Run: 2026-04-24-01KQ042TMXWFWZ9YDP6ZMWCEXG

Run Details

Duration:
1m 11s
Cost:
$0.000712
Provider:
DeepInfra

Model input

System
You are an expert and award-winning novel writer in the dark Literary Fiction genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4413" name="Silas Blackwood" aliases="Silas, Si, the Spymaster" pronouns="he/him" species="Human" storyRole="Mentor"> <eyeColor>hazel</eyeColor> <hair>grey-streaked auburn</hair> <height>6'1"</height> <age>58</age> <beard>neatly trimmed, matching his grey-streaked auburn hair</beard> <limp>slight limp in his left leg from an old knee injury</limp> <signetRing>silver signet ring, always worn on his right hand</signetRing> <description>Silas is a retired intelligence operative turned bar owner. He carries himself with quiet authority.</description> <backstory>Former MI6 field agent who retired after a botched operation in Prague left him with a permanent knee injury. He opened "The Raven's Nest" bar in Soho as a front for his network of contacts.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the literary fiction genre. Two old friends who haven't seen each other in years run into each other unexpectedly at a bar. One of them has changed significantly. Through their conversation and the tension between who they were and who they've become, reveal the weight of time and unspoken regret. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
"You've got a habit of disappearing into the dark, Rory," Silas murmured, wiping a glass with the back of his hand. Aurora's eyes, bright blue like shards of ice, locked onto the man behind the mahogany bar. The crescent scar on her left wrist twitched as she slipped a battered delivery bag onto the floor. The Raven's Nest breathed a low hum of cracked vinyl records and muffled conversations. A distinctive green neon sign glowed above the doorway, casting a sickly hue over the faded maps and black‑and‑white photographs that lined the walls. A narrow bookshelf, half‑concealed by a tired tapestry, hinted at a hidden back room, its hinges barely audible beneath the clink of pint glasses. "Silas," she said, voice as steady as a metronome, "still running this circus?" He lifted his gaze, the hazel depth of his eyes softened by the faint scar of a former life. A silver signet ring glinted on his right hand, catching the neon's pallor. "Only when the audience shows up." A muted chuckle escaped her throat. The delivery bag thumped against the worn floorboards, scattering a few stray receipts. She knelt, retrieving a folded napkin, the paper trembling like a nervous bird. "I thought you'd retired to a quiet garden, not a noisy corner of Soho." Silas set the glass down with a soft thud. "Retirement is a myth for people like us. The world never lets you rest." A silver-haired patron nudged a half‑empty pint toward the bar, the liquid sloshing with a faint tick‑tock rhythm. The sound seemed to echo the cadence of their breaths, each inhalation a reminder of time slipping. Aurora glanced at the pint, then at Silas's face, searching for a story hidden beneath the lines. "You used to be the smartest kid in your class," she said, the words slipping out with practiced ease. "Pre‑law was your ticket out." His smile cracked, a thin seam of memory. "I remember you arguing with Professor Haines about the morality of surveillance. You could've been a lawyer, a judge—anything." She shuffled the napkin into her pocket, the scar on her wrist catching the neon light. "Life had other plans. Some of them… messy." Silas leaned forward, elbows resting on the polished bar. "Messy is a generous term. You left Cardiff after Evan. That night you ran, dragging your past behind you like a weight you couldn't see." Aurora's hand tightened around the handle of the bag. "I didn't leave because I was scared. I left because staying would have been a betrayal." A low laugh rose from the corner, where a trio of regulars whispered over a game of darts. The dartboard's colours—red, green, black—spun like a roulette of fate. Silas's gaze flicked to the board, then back to her. "Do you ever wonder how different things would be if we'd both walked the same road?" he asked, voice low enough to thread through the ambient clatter. She lifted her chin, eyes flashing with a hidden steel. "You think about the road you left behind, or the one that lies ahead? I chose a path where the shadows are deeper, but at least they're honest." He tapped his ring against the bar, a soft metallic chime resonating with the hum. "Honesty doesn't pay the bills, Rory. The Raven's Nest is more than a pub. It's a crossroads for those who prefer the hidden over the obvious." Aurora's smile faded, replaced by a flicker of apprehension. "That's why you keep inviting old friends to your little hideaway? To see who still remembers the name they gave us before the world stripped us bare?" Silas's eyes narrowed, the hazel now sharp as steel. "Some memories are spared because they're useful. Others because they're painful. You—" A sudden slam of the door cut through the conversation. A man in a trench coat burst in, his boots thudding on the worn tiles. He scanned the room, his gaze settling on Silas before sweeping past the bar like a predatory hawk. Silas's grip tightened on the ring. "Who's that?" Aurora asked, instinctively moving a step back, the crescent scar prickling at the edge of her awareness. "The kind of man who brings trouble wrapped in polite smiles," Silas replied, his tone edged with warning. He pushed a chair aside, revealing a narrow gap behind the bookshelf. The hidden latch, concealed by a false row of novels, clicked open with a soft sigh. "The back room," someone whispered from the shadows. "You know what they call it." Silas glanced at Aurora, the weight of unspoken years hanging between them like a taut wire. "If you still have the nerve, you can come in. If not, the night will swallow us both." She hesitated, the delivery bag thudding against her thigh. The scar on her wrist throbbed, a pulse matching the flicker of the neon sign. She inhaled, the stale air tasting of spilled beer and old secrets, then exhaled, a breath of resolve. "I've learned how to disappear," she said, voice barely audible over the low hum. "And how to return when the story demands it." Silas nodded, a faint grin breaking the stern veneer. He gestured toward the gap, the bookshelf swinging inward to reveal the dimly lit back room, its walls lined with maps, a single desk, and a locked safe that seemed to vibrate with anticipation. The trench‑coated stranger approached the bar, his eyes flicking to the open doorway. "Silas," he said, voice smooth as silk, "we've been waiting." Silas's fingers tightened around the signet ring, the metal cold against his skin. He glanced at Aurora, his eyes a mirror of countless covert operations. "If you're here for the package, you know the rules." The stranger's smile wasn't a smile at all; it was a promise of danger. He slid a thin envelope across the polished wood. "No one leaves without paying the price." Aurora watched the exchange, the weight of the moment settling like a stone in her chest. The neon's green glow reflected off the envelope, casting a ghostly hue across the bar's patrons. She felt the unspoken regret of years, the loss of innocence, the churn of unresolved feelings. Silas snapped the safe shut, the click echoing like a gunshot in a silent alley. He turned to Aurora, his voice low. "You were always good at solving puzzles. This one is simple—choose the side that will keep you alive." A sudden crash erupted from the far end of the bar as a glass shattered on the floor, spilling amber liquid across the tiles. The stray shards winked like tiny knives. The trench‑coated man moved in a swift motion, his hand flicking toward the broken glass, but Silas intercepted, his palm striking the man's wrist with a force that sent a muffled grunt into the room. "Enough," Silas barked, his words cutting through the clamor. He seized the envelope, tucking it into the inner pocket of his coat. "We're leaving." Aurora rose, the delivery bag now an irrelevant weight. She slipped the scarred wrist into the pocket of her jacket, feeling the faint outline of a concealed weapon she hadn't thought of in years. The trench‑coated man lunged, but Silas's limp leg, once a source of pain, became a pivot for a sudden, brutal spin that threw the attacker against the bookshelf. Books tumbled, dust rose, and the hidden doorway flared open. The three of them burst into the narrow back corridor, the neon green light fading behind them like a dying star. The scent of old paper and stale beer clung to their clothes, mingling with the metallic tang of adrenaline. Silas pressed his palm against the wall, sliding a concealed panel aside. "The car's out back," he whispered, eyes darting toward the dark passage. "Drive fast. They'll be on us before we clear the next block." Aurora glanced back at the bar, the neon sign flickering as if winking in secret. She felt a surge of nostalgia for the girl who once argued about surveillance ethics, now a woman who could dismantle a threat with a single, decisive move. A distant siren wailed, growing louder, a reminder that the city never sleeps. Silas slipped the signet ring onto his finger, the symbol of his past and present merging. "Hold on," he said, his voice steadier than he felt. "We have one more stop before we disappear." The hidden door swung open to reveal a cramped alley, rain slicking the cobblestones, the glow of streetlights painting the wet stone in amber and gold. The back of an unmarked sedan waited, its engine idling like a patient beast. Silas lifted Aurora into the passenger seat, the scar on her wrist brushing the metal, a silent testament to the nights they've both survived. The trench‑coated man staggered toward the car, clutching his wound, his eyes burning with a hatred that seemed to crackle in the damp air. Silas slammed the door shut, the impact reverberating through the alley. The car lurched forward, tires spitting water as it raced into the night. Aurora glanced at Silas, the man who had once been her mentor and now a mirror of her own hidden demons. In his gaze she saw the weight of years, the unspoken apologies, the thin line between loyalty and betrayal. The engine roared, drowning out the city’s chorus, but the tension between them pulsed louder than any sound. Silas shifted the gear, the car slipping into the rhythm of the chase that lay ahead. A shadow loomed at the far end of the street, a figure stepping out of the rain, silhouette unmistakable. The chase had only just begun.
created_at"2026-04-24T16:10:05.868Z" 4/24/2026, 4:10:05 PM
model"openai/gpt-oss-120b"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency249
moderation_latency(null)
generation_time71350
tokens_prompt4618
tokens_completion3334
native_tokens_prompt4182
native_tokens_completion2890
native_tokens_completion_images(null)
native_tokens_reasoning933
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
num_fetches(null)
web_search_engine(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0.000712198
router(null)
provider_responses
0
endpoint_id"85835306-dba3-4334-87bc-ab9ffa5c9c62"
id"chatcmpl-ROj1lnR697uci0o0HhwmT9KN"
is_byokfalse
latency92
model_permaslug"openai/gpt-oss-120b"
provider_name"DeepInfra"
status200
user_agent"langchainjs-openai/1.0.0 ((node/v24.14.1; linux; x64))"
http_referer(null)
request_id"req-1777047005-9T0KHD2FUV5FS3z31WRU"
session_id(null)
api_type"completions"
id"gen-1777047005-l2YwPYvV7gXSoYT5m4hQ"
upstream_id"chatcmpl-ROj1lnR697uci0o0HhwmT9KN"
total_cost0.000712198
cache_discount(null)
upstream_inference_cost0
provider_name"DeepInfra"
response_cache_source_id(null)

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags12
adverbTagCount0
adverbTags(empty)
dialogueSentences33
tagDensity0.364
leniency0.727
rawRatio0
effectiveRatio0
100.00% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1613
totalAiIsmAdverbs0
found(empty)
highlights(empty)
100.00% AI-ism character names
Target: 0 AI-default names (16 tracked, −20% each)
codexExemptions
0"Blackwood"
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
0.81% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1613
totalAiIsms32
found
0
word"tapestry"
count1
1
word"echo"
count1
2
word"reminder"
count2
3
word"practiced ease"
count1
4
word"weight"
count5
5
word"flicked"
count1
6
word"flicker"
count2
7
word"apprehension"
count1
8
word"scanned"
count1
9
word"unspoken"
count3
10
word"throbbed"
count1
11
word"pulse"
count1
12
word"resolve"
count1
13
word"anticipation"
count1
14
word"silk"
count1
15
word"churn"
count1
16
word"echoing"
count1
17
word"shattered"
count1
18
word"testament"
count1
19
word"lurched"
count1
20
word"raced"
count1
21
word"tension"
count1
22
word"pulsed"
count1
23
word"loomed"
count1
highlights
0"tapestry"
1"echo"
2"reminder"
3"practiced ease"
4"weight"
5"flicked"
6"flicker"
7"apprehension"
8"scanned"
9"unspoken"
10"throbbed"
11"pulse"
12"resolve"
13"anticipation"
14"silk"
15"churn"
16"echoing"
17"shattered"
18"testament"
19"lurched"
20"raced"
21"tension"
22"pulsed"
23"loomed"
66.67% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches2
maxInWindow2
found
0
label"eyes widened/narrowed"
count1
1
label"weight of words/silence"
count1
highlights
0"eyes narrowed"
1"the weight of the moment"
95.93% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells3
narrationSentences86
matches
0"a flicker of apprehension"
1"e with anticipation"
2"a surge of nostalgia"
93.02% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount3
narrationSentences86
filterMatches(empty)
hedgeMatches
0"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences107
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
repeatedSegmentCount0
maxSentenceWordsSeen35
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1609
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions14
unquotedAttributions0
matches(empty)
61.72% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions37
wordCount1246
uniqueNames4
maxNameDensity1.77
worstName"Silas"
maxWindowNameDensity3
worstWindowName"Silas"
discoveredNames
Aurora13
Raven1
Nest1
Silas22
persons
0"Aurora"
1"Raven"
2"Nest"
3"Silas"
places(empty)
globalScore0.617
windowScore0.667
91.18% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences85
glossingSentenceCount2
matches
0"as if winking in secret"
1"hatred that seemed to crackle in the damp air"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1609
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences107
matches(empty)
61.62% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs43
mean37.42
std13.68
cv0.366
sampleLengths
021
134
262
313
438
546
623
752
824
927
1024
1134
1225
1338
1427
1538
1641
1736
1821
1943
2025
2146
2214
2334
2442
2523
2643
2723
2835
2930
3048
3140
3266
3324
3472
3540
3636
3743
3847
3964
4048
4158
4241
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount0
totalSentences86
matches(empty)
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs194
matches(empty)
89.45% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount2
semicolonCount1
flaggedSentences2
totalSentences107
ratio0.019
matches
0"The dartboard's colours—red, green, black—spun like a roulette of fate."
1"The stranger's smile wasn't a smile at all; it was a promise of danger."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1249
adjectiveStacks0
stackExamples(empty)
adverbCount28
adverbRatio0.02241793434747798
lyAdverbCount7
lyAdverbRatio0.005604483586869495
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences107
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences107
mean15.04
std6.48
cv0.431
sampleLengths
021
116
218
314
424
524
613
719
813
96
106
1113
1213
1314
149
1514
1618
1717
1817
1919
205
218
2219
2316
248
259
2625
279
2816
2918
3010
3110
3227
3310
3428
3515
3626
379
3827
399
4012
4110
4215
4318
446
4519
4618
4712
4816
498
42.52% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats8
diversityRatio0.2616822429906542
totalSentences107
uniqueOpeners28
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences86
matches(empty)
ratio0
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount25
totalSentences86
matches
0"she said, voice as steady"
1"He lifted his gaze, the"
2"She knelt, retrieving a folded"
3"she said, the words slipping"
4"His smile cracked, a thin"
5"She shuffled the napkin into"
6"he asked, voice low enough"
7"She lifted her chin, eyes"
8"He tapped his ring against"
9"He scanned the room, his"
10"He pushed a chair aside,"
11"She hesitated, the delivery bag"
12"She inhaled, the stale air"
13"she said, voice barely audible"
14"He gestured toward the gap,"
15"he said, voice smooth as"
16"He glanced at Aurora, his"
17"He slid a thin envelope"
18"She felt the unspoken regret"
19"He turned to Aurora, his"
ratio0.291
0.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount85
totalSentences86
matches
0"Silas murmured, wiping a glass"
1"Aurora's eyes, bright blue like"
2"The crescent scar on her"
3"The Raven's Nest breathed a"
4"A distinctive green neon sign"
5"A narrow bookshelf, half‑concealed by"
6"she said, voice as steady"
7"He lifted his gaze, the"
8"A silver signet ring glinted"
9"A muted chuckle escaped her"
10"The delivery bag thumped against"
11"She knelt, retrieving a folded"
12"Silas set the glass down"
13"A silver-haired patron nudged a"
14"The sound seemed to echo"
15"Aurora glanced at the pint,"
16"she said, the words slipping"
17"His smile cracked, a thin"
18"She shuffled the napkin into"
19"Silas leaned forward, elbows resting"
ratio0.988
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences86
matches(empty)
ratio0
46.00% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences59
technicalSentenceCount8
matches
0"A distinctive green neon sign glowed above the doorway, casting a sickly hue over the faded maps and black‑and‑white photographs that lined the walls."
1"He scanned the room, his gaze settling on Silas before sweeping past the bar like a predatory hawk."
2"The trench‑coated man moved in a swift motion, his hand flicking toward the broken glass, but Silas intercepted, his palm striking the man's wrist with a force …"
3"The trench‑coated man lunged, but Silas's limp leg, once a source of pain, became a pivot for a sudden, brutal spin that threw the attacker against the bookshel…"
4"Aurora glanced back at the bar, the neon sign flickering as if winking in secret."
5"She felt a surge of nostalgia for the girl who once argued about surveillance ethics, now a woman who could dismantle a threat with a single, decisive move."
6"The trench‑coated man staggered toward the car, clutching his wound, his eyes burning with a hatred that seemed to crackle in the damp air."
7"Aurora glanced at Silas, the man who had once been her mentor and now a mirror of her own hidden demons."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags12
uselessAdditionCount7
matches
0"she said, the words slipping out with practiced ease"
1"he asked, voice low enough to thread through the ambient clatter"
2"she said, voice barely audible over the low hum"
3"he said, voice smooth as silk,"
4"Silas barked, his words cutting through the clamor"
5"he whispered, eyes darting toward the dark passage"
6"he said, his voice steadier than he felt"
28.79% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags12
fancyCount4
fancyTags
0"Silas murmured (murmur)"
1"someone whispered (whisper)"
2"Silas barked (bark)"
3"he whispered (whisper)"
dialogueSentences33
tagDensity0.364
leniency0.727
rawRatio0.333
effectiveRatio0.242
72.5903%