Run: 2026-03-15-01KKS2QA50Q6BAMRFPQ2Z9PF5Z

Run Details

Duration:
44.6s
Cost:
$0.009273
Provider:
Z.AI

Model input

System
You are an expert novelist with a gift for vivid, immersive prose. You write in tight third-person limited point of view with a strong narrative voice. Your prose is clean, precise, and engaging — you favor strong verbs, concrete details, and natural-sounding dialogue. You will be given a story bible (codex) containing canonical details about characters, locations, items, and lore. Use these details to ground your writing in the established world. Stay consistent with the codex. Write only the prose of the scene. Do not include titles, chapter headings, markdown formatting, or any commentary before or after the scene.
User/Human
<codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4415" name="Lucien Moreau" aliases="Lucien, Luc, the Frenchman" pronouns="he/him" species="Half-Demon" storyRole="Ally"> <eyeColor>heterochromatic — one amber, one black</eyeColor> <hair>slicked-back platinum blond</hair> <height>5'11"</height> <age>32</age> <cane>ivory-handled cane that conceals a thin blade</cane> <dress>tailored charcoal suits</dress> <description>An impeccably dressed fixer and information broker in London's supernatural underworld. He speaks four languages fluently.</description> <backstory>Born in Marseille to a human mother and a demon father from the realm of Avaros.</backstory> </character> <location id="858" name="Eva's Flat" aliases="Eva's place, the flat on Brick Lane" realm="Earth"> <cat>tabby cat named Ptolemy</cat> <security>three deadbolts on the front door</security> <description>A cramped one-bedroom flat above a curry house on Brick Lane, East London. Every surface is covered with books, scrolls, and research notes.</description> </location> </codex> Write a fully fleshed out scene of at least 1000 words in the romance genre. Two people who parted on complicated terms are forced together again when one shows up unannounced at the other's flat. There's history between them — attraction, hurt, and things left unsaid. Write the scene from the moment the door opens. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary.

Model response

AI
The third deadbolt clicked back and Rory pulled open the door already speaking. "Eva, if you forgot your key again, I swear to God—" The words died in her throat. Lucien Moreau stood in the narrow hallway, one shoulder leaned against the peeling wallpaper like he had all the time in the world. His charcoal suit was immaculate, not a crease in it, which was absurd given the August heat and the fact that he was standing in a stairwell that smelled permanently of tikka masala. The ivory handle of his cane caught the fluorescent light. His amber eye found hers first, then the black one, and something in her chest did a thing she refused to acknowledge. "Hello, Rory." She gripped the door frame. The wood was old and soft beneath her fingers, paint flaking against her palm. "How did you get past the locks on the building door." It wasn't a question. She was too controlled for that. Lucien's mouth curved, just barely. "The same way I do most things. Charm and a private understanding with your landlord, who is remarkably flexible when euros change hands." "That's breaking and entering." "I didn't break anything. The door was already—" He paused, tilting his head. "No, you're right. I'll add it to the list." "What list." "The list of reasons you're going to shut this door in my face." He straightened, and the full height of him seemed to fill the cramped hallway. "May I come in?" "No." Ptolemy appeared between her ankles, a orange-brown blur that wound around the door frame and fixed Lucien with the particular suspicion only a tabby could muster. Lucien glanced down at the cat, and something in his expression softened for exactly half a second before settling back into that maddening mask of polite indifference. "I didn't come here to make things harder for you," he said. "You didn't come here at all, apparently. You were just magically standing in the hallway when I opened the door." "I was waiting." "That's worse." "Is it." He shifted his weight, and the cane tapped once against the floor. She knew what was inside that ivory handle. She knew a lot of things about Lucien Moreau that she wished she could forget. "Five minutes, Rory. That's all I'm asking." She should say no. She should say no and shut the door and throw the deadbolts and call Eva and tell her that her information broker contact had apparently lost his mind. That was the smart play. That was the safe play. That was what she would have done three months ago, before— Before Paris. Before the warehouse on the outskirts of the 13th arrondissement, and the demon that had nearly taken her arm off, and Lucien putting himself between her and something that could have unmade him. Before the hotel room afterward, and the way he'd pressed his forehead to hers like she was something precious, and the morning after when she'd woken to an empty bed and a note written in elegant French that she'd torn into pieces without reading. She stepped back from the doorway. Lucien entered like he was stepping onto a stage — aware of the space, aware of how he occupied it. He ducked slightly under the low frame and stopped just inside, taking in the flat with a single sweep of those mismatched eyes. Books stacked on every surface. Eva's research notes pinned to the walls in chaotic clusters. The tiny kitchen with its permanently stained kettle. The single window overlooking Brick Lane, where the late afternoon light came through dingy curtains and turned everything amber. "Not exactly the Ritz," he said. "Did you expect the Ritz?" "I expected books." He turned back to her, and the playful edge was gone from his voice. "I expected you to be drowning in them the way you always do when something's eating at you." The accuracy of it stung. She'd spent the last three days buried in Eva's research — historical accounts of half-demon lineage, territorial disputes in Avaros, anything that might explain why a certain fixer with a nice suit and a blade in his cane had done something so monumentally stupid as to almost die for a woman who'd told him, in no uncertain terms, that whatever they had was over. "I've been busy," she said. "With Eva's work." "With my own things." "Your own things." He set the cane against the wall by the door, and the gesture struck her as strangely intimate — him disarming himself, even if only symbolically. "Rory. Look at me." She'd been avoiding it. She realized that now. Looking at his face meant looking at the sharp line of his jaw, and the way his platinum hair fell across his forehead, and the scar that traced the edge of his left cheekbone that she'd traced with her thumb in a hotel room in Paris while he told her things about his father's realm that he'd never told anyone. She looked at him. The hurt was there. Buried deep, but there, in the set of his mouth and the tension in his shoulders that his perfect posture couldn't quite hide. Lucien Moreau, who could lie to demons and lords of Avaros and come out smiling, couldn't hide from her. She wasn't sure if that was a gift or a curse. "The note," she said. "What about it." "I didn't read it." "I know. Eva told me." "Eva told you—" She stopped, recalibrating. "Of course Eva told you. Eva tells you everything. That's her whole—" She pressed her thumb and forefinger against her eyes. "Why are you here, Lucien?" "Because you won't answer my calls." "Because I don't want to talk to you." "Because you're afraid to." The words landed like a slap, and her hand dropped. Ptolemy jumped up onto the overflowing bookshelf and began cleaning his paw with aggressive disinterest. "You don't get to tell me what I'm afraid of," she said quietly. "You don't get to do that after—you left. You left and I had to take the train back to London with blood still on my shirt and no idea if you were alive or dead, and you didn't call for two weeks. Two weeks, Lucien." "I was healing." "Eva would have told me if you were dead." "Eva didn't know where I was. I didn't tell anyone." He took a step toward her, and she held her ground even though every instinct screamed at her to move back. "I went to ground, Rory. The way I always do. The way I've done since I was fifteen years old and my mother's boyfriend tried to exorcise what he thought was a demon out of me with a kitchen knife." She flinched. He'd never told her that part. She'd known it was bad — she'd pieced together enough from fragments and Eva's careful briefings — but not that. Not the specifics. "That's not an excuse," she said, but her voice had lost its edge. "No. It's an explanation." Another step. He was close now, close enough that she could smell his cologne, something dark and vaguely herbal that she'd never been able to identify. "I am not good at this. I have never been good at this. I am good at information and contracts and knowing which demon lord is about to breach a territorial agreement. I am not good at staying." "Then why are you here?" His jaw tightened. The amber eye caught the light from the window; the black one seemed to absorb it entirely. "Because I'm trying to learn," he said. "Because I wrote you that note to tell you that I was sorry, and that I was a coward, and that the only thing that scared me more than almost dying in that warehouse was waking up with you next to me and knowing that I could lose you." His voice dropped. "Because I have done terrible things, Rory, and I will probably do more of them, but I have never lied to you. Not once. And I am not lying now when I say that I came back because I don't know how to stay away from you anymore." The flat was silent except for the distant noise of Brick Lane and the soft sound of Ptolemy's purring. Rory's throat felt tight. Her wrist itched — the old scar there, the one from when she was eight and fell off a wall trying to keep up with Eva. She pressed her thumb against it without thinking. "You should have called," she said. "I should have. I know." "You should have done a lot of things." "I know that too." She looked at him for a long moment. At the suit that probably cost more than three months of her rent. At the cane leaning against the wall. At the face that had haunted her for three months in dreams she'd woken from with her heart pounding and her pillow wet. "Five minutes," she said. "And then you're leaving." Something shifted in his expression. Relief, maybe. Or something close to it. "Five minutes," he agreed. She turned and walked to the tiny kitchen, putting the counter between them because she needed the distance, needed something solid at her back. She filled the kettle and set it to boil, a rote motion that gave her hands something to do. "Tea?" she asked, not looking at him. "If you're offering." "I'm being polite. It's a Welsh thing." "I know." She heard him move, the soft tread of his shoes on the old floorboards. "I know a lot of things about you, Rory Carter. I know you take your tea with one sugar, and that you hum ABBA songs when you think no one is listening, and that you cry at films about dogs but not at films about people." A pause. "I know that you have a scar on your wrist that you touch when you're nervous, and that you're touching it right now." She dropped her hand. The kettle clicked off. She poured water over the bags — Eva's expensive jasmine, the only nice thing in the kitchen — and turned to hand him a mug. He was closer than she expected, standing at the edge of the kitchen's narrow boundary, and when she extended the mug their fingers brushed. She didn't pull away. Neither did he. "I'm still angry," she said. "I know." "I'm going to stay angry for a while." "I'd worry if you didn't." His fingers curved around the mug, around her fingers, warm and steady. "But you're not going to shut the door on me again. Are you." It wasn't really a question. She could hear the certainty in his voice, and the thing she hated — the thing she absolutely hated — was that he was right. She could see it in herself, the crack in the wall she'd built, the way it was already crumbling under the weight of him standing in Eva's kitchen holding a mug of jasmine tea like he belonged there. "I haven't decided," she said. His mouth curved. That almost-smile that she'd seen a hundred times and still couldn't fully read. "Take your time," he said. "I've got five minutes."
created_at"2026-03-15T15:44:33.448Z" 3/15/2026, 3:44:33 PM
model"z-ai/glm-5-turbo-20260315"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency2712
moderation_latency(null)
generation_time44569
tokens_prompt808
tokens_completion3089
native_tokens_prompt759
native_tokens_completion2670
native_tokens_completion_images(null)
native_tokens_reasoning371
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0.00927264
router(null)
provider_responses
0
endpoint_id"9ce3b132-3a17-4fea-8092-0e8e519ed32b"
id"20260315234434ed908a1bf3414bf9"
is_byokfalse
latency2712
model_permaslug"z-ai/glm-5-turbo-20260315"
provider_name"Z.AI"
status200
user_agent"langchainjs-openai/1.0.0 ((node/v24.14.0; linux; x64))"
http_referer(null)
api_type"completions"
id"gen-1773589473-grn4KAGLfxSZuT0CsroG"
upstream_id"20260315234434ed908a1bf3414bf9"
total_cost0.00927264
cache_discount(null)
upstream_inference_cost0
provider_name"Z.AI"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags25
adverbTagCount3
adverbTags
0"He turned back [back]"
1"she said quietly [quietly]"
2"His fingers curved around [around]"
dialogueSentences70
tagDensity0.357
leniency0.714
rawRatio0.12
effectiveRatio0.086
94.65% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1870
totalAiIsmAdverbs2
found
0
adverb"slightly"
count1
1
adverb"really"
count1
highlights
0"slightly"
1"really"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
73.26% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1870
totalAiIsms10
found
0
word"charm"
count1
1
word"weight"
count2
2
word"chaotic"
count1
3
word"traced"
count2
4
word"tension"
count1
5
word"perfect"
count1
6
word"pounding"
count1
7
word"absolutely"
count1
highlights
0"charm"
1"weight"
2"chaotic"
3"traced"
4"tension"
5"perfect"
6"pounding"
7"absolutely"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences100
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount2
narrationSentences100
filterMatches(empty)
hedgeMatches
0"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences143
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen64
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1879
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions32
unquotedAttributions0
matches(empty)
83.33% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions33
wordCount1226
uniqueNames11
maxNameDensity0.65
worstName"Lucien"
maxWindowNameDensity2.5
worstWindowName"Lucien"
discoveredNames
Rory2
Moreau3
August1
Ptolemy3
Lucien8
Eva7
Paris2
French1
Brick2
Lane2
Avaros2
persons
0"Rory"
1"Moreau"
2"Ptolemy"
3"Lucien"
4"Eva"
places
0"Paris"
1"Brick"
2"Lane"
3"Avaros"
globalScore1
windowScore0.833
62.28% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences57
glossingSentenceCount2
matches
0"er contact had apparently lost his mind"
1"quite hide"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches1
per1kWords0.532
wordCount1879
matches
0"not an excuse,\" she said, but her voice had lost its edge"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount2
totalSentences143
matches
0"was that he"
1"smile that she'd"
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs77
mean24.4
std26.72
cv1.095
sampleLengths
024
16
288
32
430
510
628
74
822
92
1031
111
1253
1312
1420
153
162
1744
1853
1979
206
2185
226
235
2435
2569
265
273
284
2933
3068
314
3257
334
343
354
365
3732
386
398
404
4125
4258
433
449
4571
4631
4713
4868
495
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount1
totalSentences100
matches
0"was gone"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount3
totalVerbs202
matches
0"was standing"
1"was stepping"
2"was already crumbling"
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount11
semicolonCount1
flaggedSentences9
totalSentences143
ratio0.063
matches
0"That was what she would have done three months ago, before—"
1"Lucien entered like he was stepping onto a stage — aware of the space, aware of how he occupied it."
2"She'd spent the last three days buried in Eva's research — historical accounts of half-demon lineage, territorial disputes in Avaros, anything that might explain why a certain fixer with a nice suit and a blade in his cane had done something so monumentally stupid as to almost die for a woman who'd told him, in no uncertain terms, that whatever they had was over."
3"\"Your own things.\" He set the cane against the wall by the door, and the gesture struck her as strangely intimate — him disarming himself, even if only symbolically."
4"She'd known it was bad — she'd pieced together enough from fragments and Eva's careful briefings — but not that."
5"The amber eye caught the light from the window; the black one seemed to absorb it entirely."
6"Her wrist itched — the old scar there, the one from when she was eight and fell off a wall trying to keep up with Eva."
7"She poured water over the bags — Eva's expensive jasmine, the only nice thing in the kitchen — and turned to hand him a mug."
8"She could hear the certainty in his voice, and the thing she hated — the thing she absolutely hated — was that he was right."
99.83% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1219
adjectiveStacks0
stackExamples(empty)
adverbCount49
adverbRatio0.04019688269073011
lyAdverbCount20
lyAdverbRatio0.016406890894175553
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences143
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences143
mean13.14
std12.56
cv0.956
sampleLengths
013
111
26
323
433
510
622
72
85
914
1011
114
126
135
1423
154
1613
179
182
1927
204
211
2226
2327
2412
2520
263
272
2814
298
3015
317
324
3328
345
355
3611
372
3833
3944
406
4120
4223
435
4410
458
4619
476
485
4917
31.12% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats27
diversityRatio0.2937062937062937
totalSentences143
uniqueOpeners42
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences84
matches(empty)
ratio0
0.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount47
totalSentences84
matches
0"His charcoal suit was immaculate,"
1"His amber eye found hers"
2"She gripped the door frame."
3"It wasn't a question."
4"She was too controlled for"
5"He paused, tilting his head"
6"He straightened, and the full"
7"He shifted his weight, and"
8"She knew what was inside"
9"She knew a lot of"
10"She should say no."
11"She should say no and"
12"She stepped back from the"
13"He ducked slightly under the"
14"He turned back to her,"
15"She'd spent the last three"
16"He set the cane against"
17"She'd been avoiding it."
18"She realized that now."
19"She looked at him."
ratio0.56
13.57% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount75
totalSentences84
matches
0"The third deadbolt clicked back"
1"The words died in her"
2"Lucien Moreau stood in the"
3"His charcoal suit was immaculate,"
4"The ivory handle of his"
5"His amber eye found hers"
6"She gripped the door frame."
7"The wood was old and"
8"It wasn't a question."
9"She was too controlled for"
10"Lucien's mouth curved, just barely."
11"He paused, tilting his head"
12"He straightened, and the full"
13"Ptolemy appeared between her ankles,"
14"Lucien glanced down at the"
15"He shifted his weight, and"
16"She knew what was inside"
17"She knew a lot of"
18"She should say no."
19"She should say no and"
ratio0.893
100.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount2
totalSentences84
matches
0"Before the warehouse on the"
1"Before the hotel room afterward,"
ratio0.024
48.87% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences38
technicalSentenceCount5
matches
0"His charcoal suit was immaculate, not a crease in it, which was absurd given the August heat and the fact that he was standing in a stairwell that smelled perma…"
1"Before the warehouse on the outskirts of the 13th arrondissement, and the demon that had nearly taken her arm off, and Lucien putting himself between her and so…"
2"She'd spent the last three days buried in Eva's research — historical accounts of half-demon lineage, territorial disputes in Avaros, anything that might explai…"
3"Looking at his face meant looking at the sharp line of his jaw, and the way his platinum hair fell across his forehead, and the scar that traced the edge of his…"
4"She filled the kettle and set it to boil, a rote motion that gave her hands something to do."
45.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags25
uselessAdditionCount4
matches
0"He shifted, and the cane tapped once against the floor"
1"He set, and the gesture struck her as strangely intimate — him disarming himself, even if only symbolically"
2"she said, but her voice had lost its edge"
3"she asked, not looking at him"
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags15
fancyCount2
fancyTags
0"She pressed (press)"
1"he agreed (agree)"
dialogueSentences70
tagDensity0.214
leniency0.429
rawRatio0.133
effectiveRatio0.057
78.3973%