Run: 2026-03-18-01KM1GK40P5JR2E5W8Q8CZKCGX

Run Details

Duration:
58.2s
Cost:
$0.007810
Provider:
Minimax

Model input

System
You are an expert fiction writer. Always keep the following rules in mind: - Write in past tense and use General English spelling, grammar, and colloquialisms/slang. - Write in active voice - Always follow the "show, don't tell" principle. - Avoid adverbs and cliches and overused/commonly used phrases. Aim for fresh and original descriptions. - Convey events and story through dialogue. - Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. - Skip "he/she said said" dialogue tags and convey people's actions or face expressions through their speech - Avoid mushy dialog and descriptions, have dialogue always continue the action, never stall or add unnecessary fluff. Vary the descriptions to not repeat yourself. - Put dialogue on its own paragraph to separate scene and action. - Reduce indicators of uncertainty like "trying" or "maybe" When writing text: - NEVER conclude the scene on your own, follow the beat instructions very closely. - NEVER end with foreshadowing. - NEVER write further than what I prompt you with. - AVOID imagining possible endings, NEVER deviate from the instructions. - STOP EARLY if the continuation contains what was required in the instructions. You do not need to fill out the full amount of words possible.
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4414" name="Eva Kowalski" aliases="Eva, Evie" pronouns="she/her" species="Human" storyRole="Best Friend"> <eyeColor>green</eyeColor> <hair>curly red</hair> <height>5'4"</height> <age>26</age> <glasses>round glasses</glasses> <satchel>worn leather satchel full of books</satchel> <freckles>freckled complexion</freckles> <nervousHabit>tucking hair behind her left ear</nervousHabit> <description>Aurora's childhood friend and an occult researcher.</description> <backstory>Moved to London two years before Aurora and works as a research assistant at the British Museum's restricted archives. She holds a master's degree in Ancient History from Oxford.</backstory> </character> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> <item id="2004" name="Veil Compass" aliases="the Compass, shadow compass" type="Tool" origin="The Veil Market"> <casingMaterial>small brass compass</casingMaterial> <faceMarkings>face etched with protective sigils</faceMarkings> <needle>points toward the nearest supernatural rift or portal</needle> <patina>casing has a patina of verdigris</patina> <creator>crafted by a Shade artisan</creator> <description>A compass attuned to supernatural energy.</description> </item> </codex> Continue the story using the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the mystery genre. A detective arrives at a crime scene in an unusual location. Something is wrong — the evidence doesn't add up. A colleague is present, offering a different interpretation. Through careful observation and deduction, the detective begins to see what others have missed. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The tunnel stretched before her like the throat of some great beast, the emergency lighting casting everything in jaundiced yellow. Harlow Quinn stood at the edge of the crime scene tape, her boots grinding against decades of accumulated grime, and felt the familiar weight of unease settle between her shoulder blades. This wasn't her jurisdiction. She hadn't worked a Tube case in fifteen years, and the body wasn't even technically on the tracks anymore. They'd brought it up to the platform edge, laid it out on a emergency thermal blanket like something being prepared for shipment. The uniforms had done their work—perimeter secured, witnesses questioned, area clear—but they'd called her in anyway. The DI at the Met had been apologetic about it, which was never a good sign. "Detective Quinn." A uniformed sergeant approached, his face young and faintly green beneath the harsh lights. "We're... well, we're glad you're here, if I'm being honest." "Show me." He led her down the service ladder, flashlight beam bouncing off tiles that hadn't seen a cleaning crew since the seventies. The station had been decommissioned in 1986 and officially demolished on paper, but the lower levels remained—a labyrinth of abandoned passages and closed platforms that urban explorers loved to photograph and occasionally died in. Someone had been using this one regularly. The track bed showed clear paths through the debris, scuffed clean in a route that ran from the platform edge toward a maintenance tunnel at the far end. The body lay where they'd placed it. Young man, late twenties, expensive jacket beneath the grime. No wallet. No phone. No watch. Harlow crouched beside the thermal blanket and studied what remained of his face—handsome before whatever had happened to him, the kind of face that belonged in a city that fed on ambition. "Multiple contusions," she said, more to herself than the sergeant. "Defensive wounds on the hands. But the fatal injury is..." She leaned closer, narrowing her eyes at the chest wound. "That's not a blade." "No, ma'am. The coroner's preliminary says it looks like a puncture, but the edges are wrong. Too clean. Like something went in and just... dissolved the tissue instead of tearing it." Harlow said nothing. She was looking at his wrists now, turning her head to catch the light at different angles. Faint marks there, just below the cuff line. Not rope burns. Something else—geometric patterns, almost like... "Detective Quinn?" The sergeant shifted his weight. "The DI wanted me to tell you, we found something else. Down that tunnel." He pointed toward the maintenance passage. "Thought you'd want to see it before the specialists arrive." "What kind of specialists?" "I... don't know, actually. Higher up called them in. Said it was above our pay grade." Harlow rose, wiping her hands on her coat. "Let's go." The maintenance tunnel had been converted into something else entirely. Someone had cleared the old equipment, swept the floors, and installed a series of heavy wooden shelves that lined both walls. The shelves held jars—hundreds of them—filled with liquids of varying colors and viscosities. Some glowed faintly. Others had things floating in them that Harlow chose not to examine closely. The air smelled of copper and ozone and something sweet beneath it all, like overripe fruit. "What the hell," the sergeant breathed. Harlow walked the length of the tunnel, her flashlight tracing across the labels affixed to each jar. She couldn't read most of them—the script wasn't English, or any language she recognized—but one near the end had been labeled in careful handwriting: *M.W. - 11/14 - Unstable.* Eleven-fourteen. Three years ago. The fourteenth of November. Her hand went to the worn leather watch on her wrist, pressing against the cold metal as if to anchor herself. Morris had disappeared on the eleventh. They'd found his badge in an alley in Whitechapel two weeks later, nothing else. No body. No explanation. The case had been closed as a likely gang hit, insufficient evidence to pursue, her fault for not pulling him out when the intel went sideways. But she remembered the way Morris had looked at her that last night, before they'd split up to cover different angles. She'd asked what he'd found. He'd said he'd found something that shouldn't exist. "The bone." She turned to the sergeant. "You mentioned a bone fragment at the scene?" "Y-yes, ma'am. Near the body's hand. We assumed it was from the tunnel structure, but—" "Show me." They walked back up the tunnel, past the shelves of horrors, up the ladder to the platform level. Another officer had bagged the fragment and set it on an evidence table beside the other items—notebooks with strange diagrams, a compass with a greenish patina, a handful of what looked like ordinary teeth but were too large, too sharp. Harlow picked up the bone. It was a token, she realized. Carved with symbols that matched the marks on the dead man's wrists, worn smooth from handling. A memory surfaced unbidden: Morris, laughing at her skepticism. *You think everything has to make sense, Quinn. You think if you just look hard enough, you'll find the rational explanation.* He'd been wrong about that. Or maybe he'd been right, and the explanation was simply worse than she'd imagined. "Detective Quinn." The voice came from behind her—female, educated accent, faintly nervous. "I was told you'd been called in." Harlow turned. The woman standing at the edge of the scene was small, red-haired, freckled, wearing round glasses that magnified her green eyes into something owlish. She clutched a worn leather satchel to her chest like a shield. "Who are you?" "Eva Kowalski. British Museum. I was asked to consult on the..." She gestured vaguely at the shelves they'd just left. "On the materials found in the sub-level." "Consult from who?" "I don't know. I received a call yesterday, telling me to come here tonight, that there would be evidence of something I'd been researching for years." Her voice steadied slightly, the nervousness channeling into academic certainty. "The markings on the token in your hand—they're binding symbols. Blood magic, technically, though that's a crude simplification. Whoever this man was, he'd entered into some kind of contract." "Contract with whom?" Eva pulled a notebook from her satchel, flipping to a page dense with sketches and notes. "There's a market. Underground. It moves with the moon. They trade in things that don't exist in the natural world—enchanted goods, information that shouldn't be known, promises that shouldn't be possible. Entry requires a bone token, properly consecrated. The markings indicate he was a... a runner, I suppose. Someone who conducted transactions for a larger client." "And the body?" "Murdered, clearly. But the wound pattern doesn't match any conventional weapon." Eva moved closer, craning her neck to see the corpse without disturbing the scene. "The killer would have needed to be in physical contact. The wound is the result of something being pulled out—something that shouldn't have been there in the first place." Harlow looked at the dead man's chest again. The puncture site. She'd thought it looked wrong, but she hadn't let herself articulate why. It wasn't that tissue had been destroyed—it was that something had been extracted. Something vital. Something that might have looked, to the right kind of observer, like a small and luminous flame. "A soul," she said quietly. Eva nodded. "The contract would have stipulated a payment. The market takes what it's owed. If the client fails to deliver, or tries to cheat..." She didn't finish the sentence. Harlow thought of Morris. His badge had been found in Whitechapel, but his body never recovered. She thought of the case files she'd read a hundred times, looking for something she'd missed. The witnesses who'd described strange lights in the alley. The security footage that had shown nothing, even though three separate cameras should have captured whatever happened there. "What if the person who owed the debt," she said slowly, "wasn't the man who got killed?" Eva's eyes widened. "Then the killer took the payment from the wrong source. That's... that's not supposed to be possible. The binding should only affect the signatory." "Should be." Harlow turned back to the evidence table, picking up the brass compass with its green patina and etched sigils. The needle swung toward the tunnel leading to the shelves, then back, restless. "But if someone found a way around that—someone who wanted whatever was in those jars, or wanted access to the market itself, or wanted to send a message to whoever's running this operation—they'd need to create ambiguity. Remove the original debtor. Plant evidence suggesting someone else was responsible." She looked at the dead man's face. "Make it look like a deal gone wrong, when really it's something else entirely." "The compass." Eva had moved to stand beside her, close enough that Harlow could smell old paper and lavender. "It's attuned to rifts. Portals. The compass will point toward active supernatural passages. If there's a market location nearby—" The needle was spinning now, faster and faster, the brass casing warm beneath Harlow's fingers. Then it stopped, pointing directly down. Into the tunnel. Toward the shelves. Toward whatever lay at the back of that converted maintenance passage that they hadn't yet fully examined. "There's something else here," the sergeant said, his voice thin. "In the wall. We found it when we were setting up the lights. Looks like a door, but it's... it's not responding to any of our tools." Harlow handed him the compass without looking away from the passage. "Call your DI. Tell him to get whoever's coming with those specialists to hurry up. And find out who owns this property. Every inch of it. Back to the original purchase." "And you?" She reached for her radio, thumbing the transmit button. "I'm going to find out what's behind the door." "That would be inadvisable, Detective." Eva's hand closed on her arm, surprisingly strong. "Whatever's in there, whoever killed this man—they're still here. Or they were. The trail isn't cold." Harlow looked at her—really looked, past the nervous habit of tucking hair behind her ear, past the scholarly demeanor, past the glasses that suddenly seemed less like a weakness and more like a deliberate choice. "You know more than you're telling me." "I know enough to keep you alive if you listen to me." Eva's grip tightened. "The market doesn't just move locations. It exists between moments. If you go through that door without preparation, without a token properly consecrated, without knowing what you're walking into—you won't come back. Not dead. Worse. Lost. A debt without a debtor." "Morris," Harlow said. "Does that name mean anything to you?" Eva went very still. Her eyes searched Harlow's face, reading something there that made her expression shift from fear to something more complicated. "I know who you are," she said quietly. "And I know who you're looking for. But finding him and finding the truth about this—" she gestured at the body, the shelves, the door "—may not be the same thing." "Detective Quinn." The sergeant had returned, phone pressed to his ear. "We've got a problem. The property records show this station was purchased in 1986 by a holding company. That company was dissolved in 2009. No forwarding addresses. But the solicitor's name on the original purchase..." He consulted his notes. "Morris. David Morris."
created_at"2026-03-18T22:20:51.611Z" 3/18/2026, 10:20:51 PM
model"minimax/minimax-m2.7-20260318"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency643
moderation_latency(null)
generation_time58183
tokens_prompt1149
tokens_completion3821
native_tokens_prompt1009
native_tokens_completion3002
native_tokens_completion_images(null)
native_tokens_reasoning608
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0.0078102
router(null)
provider_responses
0
endpoint_id"c444cecf-adc6-4373-9eca-a85b77b50d75"
id"060a58432443fbc8eeec0c27210ddd53"
is_byokfalse
latency643
model_permaslug"minimax/minimax-m2.7-20260318"
provider_name"Minimax"
status200
user_agent"langchainjs-openai/1.0.0 ((node/v24.14.0; linux; x64))"
http_referer(null)
api_type"completions"
id"gen-1773872451-kxLEpHH7MolDxrbLAW3a"
upstream_id"060a58432443fbc8eeec0c27210ddd53"
total_cost0.0078102
cache_discount(null)
upstream_inference_cost0
provider_name"Minimax"

Evaluation details

Result Evaluator Details Meta Data
0.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags25
adverbTagCount6
adverbTags
0"She gestured vaguely [vaguely]"
1"Her voice steadied slightly [slightly]"
2"she said quietly [quietly]"
3"she said slowly [slowly]"
4"Harlow turned back [back]"
5"she said quietly [quietly]"
dialogueSentences57
tagDensity0.439
leniency0.877
rawRatio0.24
effectiveRatio0.211
84.28% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1909
totalAiIsmAdverbs6
found
0
adverb"slightly"
count1
1
adverb"slowly"
count1
2
adverb"really"
count2
3
adverb"suddenly"
count1
4
adverb"very"
count1
highlights
0"slightly"
1"slowly"
2"really"
3"suddenly"
4"very"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
84.28% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1909
totalAiIsms6
found
0
word"familiar"
count1
1
word"weight"
count2
2
word"tracing"
count1
3
word"structure"
count1
4
word"etched"
count1
highlights
0"familiar"
1"weight"
2"tracing"
3"structure"
4"etched"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches1
maxInWindow1
found
0
label"eyes widened/narrowed"
count1
highlights
0"eyes widened"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences106
matches(empty)
88.95% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount3
hedgeCount1
narrationSentences106
filterMatches
0"watch"
1"think"
hedgeMatches
0"happened to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences138
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen57
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans2
markdownWords26
totalWords1891
ratio0.014
matches
0"M.W. - 11/14 - Unstable."
1"You think everything has to make sense, Quinn. You think if you just look hard enough, you'll find the rational explanation."
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions24
unquotedAttributions0
matches(empty)
50.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions38
wordCount1190
uniqueNames10
maxNameDensity1.43
worstName"Harlow"
maxWindowNameDensity3.5
worstWindowName"Harlow"
discoveredNames
Quinn2
Tube1
Met1
Harlow17
English1
Eleven-fourteen1
November1
Whitechapel2
Morris4
Eva8
persons
0"Quinn"
1"Harlow"
2"Morris"
3"Eva"
places
0"Whitechapel"
globalScore0.786
windowScore0.5
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences71
glossingSentenceCount1
matches
0"looked like ordinary teeth but were too l"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1891
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount1
totalSentences138
matches
0"was that something"
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs56
mean33.77
std25.08
cv0.743
sampleLengths
051
177
226
32
490
554
634
731
836
937
104
1116
1210
1376
146
1546
168
1771
1834
1915
2015
212
2263
2371
2419
2538
263
2727
283
2965
303
3172
323
3354
3455
355
3630
3759
3817
3927
40103
4138
4221
4323
4437
4542
462
4718
4829
4935
82.09% Passive voice overuse
Target: ≤2% passive sentences
passiveCount7
totalSentences106
matches
0"being prepared"
1"been decommissioned"
2"been converted"
3"been labeled"
4"been closed"
5"been destroyed"
6"been extracted"
7"been found"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount2
totalVerbs211
matches
0"was looking"
1"was spinning"
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount15
semicolonCount0
flaggedSentences12
totalSentences138
ratio0.087
matches
0"The uniforms had done their work—perimeter secured, witnesses questioned, area clear—but they'd called her in anyway."
1"The station had been decommissioned in 1986 and officially demolished on paper, but the lower levels remained—a labyrinth of abandoned passages and closed platforms that urban explorers loved to photograph and occasionally died in."
2"Harlow crouched beside the thermal blanket and studied what remained of his face—handsome before whatever had happened to him, the kind of face that belonged in a city that fed on ambition."
3"Something else—geometric patterns, almost like..."
4"The shelves held jars—hundreds of them—filled with liquids of varying colors and viscosities."
5"She couldn't read most of them—the script wasn't English, or any language she recognized—but one near the end had been labeled in careful handwriting: *M.W."
6"- 11/14 - Unstable.*"
7"Another officer had bagged the fragment and set it on an evidence table beside the other items—notebooks with strange diagrams, a compass with a greenish patina, a handful of what looked like ordinary teeth but were too large, too sharp."
8"\"Detective Quinn.\" The voice came from behind her—female, educated accent, faintly nervous."
9"It wasn't that tissue had been destroyed—it was that something had been extracted."
10"Harlow looked at her—really looked, past the nervous habit of tucking hair behind her ear, past the scholarly demeanor, past the glasses that suddenly seemed less like a weakness and more like a deliberate choice."
11"\"And I know who you're looking for. But finding him and finding the truth about this—\" she gestured at the body, the shelves, the door \"—may not be the same thing.\""
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1225
adjectiveStacks0
stackExamples(empty)
adverbCount47
adverbRatio0.03836734693877551
lyAdverbCount22
lyAdverbRatio0.017959183673469388
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences138
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences138
mean13.7
std10.87
cv0.793
sampleLengths
020
131
24
319
422
516
616
716
810
92
1021
1134
127
1328
147
159
162
172
182
1932
2010
2120
224
2331
243
2517
268
273
285
297
3020
3110
324
3316
348
352
3610
3721
3813
393
4013
4116
426
4317
4425
454
461
473
484
4921
59.90% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats9
diversityRatio0.39855072463768115
totalSentences138
uniqueOpeners55
34.72% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount1
totalSentences96
matches
0"Then it stopped, pointing directly"
ratio0.01
82.50% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount33
totalSentences96
matches
0"She hadn't worked a Tube"
1"They'd brought it up to"
2"He led her down the"
3"she said, more to herself"
4"She leaned closer, narrowing her"
5"She was looking at his"
6"He pointed toward the maintenance"
7"She couldn't read most of"
8"Her hand went to the"
9"They'd found his badge in"
10"She'd asked what he'd found."
11"He'd said he'd found something"
12"She turned to the sergeant"
13"They walked back up the"
14"It was a token, she"
15"*You think everything has to"
16"You think if you just"
17"She clutched a worn leather"
18"She gestured vaguely at the"
19"Her voice steadied slightly, the"
ratio0.344
22.50% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount84
totalSentences96
matches
0"The tunnel stretched before her"
1"Harlow Quinn stood at the"
2"This wasn't her jurisdiction."
3"She hadn't worked a Tube"
4"They'd brought it up to"
5"The uniforms had done their"
6"The DI at the Met"
7"A uniformed sergeant approached, his"
8"He led her down the"
9"The station had been decommissioned"
10"Someone had been using this"
11"The track bed showed clear"
12"The body lay where they'd"
13"Harlow crouched beside the thermal"
14"she said, more to herself"
15"She leaned closer, narrowing her"
16"Harlow said nothing."
17"She was looking at his"
18"Something else—geometric patterns, almost like..."
19"The sergeant shifted his weight"
ratio0.875
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences96
matches(empty)
ratio0
57.82% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences42
technicalSentenceCount5
matches
0"Someone had cleared the old equipment, swept the floors, and installed a series of heavy wooden shelves that lined both walls."
1"Her hand went to the worn leather watch on her wrist, pressing against the cold metal as if to anchor herself."
2"The woman standing at the edge of the scene was small, red-haired, freckled, wearing round glasses that magnified her green eyes into something owlish."
3"Something that might have looked, to the right kind of observer, like a small and luminous flame."
4"Her eyes searched Harlow's face, reading something there that made her expression shift from fear to something more complicated."
25.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags25
uselessAdditionCount5
matches
0"sergeant approached, his face young and faintly green beneath the harsh lights"
1"she said, more to herself than the sergeant"
2"Her voice steadied slightly, the nervousness channeling into academic certainty"
3"the sergeant said, his voice thin"
4"she gestured, the shelves, the door"
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags7
fancyCount1
fancyTags
0"the sergeant breathed (breathe)"
dialogueSentences57
tagDensity0.123
leniency0.246
rawRatio0.143
effectiveRatio0.035
75.7353%