Run: 2026-04-27-01KQ73C6T4WY6R9850G7S7MXEX

Run Details

Duration:
2m 38s
Cost:
$0.029495
Provider:
Alibaba

Model input

System
You are an expert and award-winning novel writer in the dark Romance genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4415" name="Lucien Moreau" aliases="Lucien, Luc, the Frenchman" pronouns="he/him" species="Half-Demon" storyRole="Ally"> <eyeColor>heterochromatic — one amber, one black</eyeColor> <hair>slicked-back platinum blond</hair> <height>5'11"</height> <age>32</age> <cane>ivory-handled cane that conceals a thin blade</cane> <dress>tailored charcoal suits</dress> <description>An impeccably dressed fixer and information broker in London's supernatural underworld. He speaks four languages fluently.</description> <backstory>Born in Marseille to a human mother and a demon father from the realm of Avaros.</backstory> </character> <location id="858" name="Eva's Flat" aliases="Eva's place, the flat on Brick Lane" realm="Earth"> <cat>tabby cat named Ptolemy</cat> <security>three deadbolts on the front door</security> <description>A cramped one-bedroom flat above a curry house on Brick Lane, East London. Every surface is covered with books, scrolls, and research notes.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the romance genre. Two people who parted on complicated terms are forced together again when one shows up unannounced at the other's flat. There's history between them — attraction, hurt, and things left unsaid. Write the scene from the moment the door opens. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The third deadbolt slid back with a wet, grinding click. Rory dropped her pen. Ink splattered across the open grimoire, blooming like a black rose over the incised runes. She didn't hesitate. She vaulted over the crammed sofa, boots hitting the creaking floorboards with a heavy thud that sent Ptolemy scattering beneath the tangle of research scrolls. The tabby cat hissed, a low, vibrating threat that echoed in the cramped room. The door swung inward. He didn't knock. He didn't ask. Lucien Moreau stepped across the threshold, bringing the damp chill of the London street and the scent of crushed violets into the stagnant air. He looked impeccable. His tailored charcoal suit absorbed the dim light, sharp wool lines cutting through the clutter of textbooks and salt jars that littered every surface. His ivory-handled cane tapped the threshold. Tap. Tap. Tap. A rhythmic countdown. "Three locks," Lucien murmured. His voice held the smooth, baritone roll of the Riviera, polished by London streets. "A quaint affectation. It buys you seconds. Nothing more." "Get out." Rory's hand rested on the hilt of a silver letter opener. She kept her breathing steady. Panic helped no one. Her heart hammered a frantic rhythm against her ribs, but her spine held straight. She refused to give him the satisfaction. Lucien ignored her command. He moved into the room with the predatory grace of a shark in shallow water. He didn't stumble over the stack of encyclopaedias. He didn't glance at the dried sage burning in the iron brazier. He looked only at her. His eyes locked onto hers. One amber, bright as liquid fire. One black, a void that swallowed the light. The mismatch unnerved her, as it always did. It marked him as something other. Something that did not belong to the world of delivery routes and silent flats. "I told you to stay away," Rory hissed. She stepped back, heel catching on a loose floorboard. She recovered instantly, shifting her weight. "Evan is dead. You did that. You promised the debt was settled." "Evan is dead," Lucien agreed. He tapped the cane against a stack of legal papers. The wood drummed a soft beat. "The debt remains. You ran, Rory. You left Marseille with a contract in your pocket and a lie in your teeth. I do not forgive abandonment. I collect." He closed the distance. Rory didn't retreat. She stood her ground, chest heaving slightly. The flat felt smaller with him inside. The air grew heavy, charged with static that made the hair on her arms stand rigid. Ptolemy yowled a warning from beneath the chair, claws raking wood. "You tracked me to a safe house." Rory's knuckles whitened around the letter opener. "How did you find Eva?" "Everyone has a price. Even the stubborn little witch who reads from dead languages in her underwear." His gaze flicked down, mocking, then snapped back to her face. "This is not a safe house. This is a cage. You hide behind books and deadbolts while the world burns. How does it feel? To be the clever girl who lost the game?" Rory's jaw tightened. "I didn't lose. I survived. You left me to the wolves. That's why I'm here." Silence stretched, taut as a bowstring. Lucien's expression didn't fracture. He wore his emotions like the rest of his wardrobe, tailored and hidden. But the black eye flared, a subtle darkening of the iris. A demon's tell. "I drew them away," he corrected softly. "I baited the trap. You thought I was cruel. I was precise." He reached out. Rory flinched, muscles coiling to strike. His hand didn't grab her. It hovered, elegant fingers flexing. He traced the air just millimetres from the small crescent-shaped scar on her left wrist. The scar ached, a phantom burn that always woke at his touch. "Does it still hurt?" Lucien asked. "The night I marked you? Or is your memory selective?" Rory yanked her arm back. The movement broke his spell. She slammed the letter opener onto the nearest table, the metal skittering against glass. "Don't touch me. You don't own me." "Ownership is a human concept," Lucien drawled. He leaned his weight against the cane, shoulders relaxing into a posture of false ease. "I speak of binding. Of blood. Of the pact you signed when you were desperate and cold and alone. You called my name, Rory. Not the police. Not your mother. Me." He pushed off the cane and took one more step. She could smell the ozone on him now, sharp and metallic. Underneath lay the warmth of skin, sweat, and desire. The attraction coiled in her gut, a sickening, sweet hunger that made her toes curl in her boots. She hated him. She wanted to drag him up the stairs and into the small bedroom. She wanted to cut his throat. "I was a child," she spat. "I was scared. You took advantage." "I saved your life," Lucien countered. His voice dropped, losing its mockery, gaining a dangerous edge. "Evan had allies. The same allies who now ring your doorbell." As if on cue, heavy boots thudded on the stairs below. Voices boomed through the floorboards, guttural and jagged. Not the polite chatter of Eva's curry house customers. These were men who broke bones for profit. Rory's breath hitched. Her eyes darted to the window. Brick Lane sprawled below, neon signs reflecting in the rain-slicked cobblestones. Shadows moved between the parked vans. Too many. "Who are they?" Rory whispered. "Cleaners," Lucien said. "Sent by the man who bought Evan's shares before he died. He wants the ledger. He wants your research. And he wants you." He turned his head toward the door, then looked back at her. A cruel smile touched his lips, revealing the sharp point of a canine. "You see the dilemma, little Rory. You hide in a room full of dust. I stand in the doorway with a blade in my cane and a demon in my blood." He extended his hand, palm up. The invitation was clear. The command was implicit. "Give me your hand." "No." Rory backed toward the bookshelf. "I'm not playing your games. I'll fight my own battles." "You will die in thirty seconds," Lucien lied. Or maybe he didn't lie. His eyes gleamed with dark amusement. "The lock on this door is paper to them. They will tear this flat apart. They will hurt Eva. They will carve the truth out of you, piece by piece, while you scream my name again." The boots reached the landing. The door handle jiggled. Once. Twice. Then came the sound of a battering ram. *Boom.* The wood groaned. Splinters flew. Rory looked at the door. Then she looked at Lucien. His hand stayed extended, steady as stone. The amber eye burned. The black eye promised hell. She knew his promises. He broke them with the same elegance he wore his suits. But she also knew what lurked down those stairs. She hated the choice. She hated the pull. She hated the way her body remembered the slide of his skin, the heat of his kiss, the way he made her feel like she mattered in a world that spat on her every day. *Rory Carter does not run.* Rory grabbed his hand. His grip crushed hers. Heat surged up her wrist, searing through the scar. He didn't smile. He didn't gloat. His thumb brushed her pulse point, once, twice. A lover's caress wrapped in iron. "Good girl," he breathed. The door exploded inward. Splinters rained through the room. Three men surged into the chaos, silhouettes filled with muscle and malice. Knives glinted. The smell of stale ale and blood rolled in with them. Lucien shoved Rory behind him. He shifted his weight, the ivory cane rotating in his fingers with a fluid click. The blade slid free, a thin line of obsidian steel that drank the light. Ptolemy exploded from under the chair, a blur of fur and claws, latching onto the lead attacker's ankle. The man howled and kicked. Ptolemy bounced off, landing on the sofa, hissing like a steam valve. Rory didn't hesitate. She snatched a salt jar from the table. She hurled it. The ceramic shattered against the second man's face. White grit stung his eyes. He recoiled, swearing in a thick Cockney accent. "Eyes on me," Lucien commanded. His voice cut through the noise, sharp as glass. He stepped forward. The attackers lunged. The first knife came straight for Lucien's throat. He parried, the cane blade singing a lethal note as it deflected steel. Sparks flew. He spun, using the attacker's momentum, and drove the butt of the cane into the man's knee. Bones snapped. The man dropped, screaming. The second man recovered from the salt, eyes red and wild. He swung a heavy iron poker. Rory grabbed the grimoire from the table. She jammed the heavy book into the man's path, slowing the blow. The spine cracked. Ink and paper sprayed everywhere. Rory used the distraction to kick the man's other knee. He stumbled. Lucien was already there. He moved like smoke. The cane blade flashed. A thin line of red appeared on the man's neck. He gagged and fell backward, clutching the wound. The third man stood frozen, staring at the blood. He looked at Lucien. He looked at the cane. He swallowed hard. "Boss sends regards," the man stammered. He turned to flee. "Wait." Lucien's voice froze the man in the doorway. Rory's breath wheezed in her throat. She watched Lucien's back. His shoulders moved with lethal precision. The blade dripped. He walked toward the man. The attacker raised his hands, shaking. "I'm sorry! I didn't know it was you! I didn't know—" A hand shot out. Lucien's fingers closed around the man's throat. He lifted the man off his feet with effortless strength. The attacker's knees kicked the air. His face turned purple. Lucien spoke. The words were too low for Rory to catch. They carried the cadence of French, sharp and guttural. The attacker's eyes widened. Terror seized him. He dropped the knife. It clattered to the floor. Lucien released him. The man hit the floor, gasping, gagging, clawing at his throat. He scrambled backward on hands and knees, urine soaking into his trousers. He didn't wait to catch his breath. He bolted up the stairs, vanishing into the gloom. Silence returned. Heavy. Broken. Ptolemy rubbed against Rory's shin, purring loudly, as if nothing had happened. Rory's legs trembled. She wiped salt and ink from her cheek. She looked at Lucien. He stood over the fallen men. His suit was pristine. Not a speck of dust. Not a drop of blood. He flicked the blade. The obsidian edge cleaned itself, drinking the moisture. He snapped it back into the cane. He turned to her. The heterochromatic eyes bored into her soul. Stripped her bare. He stepped closer, invading her space again. He reached out, fingers brushing the ink stain on her cheek. His glove was leather, smooth and cool. "Research," he murmured. He wiped the ink away, smearing it slightly. "Always the scholar. Clumsy in battle. Precise in survival." Rory caught his wrist. She didn't let go. She pulled him down, forcing him to look at her. Her heart hammered against her ribs, a frantic bird. She could feel his pulse, slow and strong, beneath her fingers. "You played them," she accused. "You let him leave." Lucien leaned in. His lips brushed her ear. His voice was velvet and venom. "I told him to run. I told him to fetch his boss. And I told him to bring the ledger." He pulled back, a cruel smile returning. The air grew colder. The shadows in the room seemed to stretch, reaching for them. "He'll be here in an hour," Lucien whispered. "We have time to finish what we started." Rory glared at him. "No." "Yes." Lucien's other hand slid around her waist, pulling her flush against him. The contact sent a jolt of electricity through her. She hated him. She wanted him. The war raged in her blood. "Or," Lucien added, his voice dropping to a dangerous purr, "you can scream, and I'll leave you to the wolves. Your choice, little Rory. Your choice." The stairwell creaked. Heavy footsteps returned. Dozens of them. The building shook. Lucien's grip tightened. His eyes glinted with dark delight. "Choose."
created_at"2026-04-27T09:12:25.68Z" 4/27/2026, 9:12:25 AM
model"qwen/qwen3.6-27b-20260422"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency1046
moderation_latency(null)
generation_time158430
tokens_prompt4556
tokens_completion7590
native_tokens_prompt4417
native_tokens_completion7457
native_tokens_completion_images(null)
native_tokens_reasoning4577
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
num_fetches(null)
web_search_engine(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0.0294954
router(null)
provider_responses
0
endpoint_id"82097366-3a73-4790-ac36-f96ba9f6f577"
id"chatcmpl-ab313488-0c9c-9c88-8d72-0a9fdccde8c7"
is_byokfalse
latency1046
model_permaslug"qwen/qwen3.6-27b-20260422"
provider_name"Alibaba"
status200
user_agent"langchainjs-openai/1.0.0 ((node/v24.14.1; linux; x64))"
http_referer(null)
request_id"req-1777281145-SbOGzLTiixRV35sSxPPN"
session_id(null)
api_type"completions"
id"gen-1777281145-ugp6Ife4ViK3DwOJ8Z4M"
upstream_id"chatcmpl-ab313488-0c9c-9c88-8d72-0a9fdccde8c7"
total_cost0.0294954
cache_discount(null)
upstream_inference_cost0
provider_name"Alibaba"
response_cache_source_id(null)

Evaluation details

Result Evaluator Details Meta Data
75.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags21
adverbTagCount3
adverbTags
0"Rory's knuckles whitened around [around]"
1"he corrected softly [softly]"
2"other hand slid around [around]"
dialogueSentences48
tagDensity0.438
leniency0.875
rawRatio0.143
effectiveRatio0.125
92.74% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount2065
totalAiIsmAdverbs3
found
0
adverb"slightly"
count2
1
adverb"softly"
count1
highlights
0"slightly"
1"softly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
39.47% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount2065
totalAiIsms25
found
0
word"echoed"
count1
1
word"chill"
count1
2
word"rhythmic"
count1
3
word"weight"
count3
4
word"charged"
count1
5
word"flicked"
count2
6
word"silence"
count2
7
word"traced"
count1
8
word"warmth"
count1
9
word"desire"
count1
10
word"searing"
count1
11
word"pulse"
count2
12
word"shattered"
count1
13
word"effortless"
count1
14
word"gloom"
count1
15
word"trembled"
count1
16
word"pristine"
count1
17
word"could feel"
count1
18
word"velvet"
count1
19
word"footsteps"
count1
highlights
0"echoed"
1"chill"
2"rhythmic"
3"weight"
4"charged"
5"flicked"
6"silence"
7"traced"
8"warmth"
9"desire"
10"searing"
11"pulse"
12"shattered"
13"effortless"
14"gloom"
15"trembled"
16"pristine"
17"could feel"
18"velvet"
19"footsteps"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches1
maxInWindow1
found
0
label"eyes widened/narrowed"
count1
highlights
0"eyes widened"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences243
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount1
hedgeCount1
narrationSentences243
filterMatches
0"feel"
hedgeMatches
0"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences269
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
repeatedSegmentCount0
maxSentenceWordsSeen36
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans2
markdownWords6
totalWords2065
ratio0.003
matches
0"Boom."
1"Rory Carter does not run."
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions19
unquotedAttributions0
matches(empty)
50.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions68
wordCount1622
uniqueNames12
maxNameDensity1.66
worstName"Lucien"
maxWindowNameDensity3.5
worstWindowName"Lucien"
discoveredNames
Ptolemy5
Moreau1
London2
Riviera1
Rory24
Lucien27
Eva1
Lane1
Carter1
Cockney1
French1
Tap3
persons
0"Ptolemy"
1"Moreau"
2"Riviera"
3"Rory"
4"Lucien"
5"Eva"
6"Carter"
places
0"London"
1"Lane"
globalScore0.668
windowScore0.5
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences118
glossingSentenceCount0
matches(empty)
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount2065
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences269
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs74
mean27.91
std17.79
cv0.637
sampleLengths
010
161
24
369
427
52
641
744
847
935
1049
1148
1219
1361
1418
1537
1619
1746
1816
1931
2053
2170
2212
2327
2436
2528
265
2726
2856
2914
304
3116
3255
3325
3450
3543
365
374
3833
394
404
4130
4234
4335
4435
4514
466
4746
4856
4930
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount0
totalSentences243
matches(empty)
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs323
matches(empty)
100.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount0
semicolonCount0
flaggedSentences0
totalSentences269
ratio0
matches(empty)
94.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1625
adjectiveStacks1
stackExamples
0"small crescent-shaped scar"
adverbCount41
adverbRatio0.02523076923076923
lyAdverbCount6
lyAdverbRatio0.0036923076923076922
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences269
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences269
mean7.68
std5.95
cv0.775
sampleLengths
010
14
215
33
425
514
64
73
83
924
103
1124
126
131
141
151
163
174
1814
199
202
2111
225
234
2414
257
264
2715
288
2912
305
315
326
338
348
356
3614
378
389
396
4012
415
4210
436
4428
454
463
477
487
4916
34.01% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats43
diversityRatio0.24907063197026022
totalSentences269
uniqueOpeners67
31.30% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount2
totalSentences213
matches
0"Then came the sound of"
1"Then she looked at Lucien."
ratio0.009
34.08% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount99
totalSentences213
matches
0"She didn't hesitate."
1"She vaulted over the crammed"
2"He didn't knock."
3"He didn't ask."
4"He looked impeccable."
5"His tailored charcoal suit absorbed"
6"His ivory-handled cane tapped the"
7"His voice held the smooth,"
8"She kept her breathing steady."
9"Her heart hammered a frantic"
10"She refused to give him"
11"He moved into the room"
12"He didn't stumble over the"
13"He didn't glance at the"
14"He looked only at her."
15"His eyes locked onto hers."
16"It marked him as something"
17"She stepped back, heel catching"
18"She recovered instantly, shifting her"
19"He tapped the cane against"
ratio0.465
0.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount196
totalSentences213
matches
0"The third deadbolt slid back"
1"Rory dropped her pen."
2"Ink splattered across the open"
3"She didn't hesitate."
4"She vaulted over the crammed"
5"The tabby cat hissed, a"
6"The door swung inward."
7"He didn't knock."
8"He didn't ask."
9"Lucien Moreau stepped across the"
10"He looked impeccable."
11"His tailored charcoal suit absorbed"
12"His ivory-handled cane tapped the"
13"A rhythmic countdown."
14"His voice held the smooth,"
15"Rory's hand rested on the"
16"She kept her breathing steady."
17"Panic helped no one."
18"Her heart hammered a frantic"
19"She refused to give him"
ratio0.92
23.47% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences213
matches
0"As if on cue, heavy"
ratio0.005
60.44% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences52
technicalSentenceCount6
matches
0"She vaulted over the crammed sofa, boots hitting the creaking floorboards with a heavy thud that sent Ptolemy scattering beneath the tangle of research scrolls."
1"The tabby cat hissed, a low, vibrating threat that echoed in the cramped room."
2"His tailored charcoal suit absorbed the dim light, sharp wool lines cutting through the clutter of textbooks and salt jars that littered every surface."
3"The attraction coiled in her gut, a sickening, sweet hunger that made her toes curl in her boots."
4"His voice dropped, losing its mockery, gaining a dangerous edge."
5"She hated the way her body remembered the slide of his skin, the heat of his kiss, the way he made her feel like she mattered in a world that spat on her every …"
100.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags21
uselessAdditionCount1
matches
0"Lucien added, his voice dropping to a dangerous purr,"
0.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags14
fancyCount12
fancyTags
0"Lucien murmured (murmur)"
1"Rory hissed (hiss)"
2"he corrected softly (correct)"
3"Lucien drawled (drawl)"
4"she spat (spit)"
5"Rory whispered (whisper)"
6"Lucien lied (lie)"
7"he breathed (breathe)"
8"the man stammered (stammer)"
9"he murmured (murmur)"
10"Lucien whispered (whisper)"
11"Lucien added (add)"
dialogueSentences48
tagDensity0.292
leniency0.583
rawRatio0.857
effectiveRatio0.5
77.8172%