Run: 2026-07-25-01KYD5E58S5MREACK6EKW23K8P

Run Details

Duration:
1m 32s
Cost:
$0.035668
Provider:
Moonshot AI

Model input

System
You are an expert fiction writer. Always keep the following rules in mind: - Write in past tense and use General English spelling, grammar, and colloquialisms/slang. - Write in active voice - Always follow the "show, don't tell" principle. - Avoid adverbs and cliches and overused/commonly used phrases. Aim for fresh and original descriptions. - Convey events and story through dialogue. - Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. - Skip "he/she said said" dialogue tags and convey people's actions or face expressions through their speech - Avoid mushy dialog and descriptions, have dialogue always continue the action, never stall or add unnecessary fluff. Vary the descriptions to not repeat yourself. - Put dialogue on its own paragraph to separate scene and action. - Reduce indicators of uncertainty like "trying" or "maybe" When writing text: - NEVER conclude the scene on your own, follow the beat instructions very closely. - NEVER end with foreshadowing. - NEVER write further than what I prompt you with. - AVOID imagining possible endings, NEVER deviate from the instructions. - STOP EARLY if the continuation contains what was required in the instructions. You do not need to fill out the full amount of words possible.
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4413" name="Silas Blackwood" aliases="Silas, Si, the Spymaster" pronouns="he/him" species="Human" storyRole="Mentor"> <eyeColor>hazel</eyeColor> <hair>grey-streaked auburn</hair> <height>6'1"</height> <age>58</age> <beard>neatly trimmed, matching his grey-streaked auburn hair</beard> <limp>slight limp in his left leg from an old knee injury</limp> <signetRing>silver signet ring, always worn on his right hand</signetRing> <description>Silas is a retired intelligence operative turned bar owner. He carries himself with quiet authority.</description> <backstory>Former MI6 field agent who retired after a botched operation in Prague left him with a permanent knee injury. He opened "The Raven's Nest" bar in Soho as a front for his network of contacts.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> </codex> Continue the story using the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the literary fiction genre. Two old friends who haven't seen each other in years run into each other unexpectedly at a bar. One of them has changed significantly. Through their conversation and the tension between who they were and who they've become, reveal the weight of time and unspoken regret. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The rain had kept the Tuesday crowd away, and Silas Blackwood was grateful for it. He stood behind the bar at the Raven's Nest with a glass in one hand and a cloth in the other, turning the tumbler beneath the low light until it came away clean. Above the shelves, the black-and-white photographs watched the empty room — Prague in winter, Trieste harbour, a bridge in Budapest he had never named to anyone who asked. The green neon out front buzzed against the window and threw a pale stripe across the floorboards. Upstairs, a door closed. Aurora's footsteps crossed the ceiling, then the stair, and she came down with her delivery jacket half-zipped and her black hair damp at the ends. "If the man in the corner comes back, don't serve him anything darker than lager." She tugged the zip up to her chin. "He cried into a whisky last week and I had to walk him to the cab." "Noted." Silas set the glass down. "Cheung keeping you late?" "Cheung keeps everyone late." The door swung shut behind her, and the neon stripe flickered once against the wet pavement outside. Silas reached for another glass. He had almost finished the row when the door opened again and let the rain in with a man. The man stood in the entrance a moment too long, the way people did when they'd crossed a threshold they hadn't planned to cross. He was thin in a way that had nothing to do with health — a face worn down to its architecture, a grey beard cropped close, a suit that had cost money once and kept the memory of it. Water ran off his shoulders onto the mat. Silas knew the limp before he knew the face. The man favoured his right side, a hitch so slight another man would have missed it. Silas had watched that hitch cross a snowy square in 1998. "Marcus." Marcus Wray closed the door behind him and looked down the length of the bar. His mouth moved around a smile that didn't settle. "Silas Blackwood. They told me you poured drinks now. I didn't believe them." "Who told you?" "People who owe you money." Marcus came forward and took the stool at the far end, the one beneath the photograph of the bridge. Up close, the years sat on him like wet wool. His eyes had gone pale, the blue washed out of them. "You've gone grey." "Auburn, if you ask my barber." "I won't ask your barber." Marcus turned the signet ring on Silas's right hand with his eyes, not his fingers. "You still wear it." Silas put a glass down in front of him. "What are you drinking?" "Whatever you were pouring in Prague." "That was slivovice, and you hated it." "I hated it less than the alternative." Marcus's hand came up and wrapped the glass, and Silas saw the tremor then — a small, constant weather in the fingers. Marcus caught him seeing it. He lifted the glass and drank half before setting it down, steady as a surgeon on the return. "Nerves. Comes and goes. The doctors have a word for it, and I have a word for the doctors." Silas took the bottle down and poured for himself, though he hadn't planned to drink. Twenty-two years sat on the bar between them, and neither man reached for it first. "You look like a man who owns a bar," Marcus said. "Prosperous. Settled. There's a word for men like us being settled, and the word is dead." "And yet." "And yet." Marcus turned his glass a quarter circle. "I was in Madrid. Before that, Tallinn. Before that, a place I can't tell you about, except to say it had a coastline and no one worth shooting. They sent me to the coast to finish out my time. Administrative. You know what administrative means." "I know what it means." "It means a desk and a window and a man who's done. They retired me in March. Full pension, a letter signed by someone whose name I didn't recognise, and a handshake from a boy who wasn't born when we—" Marcus stopped. He drank the other half. "You got out first. I used to hate you for that." Silas turned the bottle in his hand and read the label without seeing it. "I didn't get out. I was carried out." "Carried out is still out." "One knee. One operation gone wrong. You know the ledger as well as I do." "I know the ledger better." Marcus set the glass down, and the sound of it on the wood was deliberate. "I wrote the report, Si. I sat in that basement office on Týnská and I wrote what they wanted me to write. Equipment failure. Local asset compromised. No fault attributable to field personnel." He looked up. "No fault. You were bleeding into a drain in the snow and I wrote no fault in a building with central heating." The neon buzzed. Somewhere upstairs, water moved through the pipes. Silas refilled both glasses. His hand did not shake, and he took a small, private pride in that, and then hated the pride, because it was the kind of pride a man kept when he had nothing larger left. "You were following orders." "I was forty-one and following orders." Marcus laughed, one note, no humour in it. "Now I'm sixty-three and I can't follow a sentence to the end of a page. They took the work, Silas. Not all at once. A year here, a posting there, a door that used to open and then didn't. And I woke up in a flat in Tallinn last winter and I couldn't remember the name of the woman I married in '09. Second wife. Lovely woman. I stood in the kitchen with a photograph of my own wedding and the name had simply—" He rubbed his thumb along the rim of the glass. "It came back. Names come back. But you stand there long enough and you start to wonder what else left without saying goodbye." "The doctors—" "The doctors." Marcus waved the word away. "What did you do? All these years. You built this." He gestured at the maps, the photographs, the long dark room. "You built a place where the past hangs on the walls in frames, and you pour drinks under it, and everyone thinks it's decoration." "It is decoration." "The Budapest bridge. I know what happened at the Budapest bridge. That's not decoration, that's a headstone." Silas drank. The whisky sat warm at the back of his throat and he let it sit. Across the bar, beneath the photographs, his reflection in the mirror behind the bottles showed a man of fifty-eight with a neat beard and a ruined knee and a ring he had never once taken off, and for a moment he could not have said which of the two of them had changed more — the man in the mirror, who had built a life out of standing still, or the man on the stool, who had never once stood still and had worn himself down to the bone doing it. "I waited for you to come back," Marcus said. "After Prague. After the hospital. I told them you'd want the file kept open. I told them you'd walk it off." His washed-out eyes fixed on Silas. "You never wrote. Twenty-two years, Silas. I sent three letters to the box in Vienna. I don't even know if you kept the box." Silas set his glass down. The rain pressed against the window, and the green light hummed, and somewhere in the room a man was supposed to say the thing he had carried for two decades. "I kept the box," Silas said. Marcus waited. The tremor moved through his hand where it rested on the bar, and he made no effort to hide it now. "I read the letters," Silas said. "All three." "And?" Silas reached for the bottle and didn't pour. His thumb moved over the signet ring, turning it, the old unconscious gesture, and he looked at the photograph of the bridge above his friend's head, and the words assembled themselves and stood at the edge of his mouth and would not cross.
created_at"2026-07-25T17:33:46.143Z" 7/25/2026, 5:33:46 PM
model"moonshotai/kimi-k3-20260715"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency3678
moderation_latency(null)
generation_time91896
tokens_prompt1063
tokens_completion2589
native_tokens_prompt1081
native_tokens_completion2346
native_tokens_completion_images(null)
native_tokens_reasoning615
native_tokens_cached1024
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
num_fetches(null)
web_search_engine(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
service_tier(null)
usage0.0356682
router(null)
provider_responses
0
endpoint_id"650c9b12-7b6d-444d-8d92-df8daef84d7a"
id"chatcmpl-6a64f367807af92158ea1650"
is_byokfalse
latency3675
model_permaslug"moonshotai/kimi-k3-20260715"
provider_name"Moonshot AI"
status200
user_agent"langchainjs-openai/1.0.0 ((node/v24.18.0; linux; x64))"
http_referer(null)
request_id"req-1785000826-on6ODuC8XDJTxRm1TxT4"
session_id(null)
preset_id(null)
api_type"completions"
id"gen-1785000826-dTnPUNx0TBDrPV00F1Vw"
upstream_id"chatcmpl-6a64f367807af92158ea1650"
total_cost0.0356682
cache_discount0.0027648
upstream_inference_cost0
provider_name"Moonshot AI"
response_cache_source_id(null)
data_region"global"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags19
adverbTagCount0
adverbTags(empty)
dialogueSentences49
tagDensity0.388
leniency0.776
rawRatio0
effectiveRatio0
100.00% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1381
totalAiIsmAdverbs0
found(empty)
highlights(empty)
80.00% AI-ism character names
Target: 0 AI-default names (16 tracked, −20% each)
codexExemptions
0"Blackwood"
found
0"Marcus"
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
92.76% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1381
totalAiIsms2
found
0
word"footsteps"
count1
1
word"flickered"
count1
highlights
0"footsteps"
1"flickered"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells1
narrationSentences57
matches
0"was grateful"
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount0
narrationSentences57
filterMatches(empty)
hedgeMatches(empty)
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences87
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
repeatedSegmentCount0
maxSentenceWordsSeen96
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1385
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions13
unquotedAttributions0
matches(empty)
16.67% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions38
wordCount806
uniqueNames10
maxNameDensity2.11
worstName"Silas"
maxWindowNameDensity4.5
worstWindowName"Marcus"
discoveredNames
Tuesday1
Silas17
Blackwood1
Raven1
Nest1
Prague1
Trieste1
Budapest1
Wray1
Marcus13
persons
0"Tuesday"
1"Silas"
2"Blackwood"
3"Wray"
4"Marcus"
places
0"Raven"
1"Prague"
2"Trieste"
3"Budapest"
globalScore0.445
windowScore0.167
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences40
glossingSentenceCount0
matches(empty)
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1385
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount1
totalSentences87
matches
0"watched that hitch"
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs44
mean31.48
std30.43
cv0.967
sampleLengths
093
129
239
310
421
524
671
736
81
937
103
1148
126
1324
1413
156
167
1771
1830
1927
202
2154
225
2358
2422
255
2615
2778
2810
2939
304
31131
322
3352
343
3517
36108
3760
3835
396
4023
418
421
4351
99.11% Passive voice overuse
Target: ≤2% passive sentences
passiveCount1
totalSentences57
matches
0"was supposed"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs129
matches(empty)
11.49% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount4
semicolonCount0
flaggedSentences4
totalSentences87
ratio0.046
matches
0"Above the shelves, the black-and-white photographs watched the empty room — Prague in winter, Trieste harbour, a bridge in Budapest he had never named to anyone who asked."
1"He was thin in a way that had nothing to do with health — a face worn down to its architecture, a grey beard cropped close, a suit that had cost money once and kept the memory of it."
2"\"I hated it less than the alternative.\" Marcus's hand came up and wrapped the glass, and Silas saw the tremor then — a small, constant weather in the fingers."
3"Across the bar, beneath the photographs, his reflection in the mirror behind the bottles showed a man of fifty-eight with a neat beard and a ruined knee and a ring he had never once taken off, and for a moment he could not have said which of the two of them had changed more — the man in the mirror, who had built a life out of standing still, or the man on the stool, who had never once stood still and had worn himself down to the bone doing it."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount808
adjectiveStacks0
stackExamples(empty)
adverbCount20
adverbRatio0.024752475247524754
lyAdverbCount0
lyAdverbRatio0
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences87
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences87
mean15.92
std15.83
cv0.994
sampleLengths
015
133
228
317
44
525
623
716
86
94
1021
115
1219
1324
1439
158
169
1716
1811
191
2015
219
2213
233
2424
2510
2611
273
286
2920
304
319
324
336
347
3529
365
3718
3819
3915
4015
4111
4216
432
449
4545
465
4742
485
4911
58.24% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats6
diversityRatio0.39080459770114945
totalSentences87
uniqueOpeners34
66.67% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount1
totalSentences50
matches
0"Somewhere upstairs, water moved through"
ratio0.02
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount14
totalSentences50
matches
0"He stood behind the bar"
1"She tugged the zip up"
2"He had almost finished the"
3"He was thin in a"
4"His mouth moved around a"
5"His eyes had gone pale,"
6"He lifted the glass and"
7"He drank the other half."
8"He looked up"
9"His hand did not shake,"
10"He rubbed his thumb along"
11"He gestured at the maps,"
12"His washed-out eyes fixed on"
13"His thumb moved over the"
ratio0.28
20.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount44
totalSentences50
matches
0"The rain had kept the"
1"He stood behind the bar"
2"The green neon out front"
3"Aurora's footsteps crossed the ceiling,"
4"She tugged the zip up"
5"Silas set the glass down"
6"The door swung shut behind"
7"Silas reached for another glass."
8"He had almost finished the"
9"The man stood in the"
10"He was thin in a"
11"Water ran off his shoulders"
12"Silas knew the limp before"
13"The man favoured his right"
14"Silas had watched that hitch"
15"Marcus Wray closed the door"
16"His mouth moved around a"
17"Marcus came forward and took"
18"His eyes had gone pale,"
19"Marcus turned the signet ring"
ratio0.88
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences50
matches(empty)
ratio0
80.75% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences23
technicalSentenceCount2
matches
0"Above the shelves, the black-and-white photographs watched the empty room — Prague in winter, Trieste harbour, a bridge in Budapest he had never named to anyone…"
1"Across the bar, beneath the photographs, his reflection in the mirror behind the bottles showed a man of fifty-eight with a neat beard and a ruined knee and a r…"
100.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags19
uselessAdditionCount0
matches(empty)
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags6
fancyCount2
fancyTags
0"Marcus came forward (come forward)"
1"Marcus laughed (laugh)"
dialogueSentences49
tagDensity0.122
leniency0.245
rawRatio0.333
effectiveRatio0.082
84.1892%