Run: 2026-09-02-01M1GSGMGP7NDJZKYYWD5CWFDR

Run Details

Duration:
6m 23s
Cost:
$0.042726
Provider:
Z.AI

Model input

System
You are an expert fiction writer. Always keep the following rules in mind: - Write in past tense and use General English spelling, grammar, and colloquialisms/slang. - Write in active voice - Always follow the "show, don't tell" principle. - Avoid adverbs and cliches and overused/commonly used phrases. Aim for fresh and original descriptions. - Convey events and story through dialogue. - Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. - Skip "he/she said said" dialogue tags and convey people's actions or face expressions through their speech - Avoid mushy dialog and descriptions, have dialogue always continue the action, never stall or add unnecessary fluff. Vary the descriptions to not repeat yourself. - Put dialogue on its own paragraph to separate scene and action. - Reduce indicators of uncertainty like "trying" or "maybe" When writing text: - NEVER conclude the scene on your own, follow the beat instructions very closely. - NEVER end with foreshadowing. - NEVER write further than what I prompt you with. - AVOID imagining possible endings, NEVER deviate from the instructions. - STOP EARLY if the continuation contains what was required in the instructions. You do not need to fill out the full amount of words possible.
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <location id="861" name="The Fae Grove" aliases="Isolde's grove, Richmond grove, the Grove" realm="Earth (Fae-touched)"> <parkLocation>Richmond Park</parkLocation> <standingStones>ancient oak standing stones mark the boundary</standingStones> <timeBehavior>time moves differently — an hour inside can be minutes or days outside</timeBehavior> <flora>wildflowers bloom year-round</flora> <description>A hidden clearing that exists in a pocket between Earth and the Fae realm.</description> </location> <item id="2001" name="Heartstone Pendant" aliases="the pendant, Heartstone" type="Artifact" origin="Dymas"> <gemstoneColor>deep crimson</gemstoneColor> <chainMaterial>silver chain</chainMaterial> <size>roughly the size of a thumbnail</size> <behavior>pulses faintly with warmth when near a Hel portal</behavior> <glow>faint inner glow</glow> <description>Given to Aurora by an unknown benefactor.</description> </item> </codex> Continue the story using the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the horror genre. A character is alone in a strange, isolated place at night. They came here for a reason, but something feels off from the moment they arrive. The wrongness builds slowly — sounds that shouldn't be there, things that move at the edge of vision, a growing certainty that they are not alone. Build tension through restraint, not through gore. Use the codex entries above as your world reference for the character and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
Yu-Fei slid the ticket across the counter with two fingers, the way he handled the bins. "Last one. Then lock up behind you." Rory pinned it under her palm and read it twice. Address: The Old Oaks, Richmond Park. Name: Isolde. Tip, printed in the website's cheerful font: £100. "There's no address in Richmond Park. It's two and a half thousand acres of deer." "Card cleared. No note, no phone number." He untied his apron and let it drop into the laundry sack. "Crispy duck, spring rolls, sweet and sour. Bag's on the shelf. Take it or bin it, but somebody paid, and I don't refund ghosts." "Ghosts don't order duck." "This one did." He counted her float into her hand, then held her wrist a second longer than the money required. "Ring me when you're home, eh?" The pendant had been warm the whole ride over. That was new. For three weeks the little crimson stone had hung cold against her sternum on its silver chain — found in her jacket pocket one morning with no note, no box, no memory of buying it — and she'd stopped wondering about it the way you stop hearing your fridge. Tonight, crossing the bridge, it had woken up. By Petersham Gate it pulsed against her skin, faint and steady, like something counting. She propped her bike against the wall and found the pedestrian gate open. The chain lay coiled on the tarmac beside it, padlock still locked, threaded through nothing. The phone rang twice before Eva picked up. "Tell me you're home." "One more. Richmond Park." A pause long enough to hold an entire argument. "It's midnight. The park's locked. What's in Richmond Park?" "An order. The Old Oaks. Some woman called Isolde tipped a hundred quid." "The tip is the bait, Rory. That's how every true-crime podcast starts." "With a hundred quid?" "With the girl who takes it." Paper rustled; Eva was walking, keys jingling, the front door of the pub somewhere behind her. "Stay on the line. I mean it. I'll talk at you the whole way." "Deal. Distract me." "Silas asked about you today. Again. He did that thing where he wipes the same glass for ten minutes and asks whether you eat proper—" Eva's voice doubled. Not an echo. Two of her, the same words laid half a second apart, one pitched too low, like a tape slowed. Then the line went flat. Full bars. No call-ended screen. Just Eva, gone, mid-word. Rory stood at the gate with the phone against her ear and listened to the space where her friend had been. "Ev?" The park gave the word back to no one. She should have turned around there. But a hundred quid was two weeks of food, and the pendant pulled at her like a warm hand on a lead, and she stepped through the gate. The path ran north through bracken, black on both sides. She'd lived under the Heathrow flight path long enough to set her sleep by it — a plane every ninety seconds, a soft rake of engines across the sky. She walked ten minutes and counted none. No distant motorway hum, no owls, no dogs in Peckham. The dark had the quality of a room where someone has just stopped talking. Richmond Park held six hundred deer. She'd swerved around enough of them at dusk to know. Tonight she saw none, until she saw one: a hind at the bracken's edge, thirty feet off, stone-still. Not looking at her. Looking past her, over her left shoulder, ears pinned flat. "Hey. It's all right." The hind bolted. The bracken closed behind it and stayed closed. The pendant pulsed faster. Her map app spun in slow circles, the blue dot skating between three places at once, so she pocketed the phone and steered by the stone's heat instead. Her torch made a small gray room of the path and pushed the dark back a few feet. At the rim of the beam she kept catching a shape — low, patient, upright the way a person is upright. When she swung the light toward it, it slid, staying at the edge. When she killed the torch, she saw nothing at all, which was worse, because she could still feel where it was. The moon hung over the trees behind her left shoulder, so her shadow ran ahead of her along the path. Where the path bent, it had company: a second darkness lying alongside it, thinner, with nothing behind her to explain the first one, let alone two. Behind and to her left, bracken crackled in step with her. She stopped. One more footfall landed a half-beat after hers, then the settling, then nothing. "We're closed," she called, and the park took the words and gave nothing back. The crescent scar on her left wrist ached, an old ache, like weather in a bone. She rubbed it with her thumb and kept her eyes on her boots and counted her steps. She smelled the flowers before she saw them. Honey, and under the honey something turned and cold, like spade-tilled earth. In November. The oaks stood in a ring ahead, six of them, trunks broad as vans, older than the park around them, older than the city, standing the way stones stand. Between two of them, a gap the width of a door. Through it, pale color: flowers, open, under the moon. The pendant flared hot. She cupped it through her jacket and its glow lit her fingers red — one pulse, then another, quicker now, running. "Okay," she breathed. "Okay." The air through the gap was warm, and not a night's warm. An oven switched off an hour ago, door still shut. She stepped between the oaks. Wildflowers covered the clearing to the treeline, thousands of them, open in the dark the way flowers don't open, faces tilted up. Somewhere a stream ran that she could hear but not place. The traffic was gone. The moon sat in a part of the sky it shouldn't have reached for hours yet. She checked her phone. 11:52. A flat stone waited in the middle of the clearing. She set the Golden Empress carrier down on it, and the smell of crispy duck folded into all that honey and cold earth and turned obscene there. "Delivery for Isolde." Her voice came out flat and small. "Paid in full. Keep the change." Nothing. The stream. Her own breath loud in her ears. Then the flowers turned. All of them, the whole field at once, a soft creak of ten thousand stems, pale faces swinging around through the dark. Not toward the moon. Toward her. Rory took a step back toward the oaks. The field of faces followed, leaning. Her phone read 1:36. She stared at the numbers, at the hour and forty minutes the screen insisted on, when the walk from the gate had taken minutes and the clearing had held her for fewer. "You have the food," she told the flowers, the stone, the shape sitting at the edge of everything her eyes could manage. "Someone paid. It's paid." The stream stopped. Not faded — stopped, like a tap shut off mid-splash, and in the new quiet she heard breathing that wasn't hers. Close. Unhurried. Tasting the air the way a deer tastes it. "Ev?" The word left her, and the grove held it the way a held breath holds. Behind her — close behind, at the nape of her neck, where the warm air ended — Eva's voice, and beneath Eva's voice the low, slowed twin of it, both of them gentle, both of them pleased: "You're late, Aurora."
created_at"2026-09-02T10:09:27.582Z" 9/2/2026, 10:09:27 AM
model"z-ai/glm-5.3-20260816"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency15503
moderation_latency(null)
generation_time383195
tokens_prompt1008
tokens_completion10069
native_tokens_prompt932
native_tokens_completion9414
native_tokens_completion_images(null)
native_tokens_reasoning7745
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
num_fetches(null)
web_search_engine(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
service_tier(null)
usage0.0427264
router(null)
user_agent"langchainjs-openai/1.0.0 ((node/v24.19.0; linux; x64))"
http_referer(null)
request_id"req-1788343767-3Wpy79SQJx2pfO1XIHIU"
session_id(null)
preset_id(null)
api_type"completions"
id"gen-1788343767-fU2YHVBpMA0luNsKLQCN"
upstream_id"202609021809273da4a52942f6411a"
provider_responses
0
endpoint_id"db975786-e7f6-4838-9e56-3e0b77f1bdc2"
id"202609021809273da4a52942f6411a"
is_byokfalse
latency15503
model_permaslug"z-ai/glm-5.3-20260816"
provider_name"Z.AI"
status200
total_cost0.0427264
cache_discount(null)
upstream_inference_cost0
provider_name"Z.AI"
response_cache_source_id(null)
data_region"global"
workspace_id"97e315e5-d303-487d-83c1-83180e8a13d4"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags7
adverbTagCount0
adverbTags(empty)
dialogueSentences28
tagDensity0.25
leniency0.5
rawRatio0
effectiveRatio0
100.00% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1276
totalAiIsmAdverbs0
found(empty)
highlights(empty)
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
80.41% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1276
totalAiIsms5
found
0
word"pulsed"
count2
1
word"echo"
count1
2
word"footfall"
count1
3
word"pulse"
count1
highlights
0"pulsed"
1"echo"
2"footfall"
3"pulse"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences94
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount0
narrationSentences94
filterMatches(empty)
hedgeMatches(empty)
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences115
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
repeatedSegmentCount0
maxSentenceWordsSeen47
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1284
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions8
unquotedAttributions0
matches(empty)
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions23
wordCount1094
uniqueNames14
maxNameDensity0.55
worstName"Eva"
maxWindowNameDensity2
worstWindowName"Eva"
discoveredNames
Old1
Oaks1
Richmond2
Park2
Isolde1
Petersham1
Gate1
Eva6
Heathrow1
Peckham1
November1
Golden1
Empress1
Rory3
persons
0"Eva"
1"Rory"
places
0"Richmond"
1"Park"
2"Gate"
3"Peckham"
4"November"
globalScore1
windowScore1
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences66
glossingSentenceCount0
matches(empty)
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1284
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount1
totalSentences115
matches
0"ran that she"
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs55
mean23.35
std20.64
cv0.884
sampleLengths
016
17
226
315
443
54
627
783
828
98
104
114
1218
1313
1412
154
1636
173
1825
1939
2021
211
229
2334
2470
2548
264
2711
284
29101
3046
3126
3214
3333
3422
3549
3625
374
3827
3953
405
4137
4216
4310
444
4528
4614
4736
4826
493
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount1
totalSentences94
matches
0"was gone"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount1
totalVerbs163
matches
0"was walking"
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount8
semicolonCount1
flaggedSentences7
totalSentences115
ratio0.061
matches
0"For three weeks the little crimson stone had hung cold against her sternum on its silver chain — found in her jacket pocket one morning with no note, no box, no memory of buying it — and she'd stopped wondering about it the way you stop hearing your fridge."
1"\"With the girl who takes it.\" Paper rustled; Eva was walking, keys jingling, the front door of the pub somewhere behind her."
2"She'd lived under the Heathrow flight path long enough to set her sleep by it — a plane every ninety seconds, a soft rake of engines across the sky."
3"At the rim of the beam she kept catching a shape — low, patient, upright the way a person is upright."
4"She cupped it through her jacket and its glow lit her fingers red — one pulse, then another, quicker now, running."
5"Not faded — stopped, like a tap shut off mid-splash, and in the new quiet she heard breathing that wasn't hers."
6"Behind her — close behind, at the nape of her neck, where the warm air ended — Eva's voice, and beneath Eva's voice the low, slowed twin of it, both of them gentle, both of them pleased:"
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1093
adjectiveStacks0
stackExamples(empty)
adverbCount28
adverbRatio0.025617566331198535
lyAdverbCount0
lyAdverbRatio0
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences115
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences115
mean11.17
std8.89
cv0.796
sampleLengths
016
17
210
36
42
58
615
719
824
94
1021
116
129
133
1449
158
1614
1713
1815
198
204
214
229
239
2413
2512
264
2722
2814
293
3025
313
323
3319
345
352
363
374
3821
391
409
416
4228
4310
4429
457
4610
4714
486
4910
81.87% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats10
diversityRatio0.543859649122807
totalSentences114
uniqueOpeners62
100.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount4
totalSentences83
matches
0"Then the line went flat."
1"Just Eva, gone, mid-word."
2"Somewhere a stream ran that"
3"Then the flowers turned."
ratio0.048
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount21
totalSentences83
matches
0"He untied his apron and"
1"He counted her float into"
2"She propped her bike against"
3"She should have turned around"
4"She'd lived under the Heathrow"
5"She walked ten minutes and"
6"She'd swerved around enough of"
7"Her map app spun in"
8"Her torch made a small"
9"she called, and the park"
10"She rubbed it with her"
11"She smelled the flowers before"
12"She cupped it through her"
13"She stepped between the oaks."
14"She checked her phone."
15"She set the Golden Empress"
16"Her voice came out flat"
17"Her own breath loud in"
18"Her phone read 1:36."
19"She stared at the numbers,"
ratio0.253
100.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount55
totalSentences83
matches
0"Yu-Fei slid the ticket across"
1"Rory pinned it under her"
2"He untied his apron and"
3"He counted her float into"
4"The pendant had been warm"
5"That was new."
6"Tonight, crossing the bridge, it"
7"She propped her bike against"
8"The chain lay coiled on"
9"The phone rang twice before"
10"A pause long enough to"
11"Paper rustled; Eva was walking,"
12"Eva's voice doubled."
13"Rory stood at the gate"
14"The park gave the word"
15"She should have turned around"
16"The path ran north through"
17"She'd lived under the Heathrow"
18"She walked ten minutes and"
19"The dark had the quality"
ratio0.663
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences83
matches(empty)
ratio0
100.00% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences43
technicalSentenceCount0
matches(empty)
53.57% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags7
uselessAdditionCount1
matches
0"she called, and the park took the words and gave nothing back"
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags3
fancyCount1
fancyTags
0"she breathed (breathe)"
dialogueSentences28
tagDensity0.107
leniency0.214
rawRatio0.333
effectiveRatio0.071
90.5283%