Run: 2026-07-25-01KYCQXFDJ1ACJYRPR9BE7WDR1

Run Details

Duration:
46.8s
Cost:
$0.072685
Provider:
Amazon Bedrock

Model input

System
You are an expert fiction writer. Always keep the following rules in mind: - Write in past tense and use General English spelling, grammar, and colloquialisms/slang. - Write in active voice - Always follow the "show, don't tell" principle. - Avoid adverbs and cliches and overused/commonly used phrases. Aim for fresh and original descriptions. - Convey events and story through dialogue. - Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. - Skip "he/she said said" dialogue tags and convey people's actions or face expressions through their speech - Avoid mushy dialog and descriptions, have dialogue always continue the action, never stall or add unnecessary fluff. Vary the descriptions to not repeat yourself. - Put dialogue on its own paragraph to separate scene and action. - Reduce indicators of uncertainty like "trying" or "maybe" When writing text: - NEVER conclude the scene on your own, follow the beat instructions very closely. - NEVER end with foreshadowing. - NEVER write further than what I prompt you with. - AVOID imagining possible endings, NEVER deviate from the instructions. - STOP EARLY if the continuation contains what was required in the instructions. You do not need to fill out the full amount of words possible.
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4415" name="Lucien Moreau" aliases="Lucien, Luc, the Frenchman" pronouns="he/him" species="Half-Demon" storyRole="Ally"> <eyeColor>heterochromatic — one amber, one black</eyeColor> <hair>slicked-back platinum blond</hair> <height>5'11"</height> <age>32</age> <cane>ivory-handled cane that conceals a thin blade</cane> <dress>tailored charcoal suits</dress> <description>An impeccably dressed fixer and information broker in London's supernatural underworld. He speaks four languages fluently.</description> <backstory>Born in Marseille to a human mother and a demon father from the realm of Avaros.</backstory> </character> <location id="858" name="Eva's Flat" aliases="Eva's place, the flat on Brick Lane" realm="Earth"> <cat>tabby cat named Ptolemy</cat> <security>three deadbolts on the front door</security> <description>A cramped one-bedroom flat above a curry house on Brick Lane, East London. Every surface is covered with books, scrolls, and research notes.</description> </location> </codex> Continue the story using the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the romance genre. Two people who parted on complicated terms are forced together again when one shows up unannounced at the other's flat. There's history between them — attraction, hurt, and things left unsaid. Write the scene from the moment the door opens. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The third deadbolt always stuck. Rory shoved her shoulder into the door, twisted, and the whole frame gave a groan the landlord had promised to fix in March. Lucien Moreau stood on the landing with rain sliding off the shoulders of his charcoal suit, the ivory handle of his cane hooked over his forearm, and the expression of a man who had rehearsed several openings and discarded all of them. "Your buzzer's broken." "It's not broken. I disconnected it." "Ah." Water dripped from his cuff onto the mat. "That does explain the twenty minutes." She kept one hand on the door and the other on the frame, which was as close to a barricade as she could manage in socks and a jumper three sizes too big. Downstairs the curry house had started the evening's onions, and the smell climbed the stairwell like it paid rent. "You could have called." "You blocked the number." "I blocked *a* number. You have nine." "Eleven." He almost smiled. The amber eye caught the hall light; the black one gave back nothing at all. "May I come in, Aurora, or would you prefer I ruin an expensive suit on principle?" Ptolemy chose that moment to slink between her ankles, take one look at Lucien, and flatten himself against the skirting board with his ears pinned back. "Even the cat knows," she muttered, and stepped aside. He came in the way he did everything — without hurry, as though the room had been waiting for him. He had to turn sideways past the tower of library books stacked on the radiator. Three of them slid anyway. He caught them, glanced at the spines, set them down on the arm of the sofa in a neat pile. "*The Concordance of Broken Names.* Eva's?" "Mine, actually." "You hate reading." "I hate *pre-law* reading." She shut the door, worked the deadbolts one after another — snap, snap, stick, shove — and turned to find him watching her hands. Something in the set of his mouth had changed. "Don't." "Don't what?" "Look at me like that's my fault." "I said nothing." "You never do. That's the entire problem with you." She pushed past him and cleared a space on the table, sweeping scrolls into a heap. "Sit. Or stand there dripping on Eva's floor, I genuinely don't care." He sat. He unbuttoned his jacket first, one-handed, and laid the cane across his knees, and the small precision of it made her jaw ache. Four months. She'd rehearsed things too — whole paragraphs, in the shower, on the delivery bike, cutting through the traffic on Whitechapel Road with her helmet strap flapping. None of them had accounted for how he took up space. "Tea?" she asked, because her hands needed a job. "Please." She filled the kettle. Behind her, the flat did its usual creaking. Ptolemy fled to the bedroom. "How's the wrist?" Lucien asked. She stopped. The scar sat pale and crescent-shaped where her sleeve had ridden up, an old thing, older than him, older than any of it — but he'd never once asked about that one. He meant the other. The bruise-coloured ring the door of that warehouse had left, the night she'd pulled him out and he'd told her, with blood on his teeth, to go home and forget his name. "Healed." "Aurora." "It *healed*, Lucien." She got two mugs down. One had a chip. She gave him that one on purpose. "You want me to say it hurt? It hurt. It hurt for six weeks and I couldn't lift a takeaway bag and Yu-Fei nearly sacked me. Is that what you came for?" "No." "Then why are you in my kitchen?" "It's Eva's kitchen." She turned round with the mug still in her hand. "*Why are you in my kitchen.*" For a moment he didn't answer. He turned the cane a quarter-rotation against his knee, and she watched him decide to tell the truth, and watched it cost him. "Because I have been standing outside that door on eight separate evenings since February," he said, "and tonight it rained hard enough that I ran out of reasons to keep walking away." The kettle clicked off. Neither of them moved. "Eight." "Eight." "You—" She set the mug down before she dropped it. "You absolute coward." "Yes." "No, you don't get to just *agree*." She crossed the room. He didn't stand, and she was glad, because standing would have put his mouth level with her forehead and she needed the height. "You put me in a taxi. You paid the driver. You told me — what was it — that I'd be safer if I didn't know you." "I remember what I told you." "You said my name wrong on purpose. You called me Carter. Like a file." "Yes." "Why?" "Because if I had said *Rory* I would not have closed the door." His voice stayed level. That was the worst part; it always stayed level, and she'd learnt in six months to read him the way other people read weather. His thumb moved on the ivory. That was all. That was the storm. "Marcus had your address. He had your mother's address in Cardiff. He had a photograph of you outside the Golden Empress with your helmet under your arm, laughing at something, and he put it on the table in front of me to watch my face." Rory's hands went cold. "You never told me that." "No." "Four months, Lucien. You let me think—" She stopped. Swallowed. "I thought you got bored." He looked up then, and the black eye and the amber one both fixed on her, and something crossed his face that she had only seen once before, in a stairwell in Southwark, half a second before he'd kissed her and then apologised for it in three languages. "*Bored.*" "You're a fixer. You fix things and you move on. It's the whole—" she waved a hand, "—brand." "I speak four languages," he said, "and I cannot find a word in any of them for how far that is from the truth." The onions downstairs. Rain hitting the window in handfuls. Rory folded her arms because otherwise they were going to do something reckless. "Marcus is dead," she said. "Silas told me. Three weeks ago." "Yes." "So you've had three weeks." "I have had three weeks," he agreed, "and eight evenings, and a great deal of rain." "That's not an answer." "It's the only honest one I have." He set the cane against the table leg and stood, slowly, and the room shrank by half. "I thought you would have moved. Or married a nice human with a pension. I thought I would knock and find someone else's name on the door and be able to go home." "Disappointed?" "Devastated," he said. "You disconnected the buzzer. I had to stand there and hope." Rory laughed — one short, wrecked sound — and pressed the back of her hand to her mouth. "You're still dripping on the floor." "I'm aware." "Take the jacket off." He did. She took it from him because he handed it to her, and their fingers met on the wet wool, and neither of them let go of it for a full three seconds.
created_at"2026-07-25T13:37:27.994Z" 7/25/2026, 1:37:27 PM
model"anthropic/claude-opus-5-20260723"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency4310
moderation_latency(null)
generation_time46681
tokens_prompt1004
tokens_completion1946
native_tokens_prompt1467
native_tokens_completion2614
native_tokens_completion_images(null)
native_tokens_reasoning235
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
num_fetches(null)
web_search_engine(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"end_turn"
service_tier"default"
usage0.072685
router(null)
provider_responses
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endpoint_id"76cb4608-f48c-483d-8da8-9957fb44244e"
id"msg_011CdNsDRpuVM3B8xFKSqowa"
is_byokfalse
latency1760
model_permaslug"anthropic/claude-opus-5-20260723"
provider_name"Amazon Bedrock"
status200
user_agent"langchainjs-openai/1.0.0 ((node/v24.18.0; linux; x64))"
http_referer(null)
request_id"req-1784986648-fh3QLDgovecqxeH6bj8S"
session_id(null)
preset_id(null)
api_type"completions"
id"gen-1784986648-wF3pfOg6qihFn9ZmEGdb"
upstream_id"msg_011CdNsDRpuVM3B8xFKSqowa"
total_cost0.072685
cache_discount(null)
upstream_inference_cost0
provider_name"Amazon Bedrock"
response_cache_source_id(null)
data_region"global"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags17
adverbTagCount0
adverbTags(empty)
dialogueSentences66
tagDensity0.258
leniency0.515
rawRatio0
effectiveRatio0
95.85% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1205
totalAiIsmAdverbs1
found
0
adverb"slowly"
count1
highlights
0"slowly"
80.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found
0"Marcus"
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1205
totalAiIsms0
found(empty)
highlights(empty)
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences64
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount1
hedgeCount0
narrationSentences64
filterMatches
0"decide"
hedgeMatches(empty)
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences111
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
repeatedSegmentCount0
maxSentenceWordsSeen48
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans8
markdownWords17
totalWords1213
ratio0.014
matches
0"a"
1"The Concordance of Broken Names."
2"pre-law"
3"healed"
4"Why are you in my kitchen."
5"agree"
6"Rory"
7"Bored."
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions23
unquotedAttributions0
matches(empty)
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions14
wordCount749
uniqueNames9
maxNameDensity0.53
worstName"Rory"
maxWindowNameDensity1.5
worstWindowName"Rory"
discoveredNames
March1
Moreau1
Lucien3
Whitechapel1
Road1
One1
Swallowed1
Southwark1
Rory4
persons
0"Moreau"
1"Lucien"
2"One"
3"Rory"
places
0"March"
1"Whitechapel"
2"Road"
3"Southwark"
globalScore1
windowScore1
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences34
glossingSentenceCount0
matches(empty)
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1213
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount1
totalSentences111
matches
0"chose that moment"
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs69
mean17.58
std20.96
cv1.192
sampleLengths
028
142
23
36
415
552
64
74
87
935
1026
119
1260
136
142
153
1638
172
187
193
2037
2164
229
231
2417
255
2670
271
281
2951
301
317
323
3316
3429
3532
368
371
381
3913
401
4161
426
4314
441
451
4699
474
485
491
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount0
totalSentences64
matches(empty)
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs134
matches(empty)
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount7
semicolonCount2
flaggedSentences7
totalSentences111
ratio0.063
matches
0"The amber eye caught the hall light; the black one gave back nothing at all."
1"He came in the way he did everything — without hurry, as though the room had been waiting for him."
2"\"I hate *pre-law* reading.\" She shut the door, worked the deadbolts one after another — snap, snap, stick, shove — and turned to find him watching her hands."
3"She'd rehearsed things too — whole paragraphs, in the shower, on the delivery bike, cutting through the traffic on Whitechapel Road with her helmet strap flapping."
4"The scar sat pale and crescent-shaped where her sleeve had ridden up, an old thing, older than him, older than any of it — but he'd never once asked about that one."
5"That was the worst part; it always stayed level, and she'd learnt in six months to read him the way other people read weather."
6"Rory laughed — one short, wrecked sound — and pressed the back of her hand to her mouth."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount739
adjectiveStacks0
stackExamples(empty)
adverbCount16
adverbRatio0.02165087956698241
lyAdverbCount2
lyAdverbRatio0.0027063599458728013
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences111
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences111
mean10.93
std10.9
cv0.998
sampleLengths
05
123
242
33
46
59
66
733
819
94
104
117
124
1315
1416
1526
169
1720
1815
195
2020
216
222
233
2428
259
261
272
287
293
3025
3112
322
3323
342
3526
3611
379
381
394
408
415
425
432
4432
454
4632
471
481
498
67.27% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats7
diversityRatio0.44144144144144143
totalSentences111
uniqueOpeners49
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences52
matches(empty)
ratio0
20.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount26
totalSentences52
matches
0"She kept one hand on"
1"He almost smiled"
2"she muttered, and stepped aside"
3"He came in the way"
4"He had to turn sideways"
5"He caught them, glanced at"
6"She shut the door, worked"
7"She pushed past him and"
8"He unbuttoned his jacket first,"
9"She'd rehearsed things too —"
10"she asked, because her hands"
11"She filled the kettle."
12"He meant the other."
13"She got two mugs down"
14"She gave him that one"
15"She turned round with the"
16"He turned the cane a"
17"She set the mug down"
18"She crossed the room"
19"He didn't stand, and she"
ratio0.5
8.08% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount47
totalSentences52
matches
0"The third deadbolt always stuck."
1"Rory shoved her shoulder into"
2"Lucien Moreau stood on the"
3"Water dripped from his cuff"
4"She kept one hand on"
5"Downstairs the curry house had"
6"He almost smiled"
7"The amber eye caught the"
8"Ptolemy chose that moment to"
9"she muttered, and stepped aside"
10"He came in the way"
11"He had to turn sideways"
12"He caught them, glanced at"
13"She shut the door, worked"
14"Something in the set of"
15"She pushed past him and"
16"He unbuttoned his jacket first,"
17"She'd rehearsed things too —"
18"None of them had accounted"
19"she asked, because her hands"
ratio0.904
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences52
matches(empty)
ratio0
77.92% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences22
technicalSentenceCount2
matches
0"Lucien Moreau stood on the landing with rain sliding off the shoulders of his charcoal suit, the ivory handle of his cane hooked over his forearm, and the expre…"
1"She kept one hand on the door and the other on the frame, which was as close to a barricade as she could manage in socks and a jumper three sizes too big."
100.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags17
uselessAdditionCount0
matches(empty)
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags7
fancyCount2
fancyTags
0"she muttered (mutter)"
1"he agreed (agree)"
dialogueSentences66
tagDensity0.106
leniency0.212
rawRatio0.286
effectiveRatio0.061
81.6372%