Run: 2026-03-18-01KM1GZKHQ6Z248GQ12JFTDSZM

Run Details

Duration:
1m 10s
Cost:
$0.003125
Provider:
Minimax

Model input

System
You are an expert fiction writer. Always keep the following rules in mind: - Write in past tense and use General English spelling, grammar, and colloquialisms/slang. - Write in active voice - Always follow the "show, don't tell" principle. - Avoid adverbs and cliches and overused/commonly used phrases. Aim for fresh and original descriptions. - Convey events and story through dialogue. - Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. - Skip "he/she said said" dialogue tags and convey people's actions or face expressions through their speech - Avoid mushy dialog and descriptions, have dialogue always continue the action, never stall or add unnecessary fluff. Vary the descriptions to not repeat yourself. - Put dialogue on its own paragraph to separate scene and action. - Reduce indicators of uncertainty like "trying" or "maybe" When writing text: - NEVER conclude the scene on your own, follow the beat instructions very closely. - NEVER end with foreshadowing. - NEVER write further than what I prompt you with. - AVOID imagining possible endings, NEVER deviate from the instructions. - STOP EARLY if the continuation contains what was required in the instructions. You do not need to fill out the full amount of words possible.
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4414" name="Eva Kowalski" aliases="Eva, Evie" pronouns="she/her" species="Human" storyRole="Best Friend"> <eyeColor>green</eyeColor> <hair>curly red</hair> <height>5'4"</height> <age>26</age> <glasses>round glasses</glasses> <satchel>worn leather satchel full of books</satchel> <freckles>freckled complexion</freckles> <nervousHabit>tucking hair behind her left ear</nervousHabit> <description>Aurora's childhood friend and an occult researcher.</description> <backstory>Moved to London two years before Aurora and works as a research assistant at the British Museum's restricted archives. She holds a master's degree in Ancient History from Oxford.</backstory> </character> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> <item id="2004" name="Veil Compass" aliases="the Compass, shadow compass" type="Tool" origin="The Veil Market"> <casingMaterial>small brass compass</casingMaterial> <faceMarkings>face etched with protective sigils</faceMarkings> <needle>points toward the nearest supernatural rift or portal</needle> <patina>casing has a patina of verdigris</patina> <creator>crafted by a Shade artisan</creator> <description>A compass attuned to supernatural energy.</description> </item> </codex> Continue the story using the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the mystery genre. A detective arrives at a crime scene in an unusual location. Something is wrong — the evidence doesn't add up. A colleague is present, offering a different interpretation. Through careful observation and deduction, the detective begins to see what others have missed. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
Detective Harlow Quinn crouched beside the body, the beam of her torch cutting through the darkness of the disused Tube platform. The tiled walls bore decades of grime, and somewhere in the distance, water dripped with metronomic patience. Her knees protested against the cold concrete, but she ignored them. Eighteen years on the force had taught her to work through discomfort. The corpse lay sprawled near the yellow police tape someone had strung haphazardly across the tunnel entrance. Young man, late twenties, well-dressed in clothes that didn't belong in a place like this. His eyes stared at the vaulted ceiling, glassy and fixed. No visible wounds. No obvious cause of death. "Strange location for a body dump," Sergeant Clarke offered from behind her. He'd been first on scene, his round face pale beneath the emergency lighting they'd rigged up. "Uniform found him during a routine sweep. Said the door was open down here." Quinn didn't turn around. She swept her torch across the platform, cataloguing details. Scuff marks on the tiles. A leather satchel, overturned, its contents scattered. Books. She moved closer, her boots crunching on debris. "He walked here," she said. "Or was brought, but not against his will. No defensive wounds. No signs of struggle." "Could have been drugged." "Perhaps." She reached for one of the fallen items, turning it over with gloved fingers. A small brass compass, its face etched with symbols she didn't recognize. The needle spun lazily, unable to settle. She held it up to the light. Clarke stepped beside her. "What's that?" "Compass of some kind." She turned it in her palm, studying the verdigris patina that coated the casing. Old. Older than it should be, given the pristine condition of the metal beneath the corrosion. "Keep this with the evidence. I want it processed." She stood, surveying the platform with fresh perspective. The yellow tape, the chalk outlines waiting to be drawn, the body—all of it painted a sickly hue under the portable lights. Ordinary. Routine, even, if you didn't look too closely. But Harlow Quinn had learned the cost of not looking closely enough. She approached the wall opposite the body, her torch tracing the outline of the platform. Old advertisements peeling from the tiles. Graffiti layered over decades. And there, half-hidden beneath a collapsed section of ceiling: a door. Not a maintenance hatch. A door. Steel, industrial, set into the wall at an angle that made no architectural sense. No handle. No hinges visible. Just smooth metal with a single indentation at its center, roughly the size of a coin. "Clarke." She kept her voice level. "When uniform arrived, was this here?" He frowned, joining her. "Was what here? There's nothing—" He stopped. Stared at the door that definitely had not been there five minutes ago, that had somehow materialized in the time they'd been examining the body. "That's not possible," he breathed. "No," Quinn agreed. "It isn't." She turned back to the body, something cold settling in her stomach. The compass in her pocket seemed to pulse with faint warmth, though she couldn't be certain she wasn't imagining it. Three years since Morris. Three years since she'd stood in another impossible situation and told herself there had to be an explanation. She'd been wrong then. She might be wrong now. But she intended to find out. "Clarke, I need you to secure this entire station. No one in or out without my authorization." "Ma'am, I don't—" "Just do it." She pulled out her phone, scrolling through her contacts. There was a name there she'd been avoiding, a favor she'd been reluctant to call in. But the door shimmered faintly in her peripheral vision, and she made her choice. The phone rang twice before a voice answered, guarded and curious. "This is Detective Quinn. I need to speak with Eva Kowalski." --- Twenty minutes later, Eva arrived at the platform entrance, her curly red hair escaping from beneath a woolen hat, her round glasses fogged from the underground air. She clutched her satchel strap like a lifeline, her green eyes wide as she took in the scene. "Detective Quinn," she said, her voice carrying the crisp diction of someone who'd spent too long in academic libraries. "I'm—I'm not sure why you called me." Quinn gestured toward the platform. "You work at the British Museum's restricted archives. You specialize in occult research." "I—yes. But how did you—" "The books." Quinn nodded toward the scattered contents of the dead man's satchel. "I recognized some of the titles. Aldrich's Compendium of Liminal Phenomena. Morcant's Notes on Threshold Mechanics. You're the only person in London with the expertise to identify those properly." Eva's hand drifted to her hair, tucking a strand behind her left ear. A nervous habit, Quinn noted. The detective catalogued it automatically, filing it away. "What exactly happened here?" Eva asked. "That's what I'm trying to determine." Quinn led her toward the body, watching her reaction carefully. "This man had no identification. No phone. Nothing to indicate who he was or why he was here." Eva crouched beside the corpse, her expression shifting from apprehension to something sharper. Professional. "There's no rigor mortis yet. He died within the last few hours." "I know." "And there's no lividity pattern consistent with the body's position." She looked up, frowning. "He wasn't killed here." "No," Quinn agreed. "He wasn't." She led Eva to the wall where the door stood. Up close, it seemed to breathe, the metal surface rippling like disturbed water. The indentation at its center caught the light, and Quinn saw that it wasn't empty anymore. A small object lay within it: a bone token, white and smooth, roughly the size of a poker chip. "You know what this is," Quinn said. It wasn't a question. Eva's face went pale. "Where did you find this?" "Near the body. In his pocket, actually. I almost missed it." "The Veil Market." The words left Eva in a rush, as though she couldn't hold them back. "This is an entrance. Someone opened a door to the Market." Quinn's jaw tightened. "And someone wanted him dead before he could enter. Or after he exited. I haven't determined which." "You know about the Market." Eva stared at her, reassessing. "How?" "I know enough." Quinn pulled the brass compass from her pocket, holding it up. "This pointed toward the door. Toward the rift. What is it?" "A Veil Compass. They're made by Shade artisans, attuned to supernatural energy." Eva's voice had steadied, her academic knowledge overriding her fear. "The needle doesn't point north. It points toward tears in reality. Portals. Rifts." "The Market moves," Quinn said slowly, fitting pieces together. "It relocates every full moon." "You've done your research." "I've learned to ask the right questions." She turned back to the body, her mind racing. "He was coming here. Or leaving. But someone knew his route. Knew his timing." "The Market deals in information," Eva said. "If he was a buyer—" "Or a seller." Quinn crouched beside the corpse, pulling on a fresh pair of gloves. "Help me search him. More thoroughly this time." They worked in silence, their hands moving methodically. Eva found a folded paper in the man's jacket inner pocket, while Quinn discovered a burn mark on his wrist: a symbol, seared into the flesh. "That's a binding mark," Eva whispered, her face draining of color. "It means he was claimed. Owned, by something from the other side." Quinn straightened, her expression granite. "Then whoever killed him might have been settling a debt. Or collecting payment." She looked at the door, still shimmering faintly, and at the compass needle still spinning toward it. Somewhere on the other side of that threshold, answers waited. She could feel them, hovering just beyond her understanding. But Harlow Quinn had not survived eighteen years on the force by rushing into darkness. Not anymore. "Clarke," she called, her voice echoing off the tiled walls. "Get forensics down here. I want this entire platform documented. Every item, every surface, every detail." Clarke appeared at the edge of the platform, his face gray. "And the door?" Quinn studied the steel, the bone token, the impossible architecture. "That stays sealed. Whatever's on the other side can wait." She tucked the compass back into her pocket and turned away, already calculating her next move. The evidence didn't add up. Not yet. But she had a feeling she knew where to start looking. Somewhere in London, someone had opened a door to a place that shouldn't exist and left a body in their wake. Harlow Quinn intended to find out who.
created_at"2026-03-18T22:27:40.734Z" 3/18/2026, 10:27:40 PM
model"minimax/minimax-m2.7-20260318"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency847
moderation_latency(null)
generation_time69649
tokens_prompt1149
tokens_completion3112
native_tokens_prompt1009
native_tokens_completion2505
native_tokens_completion_images(null)
native_tokens_reasoning651
native_tokens_cached765
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0.0031251
router(null)
provider_responses
0
endpoint_id"471cf4ea-3548-4dd7-9f86-8c0f9c21d3ca"
id"060a59dc418af265f598305ed7bf5a2d"
is_byokfalse
latency847
model_permaslug"minimax/minimax-m2.7-20260318"
provider_name"Minimax"
status200
user_agent"langchainjs-openai/1.0.0 ((node/v24.14.0; linux; x64))"
http_referer(null)
api_type"completions"
id"gen-1773872860-5U9iLiM7BNYeYBgMSRrW"
upstream_id"060a59dc418af265f598305ed7bf5a2d"
total_cost0.0031251
cache_discount0.0001836
upstream_inference_cost0
provider_name"Minimax"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags25
adverbTagCount2
adverbTags
0"Quinn said slowly [slowly]"
1"She turned back [back]"
dialogueSentences62
tagDensity0.403
leniency0.806
rawRatio0.08
effectiveRatio0.065
89.57% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1438
totalAiIsmAdverbs3
found
0
adverb"lazily"
count1
1
adverb"carefully"
count1
2
adverb"slowly"
count1
highlights
0"lazily"
1"carefully"
2"slowly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
47.84% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1438
totalAiIsms15
found
0
word"etched"
count1
1
word"pristine"
count1
2
word"processed"
count1
3
word"tracing"
count1
4
word"stomach"
count1
5
word"pulse"
count1
6
word"warmth"
count1
7
word"shimmered"
count1
8
word"apprehension"
count1
9
word"determined"
count1
10
word"racing"
count1
11
word"silence"
count1
12
word"could feel"
count1
13
word"echoing"
count1
14
word"calculating"
count1
highlights
0"etched"
1"pristine"
2"processed"
3"tracing"
4"stomach"
5"pulse"
6"warmth"
7"shimmered"
8"apprehension"
9"determined"
10"racing"
11"silence"
12"could feel"
13"echoing"
14"calculating"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences106
matches(empty)
88.95% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount4
narrationSentences106
filterMatches(empty)
hedgeMatches
0"seemed to"
1"tended to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences143
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen29
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1435
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions16
unquotedAttributions0
matches(empty)
0.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions44
wordCount997
uniqueNames8
maxNameDensity2.01
worstName"Quinn"
maxWindowNameDensity5
worstWindowName"Quinn"
discoveredNames
Harlow4
Quinn20
Tube1
Clarke3
Old2
Morris1
Eva12
London1
persons
0"Harlow"
1"Quinn"
2"Clarke"
3"Morris"
4"Eva"
places
0"London"
globalScore0.497
windowScore0
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences68
glossingSentenceCount0
matches(empty)
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1435
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount1
totalSentences143
matches
0"saw that it"
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs62
mean23.15
std15.1
cv0.653
sampleLengths
061
150
242
334
420
54
641
76
843
939
1012
1136
1241
1312
149
1527
165
175
1854
1915
2017
213
2242
2311
2411
251
2645
2726
2818
295
3042
3126
326
3334
3426
352
3618
375
3858
3911
409
4111
4228
4320
4411
4525
4635
4714
484
4930
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount0
totalSentences106
matches(empty)
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount1
totalVerbs180
matches
0"wasn't imagining"
100.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount1
semicolonCount0
flaggedSentences1
totalSentences143
ratio0.007
matches
0"The yellow tape, the chalk outlines waiting to be drawn, the body—all of it painted a sickly hue under the portable lights."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1001
adjectiveStacks0
stackExamples(empty)
adverbCount38
adverbRatio0.03796203796203796
lyAdverbCount15
lyAdverbRatio0.014985014985014986
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences143
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences143
mean10.03
std6.15
cv0.614
sampleLengths
021
117
211
312
417
515
610
73
85
912
1016
1114
124
139
145
157
161
178
185
1915
204
2115
2212
237
247
254
262
2718
281
2915
309
318
3222
331
348
3512
3615
376
384
3911
404
412
4214
432
443
4516
466
476
484
495
62.94% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats5
diversityRatio0.3986013986013986
totalSentences143
uniqueOpeners57
100.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount3
totalSentences90
matches
0"Just smooth metal with a"
1"Somewhere on the other side"
2"Somewhere in London, someone had"
ratio0.033
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount27
totalSentences90
matches
0"Her knees protested against the"
1"His eyes stared at the"
2"He'd been first on scene,"
3"She swept her torch across"
4"She moved closer, her boots"
5"She reached for one of"
6"She held it up to"
7"She turned it in her"
8"She stood, surveying the platform"
9"She approached the wall opposite"
10"She kept her voice level"
11"He frowned, joining her."
12"She turned back to the"
13"She'd been wrong then."
14"She might be wrong now."
15"She pulled out her phone,"
16"She clutched her satchel strap"
17"she said, her voice carrying"
18"She looked up, frowning"
19"She led Eva to the"
ratio0.3
93.33% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount66
totalSentences90
matches
0"Detective Harlow Quinn crouched beside"
1"The tiled walls bore decades"
2"Her knees protested against the"
3"The corpse lay sprawled near"
4"His eyes stared at the"
5"Sergeant Clarke offered from behind"
6"He'd been first on scene,"
7"Quinn didn't turn around."
8"She swept her torch across"
9"Scuff marks on the tiles."
10"A leather satchel, overturned, its"
11"She moved closer, her boots"
12"She reached for one of"
13"A small brass compass, its"
14"The needle spun lazily, unable"
15"She held it up to"
16"Clarke stepped beside her."
17"She turned it in her"
18"She stood, surveying the platform"
19"The yellow tape, the chalk"
ratio0.733
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences90
matches(empty)
ratio0
100.00% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences40
technicalSentenceCount2
matches
0"Young man, late twenties, well-dressed in clothes that didn't belong in a place like this."
1"Steel, industrial, set into the wall at an angle that made no architectural sense."
25.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags25
uselessAdditionCount5
matches
0"The words left, as though she couldn't hold them back"
1"Eva's voice had, her academic knowledge overriding her fear"
2"She turned back, her mind racing"
3"Eva whispered, her face draining of color"
4"she called, her voice echoing off the tiled walls"
85.48% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags11
fancyCount4
fancyTags
0"he breathed (breathe)"
1"Quinn agreed (agree)"
2"Quinn agreed (agree)"
3"Eva whispered (whisper)"
dialogueSentences62
tagDensity0.177
leniency0.355
rawRatio0.364
effectiveRatio0.129
86.4372%