Run: 2026-07-25-01KYCTRMP3N3PJW50Y3S2S1203

Run Details

Duration:
29.0s
Cost:
$0.037823
Provider:
Google AI Studio

Model input

System
You are an expert and award-winning novel writer in the dark Romance genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4415" name="Lucien Moreau" aliases="Lucien, Luc, the Frenchman" pronouns="he/him" species="Half-Demon" storyRole="Ally"> <eyeColor>heterochromatic — one amber, one black</eyeColor> <hair>slicked-back platinum blond</hair> <height>5'11"</height> <age>32</age> <cane>ivory-handled cane that conceals a thin blade</cane> <dress>tailored charcoal suits</dress> <description>An impeccably dressed fixer and information broker in London's supernatural underworld. He speaks four languages fluently.</description> <backstory>Born in Marseille to a human mother and a demon father from the realm of Avaros.</backstory> </character> <location id="858" name="Eva's Flat" aliases="Eva's place, the flat on Brick Lane" realm="Earth"> <cat>tabby cat named Ptolemy</cat> <security>three deadbolts on the front door</security> <description>A cramped one-bedroom flat above a curry house on Brick Lane, East London. Every surface is covered with books, scrolls, and research notes.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the romance genre. Two people who parted on complicated terms are forced together again when one shows up unannounced at the other's flat. There's history between them — attraction, hurt, and things left unsaid. Write the scene from the moment the door opens. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
Three deadbolts retracted with three distinct metal clicks, but the solid oak door stopped three inches short of the frame. An ivory cane head lodged neatly in the gap. Lucien Moreau leaned his weight against the polished cane. His eyes locked onto mine through the narrow dark space, one warm amber, one deep abyssal black. "You changed the locks," he said. His French accent smooth as silk stretched over iron. "Not enough of them." I shoved my shoulder against the heavy wood. The door did not budge an inch. Lucien held it firm with a single hand, his platinum blond hair gleaming under the bare landing light. "A proper greeting usually involves fewer bruised ribs, *chérie*." "We do not do proper greetings." I gave up on pushing the door and stepped back into the narrow hallway, my hand slipping into my cardigan pocket to wrap around a heavy brass letter opener. "Get out of my flat, Lucien." He stepped over the threshold without an invitation, closing the door behind him with a soft snap of the latch. The cramped hallway immediately shrank. He wore a tailored charcoal suit that smelled of rain, expensive cedarwood cologne, and the faint, unmistakable tang of scorched copper. Under the sofa, Ptolemy hissed. The tabby cat bolted into the kitchen, his tail puffed like a bottle brush. "Charming decor," Lucien said. He swept a critical glance over the stacks of legal textbooks, parchment scrolls, and half-empty mugs crowding the laminate floor. "Though the smell of turmeric and stale tea rather ruins the atmosphere." "Eva likes curry. I like privacy. Leave." "I cannot do that." "You managed it six months ago in Cardiff." My wrist throbbed beneath my sleeve, the old crescent-shaped scar tightening against my skin. "You ghosted through my flat, stole my father's ledger, and left me to deal with Evan's enforcement crew." Lucien set his cane against the wall. The action appeared casual, but I knew the thin steel blade concealed inside that ivory handle. He took off his charcoal leather gloves, pulling each finger free with slow, deliberate precision. "Evan was a brutal idiot who would have killed you before the month ended," Lucien said softly. "I drew his attention away from Wales." "By setting my living room on fire!" "The upholstery was atrocious." I lunged forward, raising the brass letter opener toward his chest. Fast. Direct. I aimed for the space between his third and fourth ribs, right where his half-demon heart beat beneath silk and fine wool. Lucien did not flinch. He caught my wrist mid-air. His grip felt like a heated iron cuff, firm enough to pin me, gentle enough not to bruise. Heat radiated from his palm, soaking through my skin, waking up every nerve ending I had spent months trying to numb. Bright blue eyes met heterochromatic ones. Neither of us blinked. "Your form improved," he murmured. His amber eye caught the dim light, glowing with an inner, predatory ember. "Cardiff made you sharp." "London made me dangerous." I yanked against his grip, but he held fast, pulling me an inch closer instead. "Good. You will need to be." "I do not need anything from you, Moreau." "You need protection." "From whom? Evan?" I spat the name like poison. "Or from you?" Lucien leaned down. His lips brushed the shell of my ear, his breath warm and dry. My breath hitched despite my brain screaming at me to drive my knee into his groin. The scent of him flooded my senses, heavy and intoxicating, pulling up memories of dark alleys, whispered bargains, and his mouth pressed hard against mine while rain poured over the Cardiff docks. "Evan is dead," Lucien whispered. The hallway fell dead silent. Downstairs, the curry house kitchen clattered with pots and muted laughter, but inside the flat, the air froze. "What did you say?" "He died three days ago." Lucien released my wrist, though he stayed impossibly close. His hand lingered on my forearm, his thumb trailing over the cotton of my sleeve, right above my scar. "His debts passed to his brothers. They know you came to East London, Rory. They know you work for Yu-Fei." "How?" My mind raced, sifting through the evidence, weighing options like a barrister preparing a brief. "I left no trail. I paid cash for the train. Eva's name is on the lease." "You exist in a world where blood leaves a scent, my dear." Lucien unbuttoned his charcoal suit jacket. He pulled back the left lapel. A deep, jagged tear ruined the silk lining. Crimson blood, thick and unnaturally dark, soaked the white linen shirt underneath. The copper smell in the room doubled, thick enough to taste on the back of my tongue. I stared at the wound. "You were hit." "A minor disagreement with a bloodhound in Whitechapel," he said smoothly, though a micro-expression of pain twitched at the corner of his mouth. "He did not survive it. But three more are currently following the trail." "To my door?" My voice dropped, deadly quiet. "You brought them to my flat?" "I brought myself to you because you are the only person in this wretched city smart enough to stitch demon-iron wounds without calling the authorities." Lucien slumped back against the small hall table, his usual impeccable posture slipping for a fraction of a second. "And because I missed your pleasant demeanor." "You are an arrogant, selfish bastard." "A description verified by many." He reached into his inner pocket, pulled out a heavy black iron key, and dropped it into my hand. It burned cold against my palm. "That unlocks Silas' safe beneath the bar. Everything I took from your father's desk in Cardiff is inside." I looked down at the key, then up at his pale face. His dark eye looked entirely black now, swallowing his pupil, a sure sign his demonic half struggled against the blood loss. "Why give it back now?" "Consider it an advance payment for your medical services." He unbuttoned the top three buttons of his ruined shirt, exposing pale skin, hard muscle, and a blackened, smoking gash stretching across his collarbone. "Or a bribe. I am not picky." I dropped the letter opener onto the side table with a loud clatter. I grabbed his shirt collar, yanking him down toward the bathroom door. "If you bleed on Eva's carpet, I will kill you myself before the bloodhounds get here." "A romantic as always, Rory." I pulled him into the tiny bathroom, kicking the door half-shut. I dragged a box of clean rags and a bottle of surgical spirits from beneath the sink. My hands worked on instinct, law-school precision mixed with emergency first aid learned in dark corners. I grabbed a silver needle from the cabinet, threading it with thick nylon string. "This will burn," I said. "Do your worst, *ma petite*." I poured the alcohol directly onto the wound. Lucien hissed through his teeth, his fingers digging into the edge of the porcelain sink until the white basin cracked under his grip. His eyes locked onto mine, burning with that terrifying, beautiful amber light. He did not pull away. He leaned into the pain, his eyes tracking every movement of my hands as I wiped away the black blood and began pushing the needle through skin. "Why London?" he asked, his voice strained, dropping low. "Eva had space." "You could have gone to Dublin. To your father." "My father is part of the reason Evan found me in the first place." I pulled the first knot tight. Lucien grunted, his chest expanding against my ribs as I leaned over him. "I trust no one." "Not even me?" I paused, needle hovering over his skin. "Especially not you." His hand came up, wet with cold sweat, and caught the chin of my jaw. His thumb pressed against my lower lip, tilting my head back. The dangerous heat from his skin flared, sending a shudder straight down my spine. "LIar," he whispered. He pulled me down, his mouth catching mine in a hard, bruising kiss that smelled of copper and salt. The needle slid from my fingers, clattering into the sink. I did not pull away. I gripped his ruined shirt, pulling him closer, letting six months of fury, fear, and wretched, aching want spill over into the kiss. He tasted like smoke and dark magic, his tongue sliding against mine, claiming space I had sworn never to give him again. A heavy wooden panel exploded into splinters behind us. The front door of the flat shattered inward with the force of a battering ram. The roar of a iron-shod boot hitting laminate wood echoed through the small hallway, followed instantly by the wet, gurgling growl of something that did not belong on Earth. Ptolemy shrieked from the kitchen. Lucien broke the kiss instantly, his eyes fully black, his hand already snapping back to grab the ivory cane resting outside the bathroom door. "They found us," he growled.
created_at"2026-07-25T14:27:15.282Z" 7/25/2026, 2:27:15 PM
model"google/gemini-3.6-flash-20260721"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency1607
moderation_latency(null)
generation_time28282
tokens_prompt4383
tokens_completion3332
native_tokens_prompt4440
native_tokens_completion4155
native_tokens_completion_images0
native_tokens_reasoning2188
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
num_fetches(null)
web_search_engine(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"STOP"
service_tier"default"
usage0.0378225
router(null)
provider_responses
0
endpoint_id"5d6d133d-a953-4781-a835-7ee76f4e1388"
id"xMdkareyBfbVjMcPu7HSkQY"
is_byokfalse
latency1607
model_permaslug"google/gemini-3.6-flash-20260721"
provider_name"Google AI Studio"
status200
user_agent"langchainjs-openai/1.0.0 ((node/v24.18.0; linux; x64))"
http_referer(null)
request_id"req-1784989635-08OW1o89lCkQlWYVH66f"
session_id(null)
preset_id(null)
api_type"completions"
id"gen-1784989635-Ot6cX0ZbfaBsR4usFV1P"
upstream_id"xMdkareyBfbVjMcPu7HSkQY"
total_cost0.0378225
cache_discount(null)
upstream_inference_cost0
provider_name"Google AI Studio"
response_cache_source_id(null)
data_region"global"

Evaluation details

Result Evaluator Details Meta Data
92.86% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags22
adverbTagCount3
adverbTags
0"Lucien said softly [softly]"
1"he said smoothly [smoothly]"
2"Lucien slumped back [back]"
dialogueSentences56
tagDensity0.393
leniency0.786
rawRatio0.136
effectiveRatio0.107
96.66% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1497
totalAiIsmAdverbs1
found
0
adverb"softly"
count1
highlights
0"softly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
59.92% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1497
totalAiIsms12
found
0
word"weight"
count1
1
word"abyssal"
count1
2
word"silk"
count3
3
word"gleaming"
count1
4
word"throbbed"
count1
5
word"raced"
count1
6
word"porcelain"
count1
7
word"down my spine"
count1
8
word"shattered"
count1
9
word"echoed"
count1
highlights
0"weight"
1"abyssal"
2"silk"
3"gleaming"
4"throbbed"
5"raced"
6"porcelain"
7"down my spine"
8"shattered"
9"echoed"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences91
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount0
narrationSentences91
filterMatches(empty)
hedgeMatches(empty)
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences124
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
repeatedSegmentCount0
maxSentenceWordsSeen45
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans2
markdownWords3
totalWords1497
ratio0.002
matches
0"chérie"
1"ma petite"
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions13
unquotedAttributions1
matches
0"Under the sofa, Ptolemy hissed."
86.59% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions20
wordCount1104
uniqueNames6
maxNameDensity1.27
worstName"Lucien"
maxWindowNameDensity2
worstWindowName"Lucien"
discoveredNames
Moreau1
French1
Ptolemy2
Lucien14
Cardiff1
Earth1
persons
0"Moreau"
1"Ptolemy"
2"Lucien"
places
0"Cardiff"
globalScore0.866
windowScore1
41.30% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences69
glossingSentenceCount3
matches
0"appeared casual but I knew the thin steel blade concealed inside that ivory handle"
1"felt like a heated iron cuff, firm enou"
2"tasted like smoke and dark magic, his ton"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1497
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences124
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs63
mean23.76
std19.23
cv0.809
sampleLengths
029
126
215
337
49
541
646
719
836
97
104
1140
1238
1324
147
154
1635
1748
1810
1922
2019
216
228
233
2412
2564
265
2723
284
2953
3032
3124
3237
338
3436
3514
3651
376
3848
3933
405
4140
4225
4316
445
4558
465
475
4875
499
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount0
totalSentences91
matches(empty)
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs177
matches(empty)
100.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount0
semicolonCount0
flaggedSentences0
totalSentences124
ratio0
matches(empty)
94.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1111
adjectiveStacks1
stackExamples
0"old crescent-shaped scar"
adverbCount34
adverbRatio0.0306030603060306
lyAdverbCount12
lyAdverbRatio0.010801080108010801
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences124
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences124
mean12.07
std7.93
cv0.657
sampleLengths
020
19
29
317
46
59
612
77
818
99
1035
116
1220
135
1421
155
1614
174
1820
1912
207
214
2222
2318
247
2516
2615
2717
287
297
304
3111
321
331
3422
354
365
3718
3821
396
404
415
4213
434
4419
456
468
473
489
493
56.72% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats8
diversityRatio0.3790322580645161
totalSentences124
uniqueOpeners47
40.65% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount1
totalSentences82
matches
0"Bright blue eyes met heterochromatic"
ratio0.012
0.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount48
totalSentences82
matches
0"His eyes locked onto mine"
1"His French accent smooth as"
2"I shoved my shoulder against"
3"I gave up on pushing"
4"He stepped over the threshold"
5"He wore a tailored charcoal"
6"He swept a critical glance"
7"My wrist throbbed beneath my"
8"He took off his charcoal"
9"I lunged forward, raising the"
10"I aimed for the space"
11"He caught my wrist mid-air."
12"His grip felt like a"
13"His amber eye caught the"
14"I yanked against his grip,"
15"I spat the name like"
16"His lips brushed the shell"
17"My breath hitched despite my"
18"His hand lingered on my"
19"My mind raced, sifting through"
ratio0.585
0.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount79
totalSentences82
matches
0"An ivory cane head lodged"
1"Lucien Moreau leaned his weight"
2"His eyes locked onto mine"
3"His French accent smooth as"
4"I shoved my shoulder against"
5"The door did not budge"
6"Lucien held it firm with"
7"I gave up on pushing"
8"He stepped over the threshold"
9"The cramped hallway immediately shrank."
10"He wore a tailored charcoal"
11"The tabby cat bolted into"
12"He swept a critical glance"
13"My wrist throbbed beneath my"
14"Lucien set his cane against"
15"The action appeared casual, but"
16"He took off his charcoal"
17"Lucien said softly"
18"I lunged forward, raising the"
19"I aimed for the space"
ratio0.963
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences82
matches(empty)
ratio0
59.80% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences43
technicalSentenceCount5
matches
0"He wore a tailored charcoal suit that smelled of rain, expensive cedarwood cologne, and the faint, unmistakable tang of scorched copper."
1"Heat radiated from his palm, soaking through my skin, waking up every nerve ending I had spent months trying to numb."
2"He pulled me down, his mouth catching mine in a hard, bruising kiss that smelled of copper and salt."
3"He tasted like smoke and dark magic, his tongue sliding against mine, claiming space I had sworn never to give him again."
4"The roar of a iron-shod boot hitting laminate wood echoed through the small hallway, followed instantly by the wet, gurgling growl of something that did not bel…"
100.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags22
uselessAdditionCount0
matches(empty)
78.57% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags10
fancyCount4
fancyTags
0"he murmured (murmur)"
1"I spat (spit)"
2"he whispered (whisper)"
3"he growled (growl)"
dialogueSentences56
tagDensity0.179
leniency0.357
rawRatio0.4
effectiveRatio0.143
80.2359%