Run: 2026-06-01-01KT1H40J5T1AAM0HP1FDNNFF2

Run Details

Duration:
2m 49s
Cost:
$0.004507
Provider:
Minimax

Model input

System
You are an expert fiction writer. Always keep the following rules in mind: - Write in past tense and use General English spelling, grammar, and colloquialisms/slang. - Write in active voice - Always follow the "show, don't tell" principle. - Avoid adverbs and cliches and overused/commonly used phrases. Aim for fresh and original descriptions. - Convey events and story through dialogue. - Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. - Skip "he/she said said" dialogue tags and convey people's actions or face expressions through their speech - Avoid mushy dialog and descriptions, have dialogue always continue the action, never stall or add unnecessary fluff. Vary the descriptions to not repeat yourself. - Put dialogue on its own paragraph to separate scene and action. - Reduce indicators of uncertainty like "trying" or "maybe" When writing text: - NEVER conclude the scene on your own, follow the beat instructions very closely. - NEVER end with foreshadowing. - NEVER write further than what I prompt you with. - AVOID imagining possible endings, NEVER deviate from the instructions. - STOP EARLY if the continuation contains what was required in the instructions. You do not need to fill out the full amount of words possible.
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4413" name="Silas Blackwood" aliases="Silas, Si, the Spymaster" pronouns="he/him" species="Human" storyRole="Mentor"> <eyeColor>hazel</eyeColor> <hair>grey-streaked auburn</hair> <height>6'1"</height> <age>58</age> <beard>neatly trimmed, matching his grey-streaked auburn hair</beard> <limp>slight limp in his left leg from an old knee injury</limp> <signetRing>silver signet ring, always worn on his right hand</signetRing> <description>Silas is a retired intelligence operative turned bar owner. He carries himself with quiet authority.</description> <backstory>Former MI6 field agent who retired after a botched operation in Prague left him with a permanent knee injury. He opened "The Raven's Nest" bar in Soho as a front for his network of contacts.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> </codex> Continue the story using the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the literary fiction genre. Two old friends who haven't seen each other in years run into each other unexpectedly at a bar. One of them has changed significantly. Through their conversation and the tension between who they were and who they've become, reveal the weight of time and unspoken regret. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The green neon of the sign bled into the wet pavement, throwing her shadow long and thin across the alley. She paused with her hand on the door, keys already out, the weight of the day's deliveries still in her shoulders. The key turned. The door opened. And the smell of the place—old wood, spilled whisky, the particular must of leather and secrets—hit her like a memory she hadn't asked for. She stepped inside. The bar was quiet, the way it always was this time of evening, between the after-work crowd and the late-night wanderers. The black-and-white photographs on the walls looked down at her with the same indifferent patience they always had. A map of the London Underground from 1933. A photograph of a woman in a cloche hat. A faded poster for a show at the Windmill. Behind the bar, polishing a glass with a cloth that had seen better decades, stood a man she did not at first recognise. Then she did. Then she wished she hadn't. "Christ," she said. Silas Blackwood looked up. His face did something complicated—a tightening at the jaw, a softening at the eyes, a small intake of breath that he tried to disguise by setting the glass down. The signet ring on his right hand caught the light. He looked older. Of course he did. They all did. But the silver in his beard had spread, and the lines around his eyes had deepened into something almost architectural. "Rory," he said. "Don't." She held up a hand. "Don't call me that." He nodded, slowly, as if he understood something she hadn't yet said. He gestured to a stool at the bar. She didn't sit. She stood in the middle of the room with her delivery bag still over her shoulder, a strap cutting into the wool of her coat, and looked at him properly for the first time in—how long? Three years? Four? The last time she had seen him, she had been at her father's kitchen table in Cardiff, twenty-one and stupid and convinced she was in love. He had come to the door. She had walked past him without a word. He had let her. She had never written. He had never called. "You look well," he said. It was a lie, but a kind one. "You look like a ghost," she said. "I thought you were in Prague." "I was." He set the cloth down. "I came back last week." "No one told me." "There's no one to tell. I let the staff go. The new tenant upstairs was supposed to—" He stopped. He looked at her. He understood. "I pay rent," she said. "To a woman in Highgate. I assumed—" "A holding company. I set it up years ago. So the place wouldn't be traced to me." He gave a small, tired smile. "Ironic." She sat down. The stool creaked. She set her bag on the bar between them, a small barricade of canvas and zippers. Outside, a black cab hissed past on a wet road. The neon sign threw green shapes across the floor. "You're limping more," she said. He looked down at his left leg as if surprised to find it still attached. "The cold," he said. "It does that." "Does it hurt?" "Only when I walk." She almost smiled. Almost. The muscles of her face remembered the shape, but the feeling behind it had gone somewhere she couldn't follow. He poured her a whisky without asking. She watched his hands—those long, precise hands, the knuckles swollen now, the tendons standing out like rigging on a ship. He slid the glass across the bar. "I heard about your father," he said quietly. She took the glass. She did not drink. "When?" "Eighteen months ago. A contact in the Met. I sent a letter." "I never got it." "It came back. 'Not known at this address.'" She looked at the whisky. The amber caught the light from the sign outside. "I moved a lot. That year." "Evan." The name landed between them like a stone dropped into still water. She did not flinch. She had spent a long time learning not to flinch at that name. She had spent longer learning not to say it out loud. "How do you know that name?" she asked. "I know a great many things, Rory." She set the glass down. "Don't call me that." "What do you want me to call you?" She opened her mouth. Closed it. The answer, when it came, surprised her. "Laila. Some people call me Laila." He raised an eyebrow. "Is that who you are now?" "It's who I need to be." He considered this. He nodded once, as if filing it away in some internal cabinet marked *things to be dealt with later*. "Your mother asked about you," he said. "Last Christmas. She rang the bar. I was in Bratislava. I called her back in January." "And?" "And she cried. She said you hadn't called her since June." The glass was very still in her hand. "I called her in August." "I know. I saw the records. I meant she hadn't heard from you since June." "She did. She chose not to pick up." He said nothing. Outside, a motorbike passed, its engine rising and falling like a question. She drank. The whisky was good. It was always good, here. That was the thing about Silas. Whatever else he was—whatever else he had done, whatever else he had failed to do—the man knew how to stock a shelf. "Why did you come back?" she asked. "To the bar?" "To London." He picked up the cloth again. He began polishing a different glass, though the first one had been spotless. "There's nowhere else," he said. "I tried. Vienna, for a while. Marbella, briefly. The thing about running is that you have to keep going. I got tired of going." "You could have come back here sooner." "I could have done a great many things sooner." He looked at her. "You could have called." "You could have answered." "I didn't know where you were." "You could have found out. That's what you do. You find things out." He set the glass down. The cloth followed. "Some things," he said, "you have to be invited to find out. You know that." She did know that. She had learned it the hard way, in a flat in Tottenham with a lock that didn't work and a man who had learned to open it with a credit card. She had learned it in a women's shelter in Walthamstow where the lights stayed on all night and nobody's key fit any door but their own. She had learned it in a bedsit in Acton with a number that wasn't hers, a name that wasn't hers, a life that was getting more honest by the day only because it had no other choice. "I needed to disappear," she said. "I know." "You don't know. You were in Prague. You were in Vienna. You were anywhere but here." "I was here in every way that mattered." He said it quietly. "I had people watching. After you left Cardiff. After the first time. I had someone in the A&E at the Royal London. I had someone in the shelter. I knew where you were, Rory. I just wasn't allowed to come." She stared at him. "You had me followed?" "I had you kept alive." "That's not the same thing." "No. It isn't." He reached under the bar and produced a bottle. He poured himself a measure. He did not drink it. "Your father asked me to. Before he died. He rang me. He was in the hospice. He said, *Silas, the girl is in trouble and I am too ill to do anything about it. Promise me.* I promised him." She felt the room tilt. Just slightly. Just enough. "He didn't tell me that." "No. He wouldn't have. He never wanted you to know the shape of his worry. He thought it would frighten you." "It would have." "Yes. He knew that too." She looked at her hands. The small crescent-shaped scar on her left wrist, from a childhood accident, from a fall in the garden, from a life that had not yet learned to be careful. She looked at the glass. She drank. "I'm sorry," she said. "Don't be." "I am. I should have—after he died, I should have—" "You couldn't. You weren't ready. I understood." "You never said." "You never asked." She laughed. It came out wrong—too sharp, too loud, a sound that startled both of them. He looked at her with something in his face that might have been pity, if it had been less careful. It wasn't pity. It was recognition. The look of a man who had done the same arithmetic, with different numbers, and arrived at a different sum that still came to nothing. "The flat above," he said. "Is it good?" "It's small." "But safe?" She looked at the door. The locks. The chains. The fact of them, multiplied. "Yes," she said. "It's safe." "Then stay." "You don't own the building." "No. But I know who does." He smiled, just at the corners. "And I know what he'll say if I ask." She finished her whisky. She set the glass down. She looked at him across the bar, across the years, across the things that had been said and the things that had been swallowed whole. "One more," she said. He poured.
created_at"2026-06-01T12:04:16.077Z" 6/1/2026, 12:04:16 PM
model"minimax/minimax-m3-20260531"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency1519
moderation_latency(null)
generation_time169022
tokens_prompt1094
tokens_completion4057
native_tokens_prompt1128
native_tokens_completion3497
native_tokens_completion_images(null)
native_tokens_reasoning1790
native_tokens_cached114
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
num_fetches(null)
web_search_engine(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
service_tier(null)
usage0.00450744
router(null)
provider_responses
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endpoint_id"6851b352-a7e2-45ad-a69e-67ed1208a416"
id"066ca840164a0cb75495fb7c7bb2c8a0"
is_byokfalse
latency1519
model_permaslug"minimax/minimax-m3-20260531"
provider_name"Minimax"
status200
user_agent"langchainjs-openai/1.0.0 ((node/v24.16.0; linux; x64))"
http_referer(null)
request_id"req-1780315456-OnqRIgxzlF8x1OOEuJAm"
session_id(null)
preset_id(null)
api_type"completions"
id"gen-1780315456-bhBSuKt1r5dr7oNBUR1D"
upstream_id"066ca840164a0cb75495fb7c7bb2c8a0"
total_cost0.00450744
cache_discount0.00005472
upstream_inference_cost0
provider_name"Minimax"
response_cache_source_id(null)

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags26
adverbTagCount2
adverbTags
0"he said quietly [quietly]"
1"He smiled just [just]"
dialogueSentences84
tagDensity0.31
leniency0.619
rawRatio0.077
effectiveRatio0.048
90.60% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1595
totalAiIsmAdverbs3
found
0
adverb"slowly"
count1
1
adverb"very"
count1
2
adverb"slightly"
count1
highlights
0"slowly"
1"very"
2"slightly"
100.00% AI-ism character names
Target: 0 AI-default names (16 tracked, −20% each)
codexExemptions
0"Blackwood"
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
90.60% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1595
totalAiIsms3
found
0
word"weight"
count1
1
word"traced"
count1
2
word"eyebrow"
count1
highlights
0"weight"
1"traced"
2"eyebrow"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells1
narrationSentences129
matches
0"s in love"
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount1
narrationSentences129
filterMatches(empty)
hedgeMatches
0"tried to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences187
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
repeatedSegmentCount0
maxSentenceWordsSeen40
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans2
markdownWords24
totalWords1586
ratio0.015
matches
0"things to be dealt with later"
1"Silas, the girl is in trouble and I am too ill to do anything about it. Promise me."
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions37
unquotedAttributions0
matches(empty)
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions10
wordCount1036
uniqueNames9
maxNameDensity0.19
worstName"Silas"
maxWindowNameDensity0.5
worstWindowName"Silas"
discoveredNames
London1
Underground1
Windmill1
Silas2
Blackwood1
Cardiff1
Tottenham1
Walthamstow1
Acton1
persons
0"Silas"
1"Blackwood"
places
0"London"
1"Windmill"
2"Cardiff"
3"Tottenham"
4"Walthamstow"
5"Acton"
globalScore1
windowScore1
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences50
glossingSentenceCount1
matches
0"as if filing it away in some internal cabinet marked *things to be dealt with later"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1586
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences187
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs85
mean18.66
std22.42
cv1.202
sampleLengths
071
168
231
33
473
53
610
7106
88
913
1013
1112
124
1325
1412
1524
1641
175
1822
193
204
2157
228
239
2412
254
268
2720
281
2940
308
317
329
338
3419
3510
366
3745
381
3911
4013
4115
428
4354
447
453
462
4748
487
4917
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount1
totalSentences129
matches
0"been said"
1"been swallowed"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount1
totalVerbs189
matches
0"was getting"
51.18% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount8
semicolonCount0
flaggedSentences6
totalSentences187
ratio0.032
matches
0"And the smell of the place—old wood, spilled whisky, the particular must of leather and secrets—hit her like a memory she hadn't asked for."
1"His face did something complicated—a tightening at the jaw, a softening at the eyes, a small intake of breath that he tried to disguise by setting the glass down."
2"She stood in the middle of the room with her delivery bag still over her shoulder, a strap cutting into the wool of her coat, and looked at him properly for the first time in—how long?"
3"She watched his hands—those long, precise hands, the knuckles swollen now, the tendons standing out like rigging on a ship."
4"Whatever else he was—whatever else he had done, whatever else he had failed to do—the man knew how to stock a shelf."
5"It came out wrong—too sharp, too loud, a sound that startled both of them."
94.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1050
adjectiveStacks1
stackExamples
0"small crescent-shaped scar"
adverbCount33
adverbRatio0.03142857142857143
lyAdverbCount6
lyAdverbRatio0.005714285714285714
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences187
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences187
mean8.48
std7.94
cv0.936
sampleLengths
020
121
23
33
424
53
621
718
88
99
109
1123
123
135
143
154
1629
1710
183
194
203
2120
223
236
244
2512
268
273
2836
292
301
3126
326
338
344
354
364
375
388
397
406
417
425
434
4419
454
462
475
487
4923
30.75% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats36
diversityRatio0.24064171122994651
totalSentences187
uniqueOpeners45
100.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount3
totalSentences98
matches
0"Then she did."
1"Then she wished she hadn't."
2"Of course he did."
ratio0.031
0.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount65
totalSentences98
matches
0"She paused with her hand"
1"She stepped inside."
2"His face did something complicated—a"
3"He looked older."
4"They all did."
5"She held up a hand"
6"He nodded, slowly, as if"
7"He gestured to a stool"
8"She didn't sit."
9"She stood in the middle"
10"He had come to the"
11"She had walked past him"
12"He had let her."
13"She had never written."
14"He had never called."
15"It was a lie, but"
16"He set the cloth down"
17"He looked at her."
18"He gave a small, tired"
19"She sat down."
ratio0.663
0.82% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount90
totalSentences98
matches
0"The green neon of the"
1"She paused with her hand"
2"The key turned."
3"The door opened."
4"She stepped inside."
5"The bar was quiet, the"
6"The black-and-white photographs on the"
7"A map of the London"
8"A photograph of a woman"
9"A faded poster for a"
10"Silas Blackwood looked up."
11"His face did something complicated—a"
12"The signet ring on his"
13"He looked older."
14"They all did."
15"She held up a hand"
16"He nodded, slowly, as if"
17"He gestured to a stool"
18"She didn't sit."
19"She stood in the middle"
ratio0.918
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences98
matches(empty)
ratio0
53.57% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences32
technicalSentenceCount4
matches
0"Behind the bar, polishing a glass with a cloth that had seen better decades, stood a man she did not at first recognise."
1"Outside, a motorbike passed, its engine rising and falling like a question."
2"The small crescent-shaped scar on her left wrist, from a childhood accident, from a fall in the garden, from a life that had not yet learned to be careful."
3"The look of a man who had done the same arithmetic, with different numbers, and arrived at a different sum that still came to nothing."
100.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags26
uselessAdditionCount0
matches(empty)
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags19
fancyCount0
fancyTags(empty)
dialogueSentences84
tagDensity0.226
leniency0.452
rawRatio0
effectiveRatio0
83.7171%