Run: 2026-04-24-01KQ05F4YQRE9YS3Q1GCDE6QEF

Run Details

Duration:
5m 19s
Cost:
$0.001337
Provider:
SiliconFlow

Model input

System
You are an expert and award-winning novel writer in the dark Literary Fiction genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4413" name="Silas Blackwood" aliases="Silas, Si, the Spymaster" pronouns="he/him" species="Human" storyRole="Mentor"> <eyeColor>hazel</eyeColor> <hair>grey-streaked auburn</hair> <height>6'1"</height> <age>58</age> <beard>neatly trimmed, matching his grey-streaked auburn hair</beard> <limp>slight limp in his left leg from an old knee injury</limp> <signetRing>silver signet ring, always worn on his right hand</signetRing> <description>Silas is a retired intelligence operative turned bar owner. He carries himself with quiet authority.</description> <backstory>Former MI6 field agent who retired after a botched operation in Prague left him with a permanent knee injury. He opened "The Raven's Nest" bar in Soho as a front for his network of contacts.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the literary fiction genre. Two old friends who haven't seen each other in years run into each other unexpectedly at a bar. One of them has changed significantly. Through their conversation and the tension between who they were and who they've become, reveal the weight of time and unspoken regret. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
"Rory? You look like the night itself had a wardrobe change." She turned on the spot, a flick of her wrist flashing the tiny crescent scar on her left wrist. The neon green sign above the wooden door pulsed, casting a thin strip of colour across the far wall. Silas leaned against the bar, his grey‑streaked auburn hair catching the light, a silver signet ring glinting on his right hand. "Still calling me Rory?" Her voice held a smile that never quite reached her bright blue eyes. "You haven't missed a beat." "Missed? I missed you. Ten years, ten months, ten days," he said, his tone low, the limp in his left leg shifting weight to the other. "The courier job kept me out of the old haunts," she answered, sliding a folded paper menu onto the bar, the edges crisp. "Golden Empress needed me to run the city." Silas lifted the menu, glanced at the greasy Chinese characters, then set it aside. "And the flat above my place—still your roof?" "Four stories up, still the same view of the alley. The same pipes that sigh at midnight." She laughed, a short, brittle sound that dissolved into the low hum of an old jukebox. "The Raven's Nest hasn't changed much," he said, wiping a spot of amber whisky from the bar with a cloth. The cloth left a faint imprint, a dark ring. "Except I've added a back room. A library of sorts." Her gaze sharpened. "You mean the hidden room behind the bookshelf? The one with the maps and the black‑and‑white photographs?" "Exactly." Silas tapped the edge of a shelf, the wood creaking. "A place for… meetings. For those who need a quiet ear." She stared at the shelf, fingers brushing the spines of dusty volumes. "You always liked secrets." Silas smiled, a thin line that did not reach his eyes. "And you always knew how to find them." A clatter of plates from the kitchen rose, then settled. A patron's laugh drifted across the room, but the bar seemed to contract around the two of them, the rest fading into background noise. "Remember the night we stole that old radio from the market?" Aurora asked, voice dropping to a conspiratorial whisper. "We thought we were rebels." Silas's eyes flickered with a ghost of that night. "We were kids with a hunger for adventure. You had the nerve to climb the stall, I had the knack for getting us out." She pressed her palm against the scar, feeling the faint sting of old memory. "I thought I could outrun everything. Later, I learned I couldn't." Silas's ring caught the green glow, sending a thin line of light across the bar. "You changed, Rory." He said it as a statement, not an accusation. "You think I changed?" Aurora's tone hardened, a flash of anger behind the calm. "You think I sold out, that I became someone else because..." She paused, a breath catching. "Because the world needed a different kind of survival." Silas leaned forward, the chair creaking. "I saw you at the docks, handing a package to someone in a trench coat. You moved like a shadow, no longer the student who argued about poetry with the midnight crowd." "The trench coat?" She laughed again, but this time it sounded brittle, like glass. "I wore it because the rain was cold, because the job required anonymity." A sudden clink echoed, the sound of a glass setting down on the counter. Silas's hand hovered over his own glass, but he didn't drink. "You never told me why you left Evan." She stared at the bar, the wood grain swirling like a map of old routes. "Because he was a trap. Because staying was a death sentence dressed as love." Silas's hazel eyes softened a fraction. "I would've found a way out for you. I still have contacts, safe houses. I still have the network." A low murmur rose from a corner where a couple argued about a broken watch. The tension in the bar shifted, a subtle vibration that seemed to pulse like a heartbeat. "Safe houses?" Aurora scoffed. "You think that solves everything? That a ring, a signet on your finger, can rewrite the past?" Silas's fingers tightened around the glass, his knuckles whitening. "I can't rewrite the past, Rory. I can only offer a path forward." She stared at the scar again, remembering the night she fell from the treehouse in her childhood, the crescent of pain that marked her wrist. "A path forward," she repeated, "is a road that often leads back to the same dead ends." Silas set his glass down harder than necessary, the liquid sloshing. "You said you'd never be afraid of the dark. You'd stare at the void and laugh." She swallowed, the taste of whisky bitter on her tongue. "I laughed because I thought the void would swallow the world, not me." The jukebox flickered, playing an old song that cut through the air like a knife. Silas reached for the hidden shelf, his fingers brushing the dust-covered lever. A faint click sounded, and the bookshelf swung inward, revealing a narrow doorway shrouded in shadow. "There's been a leak," Silas whispered, eyes flicking to the darkness. "Someone's been watching the back room." Aurora's breath caught. "You mean the one where we used to plan our little revolutions?" He nodded, his ring catching the neon glow again. "It's no longer just us. The walls have ears." She stepped forward, the scar on her wrist tingling as if sensing the tension. "And you think I'm still the same kid who plotted heists and whispered secrets?" Silas shook his head. "No. I think you're someone who still knows how to move in the dark, who still knows how to listen to the tick‑tock of a compromised clock." She glanced at the hidden door, the faint outline of a stairwell descending into the depth of the bar. "What do we do now?" Her voice was barely a whisper, but it cut through the clamor. Silas placed his hand on the doorframe, the metal cold against his skin. "We go down, we find out who's listening, and we decide whether to close the door or let the darkness in." A sudden crash erupted from the main bar, a shattered bottle hitting the floor with a sharp hiss. Glass shards scattered, and a figure stumbled into the room, his coat flapping like a wounded bird. "Rory! Silas! You've got to—" Silas turned, his eyes narrowing. The newcomer was a man in a trench coat, his face hidden beneath a low hat. He clutched a briefcase, its lock broken. "The package," Aurora hissed, recognizing the weight of the briefcase. The man hissed, his voice low. "You shouldn't have opened the back room." Silas's ring caught the green neon, flashing across the broken glass. "Who are you?" he demanded. The man lifted his hat, revealing a scar that mirrored Aurora's, but longer, deeper. He smiled, a thin, cruel line. "I'm the future you tried to outrun." Aurora's breath froze, her eyes widening as the weight of decades settled between them. The bar's patrons turned, their murmurs rising to a collective gasp. Silas's hand tightened around his glass, a drop of whisky spilling over the rim. The hidden doorway yawned behind him, darkness seeping out like a promise. "Looks like the night finally caught up with us," he said, voice steady despite the tremor in his fingers. The briefcase exploded with a muffled pop, the contents spilling onto the floor—gold‑leafed documents, a set of keys, and a small, ticking device that emitted a steady tick‑tock. The sound resonated through the bar, echoing off the walls. Aurora stared at the device, her mind racing. "What is it?" she asked, voice barely audible. Silas edged closer to the device, his limp shifting his weight onto the opposite leg. "A timer. A deadline. Someone's set a path." The stranger laughed, a sound that scraped against the wood. "You thought you could hide from it. You thought you could forget." The flickering neon sign above the entrance pulsed again, casting a rapid green flash over the shattered glass. The bar's atmosphere tightened, every breath felt like a held note. Aurora felt the scar on her wrist burn, as if it were a fuse being lit. She glanced at Silas, then at the stranger, then at the ticking device. "Now's not the time for secrets," she said, the words cutting through the tension. "Tell me what you want." Silas's hand hovered over the device, his fingers trembling. He looked at Aurora, his hazel eyes reflecting the green glow. "We either close the door or walk into the darkness together." The stranger's smile widened. "Either way, the night will swallow the last of your old selves." A sudden clatter rose from the back room as the hidden door slammed shut, the sound reverberating like a gunshot. The tick‑tock grew louder, the device counting down invisible seconds. Silas turned, his signet ring catching the neon, casting a brief flash across his face. "Ready or not," he whispered, "the game begins."
created_at"2026-04-24T16:34:18.221Z" 4/24/2026, 4:34:18 PM
model"openai/gpt-oss-120b"
app_id182717
external_user(null)
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cancelledfalse
latency3909
moderation_latency(null)
generation_time319106
tokens_prompt4618
tokens_completion2856
native_tokens_prompt4195
native_tokens_completion2505
native_tokens_completion_images(null)
native_tokens_reasoning515
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
num_fetches(null)
web_search_engine(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0.001337
router(null)
provider_responses
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endpoint_id"ce118593-d9b2-4d2d-bcd4-33f0609b42f1"
id"019dc0579c6213967895740b8983f511"
is_byokfalse
latency3565
model_permaslug"openai/gpt-oss-120b"
provider_name"SiliconFlow"
status200
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Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags21
adverbTagCount1
adverbTags
0"She laughed again [again]"
dialogueSentences57
tagDensity0.368
leniency0.737
rawRatio0.048
effectiveRatio0.035
100.00% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1524
totalAiIsmAdverbs0
found(empty)
highlights(empty)
100.00% AI-ism character names
Target: 0 AI-default names (16 tracked, −20% each)
codexExemptions
0"Blackwood"
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
31.10% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1524
totalAiIsms21
found
0
word"pulsed"
count2
1
word"glinting"
count1
2
word"weight"
count4
3
word"whisper"
count2
4
word"flickered"
count2
5
word"echoed"
count1
6
word"tension"
count3
7
word"pulse"
count1
8
word"shattered"
count2
9
word"resonated"
count1
10
word"echoing"
count1
11
word"racing"
count1
highlights
0"pulsed"
1"glinting"
2"weight"
3"whisper"
4"flickered"
5"echoed"
6"tension"
7"pulse"
8"shattered"
9"resonated"
10"echoing"
11"racing"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches1
maxInWindow1
found
0
label"flicker of emotion"
count1
highlights
0"a flash of anger"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences82
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount2
narrationSentences82
filterMatches(empty)
hedgeMatches
0"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences118
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
repeatedSegmentCount0
maxSentenceWordsSeen33
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1522
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions23
unquotedAttributions0
matches(empty)
34.82% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions33
wordCount955
uniqueNames3
maxNameDensity2.3
worstName"Silas"
maxWindowNameDensity3.5
worstWindowName"Silas"
discoveredNames
Silas22
Chinese1
Aurora10
persons
0"Silas"
1"Aurora"
places(empty)
globalScore0.348
windowScore0.5
44.37% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences71
glossingSentenceCount3
matches
0"vibration that seemed to pulse like a heartbeat"
1"as if sensing the tension"
2"felt like a held note"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1522
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences118
matches(empty)
57.69% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs58
mean26.24
std9.24
cv0.352
sampleLengths
011
159
222
326
431
522
633
739
820
922
1016
1119
1234
1324
1433
1525
1627
1739
1838
1927
2033
2129
2225
2331
2421
2522
2642
2727
2823
2943
3017
3115
3218
3328
3431
3536
3634
3735
385
3928
4010
4113
4216
4327
4425
4526
4619
4738
4816
4923
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount1
totalSentences82
matches
0"being lit"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs167
matches(empty)
100.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount1
semicolonCount0
flaggedSentences1
totalSentences118
ratio0.008
matches
0"The briefcase exploded with a muffled pop, the contents spilling onto the floor—gold‑leafed documents, a set of keys, and a small, ticking device that emitted a steady tick‑tock."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount957
adjectiveStacks0
stackExamples(empty)
adverbCount20
adverbRatio0.02089864158829676
lyAdverbCount2
lyAdverbRatio0.0020898641588296763
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences118
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences118
mean12.9
std5.97
cv0.463
sampleLengths
011
119
219
321
417
55
626
723
88
914
108
1133
1220
139
1410
153
1617
1711
1811
1912
204
2111
228
2310
2424
2519
265
279
2824
2914
3011
3115
3212
3314
3416
359
366
3732
3814
3913
4014
4111
428
4315
4414
456
4619
4715
4816
494
44.07% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats7
diversityRatio0.2796610169491525
totalSentences118
uniqueOpeners33
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences78
matches(empty)
ratio0
86.67% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount26
totalSentences78
matches
0"She turned on the spot,"
1"Her voice held a smile"
2"he said, his tone low,"
3"she answered, sliding a folded"
4"She laughed, a short, brittle"
5"he said, wiping a spot"
6"Her gaze sharpened."
7"She stared at the shelf,"
8"She pressed her palm against"
9"He said it as a"
10"She paused, a breath catching"
11"She laughed again, but this"
12"She stared at the bar,"
13"She stared at the scar"
14"She swallowed, the taste of"
15"He nodded, his ring catching"
16"She stepped forward, the scar"
17"She glanced at the hidden"
18"Her voice was barely a"
19"He clutched a briefcase, its"
ratio0.333
0.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount78
totalSentences78
matches
0"She turned on the spot,"
1"The neon green sign above"
2"Silas leaned against the bar,"
3"Her voice held a smile"
4"he said, his tone low,"
5"she answered, sliding a folded"
6"Silas lifted the menu, glanced"
7"She laughed, a short, brittle"
8"he said, wiping a spot"
9"The cloth left a faint"
10"Her gaze sharpened."
11"Silas tapped the edge of"
12"She stared at the shelf,"
13"Silas smiled, a thin line"
14"A clatter of plates from"
15"A patron's laugh drifted across"
16"Aurora asked, voice dropping to"
17"Silas's eyes flickered with a"
18"She pressed her palm against"
19"Silas's ring caught the green"
ratio1
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences78
matches(empty)
ratio0
79.37% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences45
technicalSentenceCount4
matches
0"She stared at the scar again, remembering the night she fell from the treehouse in her childhood, the crescent of pain that marked her wrist."
1"She stepped forward, the scar on her wrist tingling as if sensing the tension."
2"The briefcase exploded with a muffled pop, the contents spilling onto the floor—gold‑leafed documents, a set of keys, and a small, ticking device that emitted a…"
3"Aurora felt the scar on her wrist burn, as if it were a fuse being lit."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags21
uselessAdditionCount8
matches
0"Silas tapped, the wood creaking"
1"Aurora asked, voice dropping to a conspiratorial whisper"
2"Aurora's tone hardened, a flash of anger behind the calm"
3"She paused, a breath catching"
4"Silas whispered, eyes flicking to the darkness"
5"he said, voice steady despite the tremor in his fingers"
6"she asked, voice barely audible"
7"she said, the words cutting through the tension"
27.19% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags15
fancyCount7
fancyTags
0"She laughed (laugh)"
1"She laughed again (laugh)"
2"she repeated (repeat)"
3"Silas whispered (whisper)"
4"Aurora hissed (hiss)"
5"he demanded (demand)"
6"he whispered (whisper)"
dialogueSentences57
tagDensity0.263
leniency0.526
rawRatio0.467
effectiveRatio0.246
73.5091%