Run: 2026-04-24-01KPZV0EHVF6ZW42S7ENPBM8SC

Run Details

Duration:
29.9s
Cost:
$0.064765
Provider:
Amazon Bedrock

Model input

System
You are an expert fiction writer. Always keep the following rules in mind: - Write in past tense and use General English spelling, grammar, and colloquialisms/slang. - Write in active voice - Always follow the "show, don't tell" principle. - Avoid adverbs and cliches and overused/commonly used phrases. Aim for fresh and original descriptions. - Convey events and story through dialogue. - Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. - Skip "he/she said said" dialogue tags and convey people's actions or face expressions through their speech - Avoid mushy dialog and descriptions, have dialogue always continue the action, never stall or add unnecessary fluff. Vary the descriptions to not repeat yourself. - Put dialogue on its own paragraph to separate scene and action. - Reduce indicators of uncertainty like "trying" or "maybe" When writing text: - NEVER conclude the scene on your own, follow the beat instructions very closely. - NEVER end with foreshadowing. - NEVER write further than what I prompt you with. - AVOID imagining possible endings, NEVER deviate from the instructions. - STOP EARLY if the continuation contains what was required in the instructions. You do not need to fill out the full amount of words possible.
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4413" name="Silas Blackwood" aliases="Silas, Si, the Spymaster" pronouns="he/him" species="Human" storyRole="Mentor"> <eyeColor>hazel</eyeColor> <hair>grey-streaked auburn</hair> <height>6'1"</height> <age>58</age> <beard>neatly trimmed, matching his grey-streaked auburn hair</beard> <limp>slight limp in his left leg from an old knee injury</limp> <signetRing>silver signet ring, always worn on his right hand</signetRing> <description>Silas is a retired intelligence operative turned bar owner. He carries himself with quiet authority.</description> <backstory>Former MI6 field agent who retired after a botched operation in Prague left him with a permanent knee injury. He opened "The Raven's Nest" bar in Soho as a front for his network of contacts.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> </codex> Continue the story using the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the literary fiction genre. Two old friends who haven't seen each other in years run into each other unexpectedly at a bar. One of them has changed significantly. Through their conversation and the tension between who they were and who they've become, reveal the weight of time and unspoken regret. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The green neon bled through the rain-fogged window and caught in the rim of Rory's glass, turning the whisky the colour of pond water. She hadn't wanted whisky. She'd wanted the kind of drink that went down like a lie — something sweet, something that let you pretend. But Silas had set the tumbler in front of her without asking, and she'd stopped arguing with Silas about small things a long time ago. The bell above the door rattled. She didn't look up. People came in from the rain all night this time of year, shaking themselves out like wet dogs, and she'd learned not to lift her head for every arrival. That was one of the lessons of the last eighteen months: the door is never for you, until it is. "Christ on a bike. Aurora Carter." She lifted her head. The woman in the doorway was peeling a sodden scarf from her neck, and for a moment Rory thought she'd mistaken a stranger for someone she used to know. Then the scarf came off, and the face underneath arranged itself into something familiar — the long nose, the gap in the front teeth, the eyes that always looked as if they'd just finished laughing at a joke no one else had heard. "Meg." "Don't 'Meg' me like we saw each other Tuesday." Meg crossed the floor and dropped onto the stool beside her, coat dripping onto the boards. "Four years, Rory. Four bloody years, and here you are sat in a pub in Soho like you never left Cardiff." "I did leave Cardiff." "I can see that." There was a pause in which Meg looked at her, really looked — the kind of look old friends gave you when they were updating the file. Rory kept very still. She knew what Meg was seeing. The hair was shorter now, blunt at the shoulder instead of tumbling down her back the way it had in university. The fringe she used to hide behind was gone. And there was, she supposed, something in her face that hadn't been there before, some settlement of the jaw. "You've gone," Meg said finally, "hard." "Thanks." "I didn't mean it like that." "You did a bit." Meg laughed, and that, at least, was the laugh Rory remembered — a rough bark of a thing, too loud for the room. Silas, wiping a glass at the far end of the bar, glanced up. Rory shook her head at him, a fraction of an inch. He went back to his glass. "What are you drinking?" Meg said. "Whatever this is." "God, whisky. When did you become a whisky person?" "I'm not. The barman is." Meg turned on her stool to look at Silas and then turned back, eyebrows climbing. "Friend of yours?" "Something like that." "You've got a lot of 'something like thats' these days, have you?" Rory smiled at her glass. "One or two." Meg ordered a gin and tonic, loudly, with the sort of cheerfulness people used when they wanted to fill a silence before it formed. When the drink came she took a long swallow and then set it down and said, without looking at Rory, "I rang your mum, you know. After. When you disappeared. Wanted to know you were alive." "I know. She told me." "You never rang back." "No." "Would it have killed you?" "Maybe." Meg's face did a small, complicated thing. She had been Rory's flatmate in second year, the one who'd made tea at three in the morning and hadn't asked questions when Rory came in with her shirt buttoned wrong. The one who'd said, once, carefully, have you thought about what you'd do if he hit you again, Rory, and Rory had said yes, I'd make him a cup of tea and put sugar in it like he likes, and Meg had said that's not what I asked. They hadn't spoken properly after that. Rory had been the one to stop answering. "I wasn't a very good friend to you, at the end," Rory said. "No." "I'm sorry." "Are you?" She thought about it. The bar hummed around them — someone laughing in the booth by the window, the clatter of ice in a shaker, the low thrum of whatever Silas had put on the speakers, something with a piano in it and a woman singing in French. The smell of wet wool and warm wood. "Yes," she said. "Not in the way you'd want. But yes." "What does that mean?" "It means I'm sorry I hurt you. I'm not sorry I left." Meg turned her glass on its coaster, a slow quarter-turn, and then another. "You look like you eat properly now." "I do." "You used to be all — " she gestured vaguely at her own collarbone. "All angles." "I remember." "Do you?" Meg said, and there was something in her voice then, small and sharp, like a pin through cloth. "Because from where I was sitting, Rory, you didn't remember anything. You walked around like a sleepwalker for eighteen months and then one morning you were gone and nobody knew where, and I had to hear from Eva, from Eva of all people, that you were in London, and that was it. That was my answer. Four years of being best friends and my answer was a text from someone else." Rory set the whisky down. She had meant to say something reasonable. What came out was: "I didn't know how to say goodbye to you without you trying to stop me." "I wouldn't have stopped you." "You would have." "Rory — " "You'd have made me tea. You'd have sat me down. You'd have been kind, Meg, you were always kind, and I couldn't — " Her voice caught on something and she cleared it away. "I couldn't afford to be talked out of it. Not that time. There wouldn't have been another time." Meg was quiet a long moment. Then she reached out and, with a gentleness Rory had almost forgotten the shape of, touched the inside of her wrist — the small crescent scar there, pale as a fingernail paring, the one she'd got falling off a wall when she was eight years old and Meg hadn't even known her yet. "I'm glad you went," Meg said. "For the record. I'm glad." "I know." "I'm also furious with you." "I know that too." Meg took her hand back and picked up her gin and drank half of it in one swallow, and when she set the glass down her eyes were wet, but she was smiling in the lopsided way she had always smiled when she didn't want anyone to make a fuss. "So," she said. "Tell me about London. Tell me who you are now." Rory looked down at the whisky, at her own reflection shivering in the surface of it — a woman with short dark hair and a mouth that had forgotten, somewhere along the way, how to tremble. "I don't know yet," she said. "I'm still working it out." "Good," Meg said. "That's good. That's better than who you were." Outside, the rain kept on. The green sign buzzed. Silas, at the end of the bar, poured another measure into a glass neither of them had asked for, and slid it down the wood towards them without a word.
created_at"2026-04-24T13:31:30.76Z" 4/24/2026, 1:31:30 PM
model"anthropic/claude-4.7-opus-20260416"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency893
moderation_latency(null)
generation_time29813
tokens_prompt1094
tokens_completion1729
native_tokens_prompt1553
native_tokens_completion2280
native_tokens_completion_images(null)
native_tokens_reasoning0
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
num_fetches(null)
web_search_engine(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"end_turn"
usage0.064765
router(null)
provider_responses
0
endpoint_id"0fa65117-00d9-4835-808d-9b68041d9ce4"
id"5c09dba9-7ad6-47df-a2e3-506dbfff8508"
is_byokfalse
latency893
model_permaslug"anthropic/claude-4.7-opus-20260416"
provider_name"Amazon Bedrock"
status200
user_agent"langchainjs-openai/1.0.0 ((node/v24.14.1; linux; x64))"
http_referer(null)
request_id"req-1777037490-J2GFXTWJSVWQPlcR37Ff"
session_id(null)
api_type"completions"
id"gen-1777037490-RZgn1uYe1ajsbEFuj2eP"
upstream_id"5c09dba9-7ad6-47df-a2e3-506dbfff8508"
total_cost0.064765
cache_discount(null)
upstream_inference_cost0
provider_name"Amazon Bedrock"
response_cache_source_id(null)

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags13
adverbTagCount2
adverbTags
0"Meg said finally [finally]"
1"she gestured vaguely [vaguely]"
dialogueSentences56
tagDensity0.232
leniency0.464
rawRatio0.154
effectiveRatio0.071
83.59% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1219
totalAiIsmAdverbs4
found
0
adverb"really"
count1
1
adverb"very"
count2
2
adverb"carefully"
count1
highlights
0"really"
1"very"
2"carefully"
100.00% AI-ism character names
Target: 0 AI-default names (16 tracked, −20% each)
codexExemptions
0"Blackwood"
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
91.80% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1219
totalAiIsms2
found
0
word"familiar"
count1
1
word"silence"
count1
highlights
0"familiar"
1"silence"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences56
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount0
narrationSentences56
filterMatches(empty)
hedgeMatches(empty)
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences98
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
repeatedSegmentCount0
maxSentenceWordsSeen71
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1232
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions18
unquotedAttributions0
matches(empty)
16.67% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions40
wordCount848
uniqueNames4
maxNameDensity2
worstName"Meg"
maxWindowNameDensity4.5
worstWindowName"Rory"
discoveredNames
Rory16
Silas6
Meg17
French1
persons
0"Rory"
1"Silas"
2"Meg"
places
0"French"
globalScore0.498
windowScore0.167
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences38
glossingSentenceCount0
matches(empty)
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1232
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences98
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs59
mean20.88
std26.28
cv1.259
sampleLengths
073
159
26
34
472
51
646
74
84
986
106
111
126
134
1453
156
163
179
185
1918
203
2112
228
2360
245
254
261
275
281
29100
3013
311
322
332
3456
3511
364
3712
3820
392
4016
412
4291
4331
445
453
463
4752
4859
4911
99.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount1
totalSentences56
matches
0"was gone"
67.55% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount3
totalVerbs151
matches
0"was peeling"
1"were updating"
2"was seeing"
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount7
semicolonCount0
flaggedSentences7
totalSentences98
ratio0.071
matches
0"She'd wanted the kind of drink that went down like a lie — something sweet, something that let you pretend."
1"Then the scarf came off, and the face underneath arranged itself into something familiar — the long nose, the gap in the front teeth, the eyes that always looked as if they'd just finished laughing at a joke no one else had heard."
2"There was a pause in which Meg looked at her, really looked — the kind of look old friends gave you when they were updating the file."
3"Meg laughed, and that, at least, was the laugh Rory remembered — a rough bark of a thing, too loud for the room."
4"The bar hummed around them — someone laughing in the booth by the window, the clatter of ice in a shaker, the low thrum of whatever Silas had put on the speakers, something with a piano in it and a woman singing in French."
5"Then she reached out and, with a gentleness Rory had almost forgotten the shape of, touched the inside of her wrist — the small crescent scar there, pale as a fingernail paring, the one she'd got falling off a wall when she was eight years old and Meg hadn't even known her yet."
6"Rory looked down at the whisky, at her own reflection shivering in the surface of it — a woman with short dark hair and a mouth that had forgotten, somewhere along the way, how to tremble."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount843
adjectiveStacks0
stackExamples(empty)
adverbCount32
adverbRatio0.03795966785290629
lyAdverbCount6
lyAdverbRatio0.0071174377224199285
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences98
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences98
mean12.57
std13.55
cv1.077
sampleLengths
024
14
220
325
46
54
629
720
86
94
1029
1143
121
1325
1421
154
164
1727
184
196
2021
219
2219
236
241
256
264
2723
2813
2911
306
316
323
339
345
3515
363
373
3812
395
403
4124
4236
435
444
451
465
471
487
4931
62.59% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats7
diversityRatio0.41836734693877553
totalSentences98
uniqueOpeners41
100.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount2
totalSentences49
matches
0"Then the scarf came off,"
1"Then she reached out and,"
ratio0.041
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount12
totalSentences49
matches
0"She hadn't wanted whisky."
1"She'd wanted the kind of"
2"She didn't look up."
3"She lifted her head."
4"She knew what Meg was"
5"He went back to his"
6"She had been Rory's flatmate"
7"They hadn't spoken properly after"
8"She thought about it."
9"she gestured vaguely at her"
10"She had meant to say"
11"Her voice caught on something"
ratio0.245
41.63% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount41
totalSentences49
matches
0"The green neon bled through"
1"She hadn't wanted whisky."
2"She'd wanted the kind of"
3"The bell above the door"
4"She didn't look up."
5"People came in from the"
6"That was one of the"
7"She lifted her head."
8"The woman in the doorway"
9"Meg crossed the floor and"
10"Rory kept very still."
11"She knew what Meg was"
12"The hair was shorter now,"
13"The fringe she used to"
14"Meg said finally"
15"Meg laughed, and that, at"
16"Silas, wiping a glass at"
17"Rory shook her head at"
18"He went back to his"
19"Meg turned on her stool"
ratio0.837
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences49
matches(empty)
ratio0
49.69% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences23
technicalSentenceCount3
matches
0"She'd wanted the kind of drink that went down like a lie — something sweet, something that let you pretend."
1"Then the scarf came off, and the face underneath arranged itself into something familiar — the long nose, the gap in the front teeth, the eyes that always looke…"
2"Rory looked down at the whisky, at her own reflection shivering in the surface of it — a woman with short dark hair and a mouth that had forgotten, somewhere al…"
86.54% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags13
uselessAdditionCount1
matches
0"the drink came, without looking at Rory,"
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags10
fancyCount1
fancyTags
0"the drink came (come)"
dialogueSentences56
tagDensity0.179
leniency0.357
rawRatio0.1
effectiveRatio0.036
83.3016%