Run: 2026-04-24-01KQ0G80V21TJD9C91AE7DVAVM

Run Details

Duration:
27.8s
Cost:
$0.060835
Provider:
Amazon Bedrock

Model input

System
You are an expert fiction writer. Always keep the following rules in mind: - Write in past tense and use General English spelling, grammar, and colloquialisms/slang. - Write in active voice - Always follow the "show, don't tell" principle. - Avoid adverbs and cliches and overused/commonly used phrases. Aim for fresh and original descriptions. - Convey events and story through dialogue. - Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. - Skip "he/she said said" dialogue tags and convey people's actions or face expressions through their speech - Avoid mushy dialog and descriptions, have dialogue always continue the action, never stall or add unnecessary fluff. Vary the descriptions to not repeat yourself. - Put dialogue on its own paragraph to separate scene and action. - Reduce indicators of uncertainty like "trying" or "maybe" When writing text: - NEVER conclude the scene on your own, follow the beat instructions very closely. - NEVER end with foreshadowing. - NEVER write further than what I prompt you with. - AVOID imagining possible endings, NEVER deviate from the instructions. - STOP EARLY if the continuation contains what was required in the instructions. You do not need to fill out the full amount of words possible.
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4415" name="Lucien Moreau" aliases="Lucien, Luc, the Frenchman" pronouns="he/him" species="Half-Demon" storyRole="Ally"> <eyeColor>heterochromatic — one amber, one black</eyeColor> <hair>slicked-back platinum blond</hair> <height>5'11"</height> <age>32</age> <cane>ivory-handled cane that conceals a thin blade</cane> <dress>tailored charcoal suits</dress> <description>An impeccably dressed fixer and information broker in London's supernatural underworld. He speaks four languages fluently.</description> <backstory>Born in Marseille to a human mother and a demon father from the realm of Avaros.</backstory> </character> <location id="858" name="Eva's Flat" aliases="Eva's place, the flat on Brick Lane" realm="Earth"> <cat>tabby cat named Ptolemy</cat> <security>three deadbolts on the front door</security> <description>A cramped one-bedroom flat above a curry house on Brick Lane, East London. Every surface is covered with books, scrolls, and research notes.</description> </location> </codex> Continue the story using the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the romance genre. Two people who parted on complicated terms are forced together again when one shows up unannounced at the other's flat. There's history between them — attraction, hurt, and things left unsaid. Write the scene from the moment the door opens. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
Three deadbolts. Rory worked them in order — bottom, top, middle — and the door swung open on a figure she hadn't rehearsed for. Lucien stood on the landing with one gloved hand braced on the ivory head of his cane and rain beading along the shoulders of his coat. The stairwell light caught the amber of his right eye and left the other drowning in shadow. "You didn't ring the bell," she said. "The bell is broken." "The bell's been broken for six months. You used to know that." He inclined his head, a half-bow that was less apology than acknowledgment. "May I come in, or would you rather we conduct this on the stairs? The tenant below has begun to listen." She stepped aside because her arm moved before her pride did. Ptolemy shot between Lucien's polished shoes and vanished under the sofa, which Rory thought was the most sensible thing anyone in the flat had done in weeks. Lucien surveyed the room — the books stacked like bad teeth, the map unfurled on the table with its pins and red thread, the mug of tea gone cold at her elbow. He did not comment. That was almost worse. When Lucien chose silence, he was usually cataloguing. "Eva's not here," she said. "I didn't come for Eva." "Then you've made a wasted trip, because there isn't a single thing in this flat you're entitled to." He set the cane against the wall. Peeled the gloves from his hands one finger at a time, and the ordinary civility of the gesture made something twist behind her sternum. She crossed her arms to pin it in place. "You look well, Aurora." "Don't." "Don't what?" "Don't Aurora me. You haven't earned my full name in four months." A small tilt of his mouth. Not a smile — Lucien did not smile when it counted — but a line that suggested he had felt the hit and would not dignify it with a flinch. "Rory, then." "Why are you here, Luc?" He walked to the table. Touched the edge of the map with two fingers, very lightly, the way one might test the temperature of something alive. "Because I was told you went to see a woman in Spitalfields on Tuesday. And then a man in Rotherhithe on Thursday. And that on both occasions you asked questions you ought not to be asking." "I don't report my movements to you." "No." He raised his eyes. "You don't. Which is the problem." "The problem." She laughed, short and not kind. "You left me on a pavement in Soho at three in the morning, Luc. You put me in a taxi and told the driver an address that wasn't mine. You didn't call. You didn't write. And now you swan into my friend's flat and tell me I'm a problem because I've decided to ask my own questions." "I left you on a pavement because the alternative was having you in a room with Corvin Asch and a man who had been told to carve my name into someone." His voice stayed low; it always did when he meant it. "Forgive me if I chose the pavement." "You could have told me that." "I could have. Yes." The admission sat between them like a third person. He did not rush to fill it. That was one of the things she'd hated about him, once, and missed about him after — the way he let silence do its work. She went to the kitchen counter because standing three feet from him was becoming a physical argument her body was losing. Filled the kettle. Put it down again without switching it on. "Why now?" she asked, back still to him. "Because whatever you have pinned to that table is going to get you killed by Friday." "Sweet of you." "I am not being sweet." "I know." She turned. He hadn't moved. Rain had begun to dry on his shoulders and left dark islands across the charcoal. "That's the problem with you, Lucien. You never are. Everything's strategy. Even the parts that shouldn't be." "Not everything." "Prove it." He looked at her for a long beat. The black eye, she had always thought, was the honest one — you couldn't read anything into a thing that gave nothing back. It was the amber that lied. He stepped around the table. Slowly, as if she were something that might bolt, which was fair, because she might. "I thought about you," he said. "In Marseille. In the café on Rue Sainte where we — " He stopped. Started again. "I sat there for an hour because I could not make myself order." "Lucien." "You asked me to prove it." "I asked you to prove it. I didn't ask you to unhorse me." He was close enough now that she could see the fine line of rain that had slipped past his collar and run down the hollow of his throat. Close enough that the cologne he wore — bergamot, cedar, something darker underneath that she had never placed — reached her before his voice did. "I made a mistake," he said. "Several of them. The pavement. The taxi. Marseille. The four months of quiet that followed, which I told myself were a mercy and which were, in fact, cowardice." "Cowardice." She tasted the word. "You." "Me." "I didn't think you had it in you." "I have a great deal in me that I would prefer not to." Her left hand had risen without permission and settled against the lapel of his coat. The small crescent scar on her wrist caught the lamp. He looked down at it the way he had the first time — not with pity, with attention — and she remembered, with an unwelcome clarity, the feeling of his thumb tracing it in a hotel bed in a city she was trying not to name. "Don't," she said, and meant several things at once. "I haven't done anything." "You're about to." "Only if you permit it." "That's the trouble, isn't it." She didn't step back. "I keep permitting it." His hand came up and covered hers where it rested against his lapel. Warm. Steady. The gloved civility gone. "Tell me to leave," he said, "and I will leave. Tell me to sit down, and I will sit down, and we will speak about the woman in Spitalfields until the kettle boils. Tell me anything, Rory. But tell me." She didn't, for a moment. She let the rain finish drying on his shoulders and the cat resettle beneath the sofa and the traffic on Brick Lane run its wet hush along the window. Then she said, "Sit down." His mouth did the thing that was not a smile. He sat.
created_at"2026-04-24T19:42:38.95Z" 4/24/2026, 7:42:38 PM
model"anthropic/claude-4.7-opus-20260416"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency1723
moderation_latency(null)
generation_time27752
tokens_prompt1034
tokens_completion1673
native_tokens_prompt1472
native_tokens_completion2139
native_tokens_completion_images(null)
native_tokens_reasoning60
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
num_fetches(null)
web_search_engine(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"end_turn"
usage0.060835
router(null)
provider_responses
0
endpoint_id"0fa65117-00d9-4835-808d-9b68041d9ce4"
id"8970fe67-84bb-4a77-a221-fee051f47a87"
is_byokfalse
latency687
model_permaslug"anthropic/claude-4.7-opus-20260416"
provider_name"Amazon Bedrock"
status200
user_agent"langchainjs-openai/1.0.0 ((node/v24.14.1; linux; x64))"
http_referer(null)
request_id"req-1777059758-d4M1eYYqVTHeRzmcplGU"
session_id(null)
api_type"completions"
id"gen-1777059758-h2KEaxzHvLtd2aSHXSeP"
upstream_id"8970fe67-84bb-4a77-a221-fee051f47a87"
total_cost0.060835
cache_discount(null)
upstream_inference_cost0
provider_name"Amazon Bedrock"
response_cache_source_id(null)

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags15
adverbTagCount0
adverbTags(empty)
dialogueSentences52
tagDensity0.288
leniency0.577
rawRatio0
effectiveRatio0
86.61% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1120
totalAiIsmAdverbs3
found
0
adverb"very"
count1
1
adverb"lightly"
count1
2
adverb"slowly"
count1
highlights
0"very"
1"lightly"
2"slowly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
86.61% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1120
totalAiIsms3
found
0
word"silence"
count2
1
word"tracing"
count1
highlights
0"silence"
1"tracing"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells1
narrationSentences60
matches
0"t with pity"
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount0
narrationSentences60
filterMatches(empty)
hedgeMatches(empty)
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences97
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
repeatedSegmentCount0
maxSentenceWordsSeen57
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1133
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions17
unquotedAttributions0
matches(empty)
83.33% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions10
wordCount666
uniqueNames5
maxNameDensity0.75
worstName"Lucien"
maxWindowNameDensity2.5
worstWindowName"Lucien"
discoveredNames
Lucien5
Rory2
Started1
Brick1
Lane1
persons
0"Lucien"
1"Rory"
places
0"Brick"
1"Lane"
globalScore1
windowScore0.833
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences36
glossingSentenceCount0
matches(empty)
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1133
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences97
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs56
mean20.23
std19.35
cv0.957
sampleLengths
024
143
27
34
412
533
638
748
85
95
1018
1140
124
131
142
1512
1638
175
1862
197
2011
2165
2249
236
244
2541
2632
278
2816
293
305
3139
322
332
3457
3535
361
376
3813
3953
4034
416
421
438
4413
4571
469
474
483
495
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount0
totalSentences60
matches(empty)
0.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount4
totalVerbs120
matches
0"was usually cataloguing"
1"was becoming"
2"was losing"
3"was trying"
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount11
semicolonCount1
flaggedSentences8
totalSentences97
ratio0.082
matches
0"Rory worked them in order — bottom, top, middle — and the door swung open on a figure she hadn't rehearsed for."
1"Lucien surveyed the room — the books stacked like bad teeth, the map unfurled on the table with its pins and red thread, the mug of tea gone cold at her elbow."
2"Not a smile — Lucien did not smile when it counted — but a line that suggested he had felt the hit and would not dignify it with a flinch."
3"\"I left you on a pavement because the alternative was having you in a room with Corvin Asch and a man who had been told to carve my name into someone.\" His voice stayed low; it always did when he meant it."
4"That was one of the things she'd hated about him, once, and missed about him after — the way he let silence do its work."
5"The black eye, she had always thought, was the honest one — you couldn't read anything into a thing that gave nothing back."
6"Close enough that the cologne he wore — bergamot, cedar, something darker underneath that she had never placed — reached her before his voice did."
7"He looked down at it the way he had the first time — not with pity, with attention — and she remembered, with an unwelcome clarity, the feeling of his thumb tracing it in a hotel bed in a city she was trying not to name."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount656
adjectiveStacks0
stackExamples(empty)
adverbCount20
adverbRatio0.03048780487804878
lyAdverbCount3
lyAdverbRatio0.004573170731707317
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences97
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences97
mean11.68
std11.05
cv0.946
sampleLengths
02
122
226
317
47
54
612
712
821
911
1027
1132
124
134
148
155
165
1718
187
1924
209
214
221
232
2412
256
2630
272
285
295
3021
3136
327
335
346
358
3657
3742
387
396
404
419
427
4325
4421
453
468
478
4816
493
65.98% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats6
diversityRatio0.4329896907216495
totalSentences97
uniqueOpeners42
100.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount2
totalSentences48
matches
0"Slowly, as if she were"
1"Then she said,"
ratio0.042
3.33% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount26
totalSentences48
matches
0"He inclined his head, a"
1"She stepped aside because her"
2"He did not comment."
3"He set the cane against"
4"She crossed her arms to"
5"He walked to the table."
6"He raised his eyes"
7"She laughed, short and not"
8"His voice stayed low; it"
9"He did not rush to"
10"She went to the kitchen"
11"she asked, back still to"
12"He hadn't moved."
13"He looked at her for"
14"It was the amber that"
15"He stepped around the table."
16"He was close enough now"
17"She tasted the word"
18"Her left hand had risen"
19"He looked down at it"
ratio0.542
53.75% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount39
totalSentences48
matches
0"Rory worked them in order"
1"Lucien stood on the landing"
2"The stairwell light caught the"
3"He inclined his head, a"
4"She stepped aside because her"
5"Ptolemy shot between Lucien's polished"
6"Lucien surveyed the room —"
7"He did not comment."
8"That was almost worse."
9"He set the cane against"
10"She crossed her arms to"
11"A small tilt of his"
12"He walked to the table."
13"He raised his eyes"
14"She laughed, short and not"
15"His voice stayed low; it"
16"The admission sat between them"
17"He did not rush to"
18"That was one of the"
19"She went to the kitchen"
ratio0.813
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences48
matches(empty)
ratio0
80.75% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences23
technicalSentenceCount2
matches
0"He inclined his head, a half-bow that was less apology than acknowledgment."
1"He looked down at it the way he had the first time — not with pity, with attention — and she remembered, with an unwelcome clarity, the feeling of his thumb tra…"
100.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags15
uselessAdditionCount0
matches(empty)
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags9
fancyCount1
fancyTags
0"She laughed (laugh)"
dialogueSentences52
tagDensity0.173
leniency0.346
rawRatio0.111
effectiveRatio0.038
82.0119%