Run: 2026-03-18-01KM09FRSTW32VC2MCM934YNKW

Run Details

Duration:
19.1s
Cost:
$0.004130
Provider:
OpenAI

Model input

System
You are an expert and award-winning novel writer in the dark Horror genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <location id="861" name="The Fae Grove" aliases="Isolde's grove, Richmond grove, the Grove" realm="Earth (Fae-touched)"> <parkLocation>Richmond Park</parkLocation> <standingStones>ancient oak standing stones mark the boundary</standingStones> <timeBehavior>time moves differently — an hour inside can be minutes or days outside</timeBehavior> <flora>wildflowers bloom year-round</flora> <description>A hidden clearing that exists in a pocket between Earth and the Fae realm.</description> </location> <item id="2001" name="Heartstone Pendant" aliases="the pendant, Heartstone" type="Artifact" origin="Dymas"> <gemstoneColor>deep crimson</gemstoneColor> <chainMaterial>silver chain</chainMaterial> <size>roughly the size of a thumbnail</size> <behavior>pulses faintly with warmth when near a Hel portal</behavior> <glow>faint inner glow</glow> <description>Given to Aurora by an unknown benefactor.</description> </item> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the horror genre. A character is alone in a strange, isolated place at night. They came here for a reason, but something feels off from the moment they arrive. The wrongness builds slowly — sounds that shouldn't be there, things that move at the edge of vision, a growing certainty that they are not alone. Build tension through restraint, not through gore. Use the codex entries above as your world reference for the character and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
Aurora Carter hooked her fingers under the silver chain and tightened the Heartstone Pendant against her throat as if the gemstone might slip away and leave her with nothing but breath. “Come on,” she muttered, voice low enough to stay private in the trees. “Just do what you’re meant to do.” The crimson Heartstone pulsed once, warm against her skin. It did it again, quicker, as though it had picked up a rhythm somewhere ahead of her. The warmth spread through her collarbone and settled like a thumb on her pulse. Aurora paused at the first ancient oak standing stone, its bark split and grown over in old patterns that looked deliberate. Beyond it, the undergrowth opened into a clearing that should not have existed in Richmond Park. Wildflowers still bloomed in tight clusters, petals bright against the dark, their colours too saturated to trust. She had come for a hel portal. She had come because someone had told her the Heartstone would notice it. The pulse steadied. She stepped forward, then checked herself, turning her head sharply. A sound answered her movement. Not footsteps. Not wind. Something like a soft scraping, close to the ground, as if a dry fingernail dragged along bark a few paces behind her. Aurora kept her face forward and lifted her hand, palm out, slow. She listened until the scraping stopped. Nothing followed that silence. No second sound. No return of the scrape. Only her own breath, and the faint rattle of the pendant chain when her throat swallowed. She crossed the clearing with care. Her trainers sank a fraction into soil that felt too smooth, as though the earth had been pressed down and varnished. The scent hit her next, sweet and wrong, like crushed flowers mixed with cold metal. She reached the centre and found the boundary marked by more stones. Older than the first. Thicker. Some stood apart in pairs, others leaned like tired shoulders. A few oaks had grown around them so tightly the wood looked fused into stone. Aurora held the pendant out at arm’s length. The crimson gemstone brightened from within. A gentle glow, the kind you could ignore if you wanted to be brave, not the kind that begged for attention. But her body did not ignore it. The air near her hand tightened. It pressed against her skin, not with wind, with resistance. Her ears popped as though she had climbed too fast on a lift, her inner pressure shifting. She swallowed again. The crescent-shaped scar on her left wrist stung, a memory of pain made new. A faint hum rose through the clearing. Aurora shifted her weight and lowered the pendant to chest height, keeping it level, like that would help her see the boundary line. She scanned the standing stones, counting gaps, looking for the place where the pulse seemed strongest. The hum paused. In the sudden absence, she heard another sound. A low, repeated knock, like knuckles on wood, but too far away to belong to any person in the grove. Three beats, then a pause, then three again. Aurora stood utterly still. Her eyes snagged on movement at the edge of her vision, a flicker in the corner of the world. She turned her head a fraction, just enough. A shadow moved where no body stood. It slid between two flowers, not stepping, not crawling, just relocating. One moment the petals framed an empty stretch of air, the next moment the air carried the shadow like a stain. Aurora tightened her grip on the pendant chain. The silver bit her fingers as she pulled it closer. “Who are you?” she asked. The words left her mouth and hung there, thin and careful. The shadow did not answer. Instead, the three knocks returned, closer this time. The wood it came from felt like the stones themselves. The vibration travelled through Aurora’s bones, making her teeth feel loose. The gemstone warmed until it bordered on hot. Aurora tried not to flinch. She had learned, after Evan, after every apology that had come too late, that panic never made anything safer. It just wasted energy you needed later. She lifted her left wrist so the scar faced the stones. The crescent marked skin burned, then cooled, then burned again in time with the pendant’s pulse. The hel portal, if it existed here, would obey the Heartstone. Or the Heartstone would obey it. Aurora’s mouth went dry. She drew a slow breath and forced herself to move. She walked toward the gap between two leaning oaks, the hum rising with every step. The gap looked normal from a distance. Up close, the space between the stones refused to behave. It shimmered, not like heat, but like a picture that couldn’t decide what it showed. One second the gap held nothing but darkness, the next it held a faint suggestion of a corridor, walls too close together, light bleeding from the wrong angle. Aurora stopped at arm’s length from the boundary. The scraping sound came back, but now it started in front of her, not behind. It ran along the soil, dragging, slow and patient. Something in the earth shifted and pulled, the way roots might search for water. Her eyes stayed locked on the shimmer. She did not look down. She did not look away. A breath brushed her cheek. Not cold. Not warm. Neutral, like the air had learned to mimic every temperature it had ever encountered. Aurora froze harder. “Stop,” she said, because it felt better than silence. “I’m not here to hurt you.” The pendant flared in her hand. Crimson light spilled over her knuckles and cast a sick glow on the stones. The shimmer thickened, the corridor inside the gap sharpening like a camera focusing. Aurora felt the portal tug at the back of her throat. Not physically, not with hands, with insistence. Like a word she had tried to forget was finally calling her name in a voice she recognised. She jerked her gaze to the side. The shadow from the edge of her vision stood now, closer than it should have been. It had the shape of a person without the commitment to details. A head. Shoulders. A torso. No clear arms. It did not step forward. The space around it moved instead, bending the view like heat haze, turning distance into a lie. Aurora kept her voice level. “What do you want?” The answer came through the ground, not the air. The three knocks changed rhythm, speeding up until they sounded like teeth chattering behind stone. The portal shimmered wider. Aurora felt something press from the corridor side toward her side, testing the boundary, like a seal being broken. She realised, too late, that she had assumed the Heartstone would open the door. The Heartstone had woken whatever slept behind it. The scraping intensified. It moved under the flowers, under the soil, the blades of wild stems bowing as though pulled by invisible fingers. The scent of crushed flowers deepened, and underneath it she smelled copper again, sharp as a bitten lip. Aurora stepped back. Her heel caught on something and stopped her movement. She looked down. A thin line cut through the soil, barely visible under the dark. It traced a circle around her boots, like chalk drawn by someone who did not have chalk, only intent. The line pulsed with crimson light that matched the pendant. Her heartbeat hitched. The portal flared. The boundary circle tightened around her, lifting the soil along the line so it looked like the ground had started to rise on a hinge. Her trainers scuffed, scraping to escape, but the line held. The shadow leaned in. Aurora lifted the pendant higher, meaning to pull it away from the portal’s pull. She expected cold resistance. Instead, warmth exploded up her arm. Pain followed, quick and sharp, blooming behind her eyes. The Heartstone hummed so loudly it swallowed her breath. Then, without warning, the clearing around her shifted. The wildflowers moved as a group, petals tilting like a field listening. The standing stones lost their alignment. One oak stepped sideways, or the grove chose to rearrange itself without moving the stone at all. The air inside the gap became clearer and deeper, as if she had opened a door and discovered the room went on forever. Aurora swayed, not from dizziness but from disorientation so sudden it stole her sense of direction. A whisper rose out of the corridor. Not words. Not language. A sound built from syllables she had never learned, but the rhythm struck familiar nerves in her chest, like a lullaby she had heard in childhood and forgotten on purpose. It wrapped around the Heartstone’s hum, feeding it. Aurora forced her mouth to work. “Cardiff,” she said, and the name came out rougher than she meant. “Jennifer. Brendan.” She did not know why she said it. She just needed an anchor that did not come from this place. The whisper paused. The pendant’s glow faltered. Aurora grabbed the moment and pulled the Heartstone chain until it scraped her throat. Her wrist screamed where the scar sat. She turned her body so she faced the shimmer instead of the shadow. “Enough,” she said. “I came for a reason. I’m leaving.” The shadow twitched, and the air around it rippled. The ground line tightened again, dragging at her ankles now, not just holding her boots. Aurora’s stomach dropped. She had not asked who she was dealing with. She had not offered terms. She had simply approached the boundary like a customer arriving for a delivery. The grove punished assumptions. The portal widened until Aurora saw a corridor of dim, greyish light, and something moved inside it. Not a person walking. A presence stretching, like ink spreading in water. The Heartstone surged warm, then went abruptly cold. Its crimson glow dimmed to a dull ember. The sudden shift made Aurora gasp. The circle around her responded too, loosening, then hardening, as if the boundary itself changed its mind. The whisper returned, louder, and this time it formed shapes she could almost recognise as words. Aurora heard the scrape of claws, but she never looked down. She could feel the pressure of attention from below, from the earth, from whatever made soil into a mouth. The shadow’s outline sharpened as it moved closer, still without walking. Aurora saw the hint of fingers, long and pale, reaching. Her left wrist burned. The scar flared. She yanked her arm back hard enough to jerk the chain. The Heartstone Pendant tore free. Silver chain snapped across her skin with a sting. Aurora clenched the pendant in her right hand and stumbled backward, circling away from the boundary line as the soil tried to hold her. The portal surged forward at the same time, as if relieved it had gained the pendant’s attention. The corridor light strobed. The standing stones around her bowed inward, leaning toward the gap like trees pulled by a current. Aurora stumbled through a gap between stones that had not been there a second ago. She landed on the other side of the boundary circle with a hard, wet thud, though the earth under her did not feel wet. It felt like something thick and listening, like the ground had learned to wear texture. Behind her, the portal roared without sound. The air inside it tore and reformed, and the corridor flashed with glimpses of shapes that might have been rooms. Or bodies. Aurora clutched the Heartstone Pendant, its glow returning violently, scorching her palm. A figure stepped out of the gap. Not the shadow. Something else, formed from the corridor’s grey light and overlaid with darkness. It had a head, too large, too smooth, and shoulders that looked like stacked slabs. Where eyes should have been, Aurora saw knots of crimson like trapped veins under skin. It paused, and the grove held its breath with it. Then it raised its hand, long fingers unfolding like petals, and Aurora heard the three knocks again, directly in her bones. The last thing she managed was a breathless step back, before the crimson-knotted face tilted toward her and the air around her wrist scarred with heat. The pendant in her hand pulsed once, twice, thrice, and the figure took another step, crossing the distance between them in an instant.
created_at"2026-03-18T10:57:27.379Z" 3/18/2026, 10:57:27 AM
model"openai/gpt-5.4-nano-20260317"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency11113
moderation_latency(null)
generation_time18566
tokens_prompt4560
tokens_completion3796
native_tokens_prompt4064
native_tokens_completion3207
native_tokens_completion_images0
native_tokens_reasoning652
native_tokens_cached3840
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"completed"
usage0.00413035
router(null)
provider_responses
0
endpoint_id"0c835f2e-c18d-4e8c-b245-e1e3bd08b97f"
id"resp_0f657bd629f125900169ba8517784881959706513380ab8fe0"
is_byokfalse
latency204
model_permaslug"openai/gpt-5.4-nano-20260317"
provider_name"OpenAI"
status200
user_agent"langchainjs-openai/1.0.0 ((node/v24.14.0; linux; x64))"
http_referer(null)
api_type"completions"
id"gen-1773831447-SeV6sQXIFHvXmwEfpsYQ"
upstream_id"resp_0f657bd629f125900169ba8517784881959706513380ab8fe0"
total_cost0.00413035
cache_discount0.0006912
upstream_inference_cost0
provider_name"OpenAI"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags5
adverbTagCount0
adverbTags(empty)
dialogueSentences10
tagDensity0.5
leniency1
rawRatio0
effectiveRatio0
92.73% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount2062
totalAiIsmAdverbs3
found
0
adverb"sharply"
count1
1
adverb"tightly"
count1
2
adverb"utterly"
count1
highlights
0"sharply"
1"tightly"
2"utterly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
36.95% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount2062
totalAiIsms26
found
0
word"pulsed"
count3
1
word"warmth"
count2
2
word"pulse"
count4
3
word"footsteps"
count1
4
word"silence"
count2
5
word"weight"
count1
6
word"scanned"
count1
7
word"flicker"
count1
8
word"shimmered"
count2
9
word"traced"
count1
10
word"sense of"
count1
11
word"whisper"
count3
12
word"familiar"
count1
13
word"stomach"
count1
14
word"could feel"
count1
15
word"the last thing"
count1
highlights
0"pulsed"
1"warmth"
2"pulse"
3"footsteps"
4"silence"
5"weight"
6"scanned"
7"flicker"
8"shimmered"
9"traced"
10"sense of"
11"whisper"
12"familiar"
13"stomach"
14"could feel"
15"the last thing"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches1
maxInWindow1
found
0
label"stomach dropped/sank"
count1
highlights
0"stomach dropped"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences194
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount2
hedgeCount3
narrationSentences194
filterMatches
0"see"
1"feel"
hedgeMatches
0"tried to"
1"started to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences199
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen31
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords2062
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions6
unquotedAttributions0
matches(empty)
76.04% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions53
wordCount2028
uniqueNames8
maxNameDensity1.48
worstName"Aurora"
maxWindowNameDensity2.5
worstWindowName"Aurora"
discoveredNames
Carter1
Heartstone13
Pendant3
Richmond1
Park1
Aurora30
Evan1
One3
persons
0"Carter"
1"Heartstone"
2"Pendant"
3"Aurora"
4"Evan"
places
0"Richmond"
1"Park"
globalScore0.76
windowScore0.833
27.62% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences143
glossingSentenceCount7
matches
0"Something like a soft scraping, close to the"
1"seemed strongest"
2"felt like the stones themselves"
3"sounded like teeth chattering behind stone"
4"looked like the ground had started to ris"
5"felt like something thick and listening"
6"looked like stacked slabs"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches2
per1kWords0.97
wordCount2062
matches
0"not like heat, but like a picture"
1"not from dizziness but from disorientation so sudden it stole her sense of directio"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount1
totalSentences199
matches
0"followed that silence"
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs110
mean18.75
std13.78
cv0.735
sampleLengths
031
120
240
354
47
513
613
731
818
912
1016
1142
1242
138
1427
157
1633
1717
187
1939
203
218
2228
234
2427
257
2632
2718
285
2911
305
3129
328
3331
3427
3511
366
3729
3860
398
4038
417
425
435
445
4518
463
4715
4833
4936
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount1
totalSentences194
matches
0"been pressed"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount2
totalVerbs365
matches
0"was finally calling"
1"was dealing"
100.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount0
semicolonCount0
flaggedSentences0
totalSentences199
ratio0
matches(empty)
97.50% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount2030
adjectiveStacks0
stackExamples(empty)
adverbCount87
adverbRatio0.04285714285714286
lyAdverbCount13
lyAdverbRatio0.0064039408866995075
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences199
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences199
mean10.36
std6.35
cv0.613
sampleLengths
031
113
27
39
417
514
621
716
817
97
1013
113
1210
135
142
152
1622
1712
186
194
203
215
2216
236
2421
2515
2612
274
281
2910
3015
318
326
3321
347
356
3610
3717
383
3914
407
4123
4216
433
448
4520
468
474
4819
498
36.43% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats27
diversityRatio0.21105527638190955
totalSentences199
uniqueOpeners42
92.08% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount5
totalSentences181
matches
0"Only her own breath, and"
1"Instead, the three knocks returned,"
2"Instead, warmth exploded up her"
3"Then, without warning, the clearing"
4"Then it raised its hand,"
ratio0.028
98.45% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount55
totalSentences181
matches
0"she muttered, voice low enough"
1"It did it again, quicker,"
2"She had come for a"
3"She had come because someone"
4"She stepped forward, then checked"
5"She listened until the scraping"
6"She crossed the clearing with"
7"Her trainers sank a fraction"
8"She reached the centre and"
9"It pressed against her skin,"
10"Her ears popped as though"
11"She swallowed again."
12"She scanned the standing stones,"
13"Her eyes snagged on movement"
14"She turned her head a"
15"It slid between two flowers,"
16"She had learned, after Evan,"
17"It just wasted energy you"
18"She lifted her left wrist"
19"She drew a slow breath"
ratio0.304
31.82% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount155
totalSentences181
matches
0"Aurora Carter hooked her fingers"
1"she muttered, voice low enough"
2"The crimson Heartstone pulsed once,"
3"It did it again, quicker,"
4"The warmth spread through her"
5"Aurora paused at the first"
6"Wildflowers still bloomed in tight"
7"She had come for a"
8"She had come because someone"
9"The pulse steadied."
10"She stepped forward, then checked"
11"A sound answered her movement."
12"Something like a soft scraping,"
13"Aurora kept her face forward"
14"She listened until the scraping"
15"Nothing followed that silence."
16"She crossed the clearing with"
17"Her trainers sank a fraction"
18"The scent hit her next,"
19"She reached the centre and"
ratio0.856
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences181
matches(empty)
ratio0
73.73% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences93
technicalSentenceCount9
matches
0"Aurora Carter hooked her fingers under the silver chain and tightened the Heartstone Pendant against her throat as if the gemstone might slip away and leave her…"
1"Aurora paused at the first ancient oak standing stone, its bark split and grown over in old patterns that looked deliberate."
2"Something like a soft scraping, close to the ground, as if a dry fingernail dragged along bark a few paces behind her."
3"Aurora felt something press from the corridor side toward her side, testing the boundary, like a seal being broken."
4"It moved under the flowers, under the soil, the blades of wild stems bowing as though pulled by invisible fingers."
5"The line pulsed with crimson light that matched the pendant."
6"The air inside the gap became clearer and deeper, as if she had opened a door and discovered the room went on forever."
7"The circle around her responded too, loosening, then hardening, as if the boundary itself changed its mind."
8"Aurora clutched the Heartstone Pendant, its glow returning violently, scorching her palm."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags5
uselessAdditionCount2
matches
0"she muttered, voice low enough to stay private in the trees"
1"she said, and the name came out rougher than she meant"
50.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags5
fancyCount1
fancyTags
0"she muttered (mutter)"
dialogueSentences10
tagDensity0.5
leniency1
rawRatio0.2
effectiveRatio0.2
80.4453%