Run: 2026-07-25-01KYCPXJ4WR9AXK9N99Y6NKRR3

Run Details

Duration:
49.5s
Cost:
$0.072000
Provider:
Amazon Bedrock

Model input

System
You are an expert fiction writer. Always keep the following rules in mind: - Write in past tense and use General English spelling, grammar, and colloquialisms/slang. - Write in active voice - Always follow the "show, don't tell" principle. - Avoid adverbs and cliches and overused/commonly used phrases. Aim for fresh and original descriptions. - Convey events and story through dialogue. - Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. - Skip "he/she said said" dialogue tags and convey people's actions or face expressions through their speech - Avoid mushy dialog and descriptions, have dialogue always continue the action, never stall or add unnecessary fluff. Vary the descriptions to not repeat yourself. - Put dialogue on its own paragraph to separate scene and action. - Reduce indicators of uncertainty like "trying" or "maybe" When writing text: - NEVER conclude the scene on your own, follow the beat instructions very closely. - NEVER end with foreshadowing. - NEVER write further than what I prompt you with. - AVOID imagining possible endings, NEVER deviate from the instructions. - STOP EARLY if the continuation contains what was required in the instructions. You do not need to fill out the full amount of words possible.
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4414" name="Eva Kowalski" aliases="Eva, Evie" pronouns="she/her" species="Human" storyRole="Best Friend"> <eyeColor>green</eyeColor> <hair>curly red</hair> <height>5'4"</height> <age>26</age> <glasses>round glasses</glasses> <satchel>worn leather satchel full of books</satchel> <freckles>freckled complexion</freckles> <nervousHabit>tucking hair behind her left ear</nervousHabit> <description>Aurora's childhood friend and an occult researcher.</description> <backstory>Moved to London two years before Aurora and works as a research assistant at the British Museum's restricted archives. She holds a master's degree in Ancient History from Oxford.</backstory> </character> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> <item id="2004" name="Veil Compass" aliases="the Compass, shadow compass" type="Tool" origin="The Veil Market"> <casingMaterial>small brass compass</casingMaterial> <faceMarkings>face etched with protective sigils</faceMarkings> <needle>points toward the nearest supernatural rift or portal</needle> <patina>casing has a patina of verdigris</patina> <creator>crafted by a Shade artisan</creator> <description>A compass attuned to supernatural energy.</description> </item> </codex> Continue the story using the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the mystery genre. A detective arrives at a crime scene in an unusual location. Something is wrong — the evidence doesn't add up. A colleague is present, offering a different interpretation. Through careful observation and deduction, the detective begins to see what others have missed. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The stairwell down to the disused platform smelled of wet chalk and copper. Quinn took the steps two at a time, torch beam swinging across tiles the colour of old teeth, and counted forty-one before the tunnel opened out. "Mind the third from the bottom," someone called up. "It's loose." She stepped over it anyway. The platform ran ninety metres into darkness, and someone had strung four work lamps along it on orange cable. Between them, the light pooled and failed. Uniforms moved in and out of the pools like fish surfacing. A generator coughed somewhere behind the tiled wall. DS Aiyana Bell met her at the bottom with two cups of station coffee and handed one over without being asked. "You're going to hate this," Bell said. "I already hate the stairs." "That's a start." The body lay in the middle of the platform, well clear of the edge. Male, fifty-odd, grey overcoat, one shoe missing. Face turned away toward the tracks. Around him — and this was the thing Quinn's eyes went to before anything else — the dust had been swept into a circle. Not scuffed. Swept, deliberately, into a raised rim about two metres across, clean stone inside it, the way a child clears a patch of sand at the beach. Quinn stopped outside the rim and crouched. "Who's been in?" "Photographer. Me. Pathologist for four minutes, and she stepped where I told her to step." Bell pointed with her chin at two sets of overshoe prints, both entering and leaving by the same narrow corridor. "Nobody's touched the circle otherwise." "Good." Quinn set her coffee down on the tile and didn't pick it up again. "Name?" "Wallet says Gerald Prentice. Sixty-one. Address in Kentish Town, ten minutes' walk if you know the alleys. Retired — some kind of surveyor, we're chasing it. Wife reported him missing at six this morning, which is the only reason anybody came looking down here at all." "Why here?" "That's the good part." Bell flipped her notebook back a page. "Missing persons had a call from a woman who says she saw him go through the hoarding on Kentish Town Road at half eleven last night. Said he was 'walking like he had an appointment.' Her words." Quinn moved along the rim, keeping her boots off the swept stone, and lowered herself onto her heels again where she could see the man's face. Mouth slightly open. Eyes open too. No fear in them that she could read, though she distrusted herself on that; the dead arranged their faces to suit whoever was looking. "Cause?" "Pathologist won't commit. No wound she can find. No ligature. No froth, no vomit. She said heart, provisionally, and she said it like she was apologising." "Temperature?" "Cold down here. She's not giving me a window narrower than eight hours." Quinn's torch travelled from the man's collar down his sleeve to his right hand. It lay palm-up, fingers curled, and the pads of the index and middle finger were grey with dust. She swung the beam back to the rim of the circle. Under the clean sweep, at the near edge, there were marks. Two shallow furrows, parallel, the width of two fingers. "He swept it himself." Bell came round to look. "You're sure?" "His hand's dirty and there's no brush. There's no broom, no rag, no bit of cardboard anywhere on this platform, is there?" "No." "Then he did it on his knees with his hand." Quinn tilted her head. "Check his trousers at the knee. Don't touch, just look." Bell knelt outside the line and put her torch low. The grey wool at both knees was matted with dust, darker than the rest, worn to a shine at the crest. "All right," Bell said. "So he's mad. He comes down here at half eleven at night, sweeps himself a magic circle, and drops dead in the middle of it. Sad, and stupid, and not a crime." "Where's his other shoe?" "Kicked off in a fit? People do odd things when their heart's going." "Where is it, though." Bell looked around, and Quinn watched her look, and watched her not find it, because Quinn had already swept the platform once with her eyes on the way down the stairs and there was no shoe. "It'll be on the tracks," Bell said. "Then it fell off before he lay down, and he walked the last stretch in one sock, and there'd be a sock print." Quinn stood, knees complaining, and put the beam flat along the floor outside the circle. Grit and old dust and the tidemarks of eighty years of nothing. Prentice's shoeprints came in from the stairwell end — she followed them backwards with the light, twenty feet, thirty — and then, four metres short of the circle, they stopped. Not faded. Stopped. As though he'd walked to that spot and been lifted. "Bell." "I saw it. There's a gap. It's a draught pattern, the dust doesn't lie even, you get that in these tunnels—" "Come and stand here." Bell came and stood, and Quinn moved the torch, and neither of them said anything for a while. The generator coughed again. "Four metres of nothing," Quinn said. "And then his knee prints. And then him." "Draught." "Then explain why my prints are perfectly clear across the same four metres." She stepped back and let the light fall on her own tread pattern, crisp as a stamp, crossing exactly the ground where Prentice's had vanished. Bell tucked her notebook under her arm. "You're going to say somebody carried him." "I'd love to say that. Two men carrying a twelve-stone bloke leave more mess than one man walking, not less. And they'd have to have got in past the hoarding, past the shutter, and down forty-one stairs, one of which is loose enough to bang like a drum. And they'd have to have left." Quinn turned in a slow circle, taking in the tiled arch, the sealed tunnel mouths, the platform edge. "There's one way in." "There's the tracks." "Flooded at both ends. Uniform waded fifteen metres north and gave up." Quinn crouched again by the rim. "I want the sweep photographed under raking light before anyone breathes on it. And I want the pathologist back down here before she moves him." "For what?" "His fingertips." Quinn hovered her hand over the dead man's, close enough to feel the difference in the air. "Look at the nails. He's dug them in. Not deep, but he's dug them in. That's not a heart attack, that's holding on." Bell crouched too. Under the beam, the quicks of Prentice's fingers were packed dark and one nail had split down the middle. "Holding on to a stone floor," she said. "Holding on to something." Quinn stood, and her torch, swinging, caught something at the far edge of the swept circle that the work lamps had washed out entirely. She went round on her toes, careful, and put the beam on it at a low angle. Scratched into the clean stone, no bigger than a beer mat, was a mark. Three lines meeting, and a fourth cutting across, and around the whole thing a shallow ring, incised, not swept. The stone dust from the cutting lay beside the grooves in tiny pale drifts. Fresh. Quinn had seen that mark before, in a photograph, in a file that had been closed on her three years ago. DS Morris's file. She had a copy in her flat that she was not supposed to have. "Guv?" "Nothing." Quinn's voice came out level, which cost her something. She straightened. "Get me the sweep photographed. And get me the missing shoe." "And the mark?" "Nobody photographs the mark but me."
created_at"2026-07-25T13:20:02.209Z" 7/25/2026, 1:20:02 PM
model"anthropic/claude-opus-5-20260723"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency1841
moderation_latency(null)
generation_time49414
tokens_prompt1112
tokens_completion1852
native_tokens_prompt1595
native_tokens_completion2561
native_tokens_completion_images(null)
native_tokens_reasoning0
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
num_fetches(null)
web_search_engine(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"end_turn"
service_tier"default"
usage0.072
router(null)
provider_responses
0
endpoint_id"76cb4608-f48c-483d-8da8-9957fb44244e"
id"msg_011CdNqtM32tep7dfXBD4Bsf"
is_byokfalse
latency1835
model_permaslug"anthropic/claude-opus-5-20260723"
provider_name"Amazon Bedrock"
status200
user_agent"langchainjs-openai/1.0.0 ((node/v24.18.0; linux; x64))"
http_referer(null)
request_id"req-1784985602-ixpYEyb5GxVz131BTmSn"
session_id(null)
preset_id(null)
api_type"completions"
id"gen-1784985602-quyA2gN3ecM8144VxZmX"
upstream_id"msg_011CdNqtM32tep7dfXBD4Bsf"
total_cost0.072
cache_discount(null)
upstream_inference_cost0
provider_name"Amazon Bedrock"
response_cache_source_id(null)
data_region"global"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags16
adverbTagCount2
adverbTags
0"She stepped back [back]"
1"Quinn crouched again [again]"
dialogueSentences54
tagDensity0.296
leniency0.593
rawRatio0.125
effectiveRatio0.074
88.36% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1289
totalAiIsmAdverbs3
found
0
adverb"deliberately"
count1
1
adverb"slightly"
count1
2
adverb"perfectly"
count1
highlights
0"deliberately"
1"slightly"
2"perfectly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1289
totalAiIsms0
found(empty)
highlights(empty)
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences64
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount1
hedgeCount0
narrationSentences64
filterMatches
0"look"
hedgeMatches(empty)
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences102
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
repeatedSegmentCount0
maxSentenceWordsSeen74
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1294
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions15
unquotedAttributions0
matches(empty)
33.12% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions36
wordCount770
uniqueNames6
maxNameDensity2.34
worstName"Quinn"
maxWindowNameDensity4
worstWindowName"Quinn"
discoveredNames
Aiyana1
Bell12
Quinn18
Grit1
Prentice3
Morris1
persons
0"Bell"
1"Quinn"
2"Prentice"
3"Morris"
places(empty)
globalScore0.331
windowScore0.333
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences45
glossingSentenceCount0
matches(empty)
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches1
per1kWords0.773
wordCount1294
matches
0"Not deep, but he's dug them in"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount2
totalSentences102
matches
0"seen that mark"
1"flat that she"
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs59
mean21.93
std21.24
cv0.968
sampleLengths
039
111
25
345
421
57
65
73
879
97
103
1140
1216
1346
142
1548
1656
171
1826
191
2013
2163
224
237
2422
251
2624
2731
2836
294
3013
314
3236
337
3480
3513
361
3721
384
3922
4014
411
4238
4314
4476
453
4643
472
4842
4922
77.85% Passive voice overuse
Target: ≤2% passive sentences
passiveCount5
totalSentences64
matches
0"being asked"
1"been swept"
2"was matted"
3"been lifted"
4"been closed"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount1
totalVerbs128
matches
0"was looking"
58.82% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount4
semicolonCount1
flaggedSentences3
totalSentences102
ratio0.029
matches
0"Around him — and this was the thing Quinn's eyes went to before anything else — the dust had been swept into a circle."
1"No fear in them that she could read, though she distrusted herself on that; the dead arranged their faces to suit whoever was looking."
2"Prentice's shoeprints came in from the stairwell end — she followed them backwards with the light, twenty feet, thirty — and then, four metres short of the circle, they stopped."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount769
adjectiveStacks0
stackExamples(empty)
adverbCount21
adverbRatio0.027308192457737322
lyAdverbCount4
lyAdverbRatio0.005201560468140442
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences102
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences102
mean12.69
std11.85
cv0.934
sampleLengths
013
126
29
32
45
519
67
711
88
921
107
115
123
1314
147
156
1624
172
1826
197
203
2135
225
2315
241
2546
262
2711
2837
2926
303
313
3224
331
3426
351
3613
3714
3818
3911
4011
419
424
435
442
4522
461
4714
4810
4910
98.04% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats2
diversityRatio0.6078431372549019
totalSentences102
uniqueOpeners62
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences54
matches(empty)
ratio0
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount6
totalSentences54
matches
0"She stepped over it anyway."
1"It lay palm-up, fingers curled,"
2"She swung the beam back"
3"She stepped back and let"
4"She went round on her"
5"She had a copy in"
ratio0.111
80.37% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount41
totalSentences54
matches
0"The stairwell down to the"
1"Quinn took the steps two"
2"someone called up"
3"She stepped over it anyway."
4"The platform ran ninety metres"
5"Uniforms moved in and out"
6"A generator coughed somewhere behind"
7"DS Aiyana Bell met her"
8"The body lay in the"
9"Male, fifty-odd, grey overcoat, one"
10"Quinn stopped outside the rim"
11"Bell pointed with her chin"
12"Quinn set her coffee down"
13"Bell flipped her notebook back"
14"Quinn moved along the rim,"
15"Quinn's torch travelled from the"
16"It lay palm-up, fingers curled,"
17"She swung the beam back"
18"Bell came round to look."
19"Quinn tilted her head"
ratio0.759
92.59% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences54
matches
0"As though he'd walked to"
ratio0.019
100.00% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences29
technicalSentenceCount0
matches(empty)
100.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags16
uselessAdditionCount0
matches(empty)
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags5
fancyCount0
fancyTags(empty)
dialogueSentences54
tagDensity0.093
leniency0.185
rawRatio0
effectiveRatio0
90.9719%