Run: 2026-04-24-01KQ09414H530K1RV0SCJFYNDX

Run Details

Duration:
4.1s
Cost:
$0.003831
Provider:
Cerebras

Model input

System
You are an expert and award-winning novel writer in the dark Horror genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <location id="861" name="The Fae Grove" aliases="Isolde's grove, Richmond grove, the Grove" realm="Earth (Fae-touched)"> <parkLocation>Richmond Park</parkLocation> <standingStones>ancient oak standing stones mark the boundary</standingStones> <timeBehavior>time moves differently — an hour inside can be minutes or days outside</timeBehavior> <flora>wildflowers bloom year-round</flora> <description>A hidden clearing that exists in a pocket between Earth and the Fae realm.</description> </location> <item id="2001" name="Heartstone Pendant" aliases="the pendant, Heartstone" type="Artifact" origin="Dymas"> <gemstoneColor>deep crimson</gemstoneColor> <chainMaterial>silver chain</chainMaterial> <size>roughly the size of a thumbnail</size> <behavior>pulses faintly with warmth when near a Hel portal</behavior> <glow>faint inner glow</glow> <description>Given to Aurora by an unknown benefactor.</description> </item> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the horror genre. A character is alone in a strange, isolated place at night. They came here for a reason, but something feels off from the moment they arrive. The wrongness builds slowly — sounds that shouldn't be there, things that move at the edge of vision, a growing certainty that they are not alone. Build tension through restraint, not through gore. Use the codex entries above as your world reference for the character and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
"The pendant's thudding again," she whispered, feeling the tiny scar on her left wrist tighten as the chain tightened around her palm. She crouched beneath the ancient oak standing stones, the rough bark scraping her knuckles. A thin scrap of wildflower petals clung to the moss at the base, their scent faint, almost metallic. She had followed the anonymous note that slipped into the back of her delivery bag: *Meet me where the world folds. Bring the Heartstone.* It had been a half‑hour's sprint from Silas' bar, a shortcut through the back alleys of Richmond, and now the grove lay before her, a pocket of silence that seemed to swallow each footstep. "You're not supposed to be here alone," a voice said from the far edge of the clearing. It was too soft to belong to any human, more like breath on the back of a throat. Aurora turned, the pendant flashing a dull red against the silver chain. "Who—?" She held the stone up, watching its faint inner glow pulse in time with her racing heartbeat. The glow steadied, then flared brighter, as if reacting to the unseen presence. "Show yourself." A rustle slipped through the tall grasses. Shadows flickered where the moonlight—if there was any—failed to reach. The stones seemed to tilt ever so slightly, the ancient markings on their surfaces shifting like ink in water. Aurora's breath fogged, but the cold on her skin felt wrong, as though the air itself carried a low hum. "It's the portal," she muttered, eyes scanning the perimeter. "The note said Hel. The pendant's supposed to guide me." A soft chuckle drifted from behind a twisted yew. "Guides? Or lures?" The sound was a sing-song murmuring, layered with a faint metallic clang, like distant bells in a hollow. Aurora's mind snapped back to the scar on her wrist; she could feel it prickle, as if the scar itself might be a key. "The stones are moving." She stepped forward, the hem of her black coat brushing the damp earth. The pendant thumped louder, rhythm matching the quick click of her boots. "If I stay still, maybe it settles." A whisper brushed her ear. "Stay still, stay still." She froze. The whisper didn't belong to any wind; it seemed to emanate from within the stones themselves. The ancient oak's leaves rustled, though no breeze stirred. Aurora's hand tightened around the pendant, feeling the faint pulse of warmth spreading up her arm, tingling through the crescent scar. "I'm not scared," she said, voice low but firm. "What do you want?" A low chuckle turned into a hiss. "You want the Heartstone. We want the Heartstone." A shape materialised at the edge of vision—a silhouette of a figure, tall, draped in a tattered dark cloak that seemed woven from night itself. Its eyes glowed a sickly amber, and each step it took left a faint phosphorescent imprint on the grass. Aurora's breath hitched. She could see the outline but not the face; the figure's head seemed to float above its shoulders, a wavering darkness. "The portal will close soon," the figure said, voice a blend of ancient echo and rusted metal. "Give it back, and you may leave." Aurora's fingers brushed the pendant, feeling the vibrations intensify. "I didn't take it. Someone gave it to me." The cloaked shape tilted its head, the darkness rippling like water. "The giver was a whisper. The taker is a scream." A distant thump sounded, like a heart beating against a wooden table. It reverberated through the stones, through the ground, through Aurora's very bones. She felt the scar on her wrist flare brighter, the crescent now a glowing ember. "I need it to close the portal," she replied, each word measured, the cadence of a lawyer used to arguing for truth. "What happens if I don't?" Silence fell, heavy as a stone. Then, from the deepest part of the grove, a low chant rose—a syllable repeated, tick-tock, click-click, an ablaut of sound that seemed to twist the air. The pendant's glow surged, casting a crimson halo around Aurora's shoulders. "The Heartstone feeds," the cloaked figure whispered. "It drinks the breath of those who wander here." Aurora's eyes darted to the standing stones. One stone, larger than the rest, began to crack, a thin line spidering across its surface. The crack widened, revealing a swirling vortex of dark light, the colour of a bruised throat, spiralling inward. The vortex pulsed with the same rhythm as the pendant, as if the two were locked in a cruel dance. "The portal is a wound," she said, voice barely above a whisper. "It wants to bleed." A sudden rustle erupted behind her. A flock of night‑crows—though no crows existed in this grove—took flight, scattering leaves that fell like ash. Aurora turned, heart hammering, and saw a pair of pale hands reaching from the vortex, each fingertip tipped with a thin ribbon of blood‑red light. They clawed at the air, as if trying to grasp the pendant. "Don't," a new voice hissed, this one sharper, urgent. It sounded like someone standing on a cracked floor, but there was no one there. "The stone will take you." The cloaked figure laughed, a sound that cracked the stone beneath its feet. "Take me?" Aurora answered, a dry smile spreading across her face. "You're the one who wants to feed." A sudden gust—though there was no wind—swept the clearing, sending a cascade of wildflowers tumbling. Aurora felt the pendant's weight shift, the chain pulling taut, as if some unseen hand tugged at it. The crimson glow flared, illuminating a narrow path that led directly into the vortex. "The path is a promise," the cloaked figure murmured. "Or a curse." Aurora stepped toward the opening, the stones shifting beneath her boots, the ground feeling like a living thing, pulsing with each heartbeat. The pendant throbbed, its warmth spreading to her fingertips, then to the scar on her wrist, which now glowed a bright electric blue. The scar seemed to crack, splitting open a tiny fissure in the skin. She looked back at the standing stones—once solid, now trembling, the ancient oak's bark splitting like paper. Shadows flickered, forming faces she recognized: a boy with a missing tooth, an old woman clutching a broken doll, a man with a scar similar to hers. Their eyes followed her, pleading or warning. "The Heartstone will keep the portal open," the cloaked voice said, closer now, the darkness wrapping around Aurora's shoulders like a heavy coat. "If you step through, you'll become part of its tide." She clenched the pendant, feeling the warmth pulse like a drum. "Then let me close it." A deafening crack rang out as the vortex widened, swallowing the standing stones, the ancient oak, the wildflowers in one breath. The grove dissolved into a void of shifting colours—deep violet, bruised indigo, blackened amber. Aurora felt the air thicken, the weight of a thousand unseen eyes pressing on her chest. A final whisper curled around her ears, a promise and a threat: "Welcome, child of the mortal coil. Your blood will feed the realms." She reached out, the pendant's chain snapping free, the stone soaring from her grasp, spiralling toward the vortex. The Heartstone vanished into the dark swirl, and for a heartbeat the world held its breath. Then the vortex recoiled, a surge of black light lashing outward, striking the cliff of the clearing where Aurora had stood. The impact threw her backwards, her body sliding across the slick earth, the scar on her wrist bleeding a thin line of copper‑red. She scrambled to her feet, the pendant now missing, the glowing crimson halo gone, the darkness swallowing the grove's edges. The cloaked figure was no longer there; only the echo of its laughter lingered, like a stone humming in the wind. A guttural howl rose from the depth of the void, a sound that was both animal and machine. Aurora's eyes widened as she realized the portal had not closed—it had grown, pulsating like a wound that refused to heal. The ground beneath her trembled, the ancient oak's roots cracking the earth, sending up a spray of soil that glittered with flecks of red. She stumbled toward the edge of the clearing, the faint outline of the standing stones still flickering in the darkness. A final breath of cold air brushed her cheek, carrying the scent of iron and wilted flowers. "You think you can leave?" a whisper sang, this time from within her own head. "You are already part of this." Aurora's hand brushed the ragged edge of a stone, her fingers finding a groove that pulsed with the same crimson light she had felt before. She dug her nails into it, feeling the stone vibrate, as if it were a beating heart. "I'll find a way out," she said, voice cracking with resolve. "I always find a way." The groove split, a narrow crack widening into a tunnel of shadow, the darkness inside alive with a low, steady thrum. The veil of night beyond the grove flickered, the faint outline of a city street far away—silhouettes of lights, a distant hum of traffic, a promise of safety. She stepped toward the tunnel, the sound of her own steps echoing louder than the distant howl. The darkness seemed to reach for her, tendrils of cold light curling around her ankles, pulling, urging her to stay. A final pulse of red flared behind her as the Heartstone pulsed one last time, sending a shockwave that cracked the standing stones into shards that rained down like glass. Aurora gripped the broken edge of a stone, the scar on her wrist throbbing with the echo of the Heartstone's last beat. The tunnel widened, the darkness swallowing her silhouette. She took a breath, the metallic taste of the wound on her wrist filling her mouth, and stepped over the threshold. Behind her, the grove shivered, the ancient oak's bark splitting, the stones trembling, and the cloaked figure's laughter rose, a sound that would haunt the night forever.
created_at"2026-04-24T17:38:08.182Z" 4/24/2026, 5:38:08 PM
model"openai/gpt-oss-120b"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency381
moderation_latency(null)
generation_time3540
tokens_prompt4560
tokens_completion3681
native_tokens_prompt4128
native_tokens_completion3182
native_tokens_completion_images(null)
native_tokens_reasoning0
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
num_fetches(null)
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origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0.0038313
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provider_responses
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endpoint_id"20cbeb96-747f-42b6-a371-266a1bcd1e6c"
id"chatcmpl-f1503f2f-2e6f-430d-85a6-7d8b43f11ecc"
is_byokfalse
latency313
model_permaslug"openai/gpt-oss-120b"
provider_name"Cerebras"
status200
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Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags19
adverbTagCount1
adverbTags
0"A final whisper curled around [around]"
dialogueSentences37
tagDensity0.514
leniency1
rawRatio0.053
effectiveRatio0.053
91.12% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1690
totalAiIsmAdverbs3
found
0
adverb"ever so slightly"
count1
1
adverb"very"
count1
2
adverb"barely above a whisper"
count1
highlights
0"ever so slightly"
1"very"
2"barely above a whisper"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
0.00% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1690
totalAiIsms38
found
0
word"silence"
count2
1
word"pulse"
count4
2
word"racing"
count1
3
word"flickered"
count3
4
word"scanning"
count1
5
word"could feel"
count1
6
word"whisper"
count6
7
word"warmth"
count3
8
word"wavering"
count1
9
word"echo"
count3
10
word"reverberated"
count1
11
word"measured"
count1
12
word"pulsed"
count3
13
word"dance"
count1
14
word"weight"
count2
15
word"throbbed"
count1
16
word"electric"
count1
17
word"trembled"
count1
18
word"resolve"
count1
19
word"echoing"
count1
highlights
0"silence"
1"pulse"
2"racing"
3"flickered"
4"scanning"
5"could feel"
6"whisper"
7"warmth"
8"wavering"
9"echo"
10"reverberated"
11"measured"
12"pulsed"
13"dance"
14"weight"
15"throbbed"
16"electric"
17"trembled"
18"resolve"
19"echoing"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches1
maxInWindow1
found
0
label"eyes widened/narrowed"
count1
highlights
0"eyes widened"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells1
narrationSentences95
matches
0"g with resolve"
37.59% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount7
narrationSentences95
filterMatches(empty)
hedgeMatches
0"seemed to"
1"began to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences114
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
repeatedSegmentCount0
maxSentenceWordsSeen37
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans1
markdownWords9
totalWords1679
ratio0.005
matches
0"Meet me where the world folds. Bring the Heartstone."
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions14
unquotedAttributions0
matches(empty)
83.33% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions24
wordCount1450
uniqueNames3
maxNameDensity1.31
worstName"Aurora"
maxWindowNameDensity2.5
worstWindowName"Aurora"
discoveredNames
Aurora19
Silence1
Heartstone4
persons
0"Aurora"
1"Silence"
2"Heartstone"
places(empty)
globalScore0.845
windowScore0.833
11.11% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences90
glossingSentenceCount5
matches
0"as if reacting to the unseen presence"
1"seemed woven from night itself"
2"sound that seemed to twist the air"
3"as if trying to grasp the pendant"
4"sounded like someone standing on a cracked"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches1
per1kWords0.596
wordCount1679
matches
0"not scared,\" she said, voice low but firm"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences114
matches(empty)
96.13% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs47
mean35.72
std17.38
cv0.486
sampleLengths
022
190
235
345
456
519
654
736
89
948
1013
1115
1268
1324
1418
1521
1639
1727
1843
1916
2061
2116
2260
2329
2431
2547
2612
2758
2851
2933
3016
3151
3224
3334
3444
3541
3663
3737
3821
3942
4016
4149
4237
4330
4430
4521
4627
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount1
totalSentences95
matches
0"were locked"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs257
matches(empty)
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount12
semicolonCount4
flaggedSentences13
totalSentences114
ratio0.114
matches
0"Shadows flickered where the moonlight—if there was any—failed to reach."
1"Aurora's mind snapped back to the scar on her wrist; she could feel it prickle, as if the scar itself might be a key."
2"The whisper didn't belong to any wind; it seemed to emanate from within the stones themselves."
3"A shape materialised at the edge of vision—a silhouette of a figure, tall, draped in a tattered dark cloak that seemed woven from night itself."
4"She could see the outline but not the face; the figure's head seemed to float above its shoulders, a wavering darkness."
5"Then, from the deepest part of the grove, a low chant rose—a syllable repeated, tick-tock, click-click, an ablaut of sound that seemed to twist the air."
6"A flock of night‑crows—though no crows existed in this grove—took flight, scattering leaves that fell like ash."
7"A sudden gust—though there was no wind—swept the clearing, sending a cascade of wildflowers tumbling."
8"She looked back at the standing stones—once solid, now trembling, the ancient oak's bark splitting like paper."
9"The grove dissolved into a void of shifting colours—deep violet, bruised indigo, blackened amber."
10"The cloaked figure was no longer there; only the echo of its laughter lingered, like a stone humming in the wind."
11"Aurora's eyes widened as she realized the portal had not closed—it had grown, pulsating like a wound that refused to heal."
12"The veil of night beyond the grove flickered, the faint outline of a city street far away—silhouettes of lights, a distant hum of traffic, a promise of safety."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount209
adjectiveStacks0
stackExamples(empty)
adverbCount5
adverbRatio0.023923444976076555
lyAdverbCount0
lyAdverbRatio0
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences114
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences114
mean14.73
std7.1
cv0.482
sampleLengths
022
114
218
321
437
517
618
712
818
913
102
117
1210
1319
1420
159
1610
179
1821
1924
2017
2112
227
235
244
252
2616
279
2821
299
304
317
328
3325
3419
353
3621
3717
387
399
409
4111
4210
4312
4412
4515
4622
475
486
4926
38.60% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats13
diversityRatio0.22807017543859648
totalSentences114
uniqueOpeners26
70.92% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount2
totalSentences94
matches
0"Then, from the deepest part"
1"Then the vortex recoiled, a"
ratio0.021
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount26
totalSentences94
matches
0"she whispered, feeling the tiny"
1"She crouched beneath the ancient"
2"She had followed the anonymous"
3"It was too soft to"
4"She held the stone up,"
5"she muttered, eyes scanning the"
6"She stepped forward, the hem"
7"she said, voice low but"
8"Its eyes glowed a sickly"
9"She could see the outline"
10"It reverberated through the stones,"
11"She felt the scar on"
12"she replied, each word measured,"
13"she said, voice barely above"
14"They clawed at the air,"
15"It sounded like someone standing"
16"She looked back at the"
17"Their eyes followed her, pleading"
18"She clenched the pendant, feeling"
19"She reached out, the pendant's"
ratio0.277
0.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount89
totalSentences94
matches
0"she whispered, feeling the tiny"
1"She crouched beneath the ancient"
2"A thin scrap of wildflower"
3"She had followed the anonymous"
4"a voice said from the"
5"It was too soft to"
6"Aurora turned, the pendant flashing"
7"She held the stone up,"
8"The glow steadied, then flared"
9"A rustle slipped through the"
10"Shadows flickered where the moonlight—if"
11"The stones seemed to tilt"
12"Aurora's breath fogged, but the"
13"she muttered, eyes scanning the"
14"A soft chuckle drifted from"
15"The sound was a sing-song"
16"Aurora's mind snapped back to"
17"She stepped forward, the hem"
18"The pendant thumped louder, rhythm"
19"A whisper brushed her ear."
ratio0.947
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences94
matches(empty)
ratio0
6.80% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences63
technicalSentenceCount12
matches
0"She had followed the anonymous note that slipped into the back of her delivery bag: *Meet me where the world folds."
1"Aurora's hand tightened around the pendant, feeling the faint pulse of warmth spreading up her arm, tingling through the crescent scar."
2"A shape materialised at the edge of vision—a silhouette of a figure, tall, draped in a tattered dark cloak that seemed woven from night itself."
3"Then, from the deepest part of the grove, a low chant rose—a syllable repeated, tick-tock, click-click, an ablaut of sound that seemed to twist the air."
4"Aurora felt the pendant's weight shift, the chain pulling taut, as if some unseen hand tugged at it."
5"She looked back at the standing stones—once solid, now trembling, the ancient oak's bark splitting like paper."
6"She reached out, the pendant's chain snapping free, the stone soaring from her grasp, spiralling toward the vortex."
7"The impact threw her backwards, her body sliding across the slick earth, the scar on her wrist bleeding a thin line of copper‑red."
8"The ground beneath her trembled, the ancient oak's roots cracking the earth, sending up a spray of soil that glittered with flecks of red."
9"The darkness seemed to reach for her, tendrils of cold light curling around her ankles, pulling, urging her to stay."
10"A final pulse of red flared behind her as the Heartstone pulsed one last time, sending a shockwave that cracked the standing stones into shards that rained down…"
11"Behind her, the grove shivered, the ancient oak's bark splitting, the stones trembling, and the cloaked figure's laughter rose, a sound that would haunt the nig…"
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags19
uselessAdditionCount6
matches
0"she muttered, eyes scanning the perimeter"
1"She stepped, the hem of her black coat brushing the damp earth"
2"she said, voice low but firm"
3"she said, voice barely above a whisper"
4"Aurora answered, a dry smile spreading across her face"
5"she said, voice cracking with resolve"
0.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags14
fancyCount6
fancyTags
0"she whispered (whisper)"
1"she muttered (mutter)"
2"figure whispered (whisper)"
3"a new voice hissed (hiss)"
4"figure murmured (murmur)"
5"a whisper sang (sing)"
dialogueSentences37
tagDensity0.378
leniency0.757
rawRatio0.429
effectiveRatio0.324
67.8538%