboards. A figure in a dark coat stumbled through the opening, dragging a sack of something heavy, the sack thudding against the wall with a dull thump. The figure’s eyes were hidden beneath a hood, but a glint of metal caught the light – a pistol, its barrel pointed directly at Lucien. “Stay where you are,” the intruder hissed, voice low and guttural, the words dripping with malice. “You thought you could hide the ledger, but you left a trail that ends here.” He turned toward Aurora, a grin curling on his lips. “And you, Miss Carter, have something I desire.” Aurora’s mind flashed – the night she had hidden the ledger in the false bottom of a bookcase, the secret she thought only she knew. She felt the scar on her wrist flare, as though it burned with an old pain. “You’re… you’re after the ledger?” Her voice trembled, but she forced a steadier tone. “It’s not what you think. I’ve kept it safe—” The intruder chuckled, a short, bitter bark. “Safe? In a flat above a curry house? How poetic.” He raised his weapon, aiming directly at Lucien. “But you know what they say—every story has a twist, and every twist has a price.” Lucien’s cane clicked, the blade snapping out with a swift motion, a thin line of light slicing through the air. In an instant, the intruder’s hand faltered, the pistol dropping to the floor with a clatter that echoed louder than the broken glass. He lunged forward, the cane’s blade finding its mark with surgical precision, the metal grazing the intruder’s throat. A gasp escaped the attacker’s lips as blood spurted, dark and viscous, pooling on the soaked floor. The intruder’s hood fell back, revealing a familiar face – it was Eva herself, eyes wide with shock and something else unspoken. Eva’s mouth opened, a sound caught between a scream and a gasp, and she clutched at the edge of the broken window frame, trying to steady herself. “Rory…?” she whispered, voice hoarse, the word trembling on the edge of a memory that bound them all together. Lucien’s eyes flickered with an unexpected flash—pain, perhaps, or perhaps a recognition that cut through his composure. “Eva,” he said, his voice barely more than a hiss. “What have you done?” He stepped back, hand still gripping the cane, but his gaze was now fixed on Aurora, whose breathing grew shallow, her chest rising and falling rapidly. The room held its breath. The rain hammered against the broken glass, the sound a constant percussion against the walls. A sudden, electric charge seemed to pulse through the air, the tension hanging thick as a stormcloud. Aurora’s eyes darted from Lucien to Eva, from the bloodied intruder to the shattered window, searching for an escape, a solution, anything that could halt the tide of blood and betrayal rushing toward her. The scene froze for a heartbeat, a heartbeat that seemed to stretch into eternity, before the intruder – no, Eva – made a sudden, jerky movement. She swung the sack she carried, and a cascade of papers fluttered out, scattering across the floor like wounded birds. Among the pages, a single, familiar emblem shone – the sigil of the Order of the Crimson Quill, an organization both of them had once served, a secret that bound them in ways they barely understood. The pages fluttered toward Aurora’s feet, landing at her shoes, the ink still wet. She glanced down, and there, in bold black letters, a directive glared back: *“Terminate all connections. Burn the ledger.”* A gasp escaped her lips, but before she could react, Lucien stepped forward, his cane striking the floor with a resonant thud that reverberated through the room, echoing like a death knell. The blade at the end of the cane glowed a deep crimson, as if feeding on the blood that seeped into the floorboards. “Don’t,” Aurora whispered, muscles taut, her eyes fixed on the glowing blade. “Don’t do this.” Lucien’s gaze softened for a fraction of a second, a flicker of something almost human shining through the demonic veneer. “You know what must be done,” he replied, voice low, almost reverent. “The ledger cannot fall into the wrong hands. It will bring ruin to us all.” He lifted the cane, the blade humming with a low, resonant tone, as though the very metal thirsted for the blood that stained the floor. “And you, my dear… you must choose—” The intruder—Eva—laughed, a short, brittle sound. “Choose? There is no choice. The order demands sacrifice.” The room seemed to pulse with a low, humming vibration that resonated through the walls, the scent of copper stinging Aurora’s nostrils, mingling with the metallic tang of blood. The cat Ptolemy let out a mournful wail, his fur bristling as though sensing the impending disaster. A sudden roar rose from outside, a sound that seemed to come from the very foundations of the building, shaking dust from the ceiling. The sound was followed by a thunderous crack – the front door of the flat, which had been left ajar, was being forced open with brutal force. The heavy wood groaned under the strain, and the hinges creaked as if remembering the weight of a thousand doors slammed shut over the years. Lucien’s eyes narrowed, amber and black swirling together in a storm of calculation. He looked at Aurora, his gaze a mixture of warning and something more—perhaps regret, perhaps something that had never been spoken. “Your decision will change everything, Aurora,” he said, the words hanging like a blade poised above a wound. “And whatever you choose…” Before he could finish, the intruder—Eva—raised her hands, a strange device materialising in one palm, humming with energy. A pulse of bright, green light shot out, striking the cane, the blade, and for a heartbeat, the whole room was engulfed in a blinding flash, as though the world itself were snapping shut. The light faded, and in its place, a figure stood there—tall, imposing, cloaked in a dark mantle that seemed to swallow the little light that remained. The figure’s face was hidden, but the air around him crackled with an electric tension. A voice, deep and resonant, boomed through the flat: “It ends here, Lucien. The pact is broken. The ledger will never see the light of day again.” Lucien’s cane clattered to the floor, the blade clinking against the wood, the sound sharp and final. He stared at the newcomer, his posture rigid, his shoulders squared. The room fell into a suffocating silence, punctuated only by the rain hammering against the shattered window and the ragged breathing of the three women. Aurora felt a cold hand close around her wrist—the scar throbbing as if warning her of the choice that lay before her. She looked at the ledger’s pages scattered at her feet, at the bloodied intruder now motionless on the floor, at Lucien’s wounded cane, and finally at the unknown figure who stood like an unmovable mountain in the doorway. The scene stopped there, a breath held in anticipation, as the weight of the unsaid hung thick in the air and the future hung precariously balanced on the edge of a blade. The door behind the stranger creaked open, revealing a darkness that promised either salvation or ruin, its threshold beckoning. The night held its breath, and the story hung on the knife’s edge.
created_at"2026-03-11T22:35:57.603Z" 3/11/2026, 10:35:57 PM
model"nvidia/nemotron-3-nano-30b-a3b"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency1183
moderation_latency(null)
generation_time72069
tokens_prompt4556
tokens_completion4131
native_tokens_prompt4230
native_tokens_completion3634
native_tokens_completion_images(null)
native_tokens_reasoning801
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason(null)
native_finish_reason(null)
usage0.0009383
router(null)
provider_responses
0
endpoint_id"2bd3912d-8b35-4818-b873-24ccfefa6cf9"
id"chatcmpl-RTbkSngm0VKVL9JfiMijgn3P"
is_byokfalse
latency96
model_permaslug"nvidia/nemotron-3-nano-30b-a3b"
provider_name"DeepInfra"
status200
user_agent"langchainjs-openai/1.0.0 ((node/v24.14.0; linux; x64))"
http_referer(null)
api_type"completions"
id"gen-1773268557-3sUxgkFm3sXy3TL6eMOG"
upstream_id"chatcmpl-RTbkSngm0VKVL9JfiMijgn3P"
total_cost0.0009383
cache_discount(null)
upstream_inference_cost0
provider_name"DeepInfra"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags25
adverbTagCount1
adverbTags
0"He stepped back [back]"
dialogueSentences39
tagDensity0.641
leniency1
rawRatio0.04
effectiveRatio0.04
81.73% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount2189
totalAiIsmAdverbs8
found
0
adverb"suddenly"
count1
1
adverb"lazily"
count1
2
adverb"barely above a whisper"
count1
3
adverb"very"
count4
4
adverb"lightly"
count1
highlights
0"suddenly"
1"lazily"
2"barely above a whisper"
3"very"
4"lightly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
1.78% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount2189
totalAiIsms43
found
0
word"flicker"
count2
1
word"glinting"
count2
2
word"tinged"
count1
3
word"measured"
count1
4
word"sense of"
count1
5
word"racing"
count1
6
word"shattered"
count5
7
word"glint"
count2
8
word"weight"
count3
9
word"whisper"
count1
10
word"tension"
count3
11
word"flickered"
count2
12
word"desire"
count1
13
word"trembled"
count1
14
word"echoed"
count1
15
word"familiar"
count2
16
word"unspoken"
count1
17
word"electric"
count2
18
word"pulse"
count3
19
word"fluttered"
count2
20
word"reverberated"
count1
21
word"echoing"
count1
22
word"resonated"
count1
23
word"imposing"
count1
24
word"silence"
count1
25
word"anticipation"
count1
highlights
0"flicker"
1"glinting"
2"tinged"
3"measured"
4"sense of"
5"racing"
6"shattered"
7"glint"
8"weight"
9"whisper"
10"tension"
11"flickered"
12"desire"
13"trembled"
14"echoed"
15"familiar"
16"unspoken"
17"electric"
18"pulse"
19"fluttered"
20"reverberated"
21"echoing"
22"resonated"
23"imposing"
24"silence"
25"anticipation"
66.67% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches3
maxInWindow2
found
0
label"eyes widened/narrowed"
count1
1
label"hung in the air"
count2
highlights
0"eyes narrowed"
1"hung in the air"
2"hung thick in the air"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells1
narrationSentences91
matches
0"d in anticipation"
17.27% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount1
hedgeCount7
narrationSentences91
filterMatches
0"feel"
hedgeMatches
0"tried to"
1"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences104
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen57
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans1
markdownWords6
totalWords2185
ratio0.003
matches
0"“Terminate all connections. Burn the ledger.”"
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions23
unquotedAttributions0
matches(empty)
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions46
wordCount1704
uniqueNames11
maxNameDensity0.94
worstName"Lucien"
maxWindowNameDensity2
worstWindowName"Eva"
discoveredNames
Eva7
Moreau1
Aurora14
Lucien16
Ptolemy2
Covent1
Garden1
Silas1
Order1
Crimson1
Quill1
persons
0"Eva"
1"Moreau"
2"Aurora"
3"Lucien"
4"Ptolemy"
5"Silas"
places
0"Covent"
1"Garden"
globalScore1
windowScore1
0.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences89
glossingSentenceCount9
matches
0"as if remembering the old wound"
1"as if sensing the tension"
2"heartbeat that seemed to stretch into eternity, before the intruder – no, Eva – made a sudden, jerky movement"
3"as if feeding on the blood that seeped into the floorboards"
4"as though sensing the impending disaster"
5"sound that seemed to come from the very foundations of the building, shaking dust from the ceiling"
6"as if remembering the weight of a thousand doors slammed shut over the years"
7"mantle that seemed to swallow the little light that remained"
8"as if warning her of the choice that lay before her"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount2185
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences104
matches(empty)
61.19% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs34
mean64.26
std23.4
cv0.364
sampleLengths
089
141
265
359
496
5101
698
770
897
988
1063
1159
1277
1349
1464
1541
16100
1746
1857
1971
2082
2188
2215
2379
2415
2546
2676
2756
2852
2968
3053
3160
3251
3313
85.98% Passive voice overuse
Target: ≤2% passive sentences
passiveCount5
totalSentences91
matches
0"were hidden"
1"was followed"
2"been left"
3"being forced"
4"been spoken"
5"was engulfed"
6"was hidden"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount1
totalVerbs267
matches
0"were snapping"
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount16
semicolonCount0
flaggedSentences13
totalSentences104
ratio0.125
matches
0"Lucien’s smile didn’t waver, but something else flickered—a shadow across his heterochromatic gaze."
1"The figure’s eyes were hidden beneath a hood, but a glint of metal caught the light – a pistol, its barrel pointed directly at Lucien."
2"Aurora’s mind flashed – the night she had hidden the ledger in the false bottom of a bookcase, the secret she thought only she knew."
3"The intruder’s hood fell back, revealing a familiar face – it was Eva herself, eyes wide with shock and something else unspoken."
4"Lucien’s eyes flickered with an unexpected flash—pain, perhaps, or perhaps a recognition that cut through his composure."
5"The scene froze for a heartbeat, a heartbeat that seemed to stretch into eternity, before the intruder – no, Eva – made a sudden, jerky movement."
6"Among the pages, a single, familiar emblem shone – the sigil of the Order of the Crimson Quill, an organization both of them had once served, a secret that bound them in ways they barely understood."
7"The intruder—Eva—laughed, a short, brittle sound."
8"The sound was followed by a thunderous crack – the front door of the flat, which had been left ajar, was being forced open with brutal force."
9"He looked at Aurora, his gaze a mixture of warning and something more—perhaps regret, perhaps something that had never been spoken."
10"Before he could finish, the intruder—Eva—raised her hands, a strange device materialising in one palm, humming with energy."
11"The light faded, and in its place, a figure stood there—tall, imposing, cloaked in a dark mantle that seemed to swallow the little light that remained."
12"Aurora felt a cold hand close around her wrist—the scar throbbing as if warning her of the choice that lay before her."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1706
adjectiveStacks0
stackExamples(empty)
adverbCount46
adverbRatio0.026963657678780773
lyAdverbCount15
lyAdverbRatio0.008792497069167644
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences104
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences104
mean21.01
std10.62
cv0.505
sampleLengths
022
131
236
318
411
512
620
711
834
916
1014
1129
1218
1317
1444
1517
1623
1735
1815
1928
2011
2157
2230
2321
2449
2516
2639
2742
283
2935
3010
3126
3214
3320
3412
3515
3616
3713
3836
3910
4011
4115
4226
4325
4416
4525
468
4725
4816
4914
41.35% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats9
diversityRatio0.2692307692307692
totalSentences104
uniqueOpeners28
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences91
matches(empty)
ratio0
74.95% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount33
totalSentences91
matches
0"He lifted his head, amber"
1"he said, the single word"
2"She had not expected him,"
3"she replied, her tone steadier"
4"She crossed her arms, the"
5"He brushed past a pile"
6"He paused, his gaze flicking"
7"he added with a faint"
8"She pressed her palm flat"
9"She let the words tumble"
10"He stepped closer, the cane’s"
11"She felt the heat rising"
12"she asked, barely above a"
13"His words hung in the"
14"she repeated, a small laugh"
15"She shook her head, trying"
16"He lifted his cane and"
17"He turned toward Aurora, a"
18"She felt the scar on"
19"Her voice trembled, but she"
ratio0.363
0.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount86
totalSentences91
matches
0"The door slammed open, reverberating"
1"Lucien Moreau stood in the"
2"He lifted his head, amber"
3"he said, the single word"
4"The cadence was unmistakably French‑tinged,"
5"Aurora’s heart thudded against her"
6"She had not expected him,"
7"she replied, her tone steadier"
8"She crossed her arms, the"
9"The words slipped out in"
10"Lucien moved further into the"
11"He brushed past a pile"
12"He paused, his gaze flicking"
13"he added with a faint"
14"Aurora’s fingertips hovered over the"
15"The memory slammed into her"
16"She pressed her palm flat"
17"She let the words tumble"
18"Lucien’s mouth twitched, a flash"
19"He stepped closer, the cane’s"
ratio0.945
100.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount2
totalSentences91
matches
0"Before he could finish, a"
1"Before he could finish, the"
ratio0.022
0.00% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences61
technicalSentenceCount16
matches
0"Aurora’s heart thudded against her ribcage, the crescent scar on her left wrist pulsing as if remembering the old wound."
1"Aurora’s fingertips hovered over the edge of a scattered parchment, her mind racing through the sequence of events that had driven them apart."
2"She felt the scar on her wrist flare, as though it burned with an old pain."
3"In an instant, the intruder’s hand faltered, the pistol dropping to the floor with a clatter that echoed louder than the broken glass."
4"Aurora’s eyes darted from Lucien to Eva, from the bloodied intruder to the shattered window, searching for an escape, a solution, anything that could halt the t…"
5"The scene froze for a heartbeat, a heartbeat that seemed to stretch into eternity, before the intruder – no, Eva – made a sudden, jerky movement."
6"Among the pages, a single, familiar emblem shone – the sigil of the Order of the Crimson Quill, an organization both of them had once served, a secret that boun…"
7"The room seemed to pulse with a low, humming vibration that resonated through the walls, the scent of copper stinging Aurora’s nostrils, mingling with the metal…"
8"The cat Ptolemy let out a mournful wail, his fur bristling as though sensing the impending disaster."
9"A sudden roar rose from outside, a sound that seemed to come from the very foundations of the building, shaking dust from the ceiling."
10"The heavy wood groaned under the strain, and the hinges creaked as if remembering the weight of a thousand doors slammed shut over the years."
11"A pulse of bright, green light shot out, striking the cane, the blade, and for a heartbeat, the whole room was engulfed in a blinding flash, as though the world…"
12"The light faded, and in its place, a figure stood there—tall, imposing, cloaked in a dark mantle that seemed to swallow the little light that remained."
13"Aurora felt a cold hand close around her wrist—the scar throbbing as if warning her of the choice that lay before her."
14"She looked at the ledger’s pages scattered at her feet, at the bloodied intruder now motionless on the floor, at Lucien’s wounded cane, and finally at the unkno…"
15"The door behind the stranger creaked open, revealing a darkness that promised either salvation or ruin, its threshold beckoning."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags25
uselessAdditionCount8
matches
0"she repeated, a small laugh escaping"
1"She shook, trying to keep the tears at bay"
2"He lifted, the closed blade glinting ominously"
3"the intruder hissed, voice low and guttural, the words dripping with malice"
4"He turned, a grin curling on his lips"
5"he said, his voice barely more than a hiss"
6"he replied, voice low, almost reverent"
7"he said, the words hanging like a blade poised above a wound"
21.79% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags12
fancyCount5
fancyTags
0"he added (add)"
1"she repeated (repeat)"
2"the intruder hissed (hiss)"
3"she whispered (whisper)"
4"Aurora whispered (whisper)"
dialogueSentences39
tagDensity0.308
leniency0.615
rawRatio0.417
effectiveRatio0.256
65.0900%