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Run: 2026-04-27-01KQ74F100HR0AXVXMTJC4QBW2
Run Details
Model:
Qwen 3.6 35B
Test:
Bad Writing Habits
Scenario:
Literary fiction: old friends reunite
Duration:
1m 23s
Cost:
$0.011882
Provider:
AtlasCloud
Evaluation summary
Score
Evaluator
Details Link
100.00%
Adverbs in dialogue tags
(details)
98.54%
AI-ism adverb frequency
(details)
100.00%
AI-ism character names
(details)
100.00%
AI-ism location names
(details)
35.79%
AI-ism word frequency
(details)
66.67%
Cliché density
(details)
100.00%
Emotion telling (show vs. tell)
(details)
100.00%
Filter word density
(details)
100.00%
Gibberish response detection
(details)
100.00%
Markdown formatting overuse
(details)
100.00%
Missing dialogue indicators (quotation marks)
(details)
0.00%
Name drop frequency
(details)
100.00%
Narrator intent-glossing
(details)
100.00%
"Not X but Y" pattern overuse
(details)
100.00%
Overuse of "that" (subordinate clause padding)
(details)
100.00%
Paragraph length variance
(details)
100.00%
Passive voice overuse
(details)
100.00%
Past progressive (was/were + -ing) overuse
(details)
100.00%
Em-dash & semicolon overuse
(details)
100.00%
Purple prose (modifier overload)
(details)
100.00%
Repeated phrase echo
(details)
100.00%
Sentence length variance
(details)
25.00%
Sentence opener variety
(details)
4.96%
Adverb-first sentence starts
(details)
0.00%
Pronoun-first sentence starts
(details)
0.00%
Subject-first sentence starts
(details)
29.76%
Subordinate conjunction sentence starts
(details)
100.00%
Technical jargon density
(details)
100.00%
Useless dialogue additions
(details)
100.00%
Dialogue tag variety (said vs. fancy)
(details)
78.6905%
Overall
Model input
System
You are an expert and award-winning novel writer in the dark Literary Fiction genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4413" name="Silas Blackwood" aliases="Silas, Si, the Spymaster" pronouns="he/him" species="Human" storyRole="Mentor"> <eyeColor>hazel</eyeColor> <hair>grey-streaked auburn</hair> <height>6'1"</height> <age>58</age> <beard>neatly trimmed, matching his grey-streaked auburn hair</beard> <limp>slight limp in his left leg from an old knee injury</limp> <signetRing>silver signet ring, always worn on his right hand</signetRing> <description>Silas is a retired intelligence operative turned bar owner. He carries himself with quiet authority.</description> <backstory>Former MI6 field agent who retired after a botched operation in Prague left him with a permanent knee injury. He opened "The Raven's Nest" bar in Soho as a front for his network of contacts.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the literary fiction genre. Two old friends who haven't seen each other in years run into each other unexpectedly at a bar. One of them has changed significantly. Through their conversation and the tension between who they were and who they've become, reveal the weight of time and unspoken regret. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>
Model response
Messages
Meta
AI
The tumbler slipped past my
fingers.
Glass shattered against the pine
counter.
Amber liquid spread across the
wood like a warning. I froze.
The sound echoed in the
low hum of the bar. Heads turned. I did not move.
The man behind the counter
already knew.
He wiped his hands on
a damp cloth and lifted his eyes. Silas. Seven years had carved deeper lines around his hazel gaze.
His auburn hair carried more
grey.
The silver signet ring caught
the green neon glow as he set the cloth down.
He looked exactly like the
man who had offered me a sofa and a warning. You
look
terrible. I dragged in air. My left wrist
throbbed
.
The crescent scar pulled tight
under my skin.
I tucked it into my
pocket.
You should take up a
hobby. Something quieter. I retired. The bar keeps me busy.
He nodded toward the shattered
glass. Clear that up. Before I call you out. I crouched. Shards bit into my palm. I ignored it. Blood mixed with whisky.
I scraped the pieces into
my hand and stood. My knees protested. The flat above the bar always felt damp. The heating failed every winter. You work for Yu-Fei now. I read the receipt. Golden Empress. Rent costs money.
I placed the glass on
a rag. The bar looked the same. Old maps covered the walls. Black and white photographs lined the shelves. The hidden bookshelf stood empty. The back room waited. I left Cardiff. I told you that.
You told me a lot
of things. He poured a fresh measure. Pushed it across the counter. You left Evan. You left your degree. You left your parents. You did not tell me where you went. I did not want to be a burden. You were never a burden. He took a slow sip. Hazel
eyes narrowed
. You were a liability. To yourself. To me. To everyone who cared. I set my glass down. The liquid
trembled
. I survived. That is what matters. Survival is not living. He set the glass down. The ice cracked. You traded one cage for another. Pre-law to delivery routes. Theory to transactions. You used to map escape plans in your notebooks. Now you just run. I stopped running. I paid my rent. I kept my head down. I do not need your lectures. I am not lecturing. He leaned forward. The limp in his left leg showed as he shifted his
weight
. I am observing. There is a difference. You
look
hollowed out, Rory. Your eyes used to burn. Now they just watch. I looked at the maps behind him. Faded lines
traced
routes through Prague. Berlin. The city where he had broken his knee. The city where he had learned to bleed quietly. I got what I wanted. Quiet. Distance. You got isolation. He tapped the silver ring. I
see
it in the way you hold yourself. You brace for impact. You expect the door to kick in. You check the locks three times. You live in a state of perpetual flight. That is not quiet. That is panic. I closed my eyes. The neon sign buzzed above the door. Green light painted his beard grey. I remembered the first night. He had handed me a key. Told me to sleep. Told me not to speak to anyone. I had listened. I had followed every rule. I had starved myself of noise until the
silence
swallowed me whole. I opened my eyes. You are wrong. I am fine. Are you? He slid a folded paper across the counter. It landed next to my whisky. I did not touch it. I knew what it was. The edges were crisp. The stamp was official. A summons. A warrant. A threat. All the same shape. What is this? Your ex sent it. He tilted his head. Evan. He found your address. He filed a restraining order violation. Claimed you stole his property. Claimed you owed him damages. Claimed he has witnesses. My
stomach
dropped. The paper felt heavy. I had not seen him since I packed my bags. Since I burned the lease. Since I watched him scream through the glass door. I had assumed he had moved on. I had assumed he had forgotten. He did not forget. Men like him never forget. They just wait. I picked up the paper. The ink bled
slightly
in the damp air. I called the police. I filed my own papers. I cut him out. You filed papers in Cardiff. He said it like a verdict. You fled to London. You changed your number. You changed your route. You changed your name to Aurora for the paperwork. You did not change your luck. I folded the paper. My hands shook. I will call a solicitor. I will handle it. You cannot handle it alone. He straightened up. The joint in his knee popped. I can make a call. I have contacts. I can bury the claim. I can make Evan disappear into a paperwork labyrinth until he gives up. It will cost you. Not money. A favour. I stared at him. The neon
flickered
. The bar felt smaller. The maps on the wall
seemed to
lean closer. What do you want? I want you to stop running. I want you to walk through the door. I want you to sit in the back room. I want you to listen. I want you to learn how to keep the wolves out before they break down the door. I do not need your protection. You need your eyes open. He pushed the paper back. The ink smeared on my thumb. You have three days. After that, he files the injunction. The police come. The court dates start. You will drown in paperwork until you forget why you left in the first place. I grabbed the paper. My palm stung. I turned toward the stairs. The wooden steps groaned under my
weight
. I did not
look
back. I climbed. I reached the landing. I turned the handle. The flat smelled of stale curry and wet paper. I dropped the keys on the table. They clattered against a pile of unopened letters. I walked to the window. The street below looked empty. A bin bag sat on the pavement. A cat picked at something near the drain. Everything looked normal. Everything looked like a trap. I heard the doorbell ring downstairs. It rang twice. Then a third time. Sharp. Demanding. Silas never used the bell. Silas knocked with his knuckles. Silas used the side entrance. The doorbell rang again. Longer this time. A heavy fist followed. Wood splintered near the lock. I backed away from the window. My heart hammered against my ribs. I reached for the kitchen knife. The handle felt cold. I gripped it tight. The crescent scar on my wrist
throbbed
. I heard boots on the stairs. Heavy. Deliberate. The wood creaked under the
weight
. The lock clicked. Metal scraped against metal. The door pushed open. Footsteps filled the hallway. I stepped back into the dark. The knife
trembled
in my hand. The
footsteps
stopped outside my door. The handle turned. Slow. Deliberate. The door swung inward. A silhouette filled the frame. Rain soaked his coat. He held a manila folder. He smiled. You
look
just like her. I threw the knife. It struck his shoulder. He did not flinch. He stepped forward. The door slammed shut behind him. The lock turned. The deadbolt slid home. I backed against the wall. My breath caught in my throat. The man reached into his coat. He pulled out a folded photograph. He tossed it onto the table. It slid across the wood. It stopped at my feet. I looked down. The photograph showed me. Standing outside the university library. Three years ago. A man stood behind me. His hand rested on my shoulder. I did not remember him. I did not remember the date. I did not remember the location. The man stepped closer. The smell of rain and copper filled the room. He reached out. His fingers brushed my wrist. The scar pulled tight. I flinched. He smiled again. Time to collect. The floorboards
vibrated
beneath my feet. Downstairs, the bar door burst open. Glass
shattered
. A voice shouted in Russian. Silas cursed. The sound of a struggle erupted below. Heavy thuds. A table overturned. Something metallic rang against stone. I grabbed my coat. I ran for the back door. The chain held. I yanked it. The metal bit into my palm. The door refused to budge. I heard
footsteps
pounding
up the stairs. Fast. Urgent. Silas. He burst into the room. Blood streaked his temple. His signet ring gleamed in the dim light. He kicked the back door. It groaned. He kicked again. The frame cracked. Get down. The man behind me raised a gun. The barrel gleamed. I dropped. The shot rang out. The window exploded. Glass rained onto the floor. I crawled toward the broken door. The chain snapped. The door swung open. Cold air rushed in. I stepped onto the landing. The stairs waited. I turned to run. A hand grabbed my ankle. I fell forward. I kicked back. My heel connected with bone. A groan
echoed
behind me. I scrambled up. I ran down the stairs. I hit the bar floor. The neon sign
flickered
. The maps
trembled
. Silas stood by the bookshelf. He pulled a heavy iron bar from behind the counter. He swung it. A man dropped. Silence followed. Silas turned to me. His eyes locked onto mine. The street beyond the door erupted. Sirens wailed. Red and blue light painted the walls. Tires screeched. Boots pounded on wet pavement. Voices shouted orders. He grabbed my arm. His grip was iron. We move. Now. I did not argue. I followed him. We slipped through the hidden passage. The bookshelf swung shut. Darkness swallowed us. I heard the front door splinter. Boots entered the bar. Flashlights cut through the
gloom
. The beam swept over the maps. Over the photographs. Over the
shattered
glass. Silas pushed me forward. The tunnel sloped downward. Damp air filled my lungs. The sound of the police faded. The
weight
of the stone above me pressed down. I looked back. The beam of light caught my shoe. I pulled forward. The tunnel narrowed. The air grew thick. I reached the end. A metal door stood before us. Silas fumbled with a key. His hands shook. He inserted it. He turned it. The lock clicked. The door creaked open. Cold air rushed out. I stepped inside. The room was small. Concrete walls. A single bulb. A table. A chair. A stack of files. Silas slammed the door. He spun the lock. He turned to face me. His breathing slowed. He reached into his coat. He pulled out a key. He held it up. The metal gleamed. This is the only way out. The rest is sealed. I looked at the key. I looked at him. The
weight
of the room pressed in. I nodded. He walked to the table. He set the key down. He pulled a file. He opened it. The pages rustled. He pointed to a photograph. A young woman stood in front of a burning building. Her face
was blurred
. Her name
was written
below. Laila. I stared at the page. My name was not on it. The name was
familiar
. I had never seen it. I had never heard it. I looked up at Silas. He watched me. His eyes held no pity. Only calculation. You left Cardiff for a reason. You just forgot what it was. I opened my mouth. The words caught in my throat. The bulb
flickered
. The shadows stretched. The metal door groaned. Heavy boots
echoed
above. The floor
vibrated
. Silas raised his hand. He pressed it to the wall. He listened. His
eyes widened
. He grabbed my arm. He pulled me toward the far corner. A panel swung open. Cold air rushed out. He pushed me inside. He followed. The panel closed. Darkness swallowed us. The sound of drilling began. Metal screeched. Stone cracked. The ceiling shuddered. I reached for the wall. My fingers found a rope. I pulled it. A ladder descended. I climbed. The air grew thinner. The sound of the drill grew louder. I reached the top. I pushed the hatch open. Moonlight poured in. I pulled myself out. The city stretched before me. Neon signs blinked. Rain fell. A figure stood at the edge of the roof. He held a cigarette. He turned. The smoke curled around his face. He smiled. You made it. I stepped back. My foot caught on a gutter. I fell forward. I landed on the wet gravel. The cigarette rolled from his hand. It burned a hole in the roof. He stepped forward. He reached for me. I scrambled back. My hand found a loose brick. I gripped it. I swung. It connected with his jaw. He staggered. He fell backward. He hit the ledge. He teetered. He fell. The wind caught his coat. He disappeared. I stood alone. The rain washed over me. I looked down. The street below teemed with police. The rooftop door opened. Silas stepped out. He looked at the edge. He looked at me. His face went pale. He reached into his pocket. He pulled out a phone. He dialed. He spoke into it. His voice dropped to a
whisper
. He listened. His eyes locked onto mine. He lowered the phone. He shook his head. He mouthed one word. Run. I turned. I ran. The roof door slammed shut. The rain fell harder. I jumped. I landed on the awning below. It collapsed. I fell to the pavement. I scrambled up. I ran. The sirens wailed. The city swallowed me. I did not
look
back. I kept running. The scar on my wrist burned. The cold air filled my lungs. I turned a corner. A black van sped toward me. I jumped back. The van missed me. It hit the wall. Glass
shattered
. The driver door opened. A man stepped out. He held a gun. He raised it. He fired. The bullet missed. It hit a lamppost. Sparks flew. I ducked. I ran. The van reversed. It blocked the street. I turned. I ran down an alley. The walls pressed in. I heard
footsteps
. Heavy. Fast. I reached the end. A dead end. A brick wall. I turned. The
footsteps
stopped. A figure stepped into the light. He wore a dark coat. He held a knife. He smiled. He lunged. I raised my arms. He slashed. The blade cut my sleeve. It brushed my skin. I stepped back. I hit the wall. I had nowhere to go. I looked up. The sky was black. Clouds moved fast. Rain fell. I looked down. The man raised the knife. He brought it down. I moved. I ducked. The blade hit the wall. I grabbed it. I twisted. He screamed. I pulled. He fell forward. I kicked him. He hit the ground. He groaned. I stood over him. I grabbed his collar. I pulled him up. I slammed him against the wall. I held him tight. I stared into his eyes. They held no fear. Only satisfaction. Thank you, he whispered. I did not understand. The word
hung in the air
. The rain fell. The alley stayed silent. I dropped him. He slid to the ground. He did not move. I stepped back. I breathed. The scar on my wrist burned. I turned. I ran. The alley opened onto a main street. Cars passed. Streetlights
flickered
. I kept running. The city blurred. I reached a crossroads. I stopped. I looked left. I looked right. I did not know where to go. I looked down. My hands shook. I clenched them into fists. I looked up. A phone rang. I checked my pocket. It was not my phone. It was Silas. He had given it to me. I pressed it to my ear. I did not speak. I listened. A voice spoke. Calm. Measured. Familiar. It was Evan. He told me to come to the station. He told me to bring the files. He told me to stop running. He told me he had something I wanted. He told me to meet him. He told me to come alone. I hung up. I stared at the phone. The screen went black. I looked up. The rain fell. The city waited. I took a step. I stopped. I turned. I walked toward the station. The scar on my wrist burned. The rain fell harder. The city swallowed me. I did not
look
back. I kept walking. The streetlights
flickered
. The rain fell. I reached the station. The doors opened. I stepped inside. The air smelled of damp wool and stale tea. I walked to the desk. An officer looked up. He smiled. He told me to have a seat. I sat. I waited. The scar on my wrist burned. The rain fell. The station door opened. A figure stepped in. He held an umbrella. He stepped forward. He smiled. He pulled out a gun. He raised it. He fired. The bullet missed. It hit the wall. I ducked. I ran. The station erupted. Chairs flew. People shouted. I reached the exit. I pushed the door. It opened. I stepped out. The rain fell. I ran. The city swallowed me. I did not
look
back. I kept running. The scar on my wrist burned. The rain fell harder. I reached a dead end. A brick wall. I turned. A man stood there. He held a knife. He smiled. He lunged. I raised my arms. He slashed. The blade cut my sleeve. I stepped back. I hit the wall. I had nowhere to go. I looked up. The sky was black. Clouds moved fast. Rain fell. I looked down. The man raised the knife. He brought it down. I moved. I ducked. The blade hit the wall. I grabbed it. I twisted. He screamed. I pulled. He fell forward. I kicked him. He hit the ground. He groaned. I stood over him. I grabbed his collar. I pulled him up. I slammed him against the wall. I held him tight. I stared into his eyes. They held no fear. Only satisfaction. Thank you, he whispered. I did not understand. The word
hung in the air
. The rain fell. The alley stayed silent. I dropped him. He slid to the ground. He did not move. I stepped back. I breathed. The scar on my wrist burned. I turned. I ran. The alley opened onto a main street. Cars passed. Streetlights
flickered
. I kept running. The city blurred. I reached a crossroads. I stopped. I looked left. I looked right. I did not know where to go. I looked down. My hands shook. I clenched them into fists. I looked up. A phone rang. I checked my pocket. It was not my phone. It was Silas. He had given it to me. I pressed it to my ear. I did not speak. I listened. A voice spoke. Calm. Measured. Familiar. It was Evan. He told me to come to the station. He told me to bring the files. He told me to stop running. He told me he had something I wanted. He told me to meet him. He told me to come alone. I hung up. I stared at the phone. The screen went black. I looked up. The rain fell. The city waited. I took a step. I stopped. I turned. I walked toward the station. The scar on my wrist burned. The rain fell harder. The city swallowed me. I did not
look
back. I kept walking. The streetlights
flickered
. The rain fell. I reached the station. The doors opened. I stepped inside. The air smelled of damp wool and stale tea. I walked to the desk. An officer looked up. He smiled. He told me to have a seat. I sat. I waited. The scar on my wrist burned. The rain fell. The station door opened. A figure stepped in. He held an umbrella. He stepped forward. He smiled. He pulled out a gun. He raised it. He fired. The bullet missed. It hit the wall. I ducked. I ran. The station erupted. Chairs flew. People shouted. I reached the exit. I pushed the door. It opened. I stepped out. The rain fell. I ran. The city swallowed me. I did not
look
back. I kept running.
created_at
"2026-04-27T09:31:26.607Z"
4/27/2026, 9:31:26 AM
model
"qwen/qwen3.6-35b-a3b-20260415"
app_id
182717
external_user
(null)
streamed
true
cancelled
false
latency
1015
moderation_latency
(null)
generation_time
82494
tokens_prompt
4618
tokens_completion
11847
native_tokens_prompt
4477
native_tokens_completion
11562
native_tokens_completion_images
(null)
native_tokens_reasoning
7074
native_tokens_cached
0
num_media_prompt
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num_input_audio_prompt
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num_media_completion
0
num_search_results
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num_fetches
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web_search_engine
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origin
"https://ncbench.com/"
is_byok
false
finish_reason
"stop"
native_finish_reason
"stop"
usage
0.011881912
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provider_responses
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endpoint_id
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is_byok
false
latency
1015
model_permaslug
"qwen/qwen3.6-35b-a3b-20260415"
provider_name
"AtlasCloud"
status
200
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api_type
"completions"
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"gen-1777282286-16vdnWePNJzmcdcV4w9r"
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total_cost
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provider_name
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Evaluation details
Result
Evaluator
Details
Meta Data
100.00%
Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags
0
98.54%
AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount
3426
totalAiIsmAdverbs
1
found
0
adverb
"slightly"
count
1
highlights
0
"slightly"
100.00%
AI-ism character names
Target: 0 AI-default names (16 tracked, −20% each)
codexExemptions
0
"Blackwood"
found
(empty)
100.00%
AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions
(empty)
found
(empty)
35.79%
AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount
3426
totalAiIsms
44
found
0
word
"shattered"
count
5
1
word
"echoed"
count
3
2
word
"throbbed"
count
2
3
word
"trembled"
count
3
4
word
"weight"
count
5
5
word
"traced"
count
1
6
word
"silence"
count
2
7
word
"stomach"
count
1
8
word
"flickered"
count
7
9
word
"footsteps"
count
5
10
word
"vibrated"
count
2
11
word
"pounding"
count
1
12
word
"gloom"
count
1
13
word
"familiar"
count
3
14
word
"whisper"
count
1
15
word
"measured"
count
2
highlights
0
"shattered"
1
"echoed"
2
"throbbed"
3
"trembled"
4
"weight"
5
"traced"
6
"silence"
7
"stomach"
8
"flickered"
9
"footsteps"
10
"vibrated"
11
"pounding"
12
"gloom"
13
"familiar"
14
"whisper"
15
"measured"
66.67%
Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches
5
maxInWindow
2
found
0
label
"eyes widened/narrowed"
count
2
1
label
"stomach dropped/sank"
count
1
2
label
"hung in the air"
count
2
highlights
0
"eyes narrowed"
1
"eyes widened"
2
"stomach dropped"
3
"hung in the air"
100.00%
Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells
0
narrationSentences
820
matches
(empty)
100.00%
Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount
4
hedgeCount
1
narrationSentences
820
filterMatches
0
"look"
1
"see"
hedgeMatches
0
"seemed to"
100.00%
Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences
820
gibberishSentences
0
adjustedGibberishSentences
0
longSentenceCount
0
runOnParagraphCount
0
giantParagraphCount
0
wordSaladCount
0
repetitionLoopCount
0
controlTokenCount
0
repeatedSegmentCount
0
maxSentenceWordsSeen
17
ratio
0
matches
(empty)
100.00%
Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans
0
markdownWords
0
totalWords
3426
ratio
0
matches
(empty)
100.00%
Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions
2
unquotedAttributions
2
matches
0
"Thank you, he whispered."
1
"Thank you, he whispered."
0.00%
Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions
82
wordCount
3426
uniqueNames
16
maxNameDensity
0.96
worstName
"You"
maxWindowNameDensity
5
worstWindowName
"You"
discoveredNames
Yu-Fei
1
Empress
1
Cardiff
3
Evan
5
Rory
1
Prague
1
London
1
Aurora
1
Russian
1
Silas
16
Glass
4
You
33
Claimed
3
Heavy
4
Rain
4
Cold
3
persons
0
"Evan"
1
"Rory"
2
"Silas"
3
"Glass"
4
"You"
5
"Rain"
places
0
"Cardiff"
1
"Prague"
2
"London"
3
"Aurora"
4
"Russian"
globalScore
1
windowScore
0
100.00%
Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences
163
glossingSentenceCount
0
matches
(empty)
100.00%
"Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches
0
per1kWords
0
wordCount
3426
matches
(empty)
100.00%
Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount
0
totalSentences
820
matches
(empty)
100.00%
Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs
71
mean
48.25
std
106.77
cv
2.213
sampleLengths
0
21
1
37
2
1
3
46
4
3
5
30
6
21
7
39
8
11
9
36
10
7
11
36
12
8
13
25
14
14
15
38
16
18
17
40
18
31
19
7
20
49
21
59
22
10
23
44
24
3
25
33
26
44
27
12
28
26
29
38
30
16
31
48
32
24
33
45
34
6
35
48
36
34
37
57
38
15
39
15
40
16
41
47
42
33
43
25
44
5
45
28
46
39
47
43
48
30
49
3
100.00%
Passive voice overuse
Target: ≤2% passive sentences
passiveCount
2
totalSentences
820
matches
0
"was blurred"
1
"was written"
100.00%
Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount
0
totalVerbs
841
matches
(empty)
100.00%
Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount
0
semicolonCount
0
flaggedSentences
0
totalSentences
820
ratio
0
matches
(empty)
100.00%
Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount
3428
adjectiveStacks
0
stackExamples
(empty)
adverbCount
47
adverbRatio
0.013710618436406068
lyAdverbCount
7
lyAdverbRatio
0.002042007001166861
100.00%
Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences
820
echoCount
0
echoWords
(empty)
100.00%
Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences
820
mean
4.18
std
1.99
cv
0.476
sampleLengths
0
6
1
6
2
9
3
2
4
10
5
2
6
4
7
7
8
12
9
1
10
10
11
6
12
15
13
15
14
3
15
4
16
4
17
8
18
6
19
6
20
2
21
2
22
5
23
6
24
3
25
5
26
2
27
5
28
3
29
4
30
9
31
3
32
8
33
5
34
5
35
4
36
2
37
3
38
7
39
5
40
5
41
7
42
5
43
4
44
3
45
4
46
7
47
5
48
5
49
3
25.00%
Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats
241
diversityRatio
0.12073170731707317
totalSentences
820
uniqueOpeners
99
4.96%
Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount
1
totalSentences
672
matches
0
"Then a third time."
ratio
0.001
0.00%
Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount
392
totalSentences
672
matches
0
"I did not move."
1
"He wiped his hands on"
2
"His auburn hair carried more"
3
"He looked exactly like the"
4
"You look terrible."
5
"I dragged in air."
6
"My left wrist throbbed."
7
"I tucked it into my"
8
"You should take up a"
9
"He nodded toward the shattered"
10
"I ignored it."
11
"I scraped the pieces into"
12
"My knees protested."
13
"You work for Yu-Fei now."
14
"I read the receipt."
15
"I placed the glass on"
16
"I left Cardiff."
17
"I told you that."
18
"You told me a lot"
19
"He poured a fresh measure."
ratio
0.583
0.00%
Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount
632
totalSentences
672
matches
0
"The tumbler slipped past my"
1
"Glass shattered against the pine"
2
"Amber liquid spread across the"
3
"The sound echoed in the"
4
"I did not move."
5
"The man behind the counter"
6
"He wiped his hands on"
7
"His auburn hair carried more"
8
"The silver signet ring caught"
9
"He looked exactly like the"
10
"You look terrible."
11
"I dragged in air."
12
"My left wrist throbbed."
13
"The crescent scar pulled tight"
14
"I tucked it into my"
15
"You should take up a"
16
"The bar keeps me busy."
17
"He nodded toward the shattered"
18
"Shards bit into my palm."
19
"I ignored it."
ratio
0.94
29.76%
Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount
4
totalSentences
672
matches
0
"Before I call you out."
1
"To everyone who cared."
2
"Now you just run."
3
"Now they just watch."
ratio
0.006
100.00%
Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences
13
technicalSentenceCount
0
matches
(empty)
100.00%
Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags
0
uselessAdditionCount
0
matches
(empty)
100.00%
Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags
0
78.6905%