Run: 2026-04-24-01KQ0G891V66NAZVKN616NVR6K

Run Details

Model:: Claude Opus 4.7 (Reasoning)
Test:: Bad Writing Habits
Scenario:: Fantasy: entering an ancient ruin
Duration:: 33.8s
Cost:: $0.077600
Provider:: Amazon Bedrock

Evaluation summary

Score	Evaluator	Details Link
100.00%	Adverbs in dialogue tags	(details)
90.64%	AI-ism adverb frequency	(details)
100.00%	AI-ism character names	(details)
100.00%	AI-ism location names	(details)
62.55%	AI-ism word frequency	(details)
100.00%	Cliché density	(details)
100.00%	Emotion telling (show vs. tell)	(details)
100.00%	Filter word density	(details)
100.00%	Gibberish response detection	(details)
100.00%	Markdown formatting overuse	(details)
100.00%	Missing dialogue indicators (quotation marks)	(details)
95.59%	Name drop frequency	(details)
0.00%	Narrator intent-glossing	(details)
0.00%	"Not X but Y" pattern overuse	(details)
100.00%	Overuse of "that" (subordinate clause padding)	(details)
100.00%	Paragraph length variance	(details)
100.00%	Passive voice overuse	(details)
100.00%	Past progressive (was/were + -ing) overuse	(details)
0.00%	Em-dash & semicolon overuse	(details)
100.00%	Purple prose (modifier overload)	(details)
100.00%	Repeated phrase echo	(details)
100.00%	Sentence length variance	(details)
84.42%	Sentence opener variety	(details)
59.52%	Adverb-first sentence starts	(details)
77.14%	Pronoun-first sentence starts	(details)
40.36%	Subject-first sentence starts	(details)
0.00%	Subordinate conjunction sentence starts	(details)
0.00%	Technical jargon density	(details)
62.50%	Useless dialogue additions	(details)
21.79%	Dialogue tag variety (said vs. fancy)	(details)
73.1505%	Overall

Model input

System

You are an expert fiction writer.

Always keep the following rules in mind:
- Write in past tense and use General English spelling, grammar, and colloquialisms/slang.
- Write in active voice
- Always follow the "show, don't tell" principle.
- Avoid adverbs and cliches and overused/commonly used phrases. Aim for fresh and original descriptions.
- Convey events and story through dialogue.
- Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety.
- Skip "he/she said said" dialogue tags and convey people's actions or face expressions through their speech
- Avoid mushy dialog and descriptions, have dialogue always continue the action, never stall or add unnecessary fluff. Vary the descriptions to not repeat yourself.
- Put dialogue on its own paragraph to separate scene and action.
- Reduce indicators of uncertainty like "trying" or "maybe"

When writing text:
- NEVER conclude the scene on your own, follow the beat instructions very closely.
- NEVER end with foreshadowing.
- NEVER write further than what I prompt you with.
- AVOID imagining possible endings, NEVER deviate from the instructions.
- STOP EARLY if the continuation contains what was required in the instructions. You do not need to fill out the full amount of words possible.

User/Human

Take into account the following glossary of characters/locations/items/lore... when writing your response:
<codex>
<character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist">
  <eyeColor>bright blue</eyeColor>
  <hair>straight shoulder-length black</hair>
  <height>5'6"</height>
  <age>25</age>
  <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar>
  <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description>
  <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory>
</character>

<character id="4418" name="Nyx" aliases="Nyx, the Shadow, Nightwhisper" pronouns="they/them" species="Shade" storyRole="Wild Card">
  <eyeColor>faintly glowing violet</eyeColor>
  <height>approximately 6'2" in solid form</height>
  <age>ageless</age>
  <form>humanoid silhouette of living shadow, can shift between solid and incorporeal</form>
  <voice>sounds like a whisper carried on the wind</voice>
  <description>A being of living shadow, existing between the mortal plane and the spaces between realms.</description>
  <backstory>Nyx was once a human sorcerer named Aldric who became trapped between realms during a failed summoning ritual in 1643. They now exist as a Shade, bound to the mortal plane but able to slip between shadows.</backstory>
</character>

<character id="4424" name="Isolde Varga" aliases="Isolde, the Seer" pronouns="she/her" species="Half-Fae" storyRole="Oracle">
  <eyeColor>pale lavender</eyeColor>
  <hair>silver, reaching her waist</hair>
  <height>5'5"</height>
  <age>300 years old</age>
  <appearance>ethereal, ageless</appearance>
  <speech>speaks in riddles</speech>
  <footprints>leaves no footprints when she walks</footprints>
  <compulsion>cannot lie (Fae compulsion) but can mislead</compulsion>
  <description>A Half-Fae seer exiled from the Fae Courts for sharing visions with mortals.</description>
  <backstory>She now lives in a hidden grove in Richmond Park, offering cryptic prophecies to those who seek her out.</backstory>
</character>

<location id="853" name="Dymas (Gluttony)" aliases="Dymas, gluttony, Dymasian" realm="Hel" sin="Gluttony">
  <ruler>Prince Belphegor</ruler>
  <skyColor>warm amber</skyColor>
  <description>A place of excess and indulgence. Sprawling vineyards, orchards, and gardens provide exotic ingredients for master chefs — often helbound souls contracted from Earth. Grand feasts and culinary competitions are common.</description>
</location>

<location id="861" name="The Fae Grove" aliases="Isolde's grove, Richmond grove, the Grove" realm="Earth (Fae-touched)">
  <parkLocation>Richmond Park</parkLocation>
  <standingStones>ancient oak standing stones mark the boundary</standingStones>
  <timeBehavior>time moves differently — an hour inside can be minutes or days outside</timeBehavior>
  <flora>wildflowers bloom year-round</flora>
  <description>A hidden clearing that exists in a pocket between Earth and the Fae realm.</description>
</location>

<item id="2001" name="Heartstone Pendant" aliases="the pendant, Heartstone" type="Artifact" origin="Dymas">
  <gemstoneColor>deep crimson</gemstoneColor>
  <chainMaterial>silver chain</chainMaterial>
  <size>roughly the size of a thumbnail</size>
  <behavior>pulses faintly with warmth when near a Hel portal</behavior>
  <glow>faint inner glow</glow>
  <description>Given to Aurora by an unknown benefactor.</description>
</item>

<item id="2006" name="Fae-Forged Blade" aliases="the Fae blade, Isolde's gift" type="Weapon" origin="The Fae Courts">
  <material>moonsilver</material>
  <shape>slender, leaf-shaped dagger</shape>
  <temperature>always cold to the touch</temperature>
  <glow>faintly luminescent in moonlight</glow>
  <power>can cut through magical wards; particularly effective against demons</power>
  <givenTo>given to Aurora by Isolde as a gift</givenTo>
  <description>A weapon of the Fae Courts, rare and highly coveted.</description>
</item>

<lore id="7001" name="The Veil" aliases="the Veil, the Barrier, the Boundary" category="Cosmology">
  <solsticeEffect>weakens during the winter solstice, strengthens during the summer solstice</solsticeEffect>
  <appearance>faint shimmering distortion visible only to those with supernatural sight</appearance>
  <monitoring>rift points (tears in the Veil) are monitored by the Wardens</monitoring>
  <description>The Veil is the metaphysical barrier separating Earth from Hel and the Fae Realms.</description>
</lore>
</codex>

Continue the story using the following instructions:
<instructions>
Write a fully fleshed out scene of at least 1000 words in the fantasy genre.

A small group enters an ancient, otherworldly place for the first time. The environment is alien and wondrous. Describe their exploration — what they see, hear, and feel as they move deeper. Include moments of discovery, unease, and wonder. Let the world-building emerge through the characters' experience rather than exposition.

Use the codex entries above as your world reference for characters, setting, and lore.
Only include the prose of the scene without any markdown or commentary.
</instructions>

Model response

The pendant woke against Aurora's sternum the moment they stepped through.

She felt the heat first — not the sting of fever but something low and steady, the way a hearth felt from across a room. Then came the air, thick on her tongue, sweet as crushed figs left to split in the sun. Her lungs took it in and held it too long, as if her body remembered a breath it had never drawn.

"Steady," Nyx whispered. Their voice curled around her ear from somewhere behind, though when she turned, the Shade stood six paces ahead, silhouette sharpening from smoke into something almost-solid under the amber light. "The ground here has opinions."

She looked down. The soil was red — not rust, not clay, but the deep seeping red of a pomegranate broken open — and it bulged gently beneath her boots like dough that had not yet stopped rising.

"Opinions," Aurora repeated. "Lovely."

Isolde came last, and the threshold sealed behind her with a sound like wet silk tearing slowly. She paused between two standing stones that had not been standing stones a moment before — pillars of basalt, weeping sap the colour of honey — and laid her palm against one as though greeting an old acquaintance she did not much care for.

"The Prince's orchards lie east," she murmured. "Or what the orchards call east. You will know by the weight of the fruit."

"Riddles already," Aurora said. "We've been here thirty seconds."

"Four minutes," Isolde corrected, not unkindly. "Time here drinks from a different cup."

Aurora forced her hand down from the pendant. It pulsed against her fingers anyway, bright warm thump-thump-thump, matching nothing in her own chest. She set her jaw and took the first step forward.

The sky, when she let herself look up, was not a sky. It was a bruise of gold and copper and, far higher, a deeper orange that moved in slow coiling bands, as if a great fire breathed behind a membrane. There was no sun. There was only a pervasive glow that threw everything into afternoon without ever committing to a direction for the shadows. Her own shadow crossed itself at her feet, two versions of her overlapping, then peeled apart and rejoined.

"Don't look at them long," Nyx said. They had drifted up beside her without sound. "Shadows here are not reflections. They are invitations."

"You'd know."

"I would." A thread of something that might have been amusement. "Politely refuse."

They walked.

The land rolled into terraces — vineyards, Aurora realised, though the vines climbed trellises of bone so white they glowed faintly under the copper sky. The grapes hung in fat clusters, some the colour of red wine and others black as tar, and as she passed one cluster the nearest grape split of its own accord and wept a single dark bead into the dust. The dust hissed.

Her stomach growled. She had eaten an hour ago — she was certain she had eaten an hour ago — but the hunger that opened beneath her ribs now was not a usual hunger. It was wide. It wanted.

"Rory." Nyx's whisper again, low and cool against the heat. "Eyes forward."

"I wasn't—"

"You were."

She pulled her gaze from the grapes. Her mouth was flooded with saliva. She swallowed hard and tasted iron.

Beyond the terraces the ground rose, and at the rise a hedge of something like rosemary but taller than a man exhaled a resinous perfume that made her eyes water. Through its branches she glimpsed motion — pale figures moving with purpose, carrying trays, carrying crates, carrying what looked like a whole roasted something bigger than a horse. Voices drifted through, speaking a tongue that scraped her ear without catching. Laughter. A bell. The wet clean sound of a blade on a whetstone.

"Kitchens," Isolde said, from several paces behind. She had, Aurora noticed, left no prints where she walked, even in that swelling red dough of soil. "Belphegor's outer kitchens. We skirt them. We do not enter."

"Are they—" Aurora hesitated. "The cooks. Are they—"

"Souls," Isolde said, and for once did not wrap the word in petals. "Contracted. Some willingly. Most not."

Aurora's hand went to the dagger at her hip without instruction from the rest of her. The hilt was cold, which was a small blessing here, where every other surface seemed fevered. Cold enough to clear her head a little. The Fae blade drank the amber light and returned it thinned, silvered, wrong for this place.

They climbed. The hedge gave way to a long shallow slope studded with trees she had no name for — trunks braided like challah, bark a deep plum, and from each bough fruit hung in shapes that refused to settle: one moment a pear, the next a fist, the next something too soft-edged to look at directly.

"Don't," Nyx said, before she had even lifted her hand.

"I wasn't going to eat it."

"Touching is eating, here." They gestured, a ripple of shadow at the end of an arm. "The skin drinks you. A fingertip's worth. Then a knuckle. Then."

"Charming." She tucked both hands into her jacket. "Is there anything in this realm that doesn't try to put itself inside you?"

"The stones." A pause. "Mostly."

From the crown of the slope, the world unfolded.

Aurora stopped walking.

Below them a valley opened — not a valley so much as a bowl the size of a small country, and every inch of it was cultivated. Vineyards and orchards in spirals and concentric rings, silver rivers threading between them, and at the centre a city that was not a city but a table. A vast, endless table, laden, gleaming in the amber light, and around it figures small as ants moved in ceaseless procession. Beyond the table, mountains of dark glass caught the sky and threw it back doubled.

"Oh," she said. The word felt thin.

Nyx's shadow-hand hovered near her elbow, not touching. "Breathe out," they murmured. "You are holding the air like it belongs to you."

She let the breath go. The pendant pulsed, warm and certain, over her heart.

"Where do we go?" she asked.

Isolde stepped up between them, silver hair lifting in a wind Aurora could not feel, pale lavender eyes fixed on the distant table as if reading something written on its linen.

"Down," she said. "And quietly. The Prince has ears in his grapes."

Evaluation details

Result

Evaluator

Details

Meta Data

100.00%

Adverbs in dialogue tags

Target: ≤10% dialogue tags with adverbs

totalTags	16
adverbTagCount	0
adverbTags	(empty)
dialogueSentences	39
tagDensity	0.41
leniency	0.821
rawRatio	0
effectiveRatio	0

90.64%

AI-ism adverb frequency

Target: <2% AI-ism adverbs (58 tracked)

wordCount

1068

totalAiIsmAdverbs

found

adverb	"gently"
count	1

adverb	"slowly"
count	1

highlights

0	"gently"
1	"slowly"

100.00%

AI-ism character names

Target: 0 AI-default names (17 tracked, −20% each)

codexExemptions	(empty)
found	(empty)

100.00%

AI-ism location names

Target: 0 AI-default location names (33 tracked, −20% each)

codexExemptions	(empty)
found	(empty)

62.55%

AI-ism word frequency

Target: <2% AI-ism words (290 tracked)

wordCount

1068

totalAiIsms

found

word	"silk"
count	1

word	"weight"
count	1

word	"pulsed"
count	2

word	"stomach"
count	1

word	"whisper"
count	1

word	"gleaming"
count	1

word	"ceaseless"
count	1

highlights

0	"silk"
1	"weight"
2	"pulsed"
3	"stomach"
4	"whisper"
5	"gleaming"
6	"ceaseless"

100.00%

Cliché density

Target: ≤1 cliche(s) per 800-word window

totalCliches	0
maxInWindow	0
found	(empty)
highlights	(empty)

100.00%

Emotion telling (show vs. tell)

Target: ≤3% sentences with emotion telling

emotionTells	0
narrationSentences	72
matches	(empty)

100.00%

Filter word density

Target: ≤3% sentences with filter/hedge words

filterCount

hedgeCount

narrationSentences

filterMatches

"look"

hedgeMatches

(empty)

100.00%

Gibberish response detection

Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)

analyzedSentences	92
gibberishSentences	0
adjustedGibberishSentences	0
longSentenceCount	0
runOnParagraphCount	0
giantParagraphCount	0
wordSaladCount	0
repetitionLoopCount	0
controlTokenCount	0
repeatedSegmentCount	0
maxSentenceWordsSeen	55
ratio	0
matches	(empty)

100.00%

Markdown formatting overuse

Target: ≤5% words in markdown formatting

markdownSpans	0
markdownWords	0
totalWords	1079
ratio	0
matches	(empty)

100.00%

Missing dialogue indicators (quotation marks)

Target: ≤10% speech attributions without quotation marks

totalAttributions	13
unquotedAttributions	0
matches	(empty)

95.59%

Name drop frequency

Target: ≤1.0 per-name mentions per 100 words

totalMentions

wordCount

919

uniqueNames

maxNameDensity

1.09

worstName

"Aurora"

maxWindowNameDensity

worstWindowName

"Aurora"

discoveredNames

Aurora	10
Shade	1
Isolde	5
Fae	1
Nyx	5

persons

0	"Aurora"
1	"Shade"
2	"Isolde"
3	"Nyx"

places

(empty)

globalScore

0.956

windowScore

0.00%

Narrator intent-glossing

Target: ≤2% narration sentences with intent-glossing patterns

analyzedSentences

glossingSentenceCount

matches

0	"as though greeting an old acquaintance she did not much care for"
1	"something like rosemary but taller than a ma"
2	"looked like a whole roasted something big"
3	"seemed fevered"
4	"as if reading something written on its linen"

0.00%

"Not X but Y" pattern overuse

Target: ≤1 "not X but Y" per 1000 words

totalMatches

per1kWords

3.707

wordCount

1079

matches

0	"not the sting of fever but something low"
1	"not rust, not clay, but the deep seeping red of a pomegranate broken open"
2	"not clay, but the deep seeping red of a pomegranate broken open"
3	"not a city but a table"

100.00%

Overuse of "that" (subordinate clause padding)

Target: ≤2% sentences with "that" clauses

thatCount	0
totalSentences	92
matches	(empty)

100.00%

Paragraph length variance

Target: CV ≥0.5 for paragraph word counts

totalParagraphs

mean

26.32

std

24.62

0.935

sampleLengths

0	11
1	64
2	38
3	38
4	4
5	61
6	22
7	9
8	13
9	33
10	83
11	23
12	2
13	13
14	2
15	68
16	39
17	12
18	2
19	2
20	19
21	83
22	35
23	8
24	18
25	56
26	57
27	10
28	6
29	27
30	22
31	5
32	9
33	3
34	90
35	7
36	22
37	14
38	6
39	31
40	12

100.00%

Passive voice overuse

Target: ≤2% passive sentences

passiveCount

totalSentences

matches

0	"was flooded"

100.00%

Past progressive (was/were + -ing) overuse

Target: ≤2% past progressive verbs

pastProgressiveCount	0
totalVerbs	151
matches	(empty)

0.00%

Em-dash & semicolon overuse

Target: ≤2% sentences with em-dashes/semicolons

emDashCount

semicolonCount

flaggedSentences

totalSentences

ratio

0.087

matches

0	"She felt the heat first — not the sting of fever but something low and steady, the way a hearth felt from across a room."
1	"The soil was red — not rust, not clay, but the deep seeping red of a pomegranate broken open — and it bulged gently beneath her boots like dough that had not yet stopped rising."
2	"She paused between two standing stones that had not been standing stones a moment before — pillars of basalt, weeping sap the colour of honey — and laid her palm against one as though greeting an old acquaintance she did not much care for."
3	"The land rolled into terraces — vineyards, Aurora realised, though the vines climbed trellises of bone so white they glowed faintly under the copper sky."
4	"She had eaten an hour ago — she was certain she had eaten an hour ago — but the hunger that opened beneath her ribs now was not a usual hunger."
5	"Through its branches she glimpsed motion — pale figures moving with purpose, carrying trays, carrying crates, carrying what looked like a whole roasted something bigger than a horse."
6	"The hedge gave way to a long shallow slope studded with trees she had no name for — trunks braided like challah, bark a deep plum, and from each bough fruit hung in shapes that refused to settle: one moment a pear, the next a fist, the next something too soft-edged to look at directly."
7	"Below them a valley opened — not a valley so much as a bowl the size of a small country, and every inch of it was cultivated."

100.00%

Purple prose (modifier overload)

Target: <4% adverbs, <2% -ly adverbs, no adj stacking

wordCount	913
adjectiveStacks	0
stackExamples	(empty)
adverbCount	25
adverbRatio	0.027382256297918947
lyAdverbCount	6
lyAdverbRatio	0.0065717415115005475

100.00%

Repeated phrase echo

Target: ≤20% sentences with echoes (window: 2)

totalSentences	92
echoCount	0
echoWords	(empty)

100.00%

Sentence length variance

Target: CV ≥0.4 for sentence word counts

totalSentences

mean

11.73

std

10.65

0.908

sampleLengths

0	11
1	25
2	18
3	21
4	3
5	30
6	5
7	3
8	35
9	3
10	1
11	17
12	44
13	7
14	15
15	4
16	5
17	6
18	7
19	8
20	15
21	10
22	12
23	29
24	4
25	20
26	18
27	7
28	8
29	8
30	2
31	11
32	2
33	2
34	25
35	40
36	3
37	3
38	31
39	3
40	2
41	10
42	2
43	2
44	2
45	7
46	6
47	6
48	30
49	28

84.42%

Sentence opener variety

Target: ≥60% unique sentence openers

consecutiveRepeats	4
diversityRatio	0.532608695652174
totalSentences	92
uniqueOpeners	49

59.52%

Adverb-first sentence starts

Target: ≥3% sentences starting with an adverb

adverbCount

totalSentences

matches

0	"Then came the air, thick"

ratio

0.018

77.14%

Pronoun-first sentence starts

Target: ≤30% sentences starting with a pronoun

pronounCount

totalSentences

matches

0	"She felt the heat first"
1	"Her lungs took it in"
2	"Their voice curled around her"
3	"She looked down."
4	"She paused between two standing"
5	"It pulsed against her fingers"
6	"She set her jaw and"
7	"It was a bruise of"
8	"Her own shadow crossed itself"
9	"They had drifted up beside"
10	"Her stomach growled."
11	"She had eaten an hour"
12	"It was wide."
13	"She pulled her gaze from"
14	"Her mouth was flooded with"
15	"She swallowed hard and tasted"
16	"She had, Aurora noticed, left"
17	"They gestured, a ripple of"
18	"She tucked both hands into"
19	"She let the breath go."

ratio

0.357

40.36%

Subject-first sentence starts

Target: ≤72% sentences starting with a subject

subjectCount

totalSentences

matches

0	"The pendant woke against Aurora's"
1	"She felt the heat first"
2	"Her lungs took it in"
3	"Their voice curled around her"
4	"She looked down."
5	"The soil was red —"
6	"Isolde came last, and the"
7	"She paused between two standing"
8	"Isolde corrected, not unkindly"
9	"Aurora forced her hand down"
10	"It pulsed against her fingers"
11	"She set her jaw and"
12	"The sky, when she let"
13	"It was a bruise of"
14	"Her own shadow crossed itself"
15	"They had drifted up beside"
16	"A thread of something that"
17	"The land rolled into terraces"
18	"The grapes hung in fat"
19	"The dust hissed."

ratio

0.839

0.00%

Subordinate conjunction sentence starts

Target: ≥2% sentences starting with a subordinating conjunction

subConjCount	0
totalSentences	56
matches	(empty)
ratio	0

0.00%

Technical jargon density

Target: ≤6% sentences with technical-jargon patterns

analyzedSentences

technicalSentenceCount

matches

0	"The soil was red — not rust, not clay, but the deep seeping red of a pomegranate broken open — and it bulged gently beneath her boots like dough that had not ye…"
1	"She paused between two standing stones that had not been standing stones a moment before — pillars of basalt, weeping sap the colour of honey — and laid her pal…"
2	"It was a bruise of gold and copper and, far higher, a deeper orange that moved in slow coiling bands, as if a great fire breathed behind a membrane."
3	"There was only a pervasive glow that threw everything into afternoon without ever committing to a direction for the shadows."
4	"The hedge gave way to a long shallow slope studded with trees she had no name for — trunks braided like challah, bark a deep plum, and from each bough fruit hun…"
5	"Vineyards and orchards in spirals and concentric rings, silver rivers threading between them, and at the centre a city that was not a city but a table."
6	"Isolde stepped up between them, silver hair lifting in a wind Aurora could not feel, pale lavender eyes fixed on the distant table as if reading something writt…"

62.50%

Useless dialogue additions

Target: ≤5% dialogue tags with trailing filler fragments

totalTags

uselessAdditionCount

matches

0	"Isolde corrected, not unkindly"
1	"They gestured, a ripple of shadow at the end of an arm"

21.79%

Dialogue tag variety (said vs. fancy)

Target: ≤10% fancy dialogue tags

totalTags

fancyCount

fancyTags

0	"Nyx whispered (whisper)"
1	"Aurora repeated (repeat)"
2	"she murmured (murmur)"
3	"Isolde corrected (correct)"
4	"they murmured (murmur)"

dialogueSentences

tagDensity

0.333

leniency

0.667

rawRatio

0.385

effectiveRatio

0.256

73.1505%