Run: 2026-03-12-01KKHYZ7EHFQF6J6MMB1B2NE75

Run Details

Duration:
17.1s
Cost:
$0.018788
Provider:
xAI

Model input

System
You are an expert and award-winning novel writer in the dark Fantasy genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4418" name="Nyx" aliases="Nyx, the Shadow, Nightwhisper" pronouns="they/them" species="Shade" storyRole="Wild Card"> <eyeColor>faintly glowing violet</eyeColor> <height>approximately 6'2" in solid form</height> <age>ageless</age> <form>humanoid silhouette of living shadow, can shift between solid and incorporeal</form> <voice>sounds like a whisper carried on the wind</voice> <description>A being of living shadow, existing between the mortal plane and the spaces between realms.</description> <backstory>Nyx was once a human sorcerer named Aldric who became trapped between realms during a failed summoning ritual in 1643. They now exist as a Shade, bound to the mortal plane but able to slip between shadows.</backstory> </character> <character id="4424" name="Isolde Varga" aliases="Isolde, the Seer" pronouns="she/her" species="Half-Fae" storyRole="Oracle"> <eyeColor>pale lavender</eyeColor> <hair>silver, reaching her waist</hair> <height>5'5"</height> <age>300 years old</age> <appearance>ethereal, ageless</appearance> <speech>speaks in riddles</speech> <footprints>leaves no footprints when she walks</footprints> <compulsion>cannot lie (Fae compulsion) but can mislead</compulsion> <description>A Half-Fae seer exiled from the Fae Courts for sharing visions with mortals.</description> <backstory>She now lives in a hidden grove in Richmond Park, offering cryptic prophecies to those who seek her out.</backstory> </character> <location id="853" name="Dymas (Gluttony)" aliases="Dymas, gluttony, Dymasian" realm="Hel" sin="Gluttony"> <ruler>Prince Belphegor</ruler> <skyColor>warm amber</skyColor> <description>A place of excess and indulgence. Sprawling vineyards, orchards, and gardens provide exotic ingredients for master chefs — often helbound souls contracted from Earth. Grand feasts and culinary competitions are common.</description> </location> <location id="861" name="The Fae Grove" aliases="Isolde's grove, Richmond grove, the Grove" realm="Earth (Fae-touched)"> <parkLocation>Richmond Park</parkLocation> <standingStones>ancient oak standing stones mark the boundary</standingStones> <timeBehavior>time moves differently — an hour inside can be minutes or days outside</timeBehavior> <flora>wildflowers bloom year-round</flora> <description>A hidden clearing that exists in a pocket between Earth and the Fae realm.</description> </location> <item id="2001" name="Heartstone Pendant" aliases="the pendant, Heartstone" type="Artifact" origin="Dymas"> <gemstoneColor>deep crimson</gemstoneColor> <chainMaterial>silver chain</chainMaterial> <size>roughly the size of a thumbnail</size> <behavior>pulses faintly with warmth when near a Hel portal</behavior> <glow>faint inner glow</glow> <description>Given to Aurora by an unknown benefactor.</description> </item> <item id="2006" name="Fae-Forged Blade" aliases="the Fae blade, Isolde's gift" type="Weapon" origin="The Fae Courts"> <material>moonsilver</material> <shape>slender, leaf-shaped dagger</shape> <temperature>always cold to the touch</temperature> <glow>faintly luminescent in moonlight</glow> <power>can cut through magical wards; particularly effective against demons</power> <givenTo>given to Aurora by Isolde as a gift</givenTo> <description>A weapon of the Fae Courts, rare and highly coveted.</description> </item> <lore id="7001" name="The Veil" aliases="the Veil, the Barrier, the Boundary" category="Cosmology"> <solsticeEffect>weakens during the winter solstice, strengthens during the summer solstice</solsticeEffect> <appearance>faint shimmering distortion visible only to those with supernatural sight</appearance> <monitoring>rift points (tears in the Veil) are monitored by the Wardens</monitoring> <description>The Veil is the metaphysical barrier separating Earth from Hel and the Fae Realms.</description> </lore> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the fantasy genre. A small group enters an ancient, otherworldly place for the first time. The environment is alien and wondrous. Describe their exploration — what they see, hear, and feel as they move deeper. Include moments of discovery, unease, and wonder. Let the world-building emerge through the characters' experience rather than exposition. Use the codex entries above as your world reference for characters, setting, and lore. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
Aurora gripped the Heartstone Pendant tighter as its faint warmth pulsed against her palm, a steady throb that quickened with every step deeper into the grove. The ancient oak standing stones loomed ahead, their weathered surfaces etched with symbols that seemed to shift when she blinked. She pushed through a curtain of wildflowers that bloomed in impossible colours, petals brushing her face like curious fingers. "Keep close," she muttered, half to herself. A whisper uncoiled from the shadows between the stones. "Closer than breath, Rory. Always." Nyx materialised beside her, their silhouette flickering between solid and smoke. The Shade's violet eyes glowed faintly, scanning the boundary where Earth bled into something older. They had followed the pendant's pull after Isolde's latest riddle had sent them chasing rumours of a fresh rift in Richmond Park. Now the air tasted of honey and iron, thick enough to coat Aurora's tongue. The Seer herself glided ahead, silver hair trailing like moonlight on water. Her bare feet left no prints in the soft moss. "The Veil thins here," Isolde said, voice melodic yet edged with warning. "What hungers beyond cares little for your borrowed blade." Aurora's fingers brushed the cold moonsilver dagger at her belt, its leaf-shaped edge humming faintly. "Then we move fast. In and out. No detours." "Detours find you," Nyx whispered, the words curling around her ear like smoke from a snuffed candle. "Especially when you carry a piece of Dymas around your neck." The pendant flared hotter. Aurora sucked in a breath as the standing stones parted like theatre curtains, revealing a path that had not existed moments before. Vines thick as her arm twisted overhead, heavy with fruit that glistened like rubies. The sky beyond the canopy burned a warm amber, not the grey London drizzle she had left behind minutes, or hours, ago. Time here already played its tricks. They stepped through. The temperature rose at once, sticky and sweet. Aurora's boots sank into soil so rich it felt alive, pulsing faintly beneath her soles. Ahead stretched rows of impossible vineyards, leaves the colour of midnight wine, grapes swollen and glistening. The air hummed with the drone of creatures that were not quite bees, their wings scattering sparks of violet light. "Gluttony," Isolde murmured, tasting the word. "Dymas welcomes those who hunger. Whether they know it or not." Aurora wiped sweat from her brow. The scar on her left wrist itched, the small crescent flaring with phantom pain. "We aren't here for the tour. The rift is supposed to be close. Find it, close it, get back before Silas wonders why his tenant hasn't shown up for her shift." Nyx flowed forward, incorporeal now, slipping between the vines like oil. "The souls here sing. Listen." Aurora strained her ears. Beneath the insect drone and the soft rustle of leaves came voices, low and indulgent. Laughter rolled from somewhere deeper in the orchard, followed by the wet sounds of feasting. A moan of pleasure cut short by a strangled gasp. She tightened her grip on the pendant. "Don't like it," she said. "Neither does Belphegor's table today," Nyx replied, solidifying again beside a gnarled tree heavy with golden pears. They plucked one, turned it over in shadowy fingers. The fruit's skin rippled, revealing tiny screaming faces beneath the surface before smoothing again. "Contracted souls. Chefs who sold their recipes for eternity. Tasters who never knew when to stop." Isolde drifted to a cluster of night-blooming flowers that opened at her approach, releasing a scent like cinnamon and regret. "The Prince of this realm grows bored with simple excess. He seeks new flavours. New hungers." She plucked a petal, crushed it between thumb and forefinger. Purple juice ran like blood down her wrist. "Yours, perhaps." The pendant flared so hot Aurora nearly dropped it. She hissed, switching it to her other hand. "Enough riddles. Point the way." A low chuckle drifted from the trees ahead. Not Nyx's whisper. Something bigger. They moved quicker now, boots crunching over fallen fruit that bled sweet nectar. The path widened into a courtyard paved with obsidian tiles that reflected distorted versions of their faces. Aurora's reflection showed her eyes glowing the same amber as the sky. She looked away fast. In the centre of the courtyard stood a fountain. Not water. Thick, dark liquid churned within, releasing tendrils of steam that smelled of roasted meat and dark chocolate. Silver cups lined the edge, some still clutched in skeletal hands that had not quite decayed. "Feast or famine," Nyx observed, circling the fountain. "The choice is never truly yours." Aurora's stomach growled despite herself. The scent wrapped around her thoughts, promising warmth, fullness, an end to the gnawing emptiness she had carried since Cardiff. Since Evan. She took an involuntary step forward. Isolde's hand closed on her shoulder, surprisingly strong. "The first trap. Taste nothing. Drink less." "Wasn't planning to." But her voice lacked conviction. The pendant burned steadily now, almost painful. Whatever portal they sought lay close. They pressed on through an archway draped in living vines that parted like eager courtiers. The next chamber opened into a grand kitchen larger than any restaurant Aurora had delivered for. Flames danced in hearths carved from black marble. Copper pans the size of bathtubs hung from chains that swayed though no wind touched them. On long tables, ingredients moved of their own accord: vegetables peeling themselves, knives chopping with rhythmic precision, dough kneading invisible hands. A helbound soul looked up from basting a creature that still twitched on a spit. The man's eyes had been replaced with perfect spheres of obsidian. "New ingredients," he croaked, voice thick with culinary lust. "The mistress will be pleased." "Not your mistress," Aurora snapped, drawing the Fae-forged blade. The dagger glowed cold blue in the amber light. The cook tilted his head. A smile split his face too wide. "All become ingredients eventually. The question is seasoning." Nyx surged forward, form expanding into a wall of living darkness. The cook stumbled back, knocking over a pot that spilled something golden and screaming onto the flagstones. The shadows swallowed the man whole. When Nyx retreated, only an empty apron remained, neatly folded. "Sloppy," Isolde observed, though approval coloured her tone. "They taste fear," Nyx whispered, shrinking back to humanoid shape. "I gave him eternity to consider his choices." Aurora swallowed hard. The blade in her hand felt lighter, eager. "Keep moving. The pendant's practically vibrating." Deeper they went, through corridors lined with shelves of jars containing preserved memories. One jar held the sound of a child's laughter, trapped forever. Another swirled with the precise shade of heartbreak. Aurora kept her eyes forward, though the images tugged at her like fishhooks. The air grew heavier, sweeter. Music drifted from ahead, harps and violins playing a melody that made her hips want to sway despite the danger. They emerged into a banquet hall that stretched further than her eyes could track. Tables groaned under the weight of every food imaginable and some that should not exist. Roasted phoenix that burst into flames and reformed on the platter. Cakes that whispered compliments as you sliced them. Wine that changed flavour with every sip, reflecting the drinker's deepest desires. Figures lounged at the tables, some human, some less so. All wore expressions of rapturous agony. At the far end, a throne of twisted sugar and bone dominated the space. Upon it sprawled a figure too large to be contained by simple geometry. Prince Belphegor, Aurora realised with a jolt. His body shifted between obese and skeletal, never settling. Multiple mouths opened across his torso, tasting the air. The pendant flared white-hot. Aurora cried out, dropping it. The chain caught on her wrist, the crimson gemstone swinging like a pendulum. Belphegor's many eyes fixed on her. Several mouths smiled. "Finally," the Prince rumbled, voices overlapping in greasy harmony. "The courier arrives. And she brings such interesting flavours with her." Isolde stepped forward, silver hair lifting as though caught in an unseen breeze. "This was not the arrangement." "Arrangements change, little half-breed. Like recipes." One of Belphegor's mouths licked fleshy lips. "The Shadow. The Seer. And the girl who ran from her own hunger. Perfect ingredients for my new menu." Nyx flowed between Aurora and the throne, form spreading thin. "She carries Fae steel, Glutton. It cuts more than just meat." "Everything cuts," Belphegor laughed, the sound wet and rolling. "The question is what you stuff inside the wound afterwards." Aurora snatched the pendant back up, ignoring the burn. The gem now pointed directly at the space beneath the throne, where shadows gathered thicker than elsewhere. A rift. Small but growing, its edges shimmering like heat haze. "There," she said, voice steady despite the fear clawing up her throat. "That's why the pendant led us here. Not a random tear. A deliberate one." The Prince heaved himself forward. The table before him cracked under the weight of his belly. "Clever. Too clever. I like clever. It seasons the fear so nicely." His servants rose from their feasting, eyes glazed with culinary madness. Knives and cleavers appeared in their hands, some still dripping. Aurora backed up a step, blade raised. The Fae-forged dagger caught the amber light and threw it back colder. "We didn't come for your table." "Oh, but my table has come for you." Belphegor's largest mouth stretched into something like a grin. "Starting with the main course." Nyx struck first, shadows lashing out like whips. Two servants flew backwards, slamming into tables that collapsed in explosions of cream and blood. Isolde whispered words in a language that made Aurora's teeth ache. Flowers bloomed instantly across the floor, vines shooting up to ensnare ankles. Aurora ran straight for the throne. A cleaver whistled past her ear, embedding in a pillar of chocolate. She ducked under a swinging platter, the Fae blade slicing through a reaching arm as though it were butter. The severed limb fell, still grasping. "Persistent little courier," Belphegor boomed. His throne shifted, sugar cracking as he stood. The floor trembled. The pendant pulled her relentlessly toward the shadows beneath the throne. She could see it now, the rift, a jagged wound in reality itself. Through it flickered images of her flat above Silas's bar, of London streets, of safety. Nyx appeared beside her, form flickering from the strain. "Go. We will slow him." "Not leaving you here." "You never do." Nyx's whisper held something almost like fondness. "But this time the choice isn't yours." Isolde cried out as a demon chef grabbed her silver hair. She twisted, planting a hand on his face. The man aged centuries in seconds, collapsing into dust that smelled of cinnamon. Belphegor lumbered forward, each step cracking the obsidian tiles. "The girl first. Her memories of that abusive boy will make an excellent glaze." Aurora's scar burned. Evan’s face flashed behind her eyes, his hand around her wrist, twisting until something snapped. The memory fuelled her forward instead of freezing her. She dove beneath the throne. The rift tugged at her like a magnet. The pendant screamed against her skin, matching the scream building in her throat. Behind her, Nyx and Isolde fought in a whirlwind of shadow and blooming destruction. Belphegor's laughter shook dust from the ceiling. Her fingers found the edge of the tear. It felt like ice and fire at once. The Fae blade sliced through the air, cutting the very fabric of the rift wider. Not closing it. Opening it fully. A way home. "Through!" she shouted back to the others. Isolde broke free first, racing toward her with impossible grace. Nyx followed, form stretched thin, barely holding solid. Belphegor roared. One massive hand swept down, catching Nyx mid-stride. The Shade screamed, a sound like wind through a graveyard. Aurora lunged back out, blade flashing. The moonsilver edge bit deep into Belphegor's wrist. The Prince bellowed as black ichor sprayed across the feast tables, curdling everything it touched. Nyx tumbled free, form flickering dangerously. "Go," Aurora ordered, shoving Isolde toward the widened rift. The Seer vanished through with a sound like tearing silk. Nyx hesitated, violet eyes meeting hers. "This debt—" "Later." She grabbed the Shade's arm, dragging them both toward the portal as Belphegor's other hand descended like judgment itself. The last thing she saw before the rift swallowed them was the Prince's face twisting in rage and something like delight. The amber sky disappeared. London's damp air hit her like a slap. They tumbled onto wet grass in Richmond Park, the standing stones already sealing behind them. The Heartstone Pendant cooled instantly, its crimson glow fading to a dull spark. Aurora lay on her back, chest heaving. Rain pattered against her face, washing away the sticky sweetness of Dymas. Nyx coalesced beside her, form unstable. "He marked you. I felt it. That hunger won't forget the taste." Isolde stood a few paces away, silver hair plastered to her skin. No footprints marred the grass around her. "New recipes require new ingredients," the Seer said softly. Her lavender eyes fixed on Aurora. "And now the Glutton knows exactly where to find the perfect one." Aurora pushed herself up, the Fae blade still clutched tight in her fist. The small crescent scar on her wrist throbbed in time with her racing heart. In the distance, London traffic hummed, oblivious. The pendant gave one final, warning pulse against her chest. Above them, the sky flickered once, amber bleeding through the grey for the space of a heartbeat before the Veil snapped back into place. Belphegor was not finished with her. Not by a long feast.
created_at"2026-03-12T21:24:17.497Z" 3/12/2026, 9:24:17 PM
model"x-ai/grok-4.20-beta-20260309"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency390
moderation_latency(null)
generation_time16885
tokens_prompt5338
tokens_completion3661
native_tokens_prompt4858
native_tokens_completion2952
native_tokens_completion_images0
native_tokens_reasoning0
native_tokens_cached4800
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"completed"
usage0.018788
router(null)
provider_responses
0
endpoint_id"33f49f24-a0de-4dcf-872d-ca514e83fbae"
id"9f530419-14e5-e25b-8e15-055497220699"
is_byokfalse
latency347
model_permaslug"x-ai/grok-4.20-beta-20260309"
provider_name"xAI"
status200
user_agent"langchainjs-openai/1.0.0 ((node/v24.14.0; linux; x64))"
http_referer(null)
api_type"completions"
id"gen-1773350657-0lypDyDpKu8DsMvTkIWF"
upstream_id"9f530419-14e5-e25b-8e15-055497220699"
total_cost0.018788
cache_discount0.00864
upstream_inference_cost0
provider_name"xAI"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags24
adverbTagCount2
adverbTags
0"she shouted back [back]"
1"the Seer said softly [softly]"
dialogueSentences56
tagDensity0.429
leniency0.857
rawRatio0.083
effectiveRatio0.071
93.39% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount2270
totalAiIsmAdverbs3
found
0
adverb"truly"
count1
1
adverb"very"
count1
2
adverb"softly"
count1
highlights
0"truly"
1"very"
2"softly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
33.92% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount2270
totalAiIsms30
found
0
word"warmth"
count2
1
word"pulsed"
count1
2
word"throb"
count1
3
word"quickened"
count1
4
word"loomed"
count1
5
word"etched"
count1
6
word"whisper"
count3
7
word"scanning"
count1
8
word"glistening"
count1
9
word"churned"
count1
10
word"stomach"
count1
11
word"marble"
count1
12
word"rhythmic"
count1
13
word"perfect"
count3
14
word"weight"
count2
15
word"trembled"
count1
16
word"flickered"
count2
17
word"racing"
count2
18
word"silk"
count1
19
word"the last thing"
count1
20
word"throbbed"
count1
21
word"pulse"
count1
highlights
0"warmth"
1"pulsed"
2"throb"
3"quickened"
4"loomed"
5"etched"
6"whisper"
7"scanning"
8"glistening"
9"churned"
10"stomach"
11"marble"
12"rhythmic"
13"perfect"
14"weight"
15"trembled"
16"flickered"
17"racing"
18"silk"
19"the last thing"
20"throbbed"
21"pulse"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells1
narrationSentences189
matches
0"g in rage"
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount1
narrationSentences189
filterMatches(empty)
hedgeMatches
0"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences221
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen31
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords2270
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions13
unquotedAttributions0
matches(empty)
78.80% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions112
wordCount1896
uniqueNames22
maxNameDensity1.42
worstName"Aurora"
maxWindowNameDensity2.5
worstWindowName"Aurora"
discoveredNames
Heartstone2
Pendant2
Shade3
Earth1
Isolde13
Richmond2
Park2
Aurora27
Seer3
London4
Nyx19
Purple1
Cardiff1
Evan2
Fae-forged2
Belphegor12
Prince5
Fae5
Silas1
Dymas1
Veil1
One3
persons
0"Pendant"
1"Shade"
2"Earth"
3"Isolde"
4"Aurora"
5"Seer"
6"Nyx"
7"Evan"
8"Belphegor"
9"Prince"
10"Silas"
11"Veil"
12"One"
places
0"Richmond"
1"Park"
2"London"
3"Cardiff"
globalScore0.788
windowScore0.833
37.82% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences156
glossingSentenceCount7
matches
0"symbols that seemed to shift when she blinked"
1"not quite bees, their wings scattering sparks of violet light"
2"not quite decayed"
3"something like a grin"
4"appeared beside her, form flickering from the strain"
5"felt like ice and fire at once"
6"something like delight"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount2270
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences221
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs85
mean26.71
std17.91
cv0.671
sampleLengths
065
17
214
362
443
524
628
768
83
959
1017
1151
1216
1351
145
1556
1656
1722
1813
1946
2044
2114
2233
2315
2421
2576
2640
2718
2820
2944
308
3118
3217
3345
3485
3516
3652
3722
389
3920
4018
4132
4221
4319
4437
4526
4628
4721
4825
4922
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount1
totalSentences189
matches
0"been replaced"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs350
matches(empty)
100.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount0
semicolonCount0
flaggedSentences0
totalSentences221
ratio0
matches(empty)
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1902
adjectiveStacks0
stackExamples(empty)
adverbCount66
adverbRatio0.03470031545741325
lyAdverbCount17
lyAdverbRatio0.008937960042060988
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences221
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences221
mean10.27
std5.17
cv0.503
sampleLengths
026
120
219
37
49
55
611
715
822
914
1012
1110
1212
139
1415
159
1617
1711
184
1922
2014
2122
226
233
248
2515
2616
2720
286
2911
306
3114
3231
3311
345
354
3615
3715
3810
397
405
4117
429
4314
4416
4520
4626
478
482
499
65.46% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats7
diversityRatio0.4117647058823529
totalSentences221
uniqueOpeners91
18.32% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount1
totalSentences182
matches
0"All wore expressions of rapturous"
ratio0.005
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount29
totalSentences182
matches
0"She pushed through a curtain"
1"she muttered, half to herself"
2"They had followed the pendant's"
3"Her bare feet left no"
4"They stepped through."
5"She tightened her grip on"
6"They plucked one, turned it"
7"She plucked a petal, crushed"
8"She hissed, switching it to"
9"They moved quicker now, boots"
10"She looked away fast."
11"She took an involuntary step"
12"They pressed on through an"
13"he croaked, voice thick with"
14"They emerged into a banquet"
15"His body shifted between obese"
16"she said, voice steady despite"
17"His servants rose from their"
18"She ducked under a swinging"
19"His throne shifted, sugar cracking"
ratio0.159
45.16% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount151
totalSentences182
matches
0"Aurora gripped the Heartstone Pendant"
1"The ancient oak standing stones"
2"She pushed through a curtain"
3"she muttered, half to herself"
4"A whisper uncoiled from the"
5"Nyx materialised beside her, their"
6"The Shade's violet eyes glowed"
7"They had followed the pendant's"
8"The Seer herself glided ahead,"
9"Her bare feet left no"
10"Isolde said, voice melodic yet"
11"Aurora's fingers brushed the cold"
12"Nyx whispered, the words curling"
13"The pendant flared hotter."
14"Aurora sucked in a breath"
15"Vines thick as her arm"
16"The sky beyond the canopy"
17"They stepped through."
18"The temperature rose at once,"
19"Aurora's boots sank into soil"
ratio0.83
27.47% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences182
matches
0"Now the air tasted of"
ratio0.005
23.81% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences84
technicalSentenceCount14
matches
0"Aurora gripped the Heartstone Pendant tighter as its faint warmth pulsed against her palm, a steady throb that quickened with every step deeper into the grove."
1"The ancient oak standing stones loomed ahead, their weathered surfaces etched with symbols that seemed to shift when she blinked."
2"She pushed through a curtain of wildflowers that bloomed in impossible colours, petals brushing her face like curious fingers."
3"Vines thick as her arm twisted overhead, heavy with fruit that glistened like rubies."
4"The air hummed with the drone of creatures that were not quite bees, their wings scattering sparks of violet light."
5"Isolde drifted to a cluster of night-blooming flowers that opened at her approach, releasing a scent like cinnamon and regret."
6"They moved quicker now, boots crunching over fallen fruit that bled sweet nectar."
7"Thick, dark liquid churned within, releasing tendrils of steam that smelled of roasted meat and dark chocolate."
8"The cook stumbled back, knocking over a pot that spilled something golden and screaming onto the flagstones."
9"Wine that changed flavour with every sip, reflecting the drinker's deepest desires."
10"Two servants flew backwards, slamming into tables that collapsed in explosions of cream and blood."
11"Isolde whispered words in a language that made Aurora's teeth ache."
12"She ducked under a swinging platter, the Fae blade slicing through a reaching arm as though it were butter."
13"The pendant screamed against her skin, matching the scream building in her throat."
20.83% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags24
uselessAdditionCount5
matches
0"she muttered, half to herself"
1"Isolde said, voice melodic yet edged with warning"
2"he croaked, voice thick with culinary lust"
3"the Prince rumbled, voices overlapping in greasy harmony"
4"she said, voice steady despite the fear clawing up her throat"
0.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags16
fancyCount11
fancyTags
0"she muttered (mutter)"
1"Nyx whispered (whisper)"
2"Isolde murmured (murmur)"
3"Nyx observed (observe)"
4"he croaked (croak)"
5"Aurora snapped (snap)"
6"Isolde observed (observe)"
7"Nyx whispered (whisper)"
8"Belphegor laughed (laugh)"
9"she shouted back (shout)"
10"Aurora ordered (order)"
dialogueSentences56
tagDensity0.286
leniency0.571
rawRatio0.688
effectiveRatio0.393
78.1662%