Run: 2026-05-27-01KSMF4NC2MBR6NE6QXMQ3ESYC

Run Details

Duration:
48.3s
Cost:
$0.004435
Provider:
Parasail

Model input

System
You are an expert and award-winning novel writer in the dark Romance genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4415" name="Lucien Moreau" aliases="Lucien, Luc, the Frenchman" pronouns="he/him" species="Half-Demon" storyRole="Ally"> <eyeColor>heterochromatic — one amber, one black</eyeColor> <hair>slicked-back platinum blond</hair> <height>5'11"</height> <age>32</age> <cane>ivory-handled cane that conceals a thin blade</cane> <dress>tailored charcoal suits</dress> <description>An impeccably dressed fixer and information broker in London's supernatural underworld. He speaks four languages fluently.</description> <backstory>Born in Marseille to a human mother and a demon father from the realm of Avaros.</backstory> </character> <location id="858" name="Eva's Flat" aliases="Eva's place, the flat on Brick Lane" realm="Earth"> <cat>tabby cat named Ptolemy</cat> <security>three deadbolts on the front door</security> <description>A cramped one-bedroom flat above a curry house on Brick Lane, East London. Every surface is covered with books, scrolls, and research notes.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the romance genre. Two people who parted on complicated terms are forced together again when one shows up unannounced at the other's flat. There's history between them — attraction, hurt, and things left unsaid. Write the scene from the moment the door opens. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The door creaked open. Lucien stood on the other side, one hand on his cane, the other in the pocket of his wool overcoat. "We need to talk, Rory." His voice was calm, almost formal. But there were cracks in the surface. Tension in his angled shoulders. Whey I didn't invite you inside, but he slipped into the cramped entranceway anyway, forcing me to back up. Ptolemy meowed disapprovingly from under the kitchen table. I crossed my arms tightly. "That's what I said last time. And the time before that." Memories flashed through my mind yello. His teasing baritone. The charade. Against my will, my lips curled at the edge of my mouth. Then I remembered the rest. The smashed flowers. The brutal parting words. My fingers tightened around the metal doorknob. I wasn't letting him in again. "This is your second try. I already said no." His jaw tightened. It rivalled mine. "I know. But you won't pick up the phone and I have important information about your case." He jangled something metallic in his pocket. "It's solid this time." His stormy gaze fixed on me. "You're lucky I'm the one bringing it to you. Others would've thrown this material straight into the fire." It was hard to reconcile this Lucie with the one from my memories. The charismatic con man. The man who made my flat a jumble of soft corners and rumpled sheets. Or maybe I didn't want to. He was too dangerous as it was, in my home and in my mind. The thought of his hands running over my skin, his tongue against my collarbone, the rumbling chuckle against my ribs, the way his body blanketed mine perfected in the morning outdoors... I shook my head, trying to expel the vibe from my mind. It was too risky, seeing him again, after everything. And yet, I couldn't shake the feeling that this was exactly what I needed. This case, this informant... it all felt too big, too complicated for me to solve alone. Even if it meant welcoming Lucien into my space and my world again, Luicne was my only key to victory. But I couldn't let him off that easy. Not after last time. "I'm listening. But you're not coming in. I'll meet you in the bar around the corner. Silas owes me a few nights of free drinks." I pulled my black velvet coat off the rack and shrugged it on. My hand brushed against his chest as I shoved him aside to slip past. I could feel the heat of his skin through the wool and cashmere. The memory pooled through me, yello as the aftershocks, then unpleasant... Indicatives of that late night tumbled against me like atheroscleiosis bubbles. The sharp zip of Lucien's eyes followed my every movement. "Fine, the bar. I wouldn't think you'd be too fanciful tonight, Malphora. Afraid of the closeness?" My pulse quickened. The barroom lights glimmered around my fingers as I fumbled with the envelope he'd slid my way. Lucien leaned closer, his aftershave invading my senses. "Things will be different between us, you know. There's no denying the way our bodies move together. Our minds align." He echoed my own sentence from hours ago, when things had just devolved. Partial red velvet curtains encircled us, ephemeral sound from the neighborhood, the scent of home brew in the air. But something about this moment felt different. The air too heavy with unspoken tension. Lucien's gaze was too intense, focused. I shivered, acutely aware of his hand, of the warmth radiating through his suit jacket. "This doesn't change anything," I said, my voice a strange kind of firmer. "We're strangers." Lucien flicked a piece of lint off his shoulder, pretending to brush off my comment. "Is that what you prefer?" When I didn't respond, he held up his hands in surrender. "Have it your way. Peaceful partners, to complete this mission. Although..." His voice lightened into a playful collapse. "I have a feeling that won't last. Once we find ourselves tangled in the dead and flopping of the bedroom again, I know the real Rory will show up." I wanted to slap the nonchalance off his face. But deep down, I knew he was right. There was something inside me that yearned for him, despite the layers of anger and bitterness between us. Maybe it was the thrill of the chase. Or the electrifying way he looked at me like I was a puzzle he longed to decode. Or perhaps it was simply the magnetic pull of two souls, teetering on the edge of madness yet unable to turn away. The danger excited me. I leaned forward, letting the curve of my lips lift playfully, snapped towards his. "You know, if you're so confident in our bedroom prowess, maybe you should remind me. Show me why I keep coming back for more." Lucien's eyes widened, a hint of surprise cracking through his carefully cool facade. But the arena hunger gleaming in the corner of his mouth, he pulled me in and kissed me, hard and demanding, against the bar, jarred by his tongue delving into the taste of whiskey and longing. His hands roamed under my coat, fingertips grazing over the fabric of my dress until they found purchase on the flare of my hips. I gasped, arching into him, all thoughts of spite and retribution fleeting as I lost myself to the sensation of his touch. When we finally broke apart, breathless and a little disheveled, Lucien rested his forehead against mine. "I missed you, Rory. More than I was willing to admit, even then." I could have stonewalled it. Could've pushed him away and walked out, leaving those words hanging in the air like smoke. But in that moment, surrounded by the clatter of glasses and the low din of conversation, I knew I couldn't undo or hear more about it. Lucien had cracked open a doorway to my heart, and no amount of anger or hurt could close it again. All I could do was open the door, and see where it led us. "I missed you too," I whispered, my lips brushing against his as I spoke. "Don't you dare make me regret this." Lucien's eyes flashed, light and playful. "Wouldn't dream of it, partner. These lips were meant for recollections, not regrets." And with that, he pulled me in for another kiss, sealing our pact. The bar swirled around us, a hazy jumble of patrons and liquor bottles, but in that fleeting moment, it felt as if the entire world had shrunk to just the two of us. A tangle of limbs, brushed lips, and clashing delights, each fighting for dominance. An all-encompassing, irresistible, all-consuming energy that both lit us up and terrified us, propelled us both by the motorcycle handlebars, toward a land unknown to us, the land of the compromised, struggling, holding on desperately to each other, for dear life, sloppy kisses in dark corners, against worn and grease screens, a cozy booth corner, unknown passers-by, the outside world faded and forgotten as Lucien whispered more along my jaw, forcing me to lean into the touch, the ghost of a chuckle against my earlobe. "Well then, it looks like we're stuck with each other. ~" We drunkenly stumbled to my flat, but barely made it through the front door before Lucien pressed me up against the wall, his mouth claiming mine in a wild, fevered tangle of tongues and teeth and uncontained desire. Everything dissolved as he walked us into me, bulldozing the coat rack and bookcases and who-knows-what-else out of the way. Hard and painful and really damn sexy, honestly. Usually I'd joke that this was just like old times, but fuck, old times had nothing on this. He had pulled me under, drowning me in him, his lips trailing over mine, sharp teeth grazing a trail up my neck until they found the crook of my throat. The yearning was all-consuming, his hands sliding under my dress as he ate me alive, murmuring between frantic, lush, rough kisses, like I was as feral as him, I wanted him. Lucien pulled my hair back enough to tug my chin up and really slick into my mouth, pressing me deeper into the wall. My dress crept down my hips to tangle around my feet. Nothing but lace from my ears to my ribs, his hot exhale between my cleavage, sharp teeth splitting me up the center. My hands slid up his grey flannel shirt, wrenching it open. Unable to contain the bruising pace of our bodies, we stripped each other off hurriedly, bodies fumbling for the closing of zippers, buttons and belts until we were only shirtless, bare legs, him still in his dark navy suit slacks, me in black lacy panties. Lucien bounced his suit pants from narrow hips, lowly groaning as I dug my fingers into his hair and ripped at his lips with my teeth, too rough, all mouth and sufficating, pressing into him lasciviously. I couldn't bring myself to be gentle, teeth and hips and shouting pulled close, hitting him back at every angle. Lucas' hands gripped and grabbed, forced new bruises to form, while his knees pushed at my core, forcing me to wrap a leg around him for leverage. He pushed into me, felt myself pulse against his cock, sucking on his own hands clutching. I screamed, he whispered into my ear laced with devilish intentions. Until we stole the oxygen from the room. My head tipped back against the wall, the creak of the wood almost lost in the suction of us, my chin grazing the nape of his neck, the sting of his jaw stubble against my cheek, the soft yet desperate gasps of our shared breaths. He tongued rough circles down my neck, halting at my shoulder, making love to the small constellations of purple and blue irises rising, ready for bed. "Looks like I left my mark on you, after all. Looks kind of sexy, don't you think?" I simply moaned in response, my hand traveling down to his straining cock, sliding through the length of him. He shuddered against me, trying to focus. "Choose," he said, his voice a sharp gasp tinged with lust, "halfway down the hall, or here." "Here." I didn't hesitate. I needed Lucien now, everywhere, no more games. I wanted to mark my own territory, right here, right now. He groaned, a deep, throaty sound that reverberated through his entire body. "As you wish, Malphora." And then he was on me, his hands gripping my thighs as he lifted me up and wrapped my legs around his waist. My back hit the wall hard, a picture frame rattling above us. Not a care to be found, traipsing in the tapestry of our past, present, and future. I couldn't think, couldn't breathe, overwhelmed by the intensity of the moment, the sheer force of him consuming me. It was everything I had longed for and more, a dark, twisted dance. Born in film noir, that was us. Evelyn wore a black costume, top with a deep throat slit, three-quarters long heavy black leather gloves, her face had a clean-shaven, brunette hair growing rigorously to her shoulders. Her lipstick famed red and dewy, her blue eyes smoky and penetrated. Sex on all fours, could've been an erotic beauty magazine cover. Could've been a rainy night film. As if there was a mist lenses rolled off the right side of her screen, where she simulated even more exotic scenes. The contradictory relationship that plays out in front of us is that Evelyn had brash, calculated, nonchalant. Like a vice, policing all loose ends, with that honey tone from her lips. One that screamed "yes", but a "no" instinctively instinctive in the following. A mystery break, straight up porno. But her posture said "hand-heart hand's face mash", while her hips contorted to make shapes around Dieter's body, heaving. Which is to say Great-gaudy-evian was trying to impress.
created_at"2026-05-27T10:19:32.64Z" 5/27/2026, 10:19:32 AM
model"thedrummer/skyfall-36b-v2"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency655
moderation_latency(null)
generation_time48148
tokens_prompt4556
tokens_completion2871
native_tokens_prompt4220
native_tokens_completion2642
native_tokens_completion_images(null)
native_tokens_reasoning0
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
num_fetches(null)
web_search_engine(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
service_tier(null)
usage0.0044346
router(null)
provider_responses
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endpoint_id"1eb01ded-ae11-49e6-8aa6-3067584070bd"
id"chatcmpl-8d5e967fe023e5f4"
is_byokfalse
latency655
model_permaslug"thedrummer/skyfall-36b-v2"
provider_name"Parasail"
status200
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http_referer(null)
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upstream_id"chatcmpl-8d5e967fe023e5f4"
total_cost0.0044346
cache_discount(null)
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provider_name"Parasail"
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Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags14
adverbTagCount0
adverbTags(empty)
dialogueSentences26
tagDensity0.538
leniency1
rawRatio0
effectiveRatio0
90.03% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount2007
totalAiIsmAdverbs4
found
0
adverb"tightly"
count1
1
adverb"carefully"
count1
2
adverb"really"
count2
highlights
0"tightly"
1"carefully"
2"really"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
30.24% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount2007
totalAiIsms28
found
0
word"tension"
count2
1
word"velvet"
count2
2
word"could feel"
count1
3
word"pulse"
count2
4
word"quickened"
count1
5
word"echoed"
count1
6
word"ephemeral"
count1
7
word"unspoken"
count1
8
word"warmth"
count1
9
word"flicked"
count1
10
word"magnetic"
count1
11
word"playfully"
count1
12
word"facade"
count1
13
word"gleaming"
count1
14
word"delving"
count1
15
word"fleeting"
count2
16
word"desire"
count1
17
word"yearning"
count1
18
word"tinged"
count1
19
word"reverberated"
count1
20
word"tapestry"
count1
21
word"intensity"
count1
22
word"dance"
count1
23
word"calculated"
count1
highlights
0"tension"
1"velvet"
2"could feel"
3"pulse"
4"quickened"
5"echoed"
6"ephemeral"
7"unspoken"
8"warmth"
9"flicked"
10"magnetic"
11"playfully"
12"facade"
13"gleaming"
14"delving"
15"fleeting"
16"desire"
17"yearning"
18"tinged"
19"reverberated"
20"tapestry"
21"intensity"
22"dance"
23"calculated"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches1
maxInWindow1
found
0
label"eyes widened/narrowed"
count1
highlights
0"eyes widened"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences120
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount0
narrationSentences120
filterMatches(empty)
hedgeMatches(empty)
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences131
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
repeatedSegmentCount0
maxSentenceWordsSeen88
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords2007
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions12
unquotedAttributions1
matches
0"I screamed, he whispered into my ear laced with devilish intentions."
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions22
wordCount1697
uniqueNames7
maxNameDensity0.88
worstName"Lucien"
maxWindowNameDensity2
worstWindowName"Lucien"
discoveredNames
Lucie1
Lucien15
Luicne1
Partial1
Evelyn2
Dieter1
Great-gaudy-evian1
persons
0"Lucie"
1"Lucien"
2"Evelyn"
3"Dieter"
places(empty)
globalScore1
windowScore1
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences103
glossingSentenceCount0
matches(empty)
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount2007
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount1
totalSentences131
matches
0"is that Evelyn"
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs27
mean74.33
std46.14
cv0.621
sampleLengths
074
173
258
382
471
599
6141
715
878
986
1038
1195
1229
1381
1421
1519
16144
1711
18145
1923
20207
2188
2243
2323
2499
2587
2677
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount0
totalSentences120
matches(empty)
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount2
totalVerbs273
matches
0"wasn't letting"
1"was trying"
100.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount0
semicolonCount0
flaggedSentences0
totalSentences131
ratio0
matches(empty)
98.03% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount994
adjectiveStacks0
stackExamples(empty)
adverbCount42
adverbRatio0.04225352112676056
lyAdverbCount10
lyAdverbRatio0.01006036217303823
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences131
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences131
mean15.32
std10.93
cv0.714
sampleLengths
04
120
211
37
45
519
68
75
817
93
102
1112
125
133
144
157
166
179
183
193
2024
2110
2218
2313
244
2514
266
2714
2831
2912
309
3114
324
3312
3420
358
364
3738
3814
3913
4011
4111
4210
4319
4417
458
4633
4719
487
497
65.39% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats6
diversityRatio0.4198473282442748
totalSentences131
uniqueOpeners55
84.03% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount3
totalSentences119
matches
0"Then I remembered the rest."
1"Maybe it was the thrill"
2"Usually I'd joke that this"
ratio0.025
58.66% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount48
totalSentences119
matches
0"His voice was calm, almost"
1"I crossed my arms tightly."
2"His teasing baritone."
3"My fingers tightened around the"
4"I wasn't letting him in"
5"His jaw tightened."
6"It rivalled mine."
7"He jangled something metallic in"
8"His stormy gaze fixed on"
9"It was hard to reconcile"
10"He was too dangerous as"
11"I shook my head, trying"
12"It was too risky, seeing"
13"it all felt too big,"
14"I pulled my black velvet"
15"My hand brushed against his"
16"I could feel the heat"
17"My pulse quickened"
18"He echoed my own sentence"
19"I shivered, acutely aware of"
ratio0.403
100.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount84
totalSentences119
matches
0"The door creaked open."
1"Lucien stood on the other"
2"His voice was calm, almost"
3"Tension in his angled shoulders."
4"Whey I didn't invite you"
5"Ptolemy meowed disapprovingly from under"
6"I crossed my arms tightly."
7"Memories flashed through my mind"
8"His teasing baritone."
9"The smashed flowers."
10"The brutal parting words."
11"My fingers tightened around the"
12"I wasn't letting him in"
13"His jaw tightened."
14"It rivalled mine."
15"He jangled something metallic in"
16"His stormy gaze fixed on"
17"It was hard to reconcile"
18"The charismatic con man."
19"The man who made my"
ratio0.706
84.03% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount2
totalSentences119
matches
0"Even if it meant welcoming"
1"As if there was a"
ratio0.017
68.23% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences67
technicalSentenceCount7
matches
0"But the arena hunger gleaming in the corner of his mouth, he pulled me in and kissed me, hard and demanding, against the bar, jarred by his tongue delving into …"
1"An all-encompassing, irresistible, all-consuming energy that both lit us up and terrified us, propelled us both by the motorcycle handlebars, toward a land unkn…"
2"He had pulled me under, drowning me in him, his lips trailing over mine, sharp teeth grazing a trail up my neck until they found the crook of my throat."
3"He pushed into me, felt myself pulse against his cock, sucking on his own hands clutching."
4"He tongued rough circles down my neck, halting at my shoulder, making love to the small constellations of purple and blue irises rising, ready for bed."
5"I simply moaned in response, my hand traveling down to his straining cock, sliding through the length of him."
6"The contradictory relationship that plays out in front of us is that Evelyn had brash, calculated, nonchalant."
17.86% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags14
uselessAdditionCount3
matches
0"I said, my voice a strange kind of firmer"
1"I whispered, my lips brushing against his as I spoke"
2"he said, his voice a sharp gasp tinged with lust,"
73.08% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags5
fancyCount2
fancyTags
0"I didn't (do)"
1"I whispered (whisper)"
dialogueSentences26
tagDensity0.192
leniency0.385
rawRatio0.4
effectiveRatio0.154
88.9863%