Run: 2026-04-24-01KQ04RPA797QQ47V5E7ZNAK4X

Run Details

Duration:
1m 15s
Cost:
$0.000723
Provider:
DeepInfra

Model input

System
You are an expert and award-winning novel writer in the dark Romance genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4415" name="Lucien Moreau" aliases="Lucien, Luc, the Frenchman" pronouns="he/him" species="Half-Demon" storyRole="Ally"> <eyeColor>heterochromatic — one amber, one black</eyeColor> <hair>slicked-back platinum blond</hair> <height>5'11"</height> <age>32</age> <cane>ivory-handled cane that conceals a thin blade</cane> <dress>tailored charcoal suits</dress> <description>An impeccably dressed fixer and information broker in London's supernatural underworld. He speaks four languages fluently.</description> <backstory>Born in Marseille to a human mother and a demon father from the realm of Avaros.</backstory> </character> <location id="858" name="Eva's Flat" aliases="Eva's place, the flat on Brick Lane" realm="Earth"> <cat>tabby cat named Ptolemy</cat> <security>three deadbolts on the front door</security> <description>A cramped one-bedroom flat above a curry house on Brick Lane, East London. Every surface is covered with books, scrolls, and research notes.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the romance genre. Two people who parted on complicated terms are forced together again when one shows up unannounced at the other's flat. There's history between them — attraction, hurt, and things left unsaid. Write the scene from the moment the door opens. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The door slammed inward, the deadbolt snapping against its metal catch. Lucien’s silhouette filled the cramped hallway, his ivory‑handled cane tapping a silent rhythm on the worn wooden floor. His eyes—one amber, one black—caught the dim light from the streetlamp outside and flicked to the scar on Rory’s left wrist. The crescent shape glimmered faintly, a reminder of a childhood accident she’d never mentioned. “Lucien,” she breathed, voice low, the word hanging between them like a blade. “Rory,” he replied, the half‑smile curving his lips. A thin blade hissed as it slid from the cane’s hidden compartment, reflecting the faint glow. “You look… unchanged.” “What brings you to my doorstep at this ungodly hour?” she asked, stepping back, the lock clanking shut behind him. The smell of garlic and fried rice drifted up from Silas’ bar below, mingling with the faint scent of incense from the candles she kept on the windowsill. “Business,” he said, his tone even. “And perhaps a dash of curiosity.” She crossed the kitchen, the cold tile biting her bare feet. The kettle on the stove sputtered, steam curling like a ghost. A tabby cat, Ptolemy, slipped from under the sofa, eyes wide, tail flicking. “You disappeared after the night at the Thames dock,” she said, not looking at him. “You left me with a half‑finished case and a heart full of questions.” Lucien’s cane tapped faster. “I left because the file was compromised. Because the demon council demanded silence.” “Silence?” She turned, eyes sparking. “You think I’m an idiot?” He chuckled, a low, throaty sound. “I never called you an idiot, Rory. You’re clever enough to keep a secret hidden behind a delivery bag.” Her fingers tightened around the strap of the insulated backpack she’d just set down. “You know I work for Yu‑Fei Cheung’s Golden Empress. I don’t just… hand over parcels to strangers.” “The parcel I need you to deliver isn’t ordinary,” he said, sliding the concealed blade back into the cane and flicking the tip against the wall. The metal sang a soft tick‑tock, like a clock racing toward midnight. “It contains an artefact from Avaros. One that could disrupt the balance between our worlds.” She stared at the cane, then at his face, searching for the familiar, maddening pull she’d felt years ago when they’d first met in a smoky back‑room of a night market. The memory of his scent—cinnamon and ash—flared in her mind. “You always liked playing with fire,” she murmured, voice barely above a whisper. “Even when I told you I wasn’t interested.” “I never asked for consent,” he replied, his eyes narrowing. “I asked for partnership.” Her laughter was short, startled. “Partnership? After you cut me off, after you left me with a bruised shoulder and a broken trust?” “You think I didn’t feel the sting of that night?” He stepped closer, the space between them shrinking until their breaths mingled. “I chose a path that demanded sacrifice. I chose to protect you… from something worse than me.” She felt a tremor in her wrist, the scar pulsing as if reminded of old wounds. “And what if I refuse?” Lucien’s hand rested lightly on the back of her neck, fingers grazing the hair at the nape of her skull. “Then you’ll keep delivering dumplings to a city that doesn’t care. Then you’ll watch as the darkness spreads, and you’ll know I could have saved you.” She turned her head, eyes meeting his. In that brief collision, the world narrowed to the heat between them, the electric charge that had never truly faded. The cat hissed, then settled, its ears flattening against the wall. “Why now?” she asked, voice edged with the same steel she used to slice through traffic during her deliveries. He exhaled, the sound soft as a sigh. “Because the council’s patience has worn thin. Because they have a man in Silas’ bar who knows your routes. Because they will come for you tomorrow if you don’t act.” She swallowed, the lump in her throat rising. “And what do you want in return?” His smile faded, replaced by something darker, a flicker of the demon that lingered in his blood. “Your loyalty. Your silence. And… perhaps a chance to taste the forbidden again.” The words hung heavy, the promise of intimacy and danger intertwined. She felt the pull of the old yearning, the memory of candle‑lit rooftops where they’d whispered about eternity. A sudden crash erupted from the stairwell—metal grating against steel, a guttural growl echoing up from below. The cat bolted, its paws skittering across the floor, disappearing into the shadows. “What the hell—” Rory started, then froze as a figure loomed at the bottom of the stairs, a hulking silhouette wrapped in a black coat, the hood pulled low over a face she could not see. The figure raised a hand, a glint of metal flashing. Lucien’s cane snapped forward, the concealed blade extending in a swift motion. He thrust it toward the intruder, the steel singing a rapid flip‑flop as it sliced the air. “Back off, Luc,” he snarled, the demon’s amber eye flashing. “You’re not welcome here.” The unknown attacker lunged, a guttural roar escaping his throat. His hand clamped around the cane, forcing Lucien’s grip to loosen. A spray of sparks erupted as the blade met something hard and unyielding. “Rory, get to the back door!” Lucien shouted, his voice strained, the black coat flaring as the figure twisted. “Take the bag!” She darted toward the narrow fire‑escape, heart hammering, the scar on her wrist throbbing with each breath. The door at the back creaked, the deadbolt already jimmied—someone had forced it earlier. Behind her, the clash of metal and flesh intensified. A guttural scream echoed through the flat, mingling with the clatter of dishes from the kitchen, the distant murmur of laughter from the bar below. She flung the bag onto the fire‑escape, the artefact inside humming faintly, a low resonance that seemed to pulse with the very walls of the building. The cat’s eyes flashed in the darkness as it reappeared, perched atop the balcony rail, its tail twitching. “Luc!” she cried, but the words were swallowed by the chaos. The intruder’s silhouette surged forward, a dark mass that seemed to swallow the light, the cane snapping back into Lucien’s hand with a crack. Lucien twisted, the blade slashing in an arc that caught the hood’s edge, tearing a sliver of fabric away. Blood—dark as midnight—spattered the floor, a stark contrast against the polished tiles. “Don’t—” He tried to speak, but another blow sent him sprawling, the cane clattering to the ground, the hidden blade clinging to the wood. Rory’s breath came in ragged bursts. She clutched the bag, feeling the weight of the artefact, its heat seeping through her fingers. The hallway lights flickered, casting jittery shadows across the broken doorframe. A sudden, deafening crash echoed as the front door burst open again, the deadbolt snapping free. The figure in the black coat stepped inside, his eyes—an unnatural, glowing amber—fixated on her. “Give it to me,” he rasped, voice a low grind of metal against stone. Lucien’s eyes snapped open, blood speckling his cheek. “Not—” Before he could finish, the intruder lunged, his hand outstretched toward the bag. The artefact pulsed, a bright flash illuminating the cramped room, the sound like a thousand bells ringing simultaneously. The flash caught the intruder’s eye, and he recoiled, a guttural howl escaping his throat as the light seared his flesh. He fell back, clutching at his face, his black coat catching fire in the sudden blaze. Rory stumbled forward, the cat leaping onto the railing, its claws scrabbling at the metal. “Luc—” She turned, expecting his hand, but he lay motionless on the floor, the cane broken, the blade snapped in two. The blood on his cheek shone like darkened ruby in the lingering light. The intruder, now a smouldering silhouette, staggered toward the exit, flames licking his coat, his screams echoing down the stairwell. Rory’s mind raced. The artefact trembled in her grip, the hum rising to a deafening pitch. She felt a pull, a tug of unseen forces, as if the very walls of the flat were breathing. She glanced at the broken cane, at Lucien’s still form, at the cat perched, eyes wide with terror. The fire‑escape ladder rattled, the newly ignited flames casting shadows that danced like wraiths across the plaster. “Go,” the cat seemed to say with a low, guttural meow. “Now.” She grabbed the bag, the artefact pulsating like a heart, and hurled herself toward the fire‑escape. The metal rungs were hot to the touch, the smell of burning wood filling her nose. Above her, the cityscape of London shimmered, the night sky a canvas of distant stars. The distant sirens of the police wailed, growing louder, a warning that something terrible had unfolded below. She reached the top, the bag clutched tight, her breath shallow, her body trembling from exertion and fear. The alley below roared with the sounds of the inferno, the black coat figure disappearing into the night, its flame‑sickened silhouette fading into darkness. Rory stared down, the scar on her wrist still throbbing, a reminder of the past and the new wounds forming in the present. The artefact throbbed, its light dimming, as if awaiting a decision she hadn’t yet made. A sudden, sharp clang echoed from the top of the flat—a metal door swinging open, revealing a shadowed figure stepping through, the outline of a long coat, a glint of a blade at the belt. “Thought you could hide forever?” the voice hissed, familiar and cruel. Rory’s heart slammed against her ribs. The night stretched before her, the weight of unfinished business pressing down. The cat hissed, claws unsheathed, ready to strike. She pressed the bag to her chest, the artefact’s faint glow lighting her face, and whispered, “You’re not the only one who knows how to play with fire.”
created_at"2026-04-24T16:22:02.337Z" 4/24/2026, 4:22:02 PM
model"openai/gpt-oss-120b"
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generation_time74508
tokens_prompt4556
tokens_completion3464
native_tokens_prompt4126
native_tokens_completion2958
native_tokens_completion_images(null)
native_tokens_reasoning786
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
num_fetches(null)
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origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0.000722934
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provider_responses
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endpoint_id"85835306-dba3-4334-87bc-ab9ffa5c9c62"
id"chatcmpl-RwTlXPWqNVvhYmjHHnpfqpiF"
is_byokfalse
latency94
model_permaslug"openai/gpt-oss-120b"
provider_name"DeepInfra"
status200
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Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags21
adverbTagCount1
adverbTags
0"Rory started then [then]"
dialogueSentences42
tagDensity0.5
leniency1
rawRatio0.048
effectiveRatio0.048
85.05% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1672
totalAiIsmAdverbs5
found
0
adverb"barely above a whisper"
count1
1
adverb"lightly"
count1
2
adverb"truly"
count1
3
adverb"very"
count2
highlights
0"barely above a whisper"
1"lightly"
2"truly"
3"very"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
0.00% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1672
totalAiIsms34
found
0
word"flicked"
count1
1
word"reminder"
count2
2
word"silence"
count3
3
word"racing"
count1
4
word"disrupt"
count1
5
word"familiar"
count2
6
word"whisper"
count1
7
word"electric"
count1
8
word"flicker"
count1
9
word"yearning"
count1
10
word"echoing"
count2
11
word"loomed"
count1
12
word"hulking"
count1
13
word"glint"
count2
14
word"echoed"
count3
15
word"resonance"
count1
16
word"pulse"
count1
17
word"stark"
count1
18
word"weight"
count2
19
word"flickered"
count1
20
word"pulsed"
count1
21
word"raced"
count1
22
word"trembled"
count1
23
word"shimmered"
count1
24
word"throbbed"
count1
highlights
0"flicked"
1"reminder"
2"silence"
3"racing"
4"disrupt"
5"familiar"
6"whisper"
7"electric"
8"flicker"
9"yearning"
10"echoing"
11"loomed"
12"hulking"
13"glint"
14"echoed"
15"resonance"
16"pulse"
17"stark"
18"weight"
19"flickered"
20"pulsed"
21"raced"
22"trembled"
23"shimmered"
24"throbbed"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells2
narrationSentences94
matches
0"felt a tremor"
1"e with terror"
82.07% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount4
narrationSentences94
filterMatches(empty)
hedgeMatches
0"seemed to"
1"tried to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences116
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
repeatedSegmentCount0
maxSentenceWordsSeen36
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1661
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions28
unquotedAttributions0
matches(empty)
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions19
wordCount1323
uniqueNames4
maxNameDensity0.76
worstName"Lucien"
maxWindowNameDensity2
worstWindowName"Lucien"
discoveredNames
Rory7
Ptolemy1
Lucien10
London1
persons
0"Rory"
1"Ptolemy"
2"Lucien"
places
0"London"
globalScore1
windowScore1
64.77% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences88
glossingSentenceCount3
matches
0"resonance that seemed to pulse with the very walls of the building"
1"mass that seemed to swallow the light, the cane snapping back into Lucien’s hand with a crack"
2"as if awaiting a decision she hadn’t yet made"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1661
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount1
totalSentences116
matches
0"warning that something"
61.48% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs58
mean28.64
std10.46
cv0.365
sampleLengths
029
135
213
327
448
512
635
728
817
910
1025
1131
1253
1341
1421
1514
1623
1739
1821
1946
2038
2119
2238
2315
2430
2529
2630
2746
2829
2914
3034
3122
3231
3334
3444
3535
3631
3724
3833
3931
4014
419
4231
4337
4416
4533
4620
4735
4835
4912
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount1
totalSentences94
matches
0"were swallowed"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount1
totalVerbs242
matches
0"were breathing"
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount11
semicolonCount0
flaggedSentences7
totalSentences116
ratio0.06
matches
0"His eyes—one amber, one black—caught the dim light from the streetlamp outside and flicked to the scar on Rory’s left wrist."
1"The memory of his scent—cinnamon and ash—flared in her mind."
2"A sudden crash erupted from the stairwell—metal grating against steel, a guttural growl echoing up from below."
3"The door at the back creaked, the deadbolt already jimmied—someone had forced it earlier."
4"Blood—dark as midnight—spattered the floor, a stark contrast against the polished tiles."
5"The figure in the black coat stepped inside, his eyes—an unnatural, glowing amber—fixated on her."
6"A sudden, sharp clang echoed from the top of the flat—a metal door swinging open, revealing a shadowed figure stepping through, the outline of a long coat, a glint of a blade at the belt."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1241
adjectiveStacks0
stackExamples(empty)
adverbCount22
adverbRatio0.017727639000805803
lyAdverbCount4
lyAdverbRatio0.0032232070910556
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences116
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences116
mean14.32
std7.08
cv0.495
sampleLengths
011
118
221
314
413
58
616
73
820
928
106
116
1211
1311
1413
1515
1613
174
1813
195
205
216
2219
2314
2417
2526
2612
2715
2831
2910
3013
318
3210
334
345
3518
3622
3717
3816
395
4020
4126
427
4320
4411
4519
468
4730
488
497
44.25% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats7
diversityRatio0.3017241379310345
totalSentences116
uniqueOpeners35
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences94
matches(empty)
ratio0
54.04% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount39
totalSentences94
matches
0"His eyes—one amber, one black—caught"
1"she breathed, voice low, the"
2"he replied, the half‑smile curving"
3"she asked, stepping back, the"
4"he said, his tone even"
5"She crossed the kitchen, the"
6"she said, not looking at"
7"She turned, eyes sparking"
8"He chuckled, a low, throaty"
9"Her fingers tightened around the"
10"he said, sliding the concealed"
11"She stared at the cane,"
12"she murmured, voice barely above"
13"he replied, his eyes narrowing"
14"Her laughter was short, startled."
15"He stepped closer, the space"
16"She felt a tremor in"
17"She turned her head, eyes"
18"she asked, voice edged with"
19"He exhaled, the sound soft"
ratio0.415
0.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount90
totalSentences94
matches
0"The door slammed inward, the"
1"Lucien’s silhouette filled the cramped"
2"His eyes—one amber, one black—caught"
3"The crescent shape glimmered faintly,"
4"she breathed, voice low, the"
5"he replied, the half‑smile curving"
6"A thin blade hissed as"
7"she asked, stepping back, the"
8"The smell of garlic and"
9"he said, his tone even"
10"She crossed the kitchen, the"
11"The kettle on the stove"
12"A tabby cat, Ptolemy, slipped"
13"she said, not looking at"
14"Lucien’s cane tapped faster."
15"She turned, eyes sparking"
16"He chuckled, a low, throaty"
17"Her fingers tightened around the"
18"he said, sliding the concealed"
19"The metal sang a soft"
ratio0.957
53.19% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences94
matches
0"Before he could finish, the"
ratio0.011
2.34% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences61
technicalSentenceCount12
matches
0"In that brief collision, the world narrowed to the heat between them, the electric charge that had never truly faded."
1"His smile faded, replaced by something darker, a flicker of the demon that lingered in his blood."
2"The cat bolted, its paws skittering across the floor, disappearing into the shadows."
3"She darted toward the narrow fire‑escape, heart hammering, the scar on her wrist throbbing with each breath."
4"She flung the bag onto the fire‑escape, the artefact inside humming faintly, a low resonance that seemed to pulse with the very walls of the building."
5"The intruder’s silhouette surged forward, a dark mass that seemed to swallow the light, the cane snapping back into Lucien’s hand with a crack."
6"Lucien twisted, the blade slashing in an arc that caught the hood’s edge, tearing a sliver of fabric away."
7"She clutched the bag, feeling the weight of the artefact, its heat seeping through her fingers."
8"Rory stumbled forward, the cat leaping onto the railing, its claws scrabbling at the metal."
9"The intruder, now a smouldering silhouette, staggered toward the exit, flames licking his coat, his screams echoing down the stairwell."
10"She felt a pull, a tug of unseen forces, as if the very walls of the flat were breathing."
11"The artefact throbbed, its light dimming, as if awaiting a decision she hadn’t yet made."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags21
uselessAdditionCount7
matches
0"she breathed, voice low, the word hanging between them like a blade"
1"he replied, the half‑smile curving his lips"
2"she said, not looking at him"
3"She turned, eyes sparking"
4"she murmured, voice barely above a whisper"
5"he replied, his eyes narrowing"
6"she cried, but the words were swallowed by the chaos"
0.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags16
fancyCount9
fancyTags
0"she breathed (breathe)"
1"she murmured (murmur)"
2"he snarled (snarl)"
3"Lucien shouted (shout)"
4"she cried (cry)"
5"He tried (try)"
6"the cat seemed (seem)"
7"the voice hissed (hiss)"
8"She pressed (press)"
dialogueSentences42
tagDensity0.381
leniency0.762
rawRatio0.563
effectiveRatio0.429
68.2399%