Run: 2026-03-11-01KKFMTJQK7E4QA3WYBPEHKPDG

Run Details

Duration:
53.9s
Cost:
$0.000000
Provider:
Stealth

Model input

System
You are an expert novelist with a gift for vivid, immersive prose. You write in tight third-person limited point of view with a strong narrative voice. Your prose is clean, precise, and engaging — you favor strong verbs, concrete details, and natural-sounding dialogue. You will be given a story bible (codex) containing canonical details about characters, locations, items, and lore. Use these details to ground your writing in the established world. Stay consistent with the codex. Write only the prose of the scene. Do not include titles, chapter headings, markdown formatting, or any commentary before or after the scene.
User/Human
<codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4414" name="Eva Kowalski" aliases="Eva, Evie" pronouns="she/her" species="Human" storyRole="Best Friend"> <eyeColor>green</eyeColor> <hair>curly red</hair> <height>5'4"</height> <age>26</age> <glasses>round glasses</glasses> <satchel>worn leather satchel full of books</satchel> <freckles>freckled complexion</freckles> <nervousHabit>tucking hair behind her left ear</nervousHabit> <description>Aurora's childhood friend and an occult researcher.</description> <backstory>Moved to London two years before Aurora and works as a research assistant at the British Museum's restricted archives. She holds a master's degree in Ancient History from Oxford.</backstory> </character> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> <item id="2004" name="Veil Compass" aliases="the Compass, shadow compass" type="Tool" origin="The Veil Market"> <casingMaterial>small brass compass</casingMaterial> <faceMarkings>face etched with protective sigils</faceMarkings> <needle>points toward the nearest supernatural rift or portal</needle> <patina>casing has a patina of verdigris</patina> <creator>crafted by a Shade artisan</creator> <description>A compass attuned to supernatural energy.</description> </item> </codex> Write a fully fleshed out scene of at least 1000 words in the mystery genre. A detective arrives at a crime scene in an unusual location. Something is wrong — the evidence doesn't add up. A colleague is present, offering a different interpretation. Through careful observation and deduction, the detective begins to see what others have missed. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary.

Model response

AI
The air hit Detective Harlow Quinn before she even cleared the makeshift plywood ramp leading into the abandoned Tube station. It was a stale, multi-layered smell: ancient dust, rusted iron, and beneath it all, a cloying sweetness like overripe fruit and burnt sugar. She switched on her torch, the beam cutting a harsh, white cone through the gloom. The walls were tiled in cracked, grimy ceramic, advertising tea and cigarettes from a century past. The silence was profound, a heavy blanket smothering the usual distant rumble of London’s living arteries. “Scene’s down the central passage, Detective,” PC Anya Sharma said, her young face pale in the reflected light. She looked spooked, her hand resting near her baton as if it were a talisman. “It’s… strange.” Quinn didn’t acknowledge the comment beyond a sharp nod. She’d learned not to prime her observations with others’ descriptors. Strange was subjective. Evidence was not. They moved down the tunnel, their footsteps echoing off the curved ceiling. The Market, they were calling it. An anonymous tip had led a patrol unit here, to a place that officially didn’t exist. Quinn’s worn leather watch, strapped tight to her left wrist, felt like an anchor to the normal world as she descended. The beam of her torch revealed the first oddities: not the detritus of a homeless encampment, but orderly stalls built from scavenged wood and metal, all abandoned. A table displayed rows of glass jars filled with powders in impossible colours—glimmering silver, a green that seemed to drink the light. Another stall held books bound in material that wasn’t leather, their spines adorned with shifting, unpleasant symbols. “The call said a body,” Quinn stated, her voice crisp, cutting through the silence. “Just this way, ma’am,” Sharma replied, her voice dropping. “Sergeant Burroughs is with him. The responding officers. They… didn’t want to move anything.” They turned a corner into a wider cavern, where the old station’s platform opened up. Here, the stalls were more elaborate. And in the centre of the space, bathed in the incongruous glow of two police work lamps, was the scene. A man lay on his back on the grimy platform tiles. Mid-forties, dressed in a bespoke suit that now looked rumpled and cheap in the harsh light. His face was a mask of frozen shock, mouth open in a silent scream. There was no visible blood, no obvious wound. Sergeant Burroughs, a stout man with a perpetually weary expression, turned as they approached. “Quinn. Thanks for coming. This one’s got the brass twitchy. Anonymous tip about illegal market, we find this.” Quinn crouched, her knees popping softly. She didn’t touch the body. She looked. The man’s skin had a waxy, bluish tint. His eyes were open, pupils dilated to black pits. She noted the details: a signet ring on his left pinky, a faint smell of expensive cologne beneath the decay. And something else. A metallic tang, like a coin held under the tongue. “No signs of a struggle,” she murmured, more to herself than anyone. Her gaze swept the immediate area. “No shell casings, no obvious entry wound.” She shone her torch on the man’s hands. His fingernails were clean, manicured. But on the inside of his right wrist, partially obscured by his cuff, was a small, precise burn mark in the shape of a spiral. Burroughs sighed. “Coroner’s en route, but ETA is forty minutes. Traffic. We’ve secured the perimeter, such as it is. Found this near the body.” He held up an evidence bag. Inside was a small, brass object. A compass. But its face wasn’t marked with degrees; instead, it was etched with intricate, protective-looking sigils. The needle within spun lazily, not pointing north. Quinn took the bag, holding it under her light. The brass had a greenish patina of verdigris. “What else?” Burroughs shrugged, gesturing around the market stalls. “The usual black market rubbish, probably. Knock-off goods. Some weird herbs. Nothing that explains this.” He gestured at the body. “My guess is a deal went south. Poison, maybe. A fast-acting one. The poor sod was probably buying something he shouldn’t have been.” Quinn’s eyes narrowed. A deal. It was the logical conclusion. It was the easy conclusion. And it was almost certainly wrong. She stood, her military-precise bearing making her seem taller than her five-nine. “A man in a five-thousand-pound suit comes alone to a sewer market to buy… what? Knock-off handbags?” She pointed her torch beam at the stalls. “Look at the clientèle these places usually attract. Our victim stands out like a beacon. And if a deal went south, where’s the other party? Where’s the money, the goods? Why is the rest of the market perfectly intact, no signs of flight or panic?” Burroughs frowned, his pragmatic mind hitting the wall of her questions. “Maybe they took everything and fled. It happens.” “They left a body but took the hypothetical drugs?” Quinn countered. She moved away from the corpse, her torch beam methodically scanning the surroundings. She was a predator circling, not of the victim, but of the lie the scene was trying to tell. Her beam passed over a stall draped with velvet cloths. It stopped. “PC Sharma, light here.” Sharma hurried over, adding her torch. There, on the velvet, were three small, dark droplets. Not blood. They were too uniform, too viscous. And they seemed to drink the light, leaving a faint, oily sheen. “And there,” Quinn pointed. Near the base of the stall, the dust on the floor was disturbed in a perfect circle, about two feet in diameter. Not footprints. A smooth, clean circle, as if something had been placed there and then removed. Burroughs squinted. “Spill from the stall? Someone knocked something over?” Quinn didn’t answer. She was looking back at the body, then at the clean circle, then at the compass in the evidence bag. The needle had stopped spinning. It was now pointing firmly, not at north, not at any discernible feature, but at a blank, tiled section of the curved tunnel wall opposite the platform. “Sergeant,” she said, her voice dropping to a low, intense register. “Our victim wasn’t killed in a deal. He was killed *performing* something. Or having something performed on him.” She gestured at the clean circle. “A circle for containment. The droplets on the stall… an offering, or a residue. And this.” She held up the compass. “This isn’t a toy. It’s a tool. It points to things that aren’t… standard.” Her mind flashed, unbidden, to DS Morris, to the impossible conclusion of that case, the one she’d buried under procedure and paperwork. The one that had left her with a ghost of a partner and a void of answers. “That’s a leap, Quinn,” Burroughs said, but his voice lacked conviction. He was looking at the blank wall where the compass pointed, then back at the body, a new kind of unease dawning on his face. “It’s observation,” Quinn corrected. She walked towards the wall the compass indicated. It looked like every other tiled section—cracked, grimy, unremarkable. But as she approached, she felt it. A faint, sub-audible hum, a vibration that made the fillings in her teeth ache. She reached out, her gloved fingers hovering just above the tiles. And that’s when she heard the footsteps. Quick, light, coming from one of the side tunnels. Burroughs and Sharma tensed, hands moving to their belts. Quinn turned, her own hand instinctively moving to the sidearm holstered under her jacket. A figure emerged from the shadows, stumbling slightly. A young woman, mid-twenties, short, with a wild halo of curly red hair and round glasses perched on her nose. She was clutching a worn leather satchel to her chest like a shield, her freckled face flushed with exertion and fear. Her eyes, wide and green, locked onto the scene—the police, the lamps, the body—and filled with dismay. “No, no, no… too late,” the woman breathed, her voice a horrified whisper. She took a step back, as if to flee. “Police! Stop right there!” Burroughs barked. The woman froze, her gaze darting between Burroughs and Quinn. Then her eyes fixed on Quinn, on the detective’s sharp jaw, her intense, unwavering stare. Something shifted in the young woman’s expression—fear giving way to a desperate, calculated assessment. “You’re not here for the market,” the woman said, her voice gaining a sliver of steadiness. It wasn’t a question. She tucked a stray curl behind her left ear, a nervous, habitual gesture. “You’re here for *him*.” She nodded toward the body. “And who are you?” Quinn asked, not lowering her guard. “My name is Eva Kowalski,” the woman said, straightening her satchel strap. “And if you’re looking for who killed that man, you need to stop looking for a person with a gun or a knife.” She took a hesitant step forward, her gaze falling on the evidence bag in Quinn’s hand, on the brass compass within. Her eyes widened. “You found his Veil Compass. Then you must have felt it.” She pointed a trembling finger not at the body, but at the wall Quinn had been examining. “The rift. It’s still here. Faint, but here.” Quinn’s mind, a machine built on evidence and logic, was screaming objections. Yet, every odd detail—the compass, the circle, the hum she could now feel in her bones, the sheer *wrongness* of the scene—clicked into a new, terrifying configuration. Burroughs looked utterly lost. Sharma looked like she wished she were anywhere else. “The evidence doesn’t add up,” Quinn said, her voice steady, her eyes never leaving Eva Kowalski. “Explain it to me. From the beginning.” Eva swallowed hard, then nodded, her gaze shifting to the corpse. “His name is Marcus Thorne. He was a collector. Not of art, of… possibilities. He came here tonight seeking passage. He paid for it.” Her eyes flickered to the droplets on the velvet. “But the price was higher than he expected. The ritual failed. Or perhaps it succeeded, just not for him. What killed him wasn’t from this world, Detective. And it didn’t leave by the door.” Quinn looked from Eva’s earnest, terrified face to the impossible evidence, to the blank wall humming with a silent scream. The easy answers were gone, dissolved like smoke. The truth, she sensed, was a deep, dark tunnel, and she had just taken the first step in. She clipped the evidence bag holding the Veil Compass to her belt. “Sergeant Burroughs, secure this woman as a witness. PC Sharma, I want a three-block perimeter and no one else enters this station. No one.” Her voice was iron. “And get me the number for the British Museum’s restricted archives.” She looked at Eva Kowalski, who met her gaze with a mixture of fear and dawning hope. “I have a feeling we have a great deal to discuss.”
created_at"2026-03-11T23:48:30.592Z" 3/11/2026, 11:48:30 PM
model"openrouter/hunter-alpha"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency1778
moderation_latency(null)
generation_time53863
tokens_prompt923
tokens_completion3194
native_tokens_prompt857
native_tokens_completion2723
native_tokens_completion_images(null)
native_tokens_reasoning363
native_tokens_cached128
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0
router(null)
provider_responses(null)
user_agent"langchainjs-openai/1.0.0 ((node/v24.14.0; linux; x64))"
http_referer(null)
api_type"completions"
id"gen-1773272910-dqTi0Qp2ukCvPpsDbVfz"
upstream_id"gen-1773272910-dqTi0Qp2ukCvPpsDbVfz"
total_cost0
cache_discount(null)
upstream_inference_cost0
provider_name"Stealth"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags28
adverbTagCount0
adverbTags(empty)
dialogueSentences41
tagDensity0.683
leniency1
rawRatio0
effectiveRatio0
86.20% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1811
totalAiIsmAdverbs5
found
0
adverb"softly"
count1
1
adverb"lazily"
count1
2
adverb"perfectly"
count1
3
adverb"slightly"
count1
4
adverb"utterly"
count1
highlights
0"softly"
1"lazily"
2"perfectly"
3"slightly"
4"utterly"
80.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found
0"Marcus"
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
39.26% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1811
totalAiIsms22
found
0
word"gloom"
count1
1
word"silence"
count2
2
word"profound"
count1
3
word"footsteps"
count2
4
word"echoing"
count1
5
word"etched"
count1
6
word"intricate"
count1
7
word"beacon"
count1
8
word"scanning"
count1
9
word"predator"
count1
10
word"velvet"
count3
11
word"perfect"
count1
12
word"firmly"
count1
13
word"standard"
count1
14
word"whisper"
count1
15
word"unwavering"
count1
16
word"calculated"
count1
17
word"flickered"
count1
highlights
0"gloom"
1"silence"
2"profound"
3"footsteps"
4"echoing"
5"etched"
6"intricate"
7"beacon"
8"scanning"
9"predator"
10"velvet"
11"perfect"
12"firmly"
13"standard"
14"whisper"
15"unwavering"
16"calculated"
17"flickered"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches2
maxInWindow1
found
0
label"eyes widened/narrowed"
count2
highlights
0"eyes narrowed"
1"eyes widened"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences127
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount1
hedgeCount2
narrationSentences127
filterMatches
0"watch"
hedgeMatches
0"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences140
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen45
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans3
markdownWords3
totalWords1804
ratio0.002
matches
0"performing"
1"him"
2"wrongness"
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions15
unquotedAttributions0
matches(empty)
33.33% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions51
wordCount1345
uniqueNames15
maxNameDensity1.49
worstName"Quinn"
maxWindowNameDensity4
worstWindowName"Quinn"
discoveredNames
Detective1
Harlow1
Quinn20
Tube1
London1
Anya1
Sharma5
Strange1
Market1
Burroughs10
Morris1
Eva4
Kowalski2
Veil1
Compass1
persons
0"Harlow"
1"Quinn"
2"Anya"
3"Sharma"
4"Burroughs"
5"Morris"
6"Eva"
7"Kowalski"
8"Compass"
places
0"London"
globalScore0.757
windowScore0.333
46.91% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences97
glossingSentenceCount4
matches
0"felt like an anchor to the normal world"
1"green that seemed to drink the light"
2"looked like every other tiled section—cra"
3"looked like she wished she were anywhere"
0.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches5
per1kWords2.772
wordCount1804
matches
0"not the detritus of a homeless encampment, but orderly stalls built from scavenged wood"
1"not of the victim, but of the lie the scene was trying to tell"
2"not at north, not at any discernible feature, but at a blank, tiled section of the curved tunnel wall opposite"
3"not at any discernible feature, but at a blank, tiled section of the curved tunnel wall opposite"
4"not at the body, but at the wall Quinn had been examining"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences140
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs37
mean48.76
std31.56
cv0.647
sampleLengths
090
135
225
3121
414
523
641
749
832
963
1063
1161
1219
1350
14103
1519
1655
174
1835
1942
2010
2155
22109
2336
2453
2539
2666
2722
286
2939
3042
3110
3295
3352
3423
3578
36125
91.45% Passive voice overuse
Target: ≤2% passive sentences
passiveCount5
totalSentences127
matches
0"were tiled"
1"was etched"
2"was disturbed"
3"been placed"
4"were gone"
23.79% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount6
totalVerbs227
matches
0"were calling"
1"was trying"
2"was looking"
3"was looking"
4"was clutching"
5"was screaming"
20.41% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount7
semicolonCount1
flaggedSentences6
totalSentences140
ratio0.043
matches
0"A table displayed rows of glass jars filled with powders in impossible colours—glimmering silver, a green that seemed to drink the light."
1"But its face wasn’t marked with degrees; instead, it was etched with intricate, protective-looking sigils."
2"It looked like every other tiled section—cracked, grimy, unremarkable."
3"Her eyes, wide and green, locked onto the scene—the police, the lamps, the body—and filled with dismay."
4"Something shifted in the young woman’s expression—fear giving way to a desperate, calculated assessment."
5"Yet, every odd detail—the compass, the circle, the hum she could now feel in her bones, the sheer *wrongness* of the scene—clicked into a new, terrifying configuration."
94.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount512
adjectiveStacks1
stackExamples
0"cracked, grimy ceramic, advertising"
adverbCount10
adverbRatio0.01953125
lyAdverbCount4
lyAdverbRatio0.0078125
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences140
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences140
mean12.89
std8.52
cv0.661
sampleLengths
020
123
215
316
416
518
615
72
89
910
103
113
1212
136
1416
1521
1627
1722
1817
1914
209
2114
2215
236
2420
2511
2616
2714
288
2914
3018
316
325
332
348
359
3620
373
3810
3912
406
4115
425
4325
442
4528
466
472
4815
498
49.05% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats8
diversityRatio0.32857142857142857
totalSentences140
uniqueOpeners46
28.99% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount1
totalSentences115
matches
0"Then her eyes fixed on"
ratio0.009
56.52% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount47
totalSentences115
matches
0"It was a stale, multi-layered"
1"She switched on her torch,"
2"She looked spooked, her hand"
3"She’d learned not to prime"
4"They moved down the tunnel,"
5"They turned a corner into"
6"His face was a mask"
7"She didn’t touch the body."
8"His eyes were open, pupils"
9"She noted the details: a"
10"she murmured, more to herself"
11"Her gaze swept the immediate"
12"She shone her torch on"
13"His fingernails were clean, manicured."
14"He held up an evidence"
15"He gestured at the body"
16"It was the logical conclusion."
17"It was the easy conclusion."
18"She stood, her military-precise bearing"
19"She pointed her torch beam"
ratio0.409
29.57% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount99
totalSentences115
matches
0"The air hit Detective Harlow"
1"It was a stale, multi-layered"
2"She switched on her torch,"
3"The walls were tiled in"
4"The silence was profound, a"
5"PC Anya Sharma said, her"
6"She looked spooked, her hand"
7"Quinn didn’t acknowledge the comment"
8"She’d learned not to prime"
9"Evidence was not."
10"They moved down the tunnel,"
11"The Market, they were calling"
12"An anonymous tip had led"
13"Quinn’s worn leather watch, strapped"
14"The beam of her torch"
15"A table displayed rows of"
16"Another stall held books bound"
17"Quinn stated, her voice crisp,"
18"Sharma replied, her voice dropping"
19"They turned a corner into"
ratio0.861
43.48% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences115
matches
0"Yet, every odd detail—the compass,"
ratio0.009
100.00% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences51
technicalSentenceCount3
matches
0"She looked spooked, her hand resting near her baton as if it were a talisman."
1"A table displayed rows of glass jars filled with powders in impossible colours—glimmering silver, a green that seemed to drink the light."
2"A faint, sub-audible hum, a vibration that made the fillings in her teeth ache."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags28
uselessAdditionCount10
matches
0"PC Anya Sharma said, her young face pale in the reflected light"
1"Quinn stated, her voice crisp, cutting through the silence"
2"Sharma replied, her voice dropping"
3"she murmured, more to herself than anyone"
4"she said, her voice dropping to a low, intense register"
5"Burroughs said, but his voice lacked conviction"
6"the woman breathed, her voice a horrified whisper"
7"the woman said, her voice gaining a sliver of steadiness"
8"Quinn asked, not lowering her guard"
9"Quinn said, her voice steady, her eyes never leaving Eva Kowalski"
28.05% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags13
fancyCount5
fancyTags
0"Quinn stated (state)"
1"she murmured (murmur)"
2"Quinn corrected (correct)"
3"the woman breathed (breathe)"
4"Burroughs barked (bark)"
dialogueSentences41
tagDensity0.317
leniency0.634
rawRatio0.385
effectiveRatio0.244
68.3663%