Run: 2026-07-25-01KYCRA3TN5Q6BB2X07DKASWHY

Run Details

Duration:
1m 3s
Cost:
$0.092715
Provider:
Amazon Bedrock

Model input

System
You are an expert fiction writer. Always keep the following rules in mind: - Write in past tense and use General English spelling, grammar, and colloquialisms/slang. - Write in active voice - Always follow the "show, don't tell" principle. - Avoid adverbs and cliches and overused/commonly used phrases. Aim for fresh and original descriptions. - Convey events and story through dialogue. - Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. - Skip "he/she said said" dialogue tags and convey people's actions or face expressions through their speech - Avoid mushy dialog and descriptions, have dialogue always continue the action, never stall or add unnecessary fluff. Vary the descriptions to not repeat yourself. - Put dialogue on its own paragraph to separate scene and action. - Reduce indicators of uncertainty like "trying" or "maybe" When writing text: - NEVER conclude the scene on your own, follow the beat instructions very closely. - NEVER end with foreshadowing. - NEVER write further than what I prompt you with. - AVOID imagining possible endings, NEVER deviate from the instructions. - STOP EARLY if the continuation contains what was required in the instructions. You do not need to fill out the full amount of words possible.
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4413" name="Silas Blackwood" aliases="Silas, Si, the Spymaster" pronouns="he/him" species="Human" storyRole="Mentor"> <eyeColor>hazel</eyeColor> <hair>grey-streaked auburn</hair> <height>6'1"</height> <age>58</age> <beard>neatly trimmed, matching his grey-streaked auburn hair</beard> <limp>slight limp in his left leg from an old knee injury</limp> <signetRing>silver signet ring, always worn on his right hand</signetRing> <description>Silas is a retired intelligence operative turned bar owner. He carries himself with quiet authority.</description> <backstory>Former MI6 field agent who retired after a botched operation in Prague left him with a permanent knee injury. He opened "The Raven's Nest" bar in Soho as a front for his network of contacts.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> </codex> Continue the story using the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the literary fiction genre. Two old friends who haven't seen each other in years run into each other unexpectedly at a bar. One of them has changed significantly. Through their conversation and the tension between who they were and who they've become, reveal the weight of time and unspoken regret. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The rain had driven off the tourists, so the Nest held only its regulars: two men arguing over a chess board they'd never finish, and a woman by the window reading the same page of a paperback for forty minutes. Rory worked the glasses through the sink, hands in water gone lukewarm, while Silas counted the float with the slow patience of a man who'd once counted other things. The door let in noise from Frith Street and a woman in a grey suit, shoulders dark with wet. "Do you serve food?" "Crisps," Rory said. "Nuts, if you like disappointment." The woman folded her umbrella, and the green neon caught her face through the glass, and Rory's hands stopped in the water. "Nia." Nia Prosser looked up. Her hair was short now, dark, cut close at the sides like something official. She'd lost the softness under her jaw and gained a line between her brows, and the coat over her arm cost more than Rory's month of rent. "Christ," Nia said. "Rory Carter." Neither of them moved. The chess men swore at each other about a bishop. "You've had your hair done," Rory said. "You're behind a bar in Soho." "I'm not behind it. I'm helping. I deliver noodles, mostly." She wiped her hands on the towel and came round the counter and they did an awkward thing that started as a handshake and ended, badly, as a hug. Nia smelled of dry cleaning. She used to smell of Marlboro Lights and coconut shampoo and the damp of that flat on Cathays Terrace with the mould behind the wardrobe. "Sit down," Rory said. "What are you drinking?" "Lime and soda." "Very funny." "Lime and soda," Nia repeated, and pulled out a stool. Rory filled a glass. Ice, lime wedge, the gun. She set it down and Nia turned it a quarter-circle on the bar and left it there. "Two years in March," Nia said. "Right." "You can say something." "I'm working out how many nights I carried you up three flights of stairs." "Eleven, I've counted." Nia's mouth moved, not quite a smile. "You used to take my shoes off and put them by the door, toes pointing out. So I'd find them." "You'd lose them anyway." "I lost a lot of things." She drank then, a long swallow, and set the glass down harder than she meant to. "I'm here for a hearing. Employment tribunal, Victoria Street. My hotel's got a bar with a water feature in it and a man playing bossa nova on a keyboard, so I walked until I saw a sign that looked like it wouldn't cost eighteen pounds to be sad in." "You found the right sign." Silas closed the till drawer with his hip and carried the float towards the back, and on the way he touched two fingers to the bar in front of Rory. Not a word. She heard the bookshelf swing and settle behind her. "Who's that?" "Silas. He owns it. I live upstairs." "Above a bar." Nia laughed and it came out thin. "Your mother must be thrilled." "My mother sends me articles about conversion courses. Every Sunday. Like a woman putting out seed for a bird that flew off years ago." "You'd have been good." "I'd have been miserable." "Those aren't opposites." Nia said it flatly, and turned her glass again, and the ice knocked. "I finished. Pupillage in Cardiff, then I got taken on. I do employment, some housing. I stand up in rooms with strip lighting and argue about whether a man was constructively dismissed or just an arse." "You dropped out." "I went back." "You said the law was a machine for making poor people apologise." "I was twenty-one and I'd had four cans of Strongbow on the steps of the Temple of Peace." Nia rubbed her thumb along the edge of the bar. "It is a machine. I just decided I'd rather have my hands on it than be under it." Rory leaned against the back counter, arms folded. Rain ran down the window in the neon, green over green. "You look well," Rory said. "I look like a solicitor's idea of a barrister. You look like you sleep four hours." "Six. On a good week." "Are you all right?" Nia asked. "That's the question, isn't it. That's the one nobody asked." The chess men gathered their pieces. The woman by the window turned her page at last. "I'm all right," Rory said. "You went to London on a Tuesday and I found out from Bethan Rees on Facebook." "You'd have talked me out of it." "I'd have driven you." "You'd have talked me out of it first," Rory said, "and then you'd have driven me, and I'd have spent the whole M4 defending myself, and by Reading I'd have been apologising for him. That's what I did then. That's who I was." Nia's jaw shifted. She looked at the maps on the wall, the black-and-white photographs of men in overcoats standing on bridges. "I saw your wrist," she said. Rory said nothing. "That August. The barbecue at Owain's, and you had a cardigan on in twenty-six degrees, and when you reached for the tongs the sleeve rode up and I saw it, and I looked away, and then I got you another drink." Nia's voice stayed level, the way a voice does when it's been practised in the car. "I've cross-examined a hundred men who looked away. I'm very good at it. I make them say the word." "Nia—" "I said he was intense. Do you remember? I said, he's intense, but he adores you. In the kitchen. You were washing up somebody else's plates and I said that to the back of your head." The pump dripped into the drip tray. Rory unfolded her arms and picked up the towel again because her hands wanted something. "You were twenty-two," she said. "So were you." "He was clever," Rory said. "That's the thing nobody puts in the leaflets. He was clever and he was funny with your mates and he'd hold your bag outside the changing rooms. If you'd said it straight I'd have hated you. I'd have chosen him and hated you and told him what you said, and he'd have used it for a year." "Then I'd have been the villain and you'd have been alive." "I am alive." "You know what I mean." Rory hung the towel on the rail. She reached under the counter and came up with a bottle of soda and topped Nia's glass without being asked, the way she used to top up glasses at three in the morning in a kitchen full of other people's plates. "Eva made me a bed on her floor for eleven weeks," she said. "I sat on the Circle line for whole afternoons because it was warm and nobody knew me. I gave a fake name to a landlord. Laila. First thing that came into my head." She pushed the glass across. "And there wasn't one day of it I'd trade for staying." Nia took the glass. Her ring caught the light — plain, silver, on the wrong hand for a wedding. "I looked you up," she said. "Once a year, like a dentist. Aurora Carter. Nothing. Not a thing. Like you'd walked into the sea."
created_at"2026-07-25T13:44:22.11Z" 7/25/2026, 1:44:22 PM
model"anthropic/claude-opus-5-20260723"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency6268
moderation_latency(null)
generation_time62948
tokens_prompt1063
tokens_completion2242
native_tokens_prompt1548
native_tokens_completion3399
native_tokens_completion_images(null)
native_tokens_reasoning556
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
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origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"end_turn"
service_tier"default"
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provider_responses
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endpoint_id"76cb4608-f48c-483d-8da8-9957fb44244e"
id"msg_011CdNsjzQZnFp63c7pa7ZdG"
is_byokfalse
latency2514
model_permaslug"anthropic/claude-opus-5-20260723"
provider_name"Amazon Bedrock"
status200
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api_type"completions"
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upstream_id"msg_011CdNsjzQZnFp63c7pa7ZdG"
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provider_name"Amazon Bedrock"
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data_region"global"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags23
adverbTagCount1
adverbTags
0"She drank then [then]"
dialogueSentences65
tagDensity0.354
leniency0.708
rawRatio0.043
effectiveRatio0.031
91.84% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1225
totalAiIsmAdverbs2
found
0
adverb"very"
count2
highlights
0"very"
100.00% AI-ism character names
Target: 0 AI-default names (16 tracked, −20% each)
codexExemptions
0"Blackwood"
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1225
totalAiIsms0
found(empty)
highlights(empty)
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences53
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount0
narrationSentences53
filterMatches(empty)
hedgeMatches(empty)
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences95
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
repeatedSegmentCount0
maxSentenceWordsSeen59
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1226
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions22
unquotedAttributions0
matches(empty)
0.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions41
wordCount553
uniqueNames11
maxNameDensity2.89
worstName"Rory"
maxWindowNameDensity5
worstWindowName"Nia"
discoveredNames
Nest1
Silas2
Frith1
Street1
Rory16
Prosser1
Nia15
Marlboro1
Lights1
Cathays1
Terrace1
persons
0"Nest"
1"Silas"
2"Rory"
3"Prosser"
4"Nia"
places
0"Frith"
1"Street"
2"Cathays"
3"Terrace"
globalScore0.053
windowScore0
63.79% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences29
glossingSentenceCount1
matches
0"not quite a smile"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1226
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences95
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs65
mean18.86
std20.35
cv1.079
sampleLengths
069
119
24
38
422
51
645
75
814
97
106
1169
128
133
142
1510
1626
176
181
194
2014
2130
224
2371
245
2542
262
277
2815
2924
304
314
3252
333
343
3512
3646
3719
385
3916
405
4116
4216
435
4416
457
464
4743
4821
496
92.02% Passive voice overuse
Target: ≤2% passive sentences
passiveCount2
totalSentences53
matches
0"been practised"
1"being asked"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs89
matches(empty)
100.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount1
semicolonCount0
flaggedSentences1
totalSentences95
ratio0.011
matches
0"Her ring caught the light — plain, silver, on the wrong hand for a wedding."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount555
adjectiveStacks0
stackExamples(empty)
adverbCount11
adverbRatio0.01981981981981982
lyAdverbCount3
lyAdverbRatio0.005405405405405406
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences95
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences95
mean12.91
std12.83
cv0.994
sampleLengths
040
129
219
34
43
55
622
71
84
914
1027
113
122
134
1410
157
166
1739
185
1925
204
214
223
232
2410
254
265
2717
286
291
304
3114
3210
3320
344
3522
3649
375
3830
393
409
412
427
4310
445
4524
464
474
4816
4936
60.35% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats6
diversityRatio0.4
totalSentences95
uniqueOpeners38
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences39
matches(empty)
ratio0
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount11
totalSentences39
matches
0"Her hair was short now,"
1"She'd lost the softness under"
2"She wiped her hands on"
3"She used to smell of"
4"She set it down and"
5"She drank then, a long"
6"She heard the bookshelf swing"
7"She looked at the maps"
8"She reached under the counter"
9"She pushed the glass across"
10"Her ring caught the light"
ratio0.282
0.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount38
totalSentences39
matches
0"The rain had driven off"
1"Rory worked the glasses through"
2"The door let in noise"
3"The woman folded her umbrella,"
4"Nia Prosser looked up."
5"Her hair was short now,"
6"She'd lost the softness under"
7"Neither of them moved."
8"The chess men swore at"
9"She wiped her hands on"
10"Nia smelled of dry cleaning."
11"She used to smell of"
12"Nia repeated, and pulled out"
13"Rory filled a glass."
14"Ice, lime wedge, the gun."
15"She set it down and"
16"Nia's mouth moved, not quite"
17"She drank then, a long"
18"Silas closed the till drawer"
19"She heard the bookshelf swing"
ratio0.974
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences39
matches(empty)
ratio0
100.00% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences16
technicalSentenceCount0
matches(empty)
100.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags23
uselessAdditionCount1
matches
0"Nia's mouth moved, not quite a smile"
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags17
fancyCount2
fancyTags
0"Nia repeated (repeat)"
1"Nia laughed (laugh)"
dialogueSentences65
tagDensity0.262
leniency0.523
rawRatio0.118
effectiveRatio0.062
83.6001%