Run: 2026-06-01-01KT1GGQHTXCFMK094NMZZ9JX0

Run Details

Duration:
46.4s
Cost:
$0.066650
Provider:
Anthropic

Model input

System
You are an expert novelist with a gift for vivid, immersive prose. You write in tight third-person limited point of view with a strong narrative voice. Your prose is clean, precise, and engaging — you favor strong verbs, concrete details, and natural-sounding dialogue. You will be given a story bible (codex) containing canonical details about characters, locations, items, and lore. Use these details to ground your writing in the established world. Stay consistent with the codex. Write only the prose of the scene. Do not include titles, chapter headings, markdown formatting, or any commentary before or after the scene.
User/Human
<codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4414" name="Eva Kowalski" aliases="Eva, Evie" pronouns="she/her" species="Human" storyRole="Best Friend"> <eyeColor>green</eyeColor> <hair>curly red</hair> <height>5'4"</height> <age>26</age> <glasses>round glasses</glasses> <satchel>worn leather satchel full of books</satchel> <freckles>freckled complexion</freckles> <nervousHabit>tucking hair behind her left ear</nervousHabit> <description>Aurora's childhood friend and an occult researcher.</description> <backstory>Moved to London two years before Aurora and works as a research assistant at the British Museum's restricted archives. She holds a master's degree in Ancient History from Oxford.</backstory> </character> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> <item id="2004" name="Veil Compass" aliases="the Compass, shadow compass" type="Tool" origin="The Veil Market"> <casingMaterial>small brass compass</casingMaterial> <faceMarkings>face etched with protective sigils</faceMarkings> <needle>points toward the nearest supernatural rift or portal</needle> <patina>casing has a patina of verdigris</patina> <creator>crafted by a Shade artisan</creator> <description>A compass attuned to supernatural energy.</description> </item> </codex> Write a fully fleshed out scene of at least 1000 words in the mystery genre. A detective arrives at a crime scene in an unusual location. Something is wrong — the evidence doesn't add up. A colleague is present, offering a different interpretation. Through careful observation and deduction, the detective begins to see what others have missed. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary.

Model response

AI
The stairwell smelled of rust and old rain, and Detective Harlow Quinn descended it the way she did everything—one boot in front of the other, spine straight, her worn leather watch catching the swing of a constable's torch as she passed. "Mind the third step from the bottom, ma'am," the young PC said. "It's gone soft." She didn't answer. She'd already noted the swollen tread, the way the timber had bowed under decades of damp. The Camden station had been bricked shut since the seventies, according to the briefing she'd skimmed in the car. Officially it didn't exist. Unofficially, a maintenance crew had reported a forced hoarding and a smell that turned out to be a body. Quinn stepped onto the platform and let the scene arrange itself in her mind before she allowed any conclusion to settle. It was wrong. She knew that within the first three seconds, the way she always did, before she could have told anyone why. The platform stretched away under failing emergency lamps the forensics team had strung along the old tunnel mouth. The tiling was Victorian, cream and oxblood, much of it intact. But where she expected the litter of an abandoned place—pigeon mess, fallen plaster, the slow geological creep of dust—she found instead the ghost of order. Scuff marks on the floor in regular intervals, as though stalls had stood there and been carried away. Iron rings bolted into the tunnel wall at shoulder height, too clean, the metal bright where everything around it had gone to verdigris. A faint sweetness in the air beneath the rot, like incense burned and then aired out. "Quinn." Detective Sergeant Aldridge came toward her, peeling off a glove. He was a good copper, methodical, the kind who closed cases by filling in every box on the form. "Glad they sent you. This one's straightforward but they want a senior name on it." "Is it." She crouched by the body without touching it. A man, fifties, lying on his side near the platform edge as though he'd sat down to rest and simply tipped over. No blood she could see. His clothes were ordinary—anorak, work trousers—but his fingers were stained, the pads blackened, and there was a thin cord around his throat with nothing left hanging from it. Whatever had been there was gone. "Cause of death?" she asked. "Cardiac, most likely. No wounds, no ligature marks beyond that string, which looks like it just held a key or a medallion. We figure he came down here to dig around, maybe scavenging copper, had a heart attack alone in the dark. Tragic, but tidy." Aldridge shrugged. "Misadventure. He's been here two, three days. The maintenance crew found him this morning." Quinn said nothing. She was looking at the dust. There wasn't enough of it on him. A body lying three days in a sealed tunnel should have begun to gather the place around itself, the way the dead always did. But the floor beneath him was nearly clean, swept in a rough arc, as if the area had been disturbed and then disturbed again. And the man's blackened fingers—she leaned closer. Not soot. Too fine, too even, almost metallic. It had got under his nails, into the creases of his knuckles, and when the torchlight slid across it she caught a brief oily shimmer, green-gold, gone the instant she shifted her head. "What's that on his hands?" "Grime," Aldridge said. "Place is filthy." "The place is clean." She rose. "Look at it. Properly look." To his credit, he looked. She watched him take in the scuff marks, the iron rings, the absence she'd already catalogued. She watched him fail to make it mean anything, the way most people did, because they were trained to see what a place was supposed to be rather than what it was. "Someone's been using this," Quinn said. "Not him. Or not only him. There were structures here—stalls, market stalls, something temporary. Set up and struck. Recently. Within the week." She pointed without quite touching the wall. "Those rings are load-bearing. You'd hang an awning from them. A canopy. And the floor's been swept, but only here, in patches. People sweep where they stand. Where they trade." Aldridge frowned. "A market. Down here. In a station nobody can get into." "Nobody official." She turned slowly, mapping the dark. Where would the entrance be, the real one, the one the maintenance crew hadn't used? There—a gap in the hoarding at the far end, framed by two more of those clean iron rings, and on the brickwork beside it, scratched faint and recent, a mark she didn't recognise but instinctively disliked: a circle bisected by a vertical stroke, like an eye held shut. Something in her chest tightened. She had seen a mark like that once before, three years ago, in a report she'd never been allowed to file properly. In the last case she'd worked with DS Morris before he stopped existing—not died, *stopped*, walked into a room and never walked out and left behind a coat still warm and a coffee still steaming and a hole in her career she'd been falling into ever since. She pushed the memory down. Evidence first. "He didn't come here to scavenge," she said. "Look at his shoes." Aldridge looked. Good shoes—worn, but cared for, recently resoled. Not the footwear of a man crawling through ducts for copper. "And his hands are stained but his clothes aren't torn. No abrasions. He didn't fight his way in or claw at anything. He came here knowing where he was going, he met someone or something, and then his heart stopped." She crouched again, this time studying the cord at his throat. The cut end was clean, not snapped. "Whatever was on this string was taken off him after he died. Cut, not pulled. Someone knelt here in the dark beside a dead man and removed his property with a blade, carefully, and then swept the floor and left him to be found." "That's—" Aldridge started. "That's not misadventure." She straightened, and the torchlight threw her sharp jaw into hard relief. "That's housekeeping." The PC by the stairs shifted his weight. Aldridge had gone quiet, the comfortable narrative collapsing behind his eyes, and she felt the old, familiar loneliness of being the only person in the room who could see the shape of the thing. She thought of the green-gold shimmer on the dead man's fingers. She thought of the eye-mark on the wall, the iron rings, the swept floor, the bone-deep wrongness of an underground place that wasn't dead at all but only sleeping, having moved on the way certain things moved on, quietly, on a schedule, leaving the unworthy behind. "Get me everything on him," Quinn said. "Name, history, the lot. And nobody touches that wall." She slipped her notebook from her coat and, for the first time, allowed herself to write the question she'd been circling for three years. *Where did the rest of them go?* Behind her, the lamps flickered, and the dark down the tunnel seemed, for just a moment, to breathe.
created_at"2026-06-01T11:53:44.256Z" 6/1/2026, 11:53:44 AM
model"anthropic/claude-4.8-opus-20260528"
app_id182717
external_user(null)
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cancelledfalse
latency3404
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generation_time46406
tokens_prompt923
tokens_completion1828
native_tokens_prompt1285
native_tokens_completion2409
native_tokens_completion_images(null)
native_tokens_reasoning55
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
num_fetches(null)
web_search_engine(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"end_turn"
service_tier"default"
usage0.06665
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provider_responses
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is_byokfalse
latency1338
model_permaslug"anthropic/claude-4.8-opus-20260528"
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Evaluation details

Result Evaluator Details Meta Data
66.67% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags15
adverbTagCount2
adverbTags
0"She turned slowly [slowly]"
1"She crouched again [again]"
dialogueSentences27
tagDensity0.556
leniency1
rawRatio0.133
effectiveRatio0.133
91.66% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1199
totalAiIsmAdverbs2
found
0
adverb"slowly"
count1
1
adverb"carefully"
count1
highlights
0"slowly"
1"carefully"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
79.15% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1199
totalAiIsms5
found
0
word"methodical"
count1
1
word"weight"
count1
2
word"comfortable"
count1
3
word"familiar"
count1
4
word"flickered"
count1
highlights
0"methodical"
1"weight"
2"comfortable"
3"familiar"
4"flickered"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences66
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount1
hedgeCount0
narrationSentences66
filterMatches
0"watch"
hedgeMatches(empty)
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences77
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
repeatedSegmentCount0
maxSentenceWordsSeen51
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans2
markdownWords8
totalWords1189
ratio0.007
matches
0"stopped"
1"Where did the rest of them go?"
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions9
unquotedAttributions0
matches(empty)
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions19
wordCount897
uniqueNames8
maxNameDensity0.78
worstName"Aldridge"
maxWindowNameDensity1.5
worstWindowName"Aldridge"
discoveredNames
Detective2
Harlow1
Quinn5
Camden1
Victorian1
Sergeant1
Aldridge7
Morris1
persons
0"Harlow"
1"Quinn"
2"Sergeant"
3"Aldridge"
4"Morris"
places(empty)
globalScore1
windowScore1
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences45
glossingSentenceCount0
matches(empty)
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1189
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences77
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs32
mean37.16
std31.23
cv0.84
sampleLengths
041
115
261
321
423
5111
645
710
861
95
1061
119
12103
135
146
1511
1653
1765
1813
1971
2074
217
2212
2320
24102
253
2617
2742
2857
2940
307
3118
68.05% Passive voice overuse
Target: ≤2% passive sentences
passiveCount7
totalSentences66
matches
0"been bricked"
1"been carried"
2"were stained"
3"was gone"
4"been disturbed"
5"were trained"
6"was supposed"
7"been allowed"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount1
totalVerbs159
matches
0"was looking"
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount9
semicolonCount0
flaggedSentences7
totalSentences77
ratio0.091
matches
0"The stairwell smelled of rust and old rain, and Detective Harlow Quinn descended it the way she did everything—one boot in front of the other, spine straight, her worn leather watch catching the swing of a constable's torch as she passed."
1"But where she expected the litter of an abandoned place—pigeon mess, fallen plaster, the slow geological creep of dust—she found instead the ghost of order."
2"His clothes were ordinary—anorak, work trousers—but his fingers were stained, the pads blackened, and there was a thin cord around his throat with nothing left hanging from it."
3"And the man's blackened fingers—she leaned closer."
4"There—a gap in the hoarding at the far end, framed by two more of those clean iron rings, and on the brickwork beside it, scratched faint and recent, a mark she didn't recognise but instinctively disliked: a circle bisected by a vertical stroke, like an eye held shut."
5"In the last case she'd worked with DS Morris before he stopped existing—not died, *stopped*, walked into a room and never walked out and left behind a coat still warm and a coffee still steaming and a hole in her career she'd been falling into ever since."
6"Good shoes—worn, but cared for, recently resoled."
98.46% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount910
adjectiveStacks0
stackExamples(empty)
adverbCount38
adverbRatio0.041758241758241756
lyAdverbCount12
lyAdverbRatio0.013186813186813187
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences77
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences77
mean15.44
std13.09
cv0.848
sampleLengths
041
112
23
33
416
519
64
719
821
93
1020
1118
1211
1325
1418
1523
1616
1711
1819
1915
2010
2122
225
2328
246
255
2647
2714
283
296
307
3124
3224
337
342
356
3633
375
383
393
406
415
425
4316
4432
456
4629
4730
482
4911
83.12% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats6
diversityRatio0.5454545454545454
totalSentences77
uniqueOpeners42
100.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount3
totalSentences54
matches
0"Officially it didn't exist."
1"Unofficially, a maintenance crew had"
2"Too fine, too even, almost"
ratio0.056
71.85% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount20
totalSentences54
matches
0"She didn't answer."
1"She'd already noted the swollen"
2"It was wrong."
3"She knew that within the"
4"He was a good copper,"
5"She crouched by the body"
6"His clothes were ordinary—anorak, work"
7"She was looking at the"
8"It had got under his"
9"She watched him take in"
10"She watched him fail to"
11"She pointed without quite touching"
12"She turned slowly, mapping the"
13"She had seen a mark"
14"She pushed the memory down."
15"She crouched again, this time"
16"She straightened, and the torchlight"
17"She thought of the green-gold"
18"She thought of the eye-mark"
19"She slipped her notebook from"
ratio0.37
100.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount38
totalSentences54
matches
0"The stairwell smelled of rust"
1"the young PC said"
2"She didn't answer."
3"She'd already noted the swollen"
4"The Camden station had been"
5"Quinn stepped onto the platform"
6"It was wrong."
7"She knew that within the"
8"The platform stretched away under"
9"The tiling was Victorian, cream"
10"Scuff marks on the floor"
11"A faint sweetness in the"
12"Detective Sergeant Aldridge came toward"
13"He was a good copper,"
14"She crouched by the body"
15"A man, fifties, lying on"
16"His clothes were ordinary—anorak, work"
17"Whatever had been there was"
18"Quinn said nothing."
19"She was looking at the"
ratio0.704
92.59% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences54
matches
0"To his credit, he looked."
ratio0.019
44.33% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences29
technicalSentenceCount4
matches
0"He was a good copper, methodical, the kind who closed cases by filling in every box on the form."
1"But the floor beneath him was nearly clean, swept in a rough arc, as if the area had been disturbed and then disturbed again."
2"Aldridge had gone quiet, the comfortable narrative collapsing behind his eyes, and she felt the old, familiar loneliness of being the only person in the room wh…"
3"She thought of the eye-mark on the wall, the iron rings, the swept floor, the bone-deep wrongness of an underground place that wasn't dead at all but only sleep…"
58.33% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags15
uselessAdditionCount2
matches
0"She crouched again, this time studying the cord at his throat"
1"She straightened, and the torchlight threw her sharp jaw into hard relief"
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags6
fancyCount0
fancyTags(empty)
dialogueSentences27
tagDensity0.222
leniency0.444
rawRatio0
effectiveRatio0
88.4739%