Run: 2026-09-02-01M1GS1G6EB39G7T8TMWH8MB9K

Run Details

Duration:
9m 5s
Cost:
$0.004371
Provider:
Z.AI

Model input

System
You are an expert fiction writer. Always keep the following rules in mind: - Write in past tense and use General English spelling, grammar, and colloquialisms/slang. - Write in active voice - Always follow the "show, don't tell" principle. - Avoid adverbs and cliches and overused/commonly used phrases. Aim for fresh and original descriptions. - Convey events and story through dialogue. - Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. - Skip "he/she said said" dialogue tags and convey people's actions or face expressions through their speech - Avoid mushy dialog and descriptions, have dialogue always continue the action, never stall or add unnecessary fluff. Vary the descriptions to not repeat yourself. - Put dialogue on its own paragraph to separate scene and action. - Reduce indicators of uncertainty like "trying" or "maybe" When writing text: - NEVER conclude the scene on your own, follow the beat instructions very closely. - NEVER end with foreshadowing. - NEVER write further than what I prompt you with. - AVOID imagining possible endings, NEVER deviate from the instructions. - STOP EARLY if the continuation contains what was required in the instructions. You do not need to fill out the full amount of words possible.
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4413" name="Silas Blackwood" aliases="Silas, Si, the Spymaster" pronouns="he/him" species="Human" storyRole="Mentor"> <eyeColor>hazel</eyeColor> <hair>grey-streaked auburn</hair> <height>6'1"</height> <age>58</age> <beard>neatly trimmed, matching his grey-streaked auburn hair</beard> <limp>slight limp in his left leg from an old knee injury</limp> <signetRing>silver signet ring, always worn on his right hand</signetRing> <description>Silas is a retired intelligence operative turned bar owner. He carries himself with quiet authority.</description> <backstory>Former MI6 field agent who retired after a botched operation in Prague left him with a permanent knee injury. He opened "The Raven's Nest" bar in Soho as a front for his network of contacts.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> </codex> Continue the story using the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the literary fiction genre. Two old friends who haven't seen each other in years run into each other unexpectedly at a bar. One of them has changed significantly. Through their conversation and the tension between who they were and who they've become, reveal the weight of time and unspoken regret. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
Rain came at Old Compton Street sideways, and the green neon above The Raven's Nest bled across the wet glass like paint nobody had bothered to stir. Inside, the light sat low and amber. Rory had the end stool and the evening's delivery slips fanned in front of her, working figures into a ledger in pencil, squaring each slip into its pile when she finished with it. Behind the pumps, Silas turned a glass under a cloth, the silver signet on his right hand ticking against the rim with every pass. Old maps of Belfast and Prague hung beside black-and-white photographs of men in overcoats under foreign streetlamps. The radio muttered something with a trumpet in it. The door heaved open on a smell of wet asphalt. A woman came in shoulder-first, shaking rain off a camel coat, protecting the coat before herself. "Sit anywhere dry." Silas didn't look up. She took a stool three down from Rory and set her phone face-down on the bar. "Whatever gin you'd pour yourself." While he poured, she studied the wall. "Is that Soho? It can't be." "Nineteen sixty-eight." He slid the glass across. "The pub on the corner's a phone shop now." "Everything's a phone shop now." The gin went down and the vowels went down with it — flat, warm, Cardiff all over. Rory's pencil stopped. The woman glanced at the slips, the cash box, the neat columns of figures, then at the woman making them. "Sorry. This is going to sound mad. Did you go to Cardiff?" "Everyone's been to Cardiff." "Richmond Road. Number forty-one. The house with the ghost that fried onions at two in the morning." Rory turned on her stool. Eva Morgan had a city haircut now, and good boots, and laugh lines she hadn't earned at twenty-one. On her left ring finger sat a groove of pale skin where something had lived a long time and left. "Say something before I die of it." "Your coat costs more than my flat." Eva laughed the way she always had, head back, all of her in it, and crossed the three stools between them and took Rory's face in both cold hands and kissed her forehead and held on until Rory's arms did the rest without being asked. "You look—" "Different." "I was going to say like someone who counts things for a living." Eva dragged her stool close. "You've got ink on your jaw." "You've got rain in your ears." "Three and a half years, Rory Carter." "Three and four months." "You counted." "I count everything now." Silas came down the bar and topped Eva's glass without being told. Up close, his beard ran more grey than auburn, and the limp sat easy in his left leg, an old argument he'd lost in Prague. He went back to his cloth. The side door banged open. A kid in a crash helmet leaned in, dripping. "Laila — Yu-Fei says the Duke Street order's dying on its feet. Keys." Rory tossed them across the bar. "Tell him traffic." The kid vanished. Eva watched the space where he'd been. "Laila." "Work name. Laila delivers for the Golden Empress. Rory's on sabbatical." "Since when do you need a work name?" "Since I needed one." Eva sat with that like a stone she'd just been handed. Then her old trick of moving before a thing could settle. "Singapore was flat, for the record. Everyone's rich and nothing's real. I'm back for good — chambers off Chancery Lane, a flat I don't own yet. I was meant to view one on Frith Street at seven." She checked her phone. "The agent's a no-show and the sky fell in, so." She raised the glass a half-inch to the room. "Lucky me." "Three weeks in London and you're two streets away?" "I was going to do it properly. A card. A text with an exclamation mark in it." Rory reached for the next slip. Her sleeve rode up, and the crescent scar on her left wrist caught the light. Eva caught the wrist. Her thumb moved over the scar the way you check for a pulse. "You kept it." "Kept what?" "Year Seven. Penarth Road. The chain went through your arm and you sat in my kitchen crying about the bike." "I loved that bike." "You cried for an hour." "The bike was new." Eva let go of the wrist. The letting go took longer than the holding had. She reached up instead and lifted a black strand of hair, let it fall. "You used to spend an hour on this. Straighteners. That oil that smelled like a garden centre." "Now it dries on a moped." "It suits you. That's the strange part." Eva turned her glass a quarter-turn on the wood. "I saw your dad's name in a law newsletter last month. Brendan Carter, still terrifying." "I wouldn't know." Something crossed Eva's face and she let it arrive before she spoke again. "I saw your mum in March. Tesco, Canton. First thing she asked was whether we'd fallen out." "And you said?" "I said no." A beat. "I lied. We hadn't fallen out. You'd gone quiet, and I didn't know what to call that, so I called it nothing. Then she asked if you were eating, and I said yes to that as well." Rory squared the slips against the bar. They were already square. "He's still in Cardiff, you know. The gym, of all the places in the world. He's smaller than I remember." "Don't spend your London on him." "I wasn't—" "You were going to ask if I hear from him." "No." Eva held her eyes. "I was going to ask if you're all right." "I'm all right." "You used to be a terrible liar." "I got better." Eva's laugh came out wrong, half its size. Rory's gaze dropped to the pale groove on her friend's finger, and Eva turned the hand over, studied it herself, and decided against hiding it. "Six years. Cardiff, then Singapore, long-distance, which is a way of saying neither of us meant it." She shrugged. "I did everything right, Rory. Chambers, the flat, the timing, all of it in the correct order. And I still ended up hiding from rain in a pub I've never set foot in, lying to your mum about whether you're eating." "I live upstairs." Eva blinked. "Here?" "Landlord's the one with the limp." Rory tipped her head toward Silas. "The pub's the honest part. It's the flat above it where I get complicated." Eva looked at the man wiping the same glass. "Does he know everything about you?" "He knows everything about everyone. It's cheaper than a telly." The door swung and a couple came in from the rain, and Rory's eyes went to them, weighed them, came back. Eva followed the glance. "You keep doing that." "Doing what." "Counting the room." "I told you. I count everything now." Eva nodded slowly, as if a bill had just been itemised. "I used to write you texts at two in the morning and delete them by three." "I kept your number. Migrated it through two phones. Like evidence." "Then why didn't you—" "Every time I picked it up I was somebody new that month." Rory said it to the ledger. "I kept waiting to have good news." "I never needed good news." "You told me to run, Eva. You made it sound brave." "It was." "It wasn't. It was the only door I could go through without being seen leaving." Rory turned the pencil over in her fingers. "You stayed. The staying was the brave thing. I've known it for three years and four months and I never once said it." "Don't hand me bravery. I gave you a key under a plant pot and a departure gate. A month, I said. Worst maths of my life." "The key worked. I slept on your sofa for two months and invented a person called Laila to keep it company." Both of them looked at their glasses. The trumpet on the radio found the rest of its band. Silas came down the bar with a bottle neither of them had ordered and two clean glasses. "On the house. Argue about it later." His eyes rested on Rory a beat past the words, hazel and unhurried, a man reading a room he'd read a thousand times. Then he limped back into the passage behind the bar, and somewhere past the shelves a lock turned, soft as a full stop. Eva pushed her empty aside and wrapped both hands around the fresh one. Rain ticked against the window in a thinner voice now. "Tell me," she said, turning the glass by its base. "From the beginning. The real one. Not the version you give your mother." Rory looked at the slips a moment. Then she lifted them, squared them one last time, slid them into the cash box, and turned on her stool to face her friend, her back to the door. "Get comfortable."
created_at"2026-09-02T10:01:11.642Z" 9/2/2026, 10:01:11 AM
model"z-ai/glm-5.3-flash-20260826"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency2794
moderation_latency(null)
generation_time545349
tokens_prompt1063
tokens_completion17962
native_tokens_prompt1004
native_tokens_completion17183
native_tokens_completion_images(null)
native_tokens_reasoning15226
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
num_fetches(null)
web_search_engine(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
service_tier(null)
usage0.00437105
router(null)
user_agent"langchainjs-openai/1.0.0 ((node/v24.19.0; linux; x64))"
http_referer(null)
request_id"req-1788343271-TzYpIoFXynPdsuZvm4HN"
session_id(null)
preset_id(null)
api_type"completions"
id"gen-1788343271-eEaqHC7H4kAxrs275mlc"
upstream_id"202609021801112976e6d1d0b84d0f"
provider_responses
0
endpoint_id"8e9fe48b-2f91-41c3-a8a7-e4a93a8c4ff0"
id"202609021801112976e6d1d0b84d0f"
is_byokfalse
latency2794
model_permaslug"z-ai/glm-5.3-flash-20260826"
provider_name"Z.AI"
status200
total_cost0.00437105
cache_discount(null)
upstream_inference_cost0
provider_name"Z.AI"
response_cache_source_id(null)
data_region"global"
workspace_id"97e315e5-d303-487d-83c1-83180e8a13d4"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags14
adverbTagCount0
adverbTags(empty)
dialogueSentences83
tagDensity0.169
leniency0.337
rawRatio0
effectiveRatio0
96.68% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1504
totalAiIsmAdverbs1
found
0
adverb"slowly"
count1
highlights
0"slowly"
100.00% AI-ism character names
Target: 0 AI-default names (16 tracked, −20% each)
codexExemptions
0"Blackwood"
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
93.35% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1504
totalAiIsms2
found
0
word"pulse"
count1
1
word"comfortable"
count1
highlights
0"pulse"
1"comfortable"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences66
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount0
narrationSentences66
filterMatches(empty)
hedgeMatches(empty)
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences134
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
repeatedSegmentCount0
maxSentenceWordsSeen45
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1507
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions22
unquotedAttributions0
matches(empty)
0.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions50
wordCount772
uniqueNames12
maxNameDensity2.33
worstName"Eva"
maxWindowNameDensity5.5
worstWindowName"Eva"
discoveredNames
Old2
Compton1
Street1
Raven1
Nest1
Silas5
Belfast1
Prague2
Rory16
Cardiff1
Morgan1
Eva18
persons
0"Raven"
1"Nest"
2"Silas"
3"Rory"
4"Morgan"
5"Eva"
places
0"Old"
1"Compton"
2"Street"
3"Belfast"
4"Prague"
5"Cardiff"
globalScore0.334
windowScore0
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences51
glossingSentenceCount0
matches(empty)
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1507
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences134
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs88
mean17.13
std17.81
cv1.04
sampleLengths
027
190
226
37
421
513
616
722
83
932
104
1117
125
1338
147
157
1645
172
181
1924
206
217
224
232
244
2543
2627
279
2810
291
3011
318
324
3384
349
3517
3621
3717
383
392
4020
414
425
434
4446
456
4631
473
4830
493
84.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount4
totalSentences66
matches
0"being asked"
1"being told"
2"been handed"
3"been itemised"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs136
matches(empty)
100.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount1
semicolonCount0
flaggedSentences1
totalSentences134
ratio0.007
matches
0"\"Everything's a phone shop now.\" The gin went down and the vowels went down with it — flat, warm, Cardiff all over."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount778
adjectiveStacks0
stackExamples(empty)
adverbCount17
adverbRatio0.021850899742930592
lyAdverbCount1
lyAdverbRatio0.0012853470437017994
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences134
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences134
mean11.25
std8.88
cv0.789
sampleLengths
027
17
233
324
417
59
610
716
87
916
105
117
126
137
149
1522
163
1720
1812
194
2017
215
2218
2320
247
257
2645
272
281
2918
306
316
327
334
342
354
3612
3725
386
395
409
4113
426
433
443
457
461
4711
488
494
60.20% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats11
diversityRatio0.41044776119402987
totalSentences134
uniqueOpeners55
100.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount3
totalSentences63
matches
0"Then her old trick of"
1"Then he limped back into"
2"Then she lifted them, squared"
ratio0.048
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount11
totalSentences63
matches
0"She took a stool three"
1"He slid the glass across"
2"He went back to his"
3"She checked her phone"
4"She raised the glass a"
5"Her sleeve rode up, and"
6"Her thumb moved over the"
7"She reached up instead and"
8"They were already square."
9"His eyes rested on Rory"
10"she said, turning the glass"
ratio0.175
31.43% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount54
totalSentences63
matches
0"Rain came at Old Compton"
1"Rory had the end stool"
2"The radio muttered something with"
3"The door heaved open on"
4"A woman came in shoulder-first,"
5"Silas didn't look up"
6"She took a stool three"
7"He slid the glass across"
8"The gin went down and"
9"Rory's pencil stopped."
10"The woman glanced at the"
11"Rory turned on her stool."
12"Eva Morgan had a city"
13"Eva laughed the way she"
14"Eva dragged her stool close"
15"Silas came down the bar"
16"He went back to his"
17"The side door banged open."
18"A kid in a crash"
19"Rory tossed them across the"
ratio0.857
79.37% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences63
matches
0"While he poured, she studied"
ratio0.016
100.00% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences28
technicalSentenceCount0
matches(empty)
100.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags14
uselessAdditionCount0
matches(empty)
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags2
fancyCount0
fancyTags(empty)
dialogueSentences83
tagDensity0.024
leniency0.048
rawRatio0
effectiveRatio0
91.5006%