Run: 2026-04-24-01KQ016S731D87F1VA85FJDJWA

Run Details

Duration:
1m 12s
Cost:
$0.000697
Provider:
DeepInfra

Model input

System
You are an expert and award-winning novel writer in the dark Literary Fiction genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4413" name="Silas Blackwood" aliases="Silas, Si, the Spymaster" pronouns="he/him" species="Human" storyRole="Mentor"> <eyeColor>hazel</eyeColor> <hair>grey-streaked auburn</hair> <height>6'1"</height> <age>58</age> <beard>neatly trimmed, matching his grey-streaked auburn hair</beard> <limp>slight limp in his left leg from an old knee injury</limp> <signetRing>silver signet ring, always worn on his right hand</signetRing> <description>Silas is a retired intelligence operative turned bar owner. He carries himself with quiet authority.</description> <backstory>Former MI6 field agent who retired after a botched operation in Prague left him with a permanent knee injury. He opened "The Raven's Nest" bar in Soho as a front for his network of contacts.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the literary fiction genre. Two old friends who haven't seen each other in years run into each other unexpectedly at a bar. One of them has changed significantly. Through their conversation and the tension between who they were and who they've become, reveal the weight of time and unspoken regret. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The cracked wooden stool tipped as Aurora slammed the delivery bag onto the bar, the metal clank echoing against the worn oak. A burst of stale perfume rose from the spilled curry sauce, mingling with the faint smell of cheap whisky. Silas glanced up from the glass he was polishing, his hazel eyes narrowing as the neon green “Raven” flickered above the doorway. The bar’s low hum of murmured conversations fell silent for a beat, then resumed, as if the world had never paused. "You're late," he said, voice low, the silver signet ring catching the dim light. "Late?" Aurora lifted the bag, her bright blue eyes scanning the room. "I’m the one who never shows up on time." She slipped a smile into the creases of her mouth, the scar on her left wrist catching a stray glint. "Delivery for the back room." Silas set the glass down with a soft thud, his slight limp shifting his weight onto the right leg. He reached behind a shelf of old maps, fingers brushing the spines of dust‑covered tomes before pulling a narrow door ajar. "The way you used to hide things," he muttered. "You still think a hidden room can keep the past from catching up." Aurora stepped past the shelf, the hidden door closing behind her with a muted click. The secret room smelled of paper and old ink, the low ceiling humming with the faint buzz of a fluorescent tube. She flicked the light switch; the bulb sputtered to life, casting a stark circle on the floor. "We've both been... somewhere else," she said, voice steadier than she felt. "You in your bar, me with the deliveries." Silas poured a measure of amber liquid into a chipped tumbler, the glass clinking against the counter. "Deliveries?" He raised an eyebrow. "I thought you were still chasing law degrees." "Law is a word for paperwork now," Aurora replied, dropping the bag onto a crate. "I sell more noodles than cases. The courtroom's a stage; I prefer the kitchen." Silas laughed, a short, dry sound that seemed to travel through the walls. "You always had a flair for the dramatic." A sudden crash punctuated the bar’s ambience as a drunken patron knocked over a stack of coasters. The clatter drew a chuckle from Silas, but Aurora's gaze lingered on the older man's face, the lines etched around his mouth, the silver ring that never left his right hand. "You're not the same kid who used to argue with me about the best whisky for a nightcap," she observed, her tone threading between nostalgia and accusation. Silas swirled the liquid in his glass, watching the amber whirl. "And you're not the girl who stopped my favourite poet from reciting at the university hall. You've... changed." Aurora lifted the edge of her sleeve, revealing the crescent scar that had once been a secret between them. "I grew up with a broken promise," she said. "I chose a different fight." Silas's fingers tightened around the tumbler. "I retired from a war I never understood. I built this place to... hide things that shouldn't be seen." The back room door creaked as a draft slipped through, scattering a few loose pages across the floor. Aurora bent, gathering them with swift fingers. "Those maps," she muttered, flipping one open to a yellowed outline of Eastern Europe. "Prague, was it? You mentioned a botched operation once—" "Prague," Silas corrected, his voice a whisper now. "The one that left my knee twisted and my conscience bruised." A sudden buzz of a cell phone cut the tension. Silas's hand hovered over the ring, then slipped it off, sliding it onto the counter. "Ever think about what we left behind?" Aurora asked, eyes never leaving the map. Silas stared at the device, his thumb hovering over the screen. "Every night. Every night the ghosts come knocking." Aurora's breath hitched, a faint tremor within the composed veneer. She turned, eyes meeting the old man's. "You still have the ring," she said, voice barely a murmur. "You still wear your signet." "It keeps me grounded," Silas replied, pressing the ring into his palm. "Reminds me I'm still human." The phone rang again, louder, demanding attention. Silas lifted it, his eyebrows knitting together. The voice on the other end was flat, electric. "Silas," the voice said. "Package is ready. Midnight. Bring the usual." Silas's jaw tightened. "Who is this?" he asked. "Your friend," the voice replied. "Or rather, the one you buried in Prague. The one you left for dead." The words hung in the stale air, a blade sliding between them. Aurora stepped back, her heart thudding as though it might escape her chest. "Prague," she whispered, as if the name itself could conjure a storm. Silas stared at the ring, then at the flickering neon sign outside, the green glow painting the wet pavement. He slipped the phone into his pocket, the cool metal pressing against his thigh. "I need to go," he said, voice steadier than his shoulders. "You shouldn't be here." "I could have told you," Aurora shot back, fingers drumming on the crate. "I could have warned you about the night the city fell apart." Silas's eyes flickered, a flash of the old power dynamo. "You always played the saviour, Rory." Aurora's lips tightened. "And you always pretended the world was yours to control." A sudden metallic clang reverberated as a door at the far end of the bar slammed open, the green sign buzzing louder. A figure stepped inside, dressed in a long coat, face hidden beneath a hat. The coat's hem brushed the floor, a soft rustle that cut through the tense silence. Silas's hand moved, fingers closing around the cold grip of a small pistol tucked under the bar. Aurora's breath caught, her eyes darting to the hidden room's doorway, where a stack of old newspapers lay—headlines of long‑forgotten coups. The newcomer lifted a gloved hand, pointing a finger at the back room. "Open it," he growled, his voice a low growl that seemed to vibrate the walls. Silas's pistol clicked, the sound startling the patrons. Aurora's pulse hammered as she realized the weight of the moment—the old friend she had once trusted now a threat, the secrets of the past surfacing in a flash of steel and neon. A glass shattered behind the bar, shards flying like tiny ice crystals. The green sign flickered, casting a strobe of light across the room, and the air filled with the smell of ozone and spilled whiskey. Silas stared at the figure, his mind racing through years of covert moves. "You think you can walk in here and reclaim what you lost?" he asked, voice a barely controlled whisper. The stranger's smile was invisible, but his eyes gleamed with something familiar—an old code, a shared history. "I only want what belongs to me," he replied. "And what you hid." Aurora's fingers tightened around the crate, the metal of the delivery bag now feeling like a shield. She stepped forward, the scar on her wrist catching the faint light, a reminder of a childhood accident that had left more than a mark. "You're not the only one who knows how to disappear," she said, voice steady. "You think this is a game? We both know the rules." The figure laughed, a sound that cracked the tension like a mirror shattering. "Rules?" He gestured toward the hidden door. "You can't hide a secret forever." Silas raised the pistol, its barrel pointed at the stranger's chest. "You don't get to decide," he said, the words hanging heavy. "You don't get to choose who lives..." A sudden flash of movement from the shadows behind the bar caught Aurora's eye. A shape lunged, knocking the pistol from Silas's hand. The gun clanged against the wood, rolling away as a scream erupted from the crowd. The green neon sign sputtered, then flared brighter, bathing the room in a harsh, unforgiving glow. In that moment, the ceiling above the bar seemed to tilt, the walls closing in as the old friends stood on opposite sides of a battlefield they never imagined they'd return to. "Run," Aurora hissed, her voice barely audible over the rising clamor. "Now!" Silas's eyes widened, the realization that the night had become a trap, the past catching them like a net. He lunged toward the hidden door, his hand brushing the bookshelf as he pushed it aside. The figure stepped forward, a hand extended to grip the edge of the door, his fingers grazing the wood. "You can't run from this," he whispered, the words a promise and a threat entwined. A loud crash echoed as the bookshelf toppled, dust billowing through the green light. The hidden room was exposed, the secret meeting space revealed in an instant of chaos. Silas disappeared into the darkness, the faint outline of his silhouette swallowed by the cramped passage. Aurora stumbled, the delivery bag tearing as she fell, the contents spilling onto the floor—containers of steaming noodles, sauce splattering like blood. The stranger's eyes flicked to the mess, then back to the uncovered doorway. He raised a hand, his fingers brushing the edge of the shelf as if feeling for a trigger. "You're not getting out of this," he snarled, stepping forward, the coat sweeping the floor. The neon sign buzzed louder, the electric hum filling the bar as the door to the back room swung open, revealing silhouettes moving in the shadows. The air tasted of ash and fear, the sound of a distant siren whining outside, growing louder. Aurora stared at the exposed secret, the weight of years pressing down on her shoulders. She could feel the past closing in, the unspoken regret hanging between them like a knife's edge. Behind her, a voice shouted, "Silas! Get back here!" The shout came from a figure emerging from the crowd, moving quickly toward the open doorway. The stranger turned, his gaze locked on Aurora, a cold smile forming. He lifted a small black envelope from his coat, the paper crinkling as he held it aloft. "Take it," he said, voice devoid of any warmth. "It's where our stories end." The envelope fluttered in the neon light, a silent promise of doom, as the bar's green sign flickered one last time before the power cut, plunging the room into darkness.
created_at"2026-04-24T15:19:49.753Z" 4/24/2026, 3:19:49 PM
model"openai/gpt-oss-120b"
app_id182717
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latency291
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generation_time71860
tokens_prompt4618
tokens_completion3288
native_tokens_prompt4182
native_tokens_completion2809
native_tokens_completion_images(null)
native_tokens_reasoning679
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
num_fetches(null)
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origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0.000696808
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provider_responses
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endpoint_id"85835306-dba3-4334-87bc-ab9ffa5c9c62"
id"chatcmpl-R1aSGATTa6hwPRpCAkRtmaxD"
is_byokfalse
latency96
model_permaslug"openai/gpt-oss-120b"
provider_name"DeepInfra"
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Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags32
adverbTagCount0
adverbTags(empty)
dialogueSentences58
tagDensity0.552
leniency1
rawRatio0
effectiveRatio0
97.11% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1731
totalAiIsmAdverbs1
found
0
adverb"quickly"
count1
highlights
0"quickly"
100.00% AI-ism character names
Target: 0 AI-default names (16 tracked, −20% each)
codexExemptions
0"Blackwood"
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
4.68% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1731
totalAiIsms33
found
0
word"echoing"
count1
1
word"flickered"
count4
2
word"scanning"
count1
3
word"glint"
count1
4
word"weight"
count3
5
word"flicked"
count2
6
word"stark"
count1
7
word"eyebrow"
count1
8
word"etched"
count1
9
word"whisper"
count2
10
word"tension"
count2
11
word"electric"
count2
12
word"reverberated"
count1
13
word"silence"
count1
14
word"pulse"
count1
15
word"shattered"
count1
16
word"racing"
count1
17
word"familiar"
count1
18
word"reminder"
count1
19
word"echoed"
count1
20
word"could feel"
count1
21
word"unspoken"
count1
22
word"warmth"
count1
23
word"fluttered"
count1
highlights
0"echoing"
1"flickered"
2"scanning"
3"glint"
4"weight"
5"flicked"
6"stark"
7"eyebrow"
8"etched"
9"whisper"
10"tension"
11"electric"
12"reverberated"
13"silence"
14"pulse"
15"shattered"
16"racing"
17"familiar"
18"reminder"
19"echoed"
20"could feel"
21"unspoken"
22"warmth"
23"fluttered"
66.67% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches2
maxInWindow2
found
0
label"eyes widened/narrowed"
count1
1
label"weight of words/silence"
count1
highlights
0"eyes widened"
1"the weight of the moment"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences101
matches(empty)
86.28% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount4
narrationSentences101
filterMatches(empty)
hedgeMatches
0"seemed to"
1"tended to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences127
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
repeatedSegmentCount0
maxSentenceWordsSeen34
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1727
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions26
unquotedAttributions0
matches(empty)
33.33% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions44
wordCount1356
uniqueNames4
maxNameDensity1.62
worstName"Silas"
maxWindowNameDensity4
worstWindowName"Silas"
discoveredNames
Aurora20
Silas22
Eastern1
Europe1
persons
0"Aurora"
1"Silas"
places
0"Eastern"
1"Europe"
globalScore0.689
windowScore0.333
67.58% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences91
glossingSentenceCount3
matches
0"sound that seemed to travel through the walls"
1"growl that seemed to vibrate the walls"
2"as if feeling for a trigger"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1727
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences127
matches(empty)
66.09% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs61
mean28.31
std10.8
cv0.381
sampleLengths
041
143
214
346
440
522
653
720
830
929
1021
1148
1227
1329
1433
1525
1625
1723
1819
1925
2014
2119
2233
2317
2423
2511
268
2719
2825
2912
3033
3115
3225
3316
3413
3551
3638
3728
3841
3936
4032
4130
4242
4325
4426
4529
4638
4748
4812
4935
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount1
totalSentences101
matches
0"was exposed"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount1
totalVerbs235
matches
0"was polishing"
7.87% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount4
semicolonCount2
flaggedSentences6
totalSentences127
ratio0.047
matches
0"She flicked the light switch; the bulb sputtered to life, casting a stark circle on the floor."
1"\"I sell more noodles than cases. The courtroom's a stage; I prefer the kitchen.\""
2"Aurora's breath caught, her eyes darting to the hidden room's doorway, where a stack of old newspapers lay—headlines of long‑forgotten coups."
3"Aurora's pulse hammered as she realized the weight of the moment—the old friend she had once trusted now a threat, the secrets of the past surfacing in a flash of steel and neon."
4"The stranger's smile was invisible, but his eyes gleamed with something familiar—an old code, a shared history."
5"Aurora stumbled, the delivery bag tearing as she fell, the contents spilling onto the floor—containers of steaming noodles, sauce splattering like blood."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1360
adjectiveStacks0
stackExamples(empty)
adverbCount25
adverbRatio0.01838235294117647
lyAdverbCount4
lyAdverbRatio0.0029411764705882353
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences127
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences127
mean13.6
std6.5
cv0.478
sampleLengths
022
119
222
321
414
512
629
75
819
921
109
1113
1215
1321
1417
1512
168
1717
185
198
2015
2114
2213
238
2417
2531
2627
2711
2818
2919
309
315
326
3319
3418
357
3614
379
388
3911
4010
4115
4214
4311
448
4510
467
4711
485
4912
42.13% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats10
diversityRatio0.2440944881889764
totalSentences127
uniqueOpeners31
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences97
matches(empty)
ratio0
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount26
totalSentences97
matches
0"he said, voice low, the"
1"She slipped a smile into"
2"He reached behind a shelf"
3"She flicked the light switch;"
4"she said, voice steadier than"
5"He raised an eyebrow"
6"she observed, her tone threading"
7"she muttered, flipping one open"
8"She turned, eyes meeting the"
9"she said, voice barely a"
10"she whispered, as if the"
11"He slipped the phone into"
12"he said, voice steadier than"
13"he growled, his voice a"
14"he asked, voice a barely"
15"She stepped forward, the scar"
16"she said, voice steady"
17"He gestured toward the hidden"
18"he said, the words hanging"
19"He lunged toward the hidden"
ratio0.268
0.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount95
totalSentences97
matches
0"The cracked wooden stool tipped"
1"A burst of stale perfume"
2"Silas glanced up from the"
3"The bar’s low hum of"
4"he said, voice low, the"
5"Aurora lifted the bag, her"
6"She slipped a smile into"
7"Silas set the glass down"
8"He reached behind a shelf"
9"Aurora stepped past the shelf,"
10"The secret room smelled of"
11"She flicked the light switch;"
12"she said, voice steadier than"
13"Silas poured a measure of"
14"He raised an eyebrow"
15"Aurora replied, dropping the bag"
16"Silas laughed, a short, dry"
17"A sudden crash punctuated the"
18"The clatter drew a chuckle"
19"she observed, her tone threading"
ratio0.979
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences97
matches(empty)
ratio0
100.00% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences59
technicalSentenceCount3
matches
0"Aurora lifted the edge of her sleeve, revealing the crescent scar that had once been a secret between them."
1"Aurora stepped back, her heart thudding as though it might escape her chest."
2"He raised a hand, his fingers brushing the edge of the shelf as if feeling for a trigger."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags32
uselessAdditionCount15
matches
0"Silas glanced, his hazel eyes narrowing as the neon green"
1"he said, voice low, the silver signet ring catching the dim light"
2"she said, voice steadier than she felt"
3"she observed, her tone threading between nostalgia and accusation"
4"Silas corrected, his voice a whisper now"
5"Aurora asked, eyes never leaving the map"
6"she said, voice barely a murmur"
7"she whispered, as if the name itself could conjure a storm"
8"he said, voice steadier than his shoulders"
9"Aurora shot back, fingers drumming on the crate"
10"she said, voice steady"
11"he said, the words hanging heavy"
12"Aurora hissed, her voice barely audible over the rising clamor"
13"he whispered, the words a promise and a threat entwined"
14"he said, voice devoid of any warmth"
0.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags26
fancyCount10
fancyTags
0"he muttered (mutter)"
1"she observed (observe)"
2"she muttered (mutter)"
3"Silas corrected (correct)"
4"she whispered (whisper)"
5"he growled (growl)"
6"Aurora hissed (hiss)"
7"he whispered (whisper)"
8"he snarled (snarl)"
9"a voice shouted (shout)"
dialogueSentences58
tagDensity0.448
leniency0.897
rawRatio0.385
effectiveRatio0.345
69.0581%