Run: 2026-07-25-01KYCPV988QM3HZP1V54S7X403

Run Details

Duration:
57.3s
Cost:
$0.086965
Provider:
Amazon Bedrock

Model input

System
You are an expert fiction writer. Always keep the following rules in mind: - Write in past tense and use General English spelling, grammar, and colloquialisms/slang. - Write in active voice - Always follow the "show, don't tell" principle. - Avoid adverbs and cliches and overused/commonly used phrases. Aim for fresh and original descriptions. - Convey events and story through dialogue. - Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. - Skip "he/she said said" dialogue tags and convey people's actions or face expressions through their speech - Avoid mushy dialog and descriptions, have dialogue always continue the action, never stall or add unnecessary fluff. Vary the descriptions to not repeat yourself. - Put dialogue on its own paragraph to separate scene and action. - Reduce indicators of uncertainty like "trying" or "maybe" When writing text: - NEVER conclude the scene on your own, follow the beat instructions very closely. - NEVER end with foreshadowing. - NEVER write further than what I prompt you with. - AVOID imagining possible endings, NEVER deviate from the instructions. - STOP EARLY if the continuation contains what was required in the instructions. You do not need to fill out the full amount of words possible.
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4413" name="Silas Blackwood" aliases="Silas, Si, the Spymaster" pronouns="he/him" species="Human" storyRole="Mentor"> <eyeColor>hazel</eyeColor> <hair>grey-streaked auburn</hair> <height>6'1"</height> <age>58</age> <beard>neatly trimmed, matching his grey-streaked auburn hair</beard> <limp>slight limp in his left leg from an old knee injury</limp> <signetRing>silver signet ring, always worn on his right hand</signetRing> <description>Silas is a retired intelligence operative turned bar owner. He carries himself with quiet authority.</description> <backstory>Former MI6 field agent who retired after a botched operation in Prague left him with a permanent knee injury. He opened "The Raven's Nest" bar in Soho as a front for his network of contacts.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> </codex> Continue the story using the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the literary fiction genre. Two old friends who haven't seen each other in years run into each other unexpectedly at a bar. One of them has changed significantly. Through their conversation and the tension between who they were and who they've become, reveal the weight of time and unspoken regret. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The green neon over the door buzzed like a trapped wasp, and Aurora had stopped hearing it three months ago. Which was how she knew she lived here now. Not the flat upstairs with its cold radiator and its window that whistled. The buzz. You stopped hearing a place and it became yours. Tuesday. Rain coming down in that London way that wasn't weather so much as atmosphere, the pavement outside slick and orange under the streetlamps. Silas had gone to the cellar for the good gin, which meant he'd be twenty minutes because the good gin lived behind six crates of tonic and he liked to take his time with the stairs. So the bar was Aurora's, four punters deep, and she was reading the label on a bottle of Fernet like it might contain instructions for her life. The door went. Cold air, wet wool, the smell of a bus. "God. It's exactly like he described it." Aurora looked up. She knew the voice before she placed the face, and she placed the face before she believed it, and the believing took a full second longer than it should have because Naomi Okonkwo had been a girl with a shaved head and paint under her fingernails who once climbed the fire escape of the Cardiff Students' Union to shout Yeats at a car park. Now there was a woman in the doorway shaking out an umbrella. Camel coat. Hair straightened, pulled back, expensive. A leather folio under one arm like she'd come from something with an agenda. "Naomi." "Rory." Naomi stopped. Her face did something complicated. "You work here?" "I pour things." "You pour things." Naomi laughed, and the laugh was the same, thank Christ, the laugh hadn't been renovated. She crossed the room and hugged her over the bar, awkward, a hand catching a beer mat and sending it spinning. She smelled of a perfume Aurora didn't recognise. Something with a name in French, probably. "Six years." "Seven." "Seven." Naomi sat. She looked at the stool first, checked it, and Aurora clocked that and filed it. "Seven years and you're in Soho pulling pints and I've come here because a colleague said the whisky selection was — Rory, what the hell." "Whisky's decent. Silas overpays for it on purpose." "Who's Silas?" "He owns it. He's downstairs, arguing with a crate." Naomi set her folio on the bar, then moved it to her lap, then put it back. "Right. Okay. I'm going to need a drink before I can be normal about this." "What are you having?" "Whatever you'd drink." "I'd drink the cheap red because I'm paying rent to my boss." "Then something better than that. Surprise me." Aurora poured her a Talisker. Neat, no ice, because Naomi had once spent an entire evening explaining to a boy from Bristol that ice was a crime against distillation, and Aurora had never got round to forgetting it. She watched Naomi's face when the glass landed. Watched her notice. "You remembered." "I remember everything. It's a curse and a party trick." Naomi drank. Her shoulders came down an inch. Under the light her jaw looked sharper than it used to, or maybe that was just what thirty did to a person. There was a thin gold chain at her throat and a ring on her right hand that hadn't been there in Cardiff, and Aurora noticed she was cataloguing again, the way she did now, the way she hadn't before London. "So," Naomi said. "Law. Where'd you land?" "Nowhere." "Nowhere as in a small firm or nowhere as in—" "Nowhere as in I didn't sit the exams." The glass paused. "You didn't sit them." "No." "Rory. You were the one who—" Naomi stopped. Started again, softer. "You annotated the Human Rights Act. For fun. In the summer." "I was a deeply unwell young woman." "You were the best of us." "I was the loudest of us." Aurora wiped the bar with a cloth that didn't need it. "There's a difference. Took me a while." Naomi looked at her the way people looked at a building where a building used to be. Aurora had seen it a few times now, on the phone with her mother mostly, that particular silence that meant someone was rearranging their idea of you and finding the new version wouldn't fit on the shelf. "What do you do?" Aurora said, to move it along. "Policy. Home Office, four years, then I went private. Consultancy." Naomi turned the glass on its coaster. "It's very boring and it pays absurdly." "You wanted to make films." "I did want that." "You had that camera. The one you nicked from your cousin." "Borrowed." "Nicked. You made that thing about the docks. The old men and the crane." Naomi's mouth flattened. "Twenty-two minutes. It got into one festival, in Bristol, and eleven people came, and four of them were my family." She drank. "I put it on a hard drive. The hard drive's in a box. The box is in a flat in Bethnal Green that I own, which is — you know. That's not nothing. Owning a flat." "It's not nothing." "You say that like it's nothing." "I didn't say anything." "You said it like it," Naomi said, and there it was, the first hard edge, quick as a paper cut, and both of them heard it land. Aurora let it sit. Out on Frith Street a taxi hissed past and somebody laughed, high and drunk and too early in the evening for it. "You look well," Aurora said. "Don't do that." "You do." "I look *expensive*. It's not the same thing and you always knew the difference, which is why I hated you a bit." Naomi rubbed her thumb across her eyebrow, an old gesture, the one that meant she was about to be honest and resented having to be. "I've got a health thing with my back. From sitting. Can you imagine? An injury from sitting." "That's why you checked the stool." "You saw that." "I see everything. Same curse." "God, you've got worse." Naomi tilted her head. "You've got — Rory, you've got a *watching* thing now. You didn't have that. You used to talk over people until they surrendered." "I got quieter." "Why?" Aurora took a glass off the drainer and started polishing it. The cloth went round. Behind the bar there was a photograph of a woman in a headscarf on a bridge in some city that no longer existed under that name, and Aurora had asked Silas about it twice and got two different answers. "There was somebody," she said. "In Cardiff. After you went to London." "Evan," Naomi said. Aurora's hands stopped. "Eva told me. Two years ago, at a thing." Naomi's voice had gone very level. "A wedding. We got drunk and she cried and I didn't know what to do with it." "Then you knew." "I knew for two years and I didn't call you." "No." "I had your number. I've had your number since 2016 and I got a new phone twice and I *transferred* it, Rory, I made sure it came across, and then I didn't ring it." Naomi laughed, but it came out wrong, snagged on something. "I told myself you'd hate being pitied. I told myself that with a straight face for two years." "That's true, though. I would have." "That's not why I didn't call." "No." "I didn't call because I'd have had to explain the seven years. And I couldn't do it." Naomi lifted the whisky and put it down without drinking. "I could explain the job. The flat. I've got the whole thing down, I do it at dinner parties, it's very smooth. I just couldn't do it to *you*, because you'd have listened to all of it and then asked me one question and the whole thing would have come apart in my hands." "What question?" "I don't know. That's the terrifying part. You'd have found it." Aurora set the glass down on the shelf, upside down, in its row. She thought about the girl on the fire escape with paint on her hands, roaring Yeats over a car park at eleven at night, and how Aurora had stood below with a can of cider and thought: she'll do something. She'll actually do something. "You climbed the Union," she said. "Don't." "You shouted at a car park." "Rory." "*Things fall apart.*" "I'm going to cry in a bar in Soho," Naomi said, "and I've got a seven-thirty tomorrow." "Everybody cries in this bar. Silas has a system. There's a box of tissues under the till and he pretends he's looking for a bottle opener." "Where is he?" "Cellar. He'll be up in a minute. He likes to arrive after the interesting part." Naomi wiped under her eye with the side of her thumb, carefully, professionally, no smudge. "I've thought about you constantly. Which is an insane thing to say to someone you've ignored for seven years." "It's not insane." "It's a bit insane." "I've thought about you," Aurora said. "There's a bus stop on Charing Cross Road with an advert for some film festival on it and every single time I go past it I think, Naomi should be in that. Every time. For a year." She shrugged. "So." Naomi looked at her, and for a moment the camel coat and the folio and the gold chain didn't quite adhere, and there she was underneath it, twenty-two and furious and full of intent. "Pour yourself one," she said. "I'll cover it. I've got absurd money." "Silas doesn't let me drink on shift." "Is Silas here?" Aurora reached for a second glass.
created_at"2026-07-25T13:18:47.566Z" 7/25/2026, 1:18:47 PM
model"anthropic/claude-opus-5-20260723"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency1414
moderation_latency186
generation_time56984
tokens_prompt1063
tokens_completion2285
native_tokens_prompt1548
native_tokens_completion3169
native_tokens_completion_images(null)
native_tokens_reasoning0
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
num_fetches(null)
web_search_engine(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"end_turn"
service_tier"default"
usage0.086965
router(null)
provider_responses
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endpoint_id"76cb4608-f48c-483d-8da8-9957fb44244e"
id"msg_011CdNqnrkHoNcCh9HsauvWP"
is_byokfalse
latency1414
model_permaslug"anthropic/claude-opus-5-20260723"
provider_name"Amazon Bedrock"
status200
user_agent"langchainjs-openai/1.0.0 ((node/v24.18.0; linux; x64))"
http_referer(null)
request_id"req-1784985527-Y7D0w8mpz4rKH1rNIBtK"
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api_type"completions"
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upstream_id"msg_011CdNqnrkHoNcCh9HsauvWP"
total_cost0.086965
cache_discount(null)
upstream_inference_cost0
provider_name"Amazon Bedrock"
response_cache_source_id(null)
data_region"global"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags24
adverbTagCount0
adverbTags(empty)
dialogueSentences95
tagDensity0.253
leniency0.505
rawRatio0
effectiveRatio0
87.62% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1616
totalAiIsmAdverbs4
found
0
adverb"very"
count3
1
adverb"carefully"
count1
highlights
0"very"
1"carefully"
100.00% AI-ism character names
Target: 0 AI-default names (16 tracked, −20% each)
codexExemptions
0"Blackwood"
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
90.72% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1616
totalAiIsms3
found
0
word"silence"
count1
1
word"eyebrow"
count1
2
word"roaring"
count1
highlights
0"silence"
1"eyebrow"
2"roaring"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences71
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount1
hedgeCount0
narrationSentences71
filterMatches
0"notice"
hedgeMatches(empty)
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences143
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
repeatedSegmentCount0
maxSentenceWordsSeen64
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans5
markdownWords7
totalWords1619
ratio0.004
matches
0"expensive"
1"watching"
2"transferred"
3"you"
4"Things fall apart."
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions28
unquotedAttributions0
matches(empty)
12.28% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions59
wordCount835
uniqueNames15
maxNameDensity2.75
worstName"Naomi"
maxWindowNameDensity4.5
worstWindowName"Naomi"
discoveredNames
Aurora20
London2
Fernet1
Naomi23
Okonkwo1
Cardiff2
Christ1
French1
Talisker1
Bristol1
Started1
Frith1
Street1
Silas2
Yeats1
persons
0"Aurora"
1"Naomi"
2"Okonkwo"
3"Started"
4"Silas"
places
0"London"
1"Cardiff"
2"French"
3"Bristol"
4"Frith"
5"Street"
globalScore0.123
windowScore0.167
87.50% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences40
glossingSentenceCount1
matches
0"quite adhere, and there she was underneath it, twenty-two and furious and full of intent"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1619
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences143
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs93
mean17.41
std21.06
cv1.21
sampleLengths
053
187
212
37
43
564
633
71
811
93
1056
111
1243
138
142
159
1632
174
183
1912
207
2149
222
2310
2470
257
261
2710
288
297
301
3122
327
336
3424
3554
3610
3724
385
394
4011
411
4214
4361
443
456
464
4727
4826
495
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount1
totalSentences71
matches
0"been renovated"
64.86% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount3
totalVerbs148
matches
0"was reading"
1"was cataloguing"
2"was rearranging"
100.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount0
semicolonCount0
flaggedSentences0
totalSentences143
ratio0
matches(empty)
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount802
adjectiveStacks0
stackExamples(empty)
adverbCount15
adverbRatio0.018703241895261846
lyAdverbCount2
lyAdverbRatio0.0024937655860349127
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences143
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences143
mean11.32
std11.91
cv1.052
sampleLengths
020
19
213
32
49
51
623
736
827
93
109
117
123
1364
1412
152
165
1714
181
193
205
213
223
2318
2421
258
267
272
281
293
3015
3125
328
332
349
3517
3615
374
383
3912
407
415
4233
438
443
452
4610
472
486
4922
59.44% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats10
diversityRatio0.3986013986013986
totalSentences143
uniqueOpeners57
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences54
matches(empty)
ratio0
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount10
totalSentences54
matches
0"You stopped hearing a place"
1"She knew the voice before"
2"Her face did something complicated."
3"She crossed the room and"
4"She smelled of a perfume"
5"She looked at the stool"
6"She watched Naomi's face when"
7"Her shoulders came down an"
8"She thought about the girl"
9"She'll actually do something."
ratio0.185
80.37% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount41
totalSentences54
matches
0"The green neon over the"
1"You stopped hearing a place"
2"Silas had gone to the"
3"The door went."
4"Aurora looked up."
5"She knew the voice before"
6"Hair straightened, pulled back, expensive."
7"A leather folio under one"
8"Her face did something complicated."
9"Naomi laughed, and the laugh"
10"She crossed the room and"
11"She smelled of a perfume"
12"Something with a name in"
13"She looked at the stool"
14"Naomi set her folio on"
15"Aurora poured her a Talisker."
16"She watched Naomi's face when"
17"Her shoulders came down an"
18"The glass paused."
19"Aurora wiped the bar with"
ratio0.759
92.59% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences54
matches
0"Now there was a woman"
ratio0.019
12.99% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences22
technicalSentenceCount4
matches
0"Rain coming down in that London way that wasn't weather so much as atmosphere, the pavement outside slick and orange under the streetlamps."
1"Silas had gone to the cellar for the good gin, which meant he'd be twenty minutes because the good gin lived behind six crates of tonic and he liked to take his…"
2"There was a thin gold chain at her throat and a ring on her right hand that hadn't been there in Cardiff, and Aurora noticed she was cataloguing again, the way …"
3"Aurora had seen it a few times now, on the phone with her mother mostly, that particular silence that meant someone was rearranging their idea of you and findin…"
100.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags24
uselessAdditionCount1
matches
0"Naomi laughed, and the laugh was the same, thank Christ, the laugh hadn't been renovated"
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags12
fancyCount2
fancyTags
0"Naomi laughed (laugh)"
1"Naomi laughed (laugh)"
dialogueSentences95
tagDensity0.126
leniency0.253
rawRatio0.167
effectiveRatio0.042
86.2791%