Run: 2026-03-18-01KM1GCX0XC0SRKFMMXCETEBQV

Run Details

Duration:
1m 5s
Cost:
$0.002927
Provider:
Minimax

Model input

System
You are an expert fiction writer. Always keep the following rules in mind: - Write in past tense and use General English spelling, grammar, and colloquialisms/slang. - Write in active voice - Always follow the "show, don't tell" principle. - Avoid adverbs and cliches and overused/commonly used phrases. Aim for fresh and original descriptions. - Convey events and story through dialogue. - Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. - Skip "he/she said said" dialogue tags and convey people's actions or face expressions through their speech - Avoid mushy dialog and descriptions, have dialogue always continue the action, never stall or add unnecessary fluff. Vary the descriptions to not repeat yourself. - Put dialogue on its own paragraph to separate scene and action. - Reduce indicators of uncertainty like "trying" or "maybe" When writing text: - NEVER conclude the scene on your own, follow the beat instructions very closely. - NEVER end with foreshadowing. - NEVER write further than what I prompt you with. - AVOID imagining possible endings, NEVER deviate from the instructions. - STOP EARLY if the continuation contains what was required in the instructions. You do not need to fill out the full amount of words possible.
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4414" name="Eva Kowalski" aliases="Eva, Evie" pronouns="she/her" species="Human" storyRole="Best Friend"> <eyeColor>green</eyeColor> <hair>curly red</hair> <height>5'4"</height> <age>26</age> <glasses>round glasses</glasses> <satchel>worn leather satchel full of books</satchel> <freckles>freckled complexion</freckles> <nervousHabit>tucking hair behind her left ear</nervousHabit> <description>Aurora's childhood friend and an occult researcher.</description> <backstory>Moved to London two years before Aurora and works as a research assistant at the British Museum's restricted archives. She holds a master's degree in Ancient History from Oxford.</backstory> </character> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> <item id="2004" name="Veil Compass" aliases="the Compass, shadow compass" type="Tool" origin="The Veil Market"> <casingMaterial>small brass compass</casingMaterial> <faceMarkings>face etched with protective sigils</faceMarkings> <needle>points toward the nearest supernatural rift or portal</needle> <patina>casing has a patina of verdigris</patina> <creator>crafted by a Shade artisan</creator> <description>A compass attuned to supernatural energy.</description> </item> </codex> Continue the story using the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the mystery genre. A detective arrives at a crime scene in an unusual location. Something is wrong — the evidence doesn't add up. A colleague is present, offering a different interpretation. Through careful observation and deduction, the detective begins to see what others have missed. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The tunnel smelled of copper and damp concrete. Detective Harlow Quinn stood at the edge of the crime scene, her hands clasped behind her back, and watched the forensic team work. The abandoned Aldgate East platform had been closed for decades, but someone had cleared a path through the rubble and debris that littered the platform. Fresh footprints in the dust told her that much. "Victim is male, mid-thirties," Constable Davies said, consulting his notes. "Name's Terrence Marsh. Worked for a property development company out in Canary Wharf. Wife reported him missing three days ago." Quinn nodded but didn't move closer. The body lay sprawled near the yellow warning tape someone had stretched across the platform's edge. From this distance, she could see the rigid posture, the way Marsh's fingers had curled into claws. She'd seen that position before. "What do we know about cause of death?" "Blunt force trauma to the back of the skull. We're looking for the weapon, but uniforms haven't found anything in the immediate area." "And the positioning?" Davies frowned. "Sorry?" "The body. He's face down, but look at his hands. If he'd fallen and hit his head, he would have instinctively tried to break his fall. Caught himself on his palms, maybe. But his hands are underneath him, fingers rigid." Quinn finally stepped forward, crouching several feet from the corpse. "Someone struck him from behind and he collapsed forward. Then whatever happened after that..." She trailed off, studying the dark stain spreading beneath Marsh's chest. Too much blood for a head wound alone. She could see the outline of his arms beneath him, and something else. Faint, almost invisible in the dim emergency lighting, but there. Marks on his wrists. Thin, precise cuts. "Detective Quinn?" She looked up to find her colleague, DI Saunders, picking his way through the debris toward her. He was a decade younger than her, with the eager energy of someone who still believed cases solved themselves if you just followed the evidence hard enough. "Heard you were down here," he said. "Thought you might want a second pair of eyes." "I always want a second pair of eyes. What have you got?" Saunders held up an evidence bag. Inside was a small brass object, its surface etched with intricate patterns and covered in a greenish patina. "Found this about ten feet from the body. It's some kind of compass, but the needle doesn't point north." Quinn took the bag, turning it over in her palm. The compass felt heavier than it should, and something about the engravings made her skin prickle. Recognition without understanding. She'd felt it before. "Where exactly was it?" "Between the support pillar and that pile of rubble. Like someone dropped it while running." Saunders pointed toward the tunnel entrance. "Based on the footprints, we've got at least two sets coming in, two sets leaving. Victim came in alone. The second party must have met him here." "And the motive?" "That's where it gets interesting." Saunders led her to a makeshift table someone had constructed from wooden pallets. Maps spread across its surface, annotated with red marker. "Look at this." Quinn leaned closer. The maps showed the London Underground system, but not the current one. These were old survey maps, from the construction phase. Someone had marked several locations with circles. "Property development company," Saunders continued. "Marsh was a site surveyor. His company has been buying up condemned properties across east London. Old stations, closed tunnels, abandoned infrastructure." "For development?" "That's what the paperwork says. But here's the thing." He pulled out a second folder. "These locations? They're all flagged in the city planning office as having restricted access due to structural instability. None of them have active development permits. None of them have even filed environmental impact assessments." Quinn stared at the maps. "So why buy them?" "Exactly. And get this." Saunders flipped to a photograph. "We ran Marsh's phone records. In the week before his disappearance, he made repeated calls to a number registered to a storage facility in Croydon. The facility has no record of his visits, but the security cameras show someone accessing Unit 47 at two in the morning. The footage is corrupted, but we pulled one frame." The image was grainy, distorted. A figure in a dark coat, face obscured, but unmistakably carrying something large wrapped in cloth. "The calls correlate with purchases," Saunders said. "Credit card records show Marsh buying materials. Old books, chemicals I can't pronounce, equipment I'd expect to find in a museum. He was preparing for something." Quinn turned back to the compass in her palm. The needle had stopped moving entirely now, locked in place pointing toward the wall behind the platform. "Detective?" "There's something wrong with this picture," she said quietly. "The compass?" "Not just the compass. The scene." She set the evidence bag down and walked the perimeter, counting steps, measuring distances. The forensic team watched her with the wary patience of people accustomed to detectives who asked too many questions. "The blood pattern," she said, stopping at the far edge of the platform. "Look at it from this angle." Saunders joined her. "What am I looking for?" "Direction. The victim was struck here, approximately." She gestured toward a point halfway between the body and the entrance. "The initial impact threw him forward. He landed there." She traced the arc. "But the blood spread continues past him. Toward the wall. Why?" "Maybe he was dragged?" "No drag marks. And the blood is too consistent. It didn't pool and then spread. It sprayed outward in a single direction." She walked to the wall, crouching to examine the surface. "Someone stood here and..." She went silent. The wall was old Victorian brick, covered in decades of grime and graffiti. But near the floor, partially obscured by debris, something else was visible. Symbols. Carved into the mortar between bricks, then painted over so many times they'd become invisible unless you knew to look. Quinn stood slowly, her heart rate climbing. "Get me a team from the historical preservation office. Now." "Harlow, what's going on?" She didn't answer immediately. Instead, she retrieved the compass, holding it up so the needle aligned with the symbols on the wall. The needle quivered, then began to rotate. "What the hell?" Saunders stepped back. "Three years ago," Quinn said, her voice distant, "my partner and I worked a case. Missing persons, started appearing around the old railway tunnels. We tracked the last victim here, to this station." She watched the compass needle spin faster. "Morris went in first. By the time I followed, he was gone. No body. No explanation. The official report said he fell into an unreported maintenance shaft." "Harlow..." "The report was wrong." She pointed at the symbols. "Those markings. I've seen them before. In Morris's case notes, before they were redacted and sealed. He had a theory that there were places in London where the barriers between... elsewhere and here... had grown thin." She touched the wall, feeling cold stone beneath her fingers. "He thought people were falling through the cracks. Not dying. Just disappearing." "You can't seriously believe that." "I don't believe anything." She turned to face him, her jaw tight. "I observe. And what I'm observing is a crime scene that doesn't make sense. A victim who was prepared for something supernatural. Equipment that suggests ritual magic. And now this." She held up the compass. "A compass that doesn't point north but points at something specific on a wall covered in symbols that match my dead partner's notes." The needle stopped abruptly, pointing directly at the center of the largest symbol. "There's something behind this wall," Quinn said. "Something that's been here long enough for someone to build a station on top of it. And Terrence Marsh discovered it. Maybe tried to use it. Whatever happened to him, it wasn't just a murder." She holstered her weapon. "It was an interruption." The tunnel seemed to press closer, the emergency lights flickering once before steadying. "Call in specialists," Quinn ordered. "Tell them we have a sealed chamber and we need to open it." "And if we find what's on the other side?" She didn't answer. Instead, she watched the compass needle hold its position, unwavering, pointing at secrets that had waited decades to be found. "Get me everything on Morris's original case," she said. "Every document they sealed. Every photograph they classified. I want to see what they didn't want anyone to see." "Harlow, if this goes sideways..." "Then it goes sideways." She met his eyes, her own hard and certain. "My partner disappeared in this station. I walked away because I trusted the process. Three years of questions with no answers." She turned back to the wall, to the symbols she couldn't quite read but could almost remember. "I won't make that mistake twice." The compass grew warm in her hand, and somewhere in the darkness behind the old brick, something shifted in recognition.
created_at"2026-03-18T22:17:27.844Z" 3/18/2026, 10:17:27 PM
model"minimax/minimax-m2.7-20260318"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency1002
moderation_latency(null)
generation_time64498
tokens_prompt1149
tokens_completion2804
native_tokens_prompt1009
native_tokens_completion2187
native_tokens_completion_images(null)
native_tokens_reasoning311
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0.0029271
router(null)
provider_responses
0
endpoint_id"471cf4ea-3548-4dd7-9f86-8c0f9c21d3ca"
id"060a57770c6c9d9f3addd043a8a00c1d"
is_byokfalse
latency1002
model_permaslug"minimax/minimax-m2.7-20260318"
provider_name"Minimax"
status200
user_agent"langchainjs-openai/1.0.0 ((node/v24.14.0; linux; x64))"
http_referer(null)
api_type"completions"
id"gen-1773872247-7maVMTd66ZyXhY4fxiy2"
upstream_id"060a57770c6c9d9f3addd043a8a00c1d"
total_cost0.0029271
cache_discount(null)
upstream_inference_cost0
provider_name"Minimax"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags27
adverbTagCount3
adverbTags
0"she said quietly [quietly]"
1"Saunders stepped back [back]"
2"She turned back [back]"
dialogueSentences67
tagDensity0.403
leniency0.806
rawRatio0.111
effectiveRatio0.09
96.66% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1499
totalAiIsmAdverbs1
found
0
adverb"slowly"
count1
highlights
0"slowly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
76.65% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1499
totalAiIsms7
found
0
word"etched"
count1
1
word"intricate"
count1
2
word"constructed"
count1
3
word"traced"
count1
4
word"aligned"
count1
5
word"quivered"
count1
6
word"unwavering"
count1
highlights
0"etched"
1"intricate"
2"constructed"
3"traced"
4"aligned"
5"quivered"
6"unwavering"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences76
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount2
narrationSentences76
filterMatches(empty)
hedgeMatches
0"began to"
1"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences116
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen56
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1499
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions18
unquotedAttributions0
matches(empty)
50.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions31
wordCount713
uniqueNames11
maxNameDensity1.54
worstName"Quinn"
maxWindowNameDensity3.5
worstWindowName"Saunders"
discoveredNames
Harlow1
Quinn11
Aldgate1
East1
Davies2
Marsh2
Saunders9
Maps1
London1
Underground1
Victorian1
persons
0"Harlow"
1"Quinn"
2"Davies"
3"Marsh"
4"Saunders"
5"Maps"
places
0"London"
globalScore0.729
windowScore0.5
98.98% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences49
glossingSentenceCount1
matches
0"quite read but could almost remember"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1499
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount1
totalSentences116
matches
0"seen that position"
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs59
mean25.41
std20.87
cv0.821
sampleLengths
065
130
244
38
423
53
63
764
849
92
1044
1116
1212
1343
1433
154
1648
173
1830
1931
2027
212
2249
239
2465
2521
2633
2726
281
299
302
3139
3219
338
3443
354
3636
373
3846
397
4010
414
4229
436
4467
451
4667
475
4870
4913
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount1
totalSentences76
matches
0"been closed"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs134
matches(empty)
100.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount0
semicolonCount0
flaggedSentences0
totalSentences116
ratio0
matches(empty)
99.41% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount713
adjectiveStacks0
stackExamples(empty)
adverbCount29
adverbRatio0.04067321178120617
lyAdverbCount9
lyAdverbRatio0.012622720897615708
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences116
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences116
mean12.92
std10.77
cv0.834
sampleLengths
08
123
225
39
410
520
66
716
817
95
108
1123
123
132
141
1550
1614
1711
188
1913
2010
214
223
232
2417
2527
267
279
2812
296
3018
3119
3210
3316
343
354
364
3721
3827
393
4018
419
423
433
4412
459
467
475
4822
492
88.79% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats2
diversityRatio0.5431034482758621
totalSentences116
uniqueOpeners63
100.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount3
totalSentences68
matches
0"Too much blood for a"
1"Instead, she retrieved the compass,"
2"Instead, she watched the compass"
ratio0.044
84.71% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount23
totalSentences68
matches
0"She'd seen that position before."
1"She trailed off, studying the"
2"She could see the outline"
3"She looked up to find"
4"He was a decade younger"
5"She'd felt it before."
6"He pulled out a second"
7"she said quietly"
8"She set the evidence bag"
9"she said, stopping at the"
10"She gestured toward a point"
11"She traced the arc"
12"She walked to the wall,"
13"She went silent."
14"She didn't answer immediately."
15"She pointed at the symbols"
16"She touched the wall, feeling"
17"She turned to face him,"
18"She held up the compass"
19"She holstered her weapon"
ratio0.338
40.88% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount57
totalSentences68
matches
0"The tunnel smelled of copper"
1"Detective Harlow Quinn stood at"
2"The abandoned Aldgate East platform"
3"Constable Davies said, consulting his"
4"Quinn nodded but didn't move"
5"The body lay sprawled near"
6"She'd seen that position before."
7"Quinn finally stepped forward, crouching"
8"She trailed off, studying the"
9"She could see the outline"
10"She looked up to find"
11"He was a decade younger"
12"Saunders held up an evidence"
13"Quinn took the bag, turning"
14"The compass felt heavier than"
15"Recognition without understanding."
16"She'd felt it before."
17"Saunders pointed toward the tunnel"
18"Saunders led her to a"
19"Maps spread across its surface,"
ratio0.838
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences68
matches(empty)
ratio0
83.33% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences24
technicalSentenceCount2
matches
0"The forensic team watched her with the wary patience of people accustomed to detectives who asked too many questions."
1"Instead, she watched the compass needle hold its position, unwavering, pointing at secrets that had waited decades to be found."
69.44% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags27
uselessAdditionCount3
matches
0"She walked, crouching to examine the surface"
1"Quinn said, her voice distant,"
2"She turned, her jaw tight"
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags10
fancyCount2
fancyTags
0"Saunders continued (continue)"
1"Quinn ordered (order)"
dialogueSentences67
tagDensity0.149
leniency0.299
rawRatio0.2
effectiveRatio0.06
89.6288%