Run: 2026-03-18-01KM094MNM5DQV1N3D8CRQ2GM1

Run Details

Duration:
27.6s
Cost:
$0.004584
Provider:
OpenAI

Model input

System
You are an expert and award-winning novel writer in the dark Horror genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <location id="861" name="The Fae Grove" aliases="Isolde's grove, Richmond grove, the Grove" realm="Earth (Fae-touched)"> <parkLocation>Richmond Park</parkLocation> <standingStones>ancient oak standing stones mark the boundary</standingStones> <timeBehavior>time moves differently — an hour inside can be minutes or days outside</timeBehavior> <flora>wildflowers bloom year-round</flora> <description>A hidden clearing that exists in a pocket between Earth and the Fae realm.</description> </location> <item id="2001" name="Heartstone Pendant" aliases="the pendant, Heartstone" type="Artifact" origin="Dymas"> <gemstoneColor>deep crimson</gemstoneColor> <chainMaterial>silver chain</chainMaterial> <size>roughly the size of a thumbnail</size> <behavior>pulses faintly with warmth when near a Hel portal</behavior> <glow>faint inner glow</glow> <description>Given to Aurora by an unknown benefactor.</description> </item> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the horror genre. A character is alone in a strange, isolated place at night. They came here for a reason, but something feels off from the moment they arrive. The wrongness builds slowly — sounds that shouldn't be there, things that move at the edge of vision, a growing certainty that they are not alone. Build tension through restraint, not through gore. Use the codex entries above as your world reference for the character and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
Aurora Carter jammed her thumbnail under the silver clasp and swung the Heartstone pendant out into the air like a weapon. The crimson gem warmed, then warmed harder, and the grove answered with a sound like someone turning a key inside a locked throat. She kept her left wrist angled away from the dark, scar first, as if the crescent mark might warn her before anything else did. The standing stones around her did not look ancient because of age, they looked ancient because they had never agreed to be anything else. Oak and stone, roots and grit, the boundary made permanent by repetition. The Grove breathed without lungs. Aurora took one step forward, then stopped. The wildflowers at ground level should have rustled with her motion, they should have snapped and whispered like any other grass-fed life. Instead, they moved a fraction of a breath after she moved, a lazy catch-up delay, as if something behind her tried to copy the rhythm and failed. She tightened the chain around her neck until the gem pressed against her throat. “Alright,” she said. Her voice landed too cleanly, too sharply, as if the air wanted to keep it. “You called. I’m here.” Silence held for half a heartbeat, then she heard it again, the key-turn sound. Not from the stones, not from the trees. From the space between them, from a seam that did not exist a second ago. Aurora lifted her phone, not to call anyone, she had no signal in places like this, but to use the screen as a lure. The glass lit her face in a pale wash. In that light, the shadows gathered where they shouldn’t. Behind the nearest stone, something sat close to the ground, low and careful, and it moved when she didn’t move. A shape slid sideways, only a fingertip of motion, and then she saw the edge of it, the suggestion of a hand, the suggestion of a wrist. Too thin, too jointed, like a puppet that had learned to breathe. Her throat tightened around the pendant. Heat rolled down the gem, through the chain, into her collarbone, then into her stomach like a slow bruise. “I’m not bargaining,” Aurora said, because silence made bargains feel inevitable. She stepped again, slower this time. The wildflowers bent, not away, not toward, but sideways, as if they were listening to a different direction than she was. “Tell me why the Hel portal scent is here.” The key-turn sound stopped. In its place came a click, click, click, as if teeth tested a distance. It didn’t come from one direction. It came from everywhere her eyes avoided. Aurora forced herself to look at the flowers first, because her eyes wanted to flee to the dark edges. Each bloom had an odd persistence, bright colours holding their shape with stubborn clarity. They looked freshly opened and bruised at the same time. The scent hit her next, sharp and green, like crushed stems and old paper. A thought came uninvited, not spoken, but her body reacted like it had heard an order. Her left wrist twitched, scar tingling, and the pendant flared under her collar in response. Heat spiked, bright enough that the crimson looked almost black. She swallowed. The warmth slid into her palms when she reached for the nearest stone. Oak grain met her fingertips. The surface felt wrong, not smooth or bark-textured, but layered, like dried skin stretched over something living. She pushed lightly, testing. The stone did not yield, but it warmed under her touch, responding like an animal that recognised a scent. A low hum rose, almost below hearing. It vibrated in her ribs, not loud, just insistent. Aurora pulled her hand back fast and scanned the clearing. The boundary should have stayed stable. The standing stones marked the edge of the Grove, an agreement between Earth and whatever waited behind it. Now, the spacing looked subtly altered, the gaps tighter, the angles sharper, as if the whole ring had been measured with a crooked ruler. At the far side, where she remembered a specific oak, the shadow holding the space for that oak now occupied something else. A patch of darkness sat on the ground, deeper than the night around it, and it pulsed once, slow and patient. Portal heartbeat. Aurora stepped toward it, breath held. The Grove shifted around her, not with wind, not with sound, with attention. The flowers leaned. The stone ring tightened visually. Her phone screen dimmed as if the device drank light. She didn’t take her eyes off the darker patch. She raised the pendant with her right hand, chain taut, gem pointed down like a compass needle. The Heartstone pulsed faintly in time with the dark, warming and cooling in a pattern that felt too deliberate to be coincidence. “You’re not a person,” Aurora said. She kept her voice steady, the way she did in legal arguments, the way she did when men with fists tried to make a room smaller. “You’re a doorway. Doorways don’t get to pretend they’re polite.” Clicking started again, closer this time. She heard it at her left shoulder. Aurora spun. Nothing stood there. No figure. No crouch at ground level. Only flowers, and the far-off trees with their patient, indifferent silhouettes. Her stomach sank anyway. The wrongness didn’t move like a single thing. It moved like a rule. Like something had learned her attention patterns and started playing with them. The Grove would wait for her to look away, then rearrange its small betrayals. She breathed out through her nose. “Fine,” she said. “Show me how you open.” The darker patch on the ground lifted, not upward, not like a lid, but like the world underneath it had decided to peel back. The air warped. Aurora saw a shimmer where there should have been earth, and the shimmer held a glow behind it, dim and cold. Hel portal light. Not the warm kind you saw in candles, not even the harsh kind you saw in cheap LED strips. This light looked like it belonged to the underbelly of mirrors. Aurora crouched beside it, careful not to put her full weight on the seam. Her fingers hovered over the revealed shimmer, and the Heartstone began to burn against her palm. She saw something inside the glow, a shape that didn’t take the time to become clear. It flickered like a thought you couldn’t finish. She couldn’t count the limbs, she couldn’t agree on the angles. It moved as if it had no bones, only intent. The clicking stopped. A new sound replaced it, softer, almost gentle, like a person drawing a nail along wet glass. Aurora held her breath longer than she wanted to. Her pulse hammered, and the pendant kept pace. She remembered the unknown benefactor, the one who had given her the Heartstone. She had never learned their name, never learned how they reached into her life. She had only learned the pendant’s habit, faint warmth when it neared the Hel portal. That was all. That was never all. Her left scar tingled again, crescent mark tightening like it itched from the inside. She pressed her thumb over it. The pain sharpened her focus. She could work with pain. Aurora took the silver chain between finger and thumb and slid the pendant off over her head, holding it in both hands. The gem glowed brighter, as if it enjoyed being offered. “Open,” she said, not loudly. “But open properly.” The darker patch answered immediately. The seam widened in a blink, a crack in reality spreading from a hairline to something wide enough to swallow her arm. Cold air rushed out, not like winter, like absence, like the space left after a scream ended. Aurora recoiled, but she didn’t retreat. She lowered the Heartstone toward the expanding glow. The air around the portal rippled. For a moment, Aurora saw hands in the light, reaching without urgency, as though they had all the time in the world and she had none. She saw fingers too long, knuckles too smooth, joints that bent in ways her own body refused to. Then the reach stopped. Something else arrived instead, sliding up from the darkness with the slow confidence of a shadow learning to stand. Aurora’s eyes tracked it without permission. A silhouette formed at the edge of the shimmer, tall and narrow. It wore no face, only a suggestion of one, like fog held in the shape of a mask. Where eyes should have been, the glow changed intensity, darker points inside the cold light, as if something watched from within the portal rather than from outside. The Grove made room. The standing stones around her shifted, stones adjusting with quiet, grinding patience. Aurora’s skin prickled. She had stepped into the boundary, and now the boundary was stepping back. She felt, with sick clarity, that the ring did not mark where the Grove began. It marked where it could begin taking things. Aurora tightened her grip on the Heartstone. “No,” she said. Simple. Final. “I’m here for the opening. I’m not here to be collected.” The faceless silhouette leaned forward. It did not move like a creature. It moved like the idea of a creature dragging itself into existence. Aurora shoved the pendant closer to the portal. The gem flared, crimson light spilling into the cracks around it. The cold light inside the portal recoiled, the shimmer warping as if it had met a truth it hadn’t expected. For a breath, Aurora thought she had control. The silhouette snapped its attention to the pendant. The mask-shape tightened, the glow-dark points narrowing. The air around Aurora thickened, and she realised the portal wasn’t just a doorway. It was also a mouth, and the Heartstone was bait that tasted like home. The Grove hummed louder. Aurora tried to pull the pendant back, but her wrist caught. Not on the chain, not on the gem. On something invisible that clamped around her like a bracelet made of fingers she couldn’t see. The grip bit her scar, and pain flared along the crescent mark, sharp and sudden. Her body jolted, and the portal seized the moment. The seam widened again, swallowing the space between her hands and turning her stomach. The faceless silhouette extended a hand through the shimmer. She saw it clearly now. Not human. Not animal. It had too many ridges, too much texture, like dried riverbed cracked into finger-shapes. It reached toward her left wrist, toward the scar. Aurora fought the pull, muscles trembling, chain biting her neck. She shoved herself upright, trying to break the contact. The wildflowers surged toward her like they wanted to shelter her from the portal, then recoiled as if offended by her movement. The standing stones groaned. The sound made her teeth ache. The ring tightened further, and the gaps between stones narrowed until the clearing felt smaller than her body could contain. The world tilted, not physically, but conceptually, as if her sense of up had been negotiated without her consent. Aurora sucked in a breath that tasted of crushed leaves and metal. She brought the Heartstone down with both hands and slammed it against the nearest oak standing stone. The gem hit with no bounce, as if the stone had been waiting to receive it. Crimson light flashed outward in a thin halo, then sank into the oak grain like blood into a vein. The portal shuddered. For an instant, the faceless silhouette recoiled, its glow points widening. The hand on her wrist loosened, enough for her to yank free. Aurora threw her weight backward, gasping, pendant light still crawling over the stone like it had found a home. But the ring had already started to change again. The shadow-patch on the ground split into two. Another seam opened a few feet away, smaller, quicker. Something stepped out of it sideways, gliding into the clearing like a bad decision made flesh. Aurora stared at it, and the air turned colder around her eyes. The new presence moved with the same patient wrongness, then angled its attention to the Heartstone-stained oak. It wasn’t afraid. It wasn’t surprised. It recognised the attachment. Aurora’s grip tightened on nothing, her fingers empty now, the pendant no longer in her hands. The crimson light in the standing stone began to pulse, faster, as if the grove had turned the gem into a signal flare. She lunged for the oak, aiming to pull the Heartstone free. The faceless silhouette behind the portal surged forward, its hand reaching again, and this time it didn’t reach for her wrist. It reached for her face, fingers splaying as if to close her eyes for her. Aurora slammed her palm against the stone to resist, and the oak answered with a jolt that travelled up her arm, straight into her shoulder. Her vision flashed. Sound broke into pieces. In the blink after, the portal behind her roared open wider than it should have been able to, tearing the air into a doorway shaped like appetite, and the Grove’s standing stones started to tip inward, stone ring collapsing like a trap springing shut.
created_at"2026-03-18T10:51:22.696Z" 3/18/2026, 10:51:22 AM
model"openai/gpt-5.4-nano-20260317"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency23146
moderation_latency(null)
generation_time26672
tokens_prompt4560
tokens_completion4423
native_tokens_prompt4064
native_tokens_completion3570
native_tokens_completion_images0
native_tokens_reasoning829
native_tokens_cached3840
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"completed"
usage0.0045841
router(null)
provider_responses
0
endpoint_id"0c835f2e-c18d-4e8c-b245-e1e3bd08b97f"
id"resp_06b60b433f5bcb310169ba83aac1108190b92e667e756b2cc0"
is_byokfalse
latency191
model_permaslug"openai/gpt-5.4-nano-20260317"
provider_name"OpenAI"
status200
user_agent"langchainjs-openai/1.0.0 ((node/v24.14.0; linux; x64))"
http_referer(null)
api_type"completions"
id"gen-1773831082-0Hvbf43kC7L5fXjdWxgK"
upstream_id"resp_06b60b433f5bcb310169ba83aac1108190b92e667e756b2cc0"
total_cost0.0045841
cache_discount0.0006912
upstream_inference_cost0
provider_name"OpenAI"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags6
adverbTagCount0
adverbTags(empty)
dialogueSentences12
tagDensity0.5
leniency1
rawRatio0
effectiveRatio0
95.45% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount2197
totalAiIsmAdverbs2
found
0
adverb"sharply"
count1
1
adverb"lightly"
count1
highlights
0"sharply"
1"lightly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
56.76% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount2197
totalAiIsms19
found
0
word"silence"
count2
1
word"stomach"
count3
2
word"warmth"
count2
3
word"vibrated"
count1
4
word"scanned"
count1
5
word"measured"
count1
6
word"pulsed"
count2
7
word"weight"
count2
8
word"flickered"
count1
9
word"pulse"
count2
10
word"intensity"
count1
11
word"sense of"
count1
highlights
0"silence"
1"stomach"
2"warmth"
3"vibrated"
4"scanned"
5"measured"
6"pulsed"
7"weight"
8"flickered"
9"pulse"
10"intensity"
11"sense of"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches1
maxInWindow1
found
0
label"stomach dropped/sank"
count1
highlights
0"stomach sank"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences185
matches(empty)
81.08% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount1
hedgeCount7
narrationSentences185
filterMatches
0"feel"
hedgeMatches
0"tried to"
1"began to"
2"started to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences191
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen44
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords2197
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions9
unquotedAttributions0
matches(empty)
66.67% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions52
wordCount2144
uniqueNames8
maxNameDensity1.31
worstName"Aurora"
maxWindowNameDensity3
worstWindowName"Aurora"
discoveredNames
Carter1
Heartstone10
Grove8
Earth1
Hel2
Aurora28
Simple1
Heartstone-stained1
persons
0"Carter"
1"Grove"
2"Aurora"
places
0"Heartstone-stained"
globalScore0.847
windowScore0.667
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences141
glossingSentenceCount2
matches
0"looked like it belonged to the underbelly"
1"tasted like home"
0.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches8
per1kWords3.641
wordCount2197
matches
0"not to call anyone, she had no signal in places like this, but to use the screen as a lure"
1"not away, not toward, but sideways, as if they were listening to a different direction"
2"not toward, but sideways, as if they were listening to a different direction"
3"not spoken, but her body reacted like it had heard an order"
4"not smooth or bark-textured, but layered, like dried skin stretched over something living"
5"not upward, not like a lid, but like the world underneath it had decided to peel back"
6"not like a lid, but like the world underneath it had decided to peel back"
7"not physically, but conceptually, as if her sense of up had been negotiated with"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences191
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs80
mean27.46
std17.21
cv0.627
sampleLengths
044
160
25
356
436
537
662
739
825
947
104
1127
1257
1341
1415
1545
1626
1748
1843
192
2037
2148
2242
2313
242
2521
264
2739
2814
2948
3033
3130
3245
3320
3417
3545
364
3730
3832
398
4044
4114
4250
434
4419
4563
464
4728
4823
4923
99.57% Passive voice overuse
Target: ≤2% passive sentences
passiveCount3
totalSentences185
matches
0"been measured"
1"being offered"
2"been negotiated"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount2
totalVerbs380
matches
0"were listening"
1"was stepping"
100.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount0
semicolonCount0
flaggedSentences0
totalSentences191
ratio0
matches(empty)
91.65% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount2155
adjectiveStacks1
stackExamples
0"other grass-fed life."
adverbCount92
adverbRatio0.04269141531322506
lyAdverbCount18
lyAdverbRatio0.008352668213457077
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences191
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences191
mean11.5
std7.08
cv0.615
sampleLengths
021
123
224
324
412
55
67
722
827
914
103
1115
124
1314
148
1515
1624
179
189
1920
2027
2112
226
2319
2411
256
2621
279
284
2914
306
317
3219
3314
3410
3514
3616
3715
3810
392
4013
415
4217
434
4419
457
469
4710
486
4918
36.39% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats26
diversityRatio0.24607329842931938
totalSentences191
uniqueOpeners47
77.07% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount4
totalSentences173
matches
0"Instead, they moved a fraction"
1"Too thin, too jointed, like"
2"Only flowers, and the far-off"
3"Then the reach stopped."
ratio0.023
97.46% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount53
totalSentences173
matches
0"She kept her left wrist"
1"She tightened the chain around"
2"Her voice landed too cleanly,"
3"Her throat tightened around the"
4"She stepped again, slower this"
5"It didn’t come from one"
6"It came from everywhere her"
7"They looked freshly opened and"
8"Her left wrist twitched, scar"
9"She pushed lightly, testing."
10"It vibrated in her ribs,"
11"Her phone screen dimmed as"
12"She didn’t take her eyes"
13"She raised the pendant with"
14"She kept her voice steady,"
15"She heard it at her"
16"Her stomach sank anyway."
17"It moved like a rule."
18"She breathed out through her"
19"Her fingers hovered over the"
ratio0.306
32.25% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount148
totalSentences173
matches
0"Aurora Carter jammed her thumbnail"
1"The crimson gem warmed, then"
2"She kept her left wrist"
3"The standing stones around her"
4"Oak and stone, roots and"
5"The Grove breathed without lungs."
6"Aurora took one step forward,"
7"The wildflowers at ground level"
8"She tightened the chain around"
9"Her voice landed too cleanly,"
10"Silence held for half a"
11"Aurora lifted her phone, not"
12"The glass lit her face"
13"A shape slid sideways, only"
14"Her throat tightened around the"
15"Heat rolled down the gem,"
16"Aurora said, because silence made"
17"She stepped again, slower this"
18"The wildflowers bent, not away,"
19"The key-turn sound stopped."
ratio0.855
28.90% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences173
matches
0"Now, the spacing looked subtly"
ratio0.006
85.71% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences100
technicalSentenceCount8
matches
0"Instead, they moved a fraction of a breath after she moved, a lazy catch-up delay, as if something behind her tried to copy the rhythm and failed."
1"The wildflowers bent, not away, not toward, but sideways, as if they were listening to a different direction than she was."
2"Now, the spacing looked subtly altered, the gaps tighter, the angles sharper, as if the whole ring had been measured with a crooked ruler."
3"Her phone screen dimmed as if the device drank light."
4"The Heartstone pulsed faintly in time with the dark, warming and cooling in a pattern that felt too deliberate to be coincidence."
5"Where eyes should have been, the glow changed intensity, darker points inside the cold light, as if something watched from within the portal rather than from ou…"
6"The cold light inside the portal recoiled, the shimmer warping as if it had met a truth it hadn’t expected."
7"It reached for her face, fingers splaying as if to close her eyes for her."
41.67% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags6
uselessAdditionCount1
matches
0"she said, not loudly"
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags6
fancyCount0
fancyTags(empty)
dialogueSentences12
tagDensity0.5
leniency1
rawRatio0
effectiveRatio0
83.0209%