Run: 2026-03-18-01KM1GYAWNP4SJ8QN22ZQC9TVD

Run Details

Duration:
1m 54s
Cost:
$0.004927
Provider:
Minimax

Model input

System
You are an expert fiction writer. Always keep the following rules in mind: - Write in past tense and use General English spelling, grammar, and colloquialisms/slang. - Write in active voice - Always follow the "show, don't tell" principle. - Avoid adverbs and cliches and overused/commonly used phrases. Aim for fresh and original descriptions. - Convey events and story through dialogue. - Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. - Skip "he/she said said" dialogue tags and convey people's actions or face expressions through their speech - Avoid mushy dialog and descriptions, have dialogue always continue the action, never stall or add unnecessary fluff. Vary the descriptions to not repeat yourself. - Put dialogue on its own paragraph to separate scene and action. - Reduce indicators of uncertainty like "trying" or "maybe" When writing text: - NEVER conclude the scene on your own, follow the beat instructions very closely. - NEVER end with foreshadowing. - NEVER write further than what I prompt you with. - AVOID imagining possible endings, NEVER deviate from the instructions. - STOP EARLY if the continuation contains what was required in the instructions. You do not need to fill out the full amount of words possible.
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4414" name="Eva Kowalski" aliases="Eva, Evie" pronouns="she/her" species="Human" storyRole="Best Friend"> <eyeColor>green</eyeColor> <hair>curly red</hair> <height>5'4"</height> <age>26</age> <glasses>round glasses</glasses> <satchel>worn leather satchel full of books</satchel> <freckles>freckled complexion</freckles> <nervousHabit>tucking hair behind her left ear</nervousHabit> <description>Aurora's childhood friend and an occult researcher.</description> <backstory>Moved to London two years before Aurora and works as a research assistant at the British Museum's restricted archives. She holds a master's degree in Ancient History from Oxford.</backstory> </character> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> <item id="2004" name="Veil Compass" aliases="the Compass, shadow compass" type="Tool" origin="The Veil Market"> <casingMaterial>small brass compass</casingMaterial> <faceMarkings>face etched with protective sigils</faceMarkings> <needle>points toward the nearest supernatural rift or portal</needle> <patina>casing has a patina of verdigris</patina> <creator>crafted by a Shade artisan</creator> <description>A compass attuned to supernatural energy.</description> </item> </codex> Continue the story using the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the mystery genre. A detective arrives at a crime scene in an unusual location. Something is wrong — the evidence doesn't add up. A colleague is present, offering a different interpretation. Through careful observation and deduction, the detective begins to see what others have missed. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The smell hit Quinn first. Copper and ozone, the kind of static charge that gathered before a storm. She descended the final steps into the abandoned Alden Tube station, her footsteps silent on the concrete that had begun to crack through decades of neglect. Yellow tape cordoned off the platform, but it was the wrong kind of police tape—standard issue, barely visible in the gloom. No forensic tent. No proper barriers. Someone had been in a hurry. DC Marcus Webb stood near the old platform edge, his coat pulled tight against the chill that rose from the tracks below. He was a young detective, eager and by-the-book, the kind who still believed cases solved themselves if you just followed procedure long enough. He straightened when he saw her, though whether from respect or relief at her arrival, she couldn't tell. "Detective Quinn. Thanks for coming." She showed her warrant card to the uniformed officer at the tape and ducked beneath it. "Show me." The body lay on the platform between the decommissioned rails, sprawled in a position that suggested a struggle or, more likely, a hasty arrangement. Male. Late fifties. Expensive overcoat now ruined, the fabric darkened with blood that had pooled beneath him and begun to congeal in the cold. His eyes stared at the vaulted ceiling, open and unseeing, and the expression frozen on his face was one of absolute terror. Quinn crouched beside the body, careful not to disturb the blood spatter. No visible wounds. That struck her immediately. The blood had come from somewhere, but there were no lacerations she could see, no entry points. She leaned closer, studying the man's wrists, his neck, the pale skin of his exposed forearms. Bruising. Patterned bruising, like someone had gripped him too tightly. "He was restrained," she said. "Before he died." "We found marks on the wrists and ankles." Webb moved to stand beside her, his breath misting in the cold air. "Could be a robbery gone wrong. No wallet on the body, no watch, no phone." Quinn studied the blood pool. The shape of it. The way it had spread. "Then why is there so much of it?" Marcus shrugged. "Guy was overweight. Heart attack brought on by stress? The blood could have pooled after—" "The blood could have pooled after," she agreed, her tone flat enough to make him stop talking. She stood, brushing dust from her knees, and turned to survey the wider scene. The abandoned platform stretched in both directions, the old tile work faded and streaked with decades of accumulated grime. Graffiti had claimed the walls, some of it recent, most of it ancient vandalism now faded to ghost-marks. Emergency lighting still flickered at intervals, casting the space in stuttering shadows. But that wasn't what drew her attention. Booths lined the platform. Dozens of them, arranged in rows that shouldn't have fit the space. Faded canvas awnings hung overhead, cloth rotted to lace in places. Wooden stalls with iron hinges, their counter surfaces scarred and stained. Shelves that held nothing now but dust and cobwebs. The detritus of commerce abandoned mid-transaction. "I thought this place was supposed to be cleared out," she said. "It was. Full moon was four nights ago. Market closes down, everyone packs up, the whole thing is supposed to disappear." Marcus gestured vaguely at the stalls. "Weird thing is, it usually does. But this time someone left all of this behind." Quinn walked past the first stall, running her fingers along the counter. The wood was cold. Colder than it should have been, even accounting for the underground chill. A brass bell sat on the surface, tarnished green, and when she touched it, static crackled against her skin. She pulled her hand back. "Someone didn't just leave," she said. "Something interrupted them." The compass was in her pocket. She'd found it at another scene three weeks ago, the body of a woman who'd been working the same case Marcus had been assigned. A case that connected to this one. Cross wasn't the first, and unless Quinn stopped whatever was happening, he wouldn't be the last. She pulled out the compass and held it flat in her palm. The needle swung lazily at first, then steadied, pointing deeper into the tunnel. Away from the body. Away from the obvious. "This is from the Market," she said. Marcus moved to stand beside her, frowning. "How can you tell?" She turned the compass so the light caught the verdigris patina, the delicate etchings that marked its face. "I've seen a few of these. They circulate among collectors who know what to look for." She didn't elaborate. There were things she'd learned in the three years since Morris had died that didn't fit into any official report. Things that made police work harder when you couldn't explain how you knew what you knew. The needle hadn't moved. It pointed down the abandoned platform, toward a section of wall that looked no different from any other. "The body's that way." Marcus pointed in the opposite direction. "This compass is pointing at nothing." Quinn walked toward the wall. Her footsteps echoed in the empty station, and she was aware of how wrong the sound was. Too many footsteps. The acoustics were off, suggesting a larger space than the platform alone could provide. "Detective Quinn, you can't just—" She reached the wall and held the compass against it. The needle spun, then locked. Pointing forward now, as if there was something on the other side of the brick. "There," she said. "That's just a wall." She pressed her palm flat against the surface. Cold radiated from it, but there was something else—a faint vibration, barely perceptible, like a pulse. "It's not just a wall. Feel that?" Marcus hesitated, then placed his hand beside hers. His frown deepened. "I feel cold." "Feel harder." He closed his eyes, concentrating, and she watched his expression shift from skepticism to confusion. The vibration was subtle, but it was there. Something on the other side of that wall was alive. Or at least, it had been. "The Market doesn't just disappear," she said. "It relocates. The vendors pack up and move their stalls, their inventory, everything. But this section of wall is new. Recent construction." She traced the mortar lines with her fingers. "Someone sealed something in. Or someone sealed something out." "Out of what?" She turned to face him, and she saw it in his eyes—the dawning awareness that this case was bigger than a robbery, bigger than a property developer with enemies and debts and a wife who'd been sleeping with his business partner. Bigger than anything they'd teach at Hendon. "Cross wasn't killed here," she said. "He was brought here. The blood loss, the restraint marks—that was preparation. Someone was using him for something, and when it went wrong, they fled. Left him here as a message or a warning." "A message about what?" She looked back at the compass. The needle had started to move again, spinning in slow circles. The static charge in the air was building, making the hairs on her arms stand up. "About what happens when you try to open doors that are meant to stay closed." The compass grew warm in her hand. The needle spun faster, and then stopped, pointing directly at the section of wall before her. She pressed harder, and the cold behind the brick seemed to recede, replaced by a sudden heat. And then, impossibly, the wall began to shimmer. The brickwork rippled like heat haze rising from summer asphalt, and through the distortion, Quinn saw it—a seam in the air, a tear in the fabric of the world itself. Darker than darkness, deeper than shadow, and moving with a slow, organic rhythm that made her stomach clench. "Step back." She grabbed Marcus's arm and pulled him away from the wall. The shimmer held for a moment longer, then collapsed in on itself, leaving nothing but solid brick. But the air still crackled with that ozone smell, and the compass needle still pointed true. "What—" Marcus's voice cracked. "What was that?" Quinn didn't answer immediately. She was thinking about Morris. About the case he'd been working three years ago, the one that had gotten him killed. The one she'd been forbidden from investigating, the one that had been quietly filed away and forgotten by everyone except her. The compass in her hand was warm now, almost hot, and the sigils etched into its face seemed to pulse with a faint, inner light. "Someone's been experimenting," she said finally. "Trying to force open passages that shouldn't exist. Cross was part of that experiment." She looked at the young detective, saw the fear in his eyes, the confusion, and knew she had a choice. She could tell him the truth—that the world was stranger and more dangerous than he'd ever imagined, that the supernatural wasn't just folklore but a reality that certain people had learned to exploit. Or she could give him something simpler. Something he could file away and report without causing a panic. She chose the truth. He'd need it for what came next. "And whoever did this to him," she continued, "is still out there. Still trying to open that door." She pocketed the compass and walked back toward the body, her mind already racing through possibilities. The sealed section of wall wasn't just new construction. It was a seal, plain and simple. Someone had built it to contain whatever Cross's ritual had failed to fully unleash. The Market had moved, but it had left something behind. And whatever that something was, it was hungry. "Webb. I need everything we have on Gerald Cross. Financial records, business dealings, known associates. And I need it by morning." "Yes, ma'am." He moved to follow her, still pale, still processing. "Detective Quinn—what do we tell the superintendent?" She paused at the platform's edge, looking down at the abandoned tracks, the pools of shadow that gathered between the sleepers. The air had grown colder again, and she could swear she heard something from deeper in the tunnel. A sound like wind, or breathing, or something between the two. "We tell him we have a body and no witnesses, and that the case is more complicated than it first appeared." She turned to face him, and she let him see the certainty in her eyes. "And that we're going to find out what really happened here. No matter what it takes." The compass pulsed against her thigh, warm and insistent, and Quinn allowed herself a small, grim smile. Three years she'd waited for a case like this. Three years since Morris had died chasing shadows, and she'd been left behind to clean up the mess. The game had changed. She could feel it in her bones, in the way the air itself seemed to hum with latent energy. Someone in London was playing with forces they didn't understand, and they were getting people killed. She intended to find them. The station stretched before her, dark and cold and waiting, and somewhere in its depths, something stirred.
created_at"2026-03-18T22:26:59.099Z" 3/18/2026, 10:26:59 PM
model"minimax/minimax-m2.7-20260318"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency2422
moderation_latency(null)
generation_time114127
tokens_prompt1149
tokens_completion4893
native_tokens_prompt1009
native_tokens_completion3904
native_tokens_completion_images(null)
native_tokens_reasoning1615
native_tokens_cached253
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0.00492678
router(null)
provider_responses
0
endpoint_id"471cf4ea-3548-4dd7-9f86-8c0f9c21d3ca"
id"060a59b32be0f40504f154497e0163cf"
is_byokfalse
latency2422
model_permaslug"minimax/minimax-m2.7-20260318"
provider_name"Minimax"
status200
user_agent"langchainjs-openai/1.0.0 ((node/v24.14.0; linux; x64))"
http_referer(null)
api_type"completions"
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upstream_id"060a59b32be0f40504f154497e0163cf"
total_cost0.00492678
cache_discount0.00006072
upstream_inference_cost0
provider_name"Minimax"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags20
adverbTagCount2
adverbTags
0"Marcus gestured vaguely [vaguely]"
1"she said finally [finally]"
dialogueSentences44
tagDensity0.455
leniency0.909
rawRatio0.1
effectiveRatio0.091
91.94% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1861
totalAiIsmAdverbs3
found
0
adverb"tightly"
count1
1
adverb"lazily"
count1
2
adverb"really"
count1
highlights
0"tightly"
1"lazily"
2"really"
80.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found
0"Marcus"
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
48.95% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1861
totalAiIsms19
found
0
word"footsteps"
count3
1
word"standard"
count1
2
word"gloom"
count1
3
word"chill"
count2
4
word"restrained"
count1
5
word"flickered"
count1
6
word"echoed"
count1
7
word"pulse"
count2
8
word"traced"
count1
9
word"stomach"
count1
10
word"etched"
count1
11
word"racing"
count1
12
word"pulsed"
count1
13
word"could feel"
count1
14
word"depths"
count1
highlights
0"footsteps"
1"standard"
2"gloom"
3"chill"
4"restrained"
5"flickered"
6"echoed"
7"pulse"
8"traced"
9"stomach"
10"etched"
11"racing"
12"pulsed"
13"could feel"
14"depths"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences132
matches(empty)
67.10% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount1
hedgeCount6
narrationSentences132
filterMatches
0"see"
hedgeMatches
0"started to"
1"seemed to"
2"began to"
3"tended to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences156
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen42
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1854
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions18
unquotedAttributions0
matches(empty)
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions30
wordCount1477
uniqueNames10
maxNameDensity0.61
worstName"Quinn"
maxWindowNameDensity1.5
worstWindowName"Marcus"
discoveredNames
Quinn9
Alden1
Tube1
Marcus9
Webb2
Morris3
Hendon1
Cross2
Market1
London1
persons
0"Quinn"
1"Alden"
2"Tube"
3"Marcus"
4"Webb"
5"Morris"
6"Cross"
7"Market"
places
0"Hendon"
1"London"
globalScore1
windowScore1
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences94
glossingSentenceCount1
matches
0"something between the two"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1854
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount1
totalSentences156
matches
0"imagined, that the"
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs64
mean28.97
std20.92
cv0.722
sampleLengths
071
16
263
35
418
570
652
710
88
936
1022
1117
1231
1349
147
1553
1612
1742
1852
199
2053
2133
227
2311
2473
2522
2616
2739
285
2930
303
314
3231
3314
342
3539
3646
373
3848
3940
404
4133
4215
4340
448
4548
4613
4733
487
4946
97.29% Passive voice overuse
Target: ≤2% passive sentences
passiveCount3
totalSentences132
matches
0"been assigned"
1"been forbidden"
2"been left"
98.22% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount4
totalVerbs262
matches
0"was happening"
1"was building"
2"was thinking"
3"was playing"
51.28% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount5
semicolonCount0
flaggedSentences5
totalSentences156
ratio0.032
matches
0"Yellow tape cordoned off the platform, but it was the wrong kind of police tape—standard issue, barely visible in the gloom."
1"Cold radiated from it, but there was something else—a faint vibration, barely perceptible, like a pulse."
2"She turned to face him, and she saw it in his eyes—the dawning awareness that this case was bigger than a robbery, bigger than a property developer with enemies and debts and a wife who'd been sleeping with his business partner."
3"The brickwork rippled like heat haze rising from summer asphalt, and through the distortion, Quinn saw it—a seam in the air, a tear in the fabric of the world itself."
4"She could tell him the truth—that the world was stranger and more dangerous than he'd ever imagined, that the supernatural wasn't just folklore but a reality that certain people had learned to exploit."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1486
adjectiveStacks0
stackExamples(empty)
adverbCount51
adverbRatio0.034320323014804845
lyAdverbCount13
lyAdverbRatio0.008748317631224764
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences156
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences156
mean11.88
std7.96
cv0.67
sampleLengths
05
113
226
321
43
53
66
722
823
918
105
1116
122
1324
141
152
1621
1722
1812
193
204
2117
2216
231
249
255
263
2721
2815
295
304
315
328
332
3415
3517
3614
3719
3818
3912
407
414
4212
4311
4411
459
466
4712
4827
4915
59.40% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats9
diversityRatio0.391025641025641
totalSentences156
uniqueOpeners61
83.33% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount3
totalSentences120
matches
0"Away from the body."
1"Away from the obvious."
2"Too many footsteps."
ratio0.025
96.67% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount37
totalSentences120
matches
0"She descended the final steps"
1"He was a young detective,"
2"He straightened when he saw"
3"She showed her warrant card"
4"His eyes stared at the"
5"She leaned closer, studying the"
6"she agreed, her tone flat"
7"She stood, brushing dust from"
8"She pulled her hand back."
9"She'd found it at another"
10"She pulled out the compass"
11"She turned the compass so"
12"She didn't elaborate"
13"It pointed down the abandoned"
14"Her footsteps echoed in the"
15"She reached the wall and"
16"She pressed her palm flat"
17"His frown deepened."
18"He closed his eyes, concentrating,"
19"She traced the mortar lines"
ratio0.308
64.17% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount95
totalSentences120
matches
0"The smell hit Quinn first."
1"Copper and ozone, the kind"
2"She descended the final steps"
3"Someone had been in a"
4"DC Marcus Webb stood near"
5"He was a young detective,"
6"He straightened when he saw"
7"She showed her warrant card"
8"The body lay on the"
9"His eyes stared at the"
10"Quinn crouched beside the body,"
11"That struck her immediately."
12"The blood had come from"
13"She leaned closer, studying the"
14"Webb moved to stand beside"
15"Quinn studied the blood pool."
16"The shape of it."
17"The way it had spread."
18"she agreed, her tone flat"
19"She stood, brushing dust from"
ratio0.792
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences120
matches(empty)
ratio0
63.49% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences63
technicalSentenceCount7
matches
0"Copper and ozone, the kind of static charge that gathered before a storm."
1"She descended the final steps into the abandoned Alden Tube station, her footsteps silent on the concrete that had begun to crack through decades of neglect."
2"Expensive overcoat now ruined, the fabric darkened with blood that had pooled beneath him and begun to congeal in the cold."
3"It pointed down the abandoned platform, toward a section of wall that looked no different from any other."
4"She turned to face him, and she saw it in his eyes—the dawning awareness that this case was bigger than a robbery, bigger than a property developer with enemies…"
5"Darker than darkness, deeper than shadow, and moving with a slow, organic rhythm that made her stomach clench."
6"She paused at the platform's edge, looking down at the abandoned tracks, the pools of shadow that gathered between the sleepers."
75.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags20
uselessAdditionCount2
matches
0"Webb moved, his breath misting in the cold air"
1"she agreed, her tone flat enough to make him stop talking"
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags10
fancyCount2
fancyTags
0"she agreed (agree)"
1"she continued (continue)"
dialogueSentences44
tagDensity0.227
leniency0.455
rawRatio0.2
effectiveRatio0.091
85.8947%