Run: 2026-07-25-01KYCSPTD4M1V8PPHRGB3D78J0

Run Details

Duration:
5m 10s
Cost:
$0.009923
Provider:
DeepInfra

Model input

System
You are an expert novelist with a gift for vivid, immersive prose. You write in tight third-person limited point of view with a strong narrative voice. Your prose is clean, precise, and engaging — you favor strong verbs, concrete details, and natural-sounding dialogue. You will be given a story bible (codex) containing canonical details about characters, locations, items, and lore. Use these details to ground your writing in the established world. Stay consistent with the codex. Write only the prose of the scene. Do not include titles, chapter headings, markdown formatting, or any commentary before or after the scene.
User/Human
<codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4414" name="Eva Kowalski" aliases="Eva, Evie" pronouns="she/her" species="Human" storyRole="Best Friend"> <eyeColor>green</eyeColor> <hair>curly red</hair> <height>5'4"</height> <age>26</age> <glasses>round glasses</glasses> <satchel>worn leather satchel full of books</satchel> <freckles>freckled complexion</freckles> <nervousHabit>tucking hair behind her left ear</nervousHabit> <description>Aurora's childhood friend and an occult researcher.</description> <backstory>Moved to London two years before Aurora and works as a research assistant at the British Museum's restricted archives. She holds a master's degree in Ancient History from Oxford.</backstory> </character> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> <item id="2004" name="Veil Compass" aliases="the Compass, shadow compass" type="Tool" origin="The Veil Market"> <casingMaterial>small brass compass</casingMaterial> <faceMarkings>face etched with protective sigils</faceMarkings> <needle>points toward the nearest supernatural rift or portal</needle> <patina>casing has a patina of verdigris</patina> <creator>crafted by a Shade artisan</creator> <description>A compass attuned to supernatural energy.</description> </item> </codex> Write a fully fleshed out scene of at least 1000 words in the mystery genre. A detective arrives at a crime scene in an unusual location. Something is wrong — the evidence doesn't add up. A colleague is present, offering a different interpretation. Through careful observation and deduction, the detective begins to see what others have missed. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary.

Model response

AI
The bones of the station had been dead for decades, but Detective Harlow Quinn’s boots still kicked up dust that smelled of rust and old electricity. She descended through a breach in the Camden lock-up, her hand trailing the iron rail where graffiti should have been, finding instead a smoothness worn away by something other than human touch. Below, in the cavernous belly of the abandoned Tube platform, the dark collected like ink in a jar. Only her flashlight cut through it, a narrow blade of white that caught on edges that had no business being sharp. She was forty-one, with closely cropped salt-and-pepper hair that needed no adjustment, and brown eyes narrowed against the gloom. The worn leather watch on her left wrist read half past three in the morning, though time here felt negotiable. Her bearing, honed by eighteen years of decorated service with the Metropolitan Police, was one of military precision, even as she moved slowly, letting the silence speak first. The body—if it could be called that—lay where the platform curved toward a sealed tunnel mouth. Eva Kowalski crouched beside it, her round glasses reflecting Quinn’s beam like small moons, her freckled complexion pale in the strange light. The smaller woman’s curly red hair was tied back haphazardly, and she clutched her worn leather satchel full of books against her ribs as though the volumes inside might form a shield. “It’s not a body, Quinn,” Eva said, her voice carrying the clipped authority of Oxford Ancient History and two years buried in the British Museum’s restricted archives. She tucked hair behind her left ear, a nervous habit that betrayed the steadiness of her words. “Not precisely. There’s no blood loss, no trauma to the tissue I can identify. The clothing is intact—wool, late twentieth century, somewhat rotted—but the form beneath it is wrong.” Quinn knelt. The sharp line of her jaw tightened. The victim wore the remnants of a tracksuit, faded to the color of old bone. Where the face should have been, there was only a smooth, convex plane, like porcelain that had never been fired, etched faintly with geometric marks. The hands, splayed on the grimy tile, ended in too many joints, the fingers tapered not to nails but to thin, translucent filaments that caught the flashlight and shimmered with a dull, greenish luminescence. “Your interpretation,” Quinn said, her voice low, “is that this is supernatural.” “My interpretation,” Eva corrected, adjusting her glasses, “is that this is a crime scene in an unusual location, and the evidence doesn’t add up if you assume he was human to begin with.” Quinn ignored the correction. She studied the floor. The grime was thick everywhere—coal dust, mold, the chemical tang of leaked coolant—except in a circle three feet across centered on the shape. There, the tile was clean. Not swept. Not washed. Absent of dust entirely, as though the air itself refused to settle. She stood and circled the perimeter, her boots silent on the swept stone. The tunnel mouth behind the remains had been bricked over in the seventies, according to the survey she’d read on the drive down, but the mortar was fresh. Too fresh. And along the base of the wall, where water should have pooled, there was a line of dark, viscous liquid that seemed to pull the light downward, swallowing it. “You said the clothing is intact,” Quinn said. “Yes. Wool and polyester blend. A local running club, perhaps. The logo is gone, but the cut—” “The clothing is intact,” Quinn interrupted, “but the body is not. There’s no decomposition. No smell of rot. No flies. The fabric should be feeding something by now, Eva. Even in cold storage. Even in winter.” Eva rose, brushing dust from her knees. “That’s one interpretation.” Quinn turned. Her brown eyes fixed on her colleague—her friend, her former partner’s widow’s confidant, the woman who knew too much and said too little—with an intensity that made Eva shift her grip on the satchel. “Then offer me yours. Fully.” Eva exhaled. “This is the Veil Market. Or was. The schedule moves every full moon, but they keep anchor points—nodes where the boundary is thinnest. This station is one. The entry requires a bone token. The victim—whoever he was—probably carried one. He came to trade, or to steal.” “The bone token,” Quinn said. “That’s myth. That’s children’s stories about underground black markets and banned alchemical substances.” Eva reached into her satchel and withdrew not a book, but a small brass compass. Its face was etched with protective sigils, its needle pointing not north but downward, toward the sealed tunnel mouth. The casing bore a patina of verdigris that spoke of age and something older than age. “The Veil Compass,” Eva said quietly. “Crafted by a Shade artisan. I borrowed it from the restricted archives. The needle points toward the nearest supernatural rift or portal. It’s been vibrating since we entered.” Quinn took the compass without asking. The needle trembled, then steadied, fixed on the wall of fresh mortar. Her thumb brushed the sigils, feeling the faint warmth of engraved brass. “You brought this into an active scene.” “I brought it because I suspected we wouldn’t understand what killed him without knowing where he came from,” Eva said. She tucked hair behind her left ear again, faster this time. “Quinn, look at the hands. The filaments. That’s not decay. That’s transformation. Or extraction. Something took what was human about him and left the container behind.” Quinn stood very still. The wound of DS Morris’s death—three years unexplained, three years of reports that made no sense, of supernatural origins she refused to understand—pulled tight in her chest. She had come here expecting drugs, expecting madness, expecting a cult. Instead, she found absence where there should have been evidence, and a compass that lied about north. She returned to the body. Or the absence of one. The tracksuit. The geometric marks on the porcelain face—protective sigils, she realized, matching the compass not in style but in intent. The clean circle on the floor was not absence of dirt; it was a boundary. A ritual perimeter drawn not in chalk but in negative space. “The others,” Quinn said, her voice sharper now, precise. “Forensics. The coroner’s people. What are they seeing?” “They see a body in an abandoned Tube station. They see decomposition accelerated by unknown chemical exposure. They’re bagging the remains now, up top.” “They’re wrong.” Eva looked at her. “That’s your deduction.” Quinn straightened. Her watch glinted. The sharp angle of her jaw caught the flashlight, and in that moment she was not just a detective but a soldier recognizing the shape of an enemy she had pretended didn’t exist. “The clothing is intact because whatever happened to him wasn’t physical violence,” Quinn said, stepping through her logic like a path she had always known was there. “The floor is clean in a circle because the energy—whatever burned through him—radiated outward and pushed away the physical world. The hands aren’t decomposing; they’re reaching. The filaments are connections. He tried to open something, Eva. Or close it. The brick wall behind him is new. Someone sealed the tunnel after this happened. Someone who knew what he had done.” Eva’s green eyes widened behind her glasses. “The Veil Market moves locations every full moon. But the artifacts remain. The bone token—if he still has it—would be the key to identifying who he was trading with. What he was trying to sell.” Quinn scanned the remains with her flashlight, searching for pockets that had survived. In the waistband of the tracksuit, half-buried in the melted edge of fabric, she found a small object: a chip of yellowed bone, carved with a single spiral. The token. She lifted it with her gloved hand. It was warm. “He wasn’t just here to trade,” Quinn said, turning it over. The spiral matched, in miniature, one of the sigils on the compass face. “He was the market. Or he was carrying the market’s seal. This isn’t a murder scene in the way the others think. This is a contained breach. The body—what’s left—is the evidence that the containment failed, or that he was the one who tried to contain it.” Eva stood beside her, the compass needle now spinning slowly, erratically, as though torn between directions. “So what do we do?” Quinn looked at the sealed tunnel mouth, at the fresh mortar, at the black liquid that seemed to drink the light. She thought of Morris, of unexplained circumstances, of supernatural origins she had refused to understand because understanding meant accepting that the world she policed was not the world she had been taught to defend. “We don’t report it,” Quinn said. “Not yet. Not to them.” She slipped the bone token into her pocket, beside her badge. The compass she returned to Eva, though she kept her hand on Eva’s wrist for a second longer than necessary, feeling the pulse there, anchoring herself to something still human. “We report an unidentified male, chemical exposure, investigation ongoing. But we come back here. Before the full moon. Before the Market moves and takes whatever is left in that tunnel with it.” Eva nodded, tucking hair behind her left ear, the satchel of books pressed tight against her side. “You’ll need the archives. There are texts about Shade artisans. About containment rituals that leave negative space behind.” “I need you, Eva. Not just the books.” The smaller woman smiled, faint and frightened. “Then I’ll need another compass. This one is already broken.” Quinn switched off her flashlight, and for a moment they stood in the dark of the abandoned station, two women in a place that should not exist, holding evidence that should not be. The needle of the broken compass ticked against its brass casing like a heart that refused to stop. When Quinn spoke again, her voice was steel wrapped in silk. “Let’s go see who knows about a bone token and a missing market. I have eighteen years of service, Eva. I have lost one partner to something I refused to name. I won’t lose the truth to the same refusal.” They climbed back toward the broken world above, leaving the porcelain face and the reaching filaments in the dark, leaving the evidence to the wrong interpretation so that the right one could survive. Quinn’s boots were silent on the stairs. Her watch read four in the morning. The sharp line of her jaw was set like a blade against a dawn that had not yet decided whether to come.<|end_message|>
created_at"2026-07-25T14:08:47.023Z" 7/25/2026, 2:08:47 PM
model"thinkingmachines/inkling-20260715"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency796
moderation_latency(null)
generation_time309612
tokens_prompt896
tokens_completion2762
native_tokens_prompt843
native_tokens_completion2255
native_tokens_completion_images(null)
native_tokens_reasoning0
native_tokens_cached64
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
num_fetches(null)
web_search_engine(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
service_tier(null)
usage0.00992263
router(null)
provider_responses
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endpoint_id"d6b9d68e-115a-49d7-81cd-1ad1c6942b0e"
id"chatcmpl-RlWj1iR4xb0SRACqybrXDO9H"
is_byokfalse
latency57
model_permaslug"thinkingmachines/inkling-20260715"
provider_name"DeepInfra"
status200
user_agent"langchainjs-openai/1.0.0 ((node/v24.18.0; linux; x64))"
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request_id"req-1784988527-thliJHoSHUQDlAeuqTwq"
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api_type"completions"
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upstream_id"chatcmpl-RlWj1iR4xb0SRACqybrXDO9H"
total_cost0.00992263
cache_discount0.00005312
upstream_inference_cost0
provider_name"DeepInfra"
response_cache_source_id(null)
data_region"global"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags12
adverbTagCount1
adverbTags
0"Eva said quietly [quietly]"
dialogueSentences35
tagDensity0.343
leniency0.686
rawRatio0.083
effectiveRatio0.057
88.78% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1783
totalAiIsmAdverbs4
found
0
adverb"slowly"
count2
1
adverb"precisely"
count1
2
adverb"very"
count1
highlights
0"slowly"
1"precisely"
2"very"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
60.74% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1783
totalAiIsms14
found
0
word"gloom"
count1
1
word"silence"
count1
2
word"porcelain"
count3
3
word"etched"
count2
4
word"shimmered"
count1
5
word"intensity"
count1
6
word"trembled"
count1
7
word"warmth"
count1
8
word"scanned"
count1
9
word"pulse"
count1
10
word"silk"
count1
highlights
0"gloom"
1"silence"
2"porcelain"
3"etched"
4"shimmered"
5"intensity"
6"trembled"
7"warmth"
8"scanned"
9"pulse"
10"silk"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches2
maxInWindow1
found
0
label"eyes widened/narrowed"
count2
highlights
0"eyes narrowed"
1"eyes widened"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences85
matches(empty)
58.82% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount3
hedgeCount2
narrationSentences85
filterMatches
0"watch"
hedgeMatches
0"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences108
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
repeatedSegmentCount0
maxSentenceWordsSeen62
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1763
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions16
unquotedAttributions0
matches(empty)
59.79% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions50
wordCount1164
uniqueNames15
maxNameDensity1.8
worstName"Quinn"
maxWindowNameDensity3
worstWindowName"Quinn"
discoveredNames
Detective1
Harlow1
Quinn21
Camden1
Tube1
Metropolitan1
Police1
Kowalski1
Oxford1
Ancient1
History1
British1
Museum1
Eva15
Morris2
persons
0"Harlow"
1"Quinn"
2"Kowalski"
3"Museum"
4"Eva"
5"Morris"
places
0"Oxford"
1"British"
globalScore0.598
windowScore0.667
63.79% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences58
glossingSentenceCount2
matches
0"liquid that seemed to pull the light downward, swallowing it"
1"liquid that seemed to drink the light"
0.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches6
per1kWords3.403
wordCount1763
matches
0"not to nails but to thin, translucent filaments"
1"not a book, but a small brass compass"
2"not north but downward, toward the sealed tunnel mouth"
3"not in style but in intent"
4"not in chalk but in negative space"
5"not just a detective but a soldier recognizing the shape of an enemy she had pretende"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount1
totalSentences108
matches
0"accepting that the"
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs48
mean36.73
std24.83
cv0.676
sampleLengths
097
167
270
373
49
574
612
733
852
972
108
1117
1236
1310
1436
155
1648
1718
1850
1934
2030
217
2257
2359
2410
2547
2617
2724
282
297
3038
3187
3242
3350
343
3571
3621
3755
3811
3941
4032
4135
428
4317
4451
4511
4640
4769
84.62% Passive voice overuse
Target: ≤2% passive sentences
passiveCount5
totalSentences85
matches
0"was tied"
1"been fired"
2"been bricked"
3"was etched"
4"been taught"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs202
matches(empty)
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount9
semicolonCount2
flaggedSentences7
totalSentences108
ratio0.065
matches
0"The body—if it could be called that—lay where the platform curved toward a sealed tunnel mouth."
1"The grime was thick everywhere—coal dust, mold, the chemical tang of leaked coolant—except in a circle three feet across centered on the shape."
2"Her brown eyes fixed on her colleague—her friend, her former partner’s widow’s confidant, the woman who knew too much and said too little—with an intensity that made Eva shift her grip on the satchel."
3"The wound of DS Morris’s death—three years unexplained, three years of reports that made no sense, of supernatural origins she refused to understand—pulled tight in her chest."
4"The geometric marks on the porcelain face—protective sigils, she realized, matching the compass not in style but in intent."
5"The clean circle on the floor was not absence of dirt; it was a boundary."
6"“The floor is clean in a circle because the energy—whatever burned through him—radiated outward and pushed away the physical world. The hands aren’t decomposing; they’re reaching. The filaments are connections. He tried to open something, Eva. Or close it. The brick wall behind him is new. Someone sealed the tunnel after this happened. Someone who knew what he had done.”"
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1178
adjectiveStacks0
stackExamples(empty)
adverbCount31
adverbRatio0.02631578947368421
lyAdverbCount12
lyAdverbRatio0.010186757215619695
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences108
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences108
mean16.32
std12.03
cv0.737
sampleLengths
026
132
218
321
419
520
628
716
822
932
1027
1117
1229
132
147
1515
1625
1734
1812
1933
204
214
2223
235
242
252
2612
2713
2828
292
3029
318
3217
3336
347
353
362
3734
385
392
4046
415
4213
4315
4419
4516
466
4728
486
4912
45.68% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats9
diversityRatio0.32407407407407407
totalSentences108
uniqueOpeners35
93.90% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount2
totalSentences71
matches
0"Only her flashlight cut through"
1"Instead, she found absence where"
ratio0.028
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount19
totalSentences71
matches
0"She descended through a breach"
1"She was forty-one, with closely"
2"Her bearing, honed by eighteen"
3"She tucked hair behind her"
4"She studied the floor."
5"She stood and circled the"
6"Her brown eyes fixed on"
7"Its face was etched with"
8"Her thumb brushed the sigils,"
9"She tucked hair behind her"
10"She had come here expecting"
11"She returned to the body."
12"Her watch glinted."
13"She lifted it with her"
14"It was warm."
15"She thought of Morris, of"
16"She slipped the bone token"
17"They climbed back toward the"
18"Her watch read four in"
ratio0.268
23.38% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount62
totalSentences71
matches
0"The bones of the station"
1"She descended through a breach"
2"She was forty-one, with closely"
3"The worn leather watch on"
4"Her bearing, honed by eighteen"
5"The body—if it could be"
6"Eva Kowalski crouched beside it,"
7"The smaller woman’s curly red"
8"Eva said, her voice carrying"
9"She tucked hair behind her"
10"The sharp line of her"
11"The victim wore the remnants"
12"The hands, splayed on the"
13"Quinn said, her voice low"
14"Eva corrected, adjusting her glasses"
15"Quinn ignored the correction."
16"She studied the floor."
17"The grime was thick everywhere—coal"
18"There, the tile was clean."
19"She stood and circled the"
ratio0.873
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences71
matches(empty)
ratio0
0.00% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences47
technicalSentenceCount12
matches
0"The bones of the station had been dead for decades, but Detective Harlow Quinn’s boots still kicked up dust that smelled of rust and old electricity."
1"She descended through a breach in the Camden lock-up, her hand trailing the iron rail where graffiti should have been, finding instead a smoothness worn away by…"
2"Only her flashlight cut through it, a narrow blade of white that caught on edges that had no business being sharp."
3"The smaller woman’s curly red hair was tied back haphazardly, and she clutched her worn leather satchel full of books against her ribs as though the volumes ins…"
4"She tucked hair behind her left ear, a nervous habit that betrayed the steadiness of her words."
5"Where the face should have been, there was only a smooth, convex plane, like porcelain that had never been fired, etched faintly with geometric marks."
6"The hands, splayed on the grimy tile, ended in too many joints, the fingers tapered not to nails but to thin, translucent filaments that caught the flashlight a…"
7"Her brown eyes fixed on her colleague—her friend, her former partner’s widow’s confidant, the woman who knew too much and said too little—with an intensity that…"
8"The casing bore a patina of verdigris that spoke of age and something older than age."
9"The wound of DS Morris’s death—three years unexplained, three years of reports that made no sense, of supernatural origins she refused to understand—pulled tigh…"
10"Eva stood beside her, the compass needle now spinning slowly, erratically, as though torn between directions."
11"Quinn switched off her flashlight, and for a moment they stood in the dark of the abandoned station, two women in a place that should not exist, holding evidenc…"
41.67% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags12
uselessAdditionCount2
matches
0"Quinn said, her voice low,"
1"Quinn said, her voice sharper now, precise"
92.86% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags12
fancyCount2
fancyTags
0"Eva corrected (correct)"
1"Quinn interrupted (interrupt)"
dialogueSentences35
tagDensity0.343
leniency0.686
rawRatio0.167
effectiveRatio0.114
73.8012%