Run: 2026-09-02-01M1GTP6WYBSD61SC091F2C9PX

Run Details

Duration:
16m 49s
Cost:
$0.105897
Provider:
Z.AI

Model input

System
You are an expert fiction writer. Always keep the following rules in mind: - Write in past tense and use General English spelling, grammar, and colloquialisms/slang. - Write in active voice - Always follow the "show, don't tell" principle. - Avoid adverbs and cliches and overused/commonly used phrases. Aim for fresh and original descriptions. - Convey events and story through dialogue. - Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. - Skip "he/she said said" dialogue tags and convey people's actions or face expressions through their speech - Avoid mushy dialog and descriptions, have dialogue always continue the action, never stall or add unnecessary fluff. Vary the descriptions to not repeat yourself. - Put dialogue on its own paragraph to separate scene and action. - Reduce indicators of uncertainty like "trying" or "maybe" When writing text: - NEVER conclude the scene on your own, follow the beat instructions very closely. - NEVER end with foreshadowing. - NEVER write further than what I prompt you with. - AVOID imagining possible endings, NEVER deviate from the instructions. - STOP EARLY if the continuation contains what was required in the instructions. You do not need to fill out the full amount of words possible.
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4413" name="Silas Blackwood" aliases="Silas, Si, the Spymaster" pronouns="he/him" species="Human" storyRole="Mentor"> <eyeColor>hazel</eyeColor> <hair>grey-streaked auburn</hair> <height>6'1"</height> <age>58</age> <beard>neatly trimmed, matching his grey-streaked auburn hair</beard> <limp>slight limp in his left leg from an old knee injury</limp> <signetRing>silver signet ring, always worn on his right hand</signetRing> <description>Silas is a retired intelligence operative turned bar owner. He carries himself with quiet authority.</description> <backstory>Former MI6 field agent who retired after a botched operation in Prague left him with a permanent knee injury. He opened "The Raven's Nest" bar in Soho as a front for his network of contacts.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> </codex> Continue the story using the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the literary fiction genre. Two old friends who haven't seen each other in years run into each other unexpectedly at a bar. One of them has changed significantly. Through their conversation and the tension between who they were and who they've become, reveal the weight of time and unspoken regret. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The rain came off Wardour Street at an angle, and by the time Rory pushed through the door of the Raven's Nest her delivery bag was the driest thing in Soho. She peeled off her helmet, shook her black hair out of her eyes, and set a paper sack on the bar. "Yu-Fei sends his regards and a warning about the chilli." "He says that about everything. It's how he says good evening." "Then good evening. This is your tofu, and it's going on my tab." "There's no tab. There's a fiction we keep for the tax man." Silas took the sack and put it below the bar, where the good glasses lived. The radio muttered to one cab driver, who had been nursing the same pint since eight. On dead Tuesdays, Silas took glasses from clean to cleaner, and tonight was no different. The bell over the door gave its one note. The man on the mat stood in his own rain shadow, wearing a coat cut for a bigger man, a furled umbrella planted beside him like a fence post. He read the walls before he read the room — the maps, the black-and-white photographs — the way a man checks a place for what has changed in it since he last stood there. "We're open. Only just." Rory reached for a glass. "What can I get you?" He didn't look at her. "Is he in?" The cloth stopped on the glass. Silas set it down with a care that made Rory's shoulders tighten. "Teddy." "Evening, Raven." Rory had hung her raincoat under that green sign for two years. She had never once heard the word used on a person. "Rory. Flip the sign for me." The cab driver read Silas's back, drained his pint, and took his leave with a nod nobody returned. Rory turned the lock and went to the quiet end of the bar, where she started restacking glasses that did not need restacking. The handshake became a grip on the back of the neck, brief and clumsy, the kind men use instead of the other thing. Then they stood a little farther apart than friends do. Silas came around the bar with his limp and fetched two stools to the end below the map of Bohemia. His eyes went to the bookshelf by the corridor. He chose the stools instead. From the top shelf he brought down a bottle Rory had never seen move and poured a single measure. "I can't drink. Tablets." "Then hold it." Teddy circled the glass with both hands. He looked along the shelves, at the mirror, at the whole length of the place. "Half an hour I stood across the road. There's a green raven over your door the size of a coffin lid. You named it after yourself." "The name was available." "'Raven from Curlew, authenticate.'" "You'd answer with the second verse of 'Ilkley Moor.'" "Without the tune." "There's no tune in it worth having." The laugh got out of both of them at once and embarrassed them both. "You used to fill a doorway." Silas sat. "Doors were smaller then." "Doors were the same." He turned his own glass a quarter turn on the wood. "You once talked us out of a Slovak holding cell by quoting the duty officer's own penal code at him. Footnotes and all." "That man's dead now. I checked." "You've been keeping a list?" "It keeps itself." Teddy coughed into a folded handkerchief and put it away like contraband. "You carried me down the Kampa stairs with this leg hanging off me like a strap." Silas tapped his left knee. "I've done the arithmetic since. Weights. Distances." "I've done it too. There were easier men to carry." "There were men who wouldn't have gone back up." "There was one." The neon ticked in its fitting. Somewhere in the cellar a fridge switched itself on. "They told me you were resettled," Silas said. "New name. Warm postcode. Forget us." "I've been Michael Sorrell of Doncaster since '05. He has a bus pass and a storage unit and a horror of doorbells. Quiet fellow. I'd have liked him." Teddy turned the glass a slow quarter, the way he'd been turning it since he sat down. "Before that, Lefortovo. Then a camp I won't name in a nice pub. Six years. They traded me on a tarmac for a man in good shoes. I never learned his name. I decided he was worth two of me. It kept the arithmetic kind." "You knew about this place." "Since 2012. A man in a betting shop showed me a review on his phone. Best negroni in Soho. I laughed until he asked me to leave." He looked at the bottle. "I didn't come because every year I had a reason. The best one was: what if it's true. What if he believes it." Silas said nothing. The grey in his auburn beard caught the bar light. "Then in the spring my reason died in its own garden in Wiltshire." Teddy's voice went flat as a read-out. "Column and a half in the Telegraph. Devoted public servant. There was a photograph of him holding a rose." "Fane." "You knew." "I knew he was dead. I didn't send flowers." "I went to the funeral. Stood at the back and looked for my name in the eulogy. Half of Vauxhall Cross in their good coats." He set the glass down. "I felt nothing. Nothing frightened me worse than Lefortovo ever managed." "The file said the fallback address was known to three men." "It was known to two. He wrote three so the sums landed on me. The file was his own work — he was proud of it, like a gardener. He'd read it to me through the glass on a Tuesday. Third interrogation. 'Your friend Raven agrees.' He did like that word." Silas turned his signet ring once, then stopped turning it. "The finding came to my bed in Woolwich with a line at the bottom. I'd come off the morphine by then, so the morphine can't have it. It was tidy. I was furious with you for going back up those stairs. Tidy and furious signed." He looked at his own hands on the bar. "There's no truer sentence underneath it. I've dug." Teddy watched him the way a man watches weather come in. "She was twenty-four, Si." "I know what she was." "You know the words. I've got the morning. It's the only thing I own outright, so let me keep it." "What was in the morning?" "Coffee. A kiosk at the top of the stairs. She had a phrasebook down her boot, and she wanted to know how to say mind your own business. I taught her. First and last thing I ever taught anybody." A pause, the length of a held breath. "The counter man asked what she was smiling at. She told him. In English." Out on the street a motorbike backfired. Teddy's hand went flat on the bar and the glass rang a thin note against the wood. Silas moved the bottle out of range of his elbow and said nothing about it. "Sorry. Loud things reach me late and all at once now." "There's a room out back. No ears in it." "This'll do. I've had my fill of rooms with no ears." "How long have they given you?" "They talk weeks at Guy's and print months. Thursday I find out how their guess is doing." He squared the glass with the edge of the bar. "I bought a return ticket. I want that noted." "Noted." "Teddy—" "No. I can hear the shape of that sentence from here, and it's a lovely shape, but you'd be kind, and kindness would finish me off." He looked up. "Have you anything rough instead?" "You look like a coat hanger in a mackintosh." "There he is." For a breath, the doorway filled again. Teddy worked a fold of paper out of his breast pocket, soft as cloth from handling, and opened it flat with the side of his hand. A hundred korun, the 1993 print, the creases worn to fur. "The kiosk. I got the coffees. You said the next one was yours." He slid the note across the bar. "We're square." Silas looked at it for a long moment. Then he pressed the till, laid the banknote under the fifties in the drawer, and shut the drawer. "That's not currency any more." "It is here." Rory had stacked every clean glass on the shelf twice over. In two years she had never once seen Silas pour himself a drink. He poured two fingers of the good bottle, stoppered it, and took it standing, his eyes on the map of Bohemia and the man beneath it. Outside, the rain kept at it, and the green light of the sign lay along the bar and settled in the full glass Teddy hadn't touched.
created_at"2026-09-02T10:29:58.825Z" 9/2/2026, 10:29:58 AM
model"z-ai/glm-5.3-20260816"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency11469
moderation_latency(null)
generation_time1008688
tokens_prompt1063
tokens_completion24091
native_tokens_prompt1004
native_tokens_completion23748
native_tokens_completion_images(null)
native_tokens_reasoning21825
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
num_fetches(null)
web_search_engine(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
service_tier(null)
usage0.1058968
router(null)
user_agent"langchainjs-openai/1.0.0 ((node/v24.19.0; linux; x64))"
http_referer(null)
request_id"req-1788344998-cDRwEvDHmHnW26uQ5EgG"
session_id(null)
preset_id(null)
api_type"completions"
id"gen-1788344998-b20Oj0IYSbjdtOyFeFHa"
upstream_id"20260902182958cb87a65e99e54ab4"
provider_responses
0
endpoint_id"db975786-e7f6-4838-9e56-3e0b77f1bdc2"
id"20260902182958cb87a65e99e54ab4"
is_byokfalse
latency11469
model_permaslug"z-ai/glm-5.3-20260816"
provider_name"Z.AI"
status200
total_cost0.1058968
cache_discount(null)
upstream_inference_cost0
provider_name"Z.AI"
response_cache_source_id(null)
data_region"global"
workspace_id"97e315e5-d303-487d-83c1-83180e8a13d4"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags14
adverbTagCount0
adverbTags(empty)
dialogueSentences70
tagDensity0.2
leniency0.4
rawRatio0
effectiveRatio0
100.00% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1494
totalAiIsmAdverbs0
found(empty)
highlights(empty)
100.00% AI-ism character names
Target: 0 AI-default names (16 tracked, −20% each)
codexExemptions
0"Blackwood"
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1494
totalAiIsms0
found(empty)
highlights(empty)
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences57
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount0
narrationSentences57
filterMatches(empty)
hedgeMatches(empty)
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences112
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
repeatedSegmentCount0
maxSentenceWordsSeen54
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1497
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions11
unquotedAttributions0
matches(empty)
59.85% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions36
wordCount721
uniqueNames10
maxNameDensity1.8
worstName"Silas"
maxWindowNameDensity3
worstWindowName"Silas"
discoveredNames
Wardour1
Street1
Rory7
Raven1
Nest1
Soho1
Tuesdays1
Silas13
Bohemia2
Teddy8
persons
0"Rory"
1"Raven"
2"Silas"
3"Teddy"
places
0"Wardour"
1"Street"
2"Soho"
globalScore0.598
windowScore0.667
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences47
glossingSentenceCount0
matches(empty)
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1497
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences112
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs77
mean19.44
std20.13
cv1.036
sampleLengths
052
110
211
313
458
59
663
714
88
918
101
112
1223
136
1441
1533
1653
174
183
1922
2026
214
224
239
243
257
2614
278
284
2938
306
315
323
3312
3428
3510
369
373
3815
3914
4090
415
4255
4313
4439
451
462
479
4841
4911
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount0
totalSentences57
matches(empty)
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs114
matches(empty)
100.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount2
semicolonCount0
flaggedSentences1
totalSentences112
ratio0.009
matches
0"He read the walls before he read the room — the maps, the black-and-white photographs — the way a man checks a place for what has changed in it since he last stood there."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount722
adjectiveStacks0
stackExamples(empty)
adverbCount16
adverbRatio0.0221606648199446
lyAdverbCount0
lyAdverbRatio0
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences112
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences112
mean13.37
std11.07
cv0.829
sampleLengths
031
121
210
311
413
527
616
715
89
929
1034
119
125
135
143
156
1612
171
182
1912
2011
216
2218
2323
2423
2510
2620
279
285
2919
304
313
327
3315
3426
354
364
379
383
397
4014
418
424
4315
4423
456
465
473
4812
4921
58.63% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats6
diversityRatio0.38392857142857145
totalSentences112
uniqueOpeners43
100.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount3
totalSentences55
matches
0"Then they stood a little"
1"Somewhere in the cellar a"
2"Then he pressed the till,"
ratio0.055
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount15
totalSentences55
matches
0"She peeled off her helmet,"
1"He read the walls before"
2"He didn't look at her."
3"She had never once heard"
4"His eyes went to the"
5"He chose the stools instead."
6"He looked along the shelves,"
7"He turned his own glass"
8"He looked at the bottle"
9"He set the glass down"
10"He looked at his own"
11"He squared the glass with"
12"He looked up"
13"He slid the note across"
14"He poured two fingers of"
ratio0.273
41.82% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount46
totalSentences55
matches
0"The rain came off Wardour"
1"She peeled off her helmet,"
2"Silas took the sack and"
3"The radio muttered to one"
4"The bell over the door"
5"The man on the mat"
6"He read the walls before"
7"Rory reached for a glass"
8"He didn't look at her."
9"The cloth stopped on the"
10"Silas set it down with"
11"Rory had hung her raincoat"
12"She had never once heard"
13"The cab driver read Silas's"
14"Rory turned the lock and"
15"The handshake became a grip"
16"Silas came around the bar"
17"His eyes went to the"
18"He chose the stools instead."
19"Teddy circled the glass with"
ratio0.836
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences55
matches(empty)
ratio0
100.00% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences30
technicalSentenceCount1
matches
0"Rory turned the lock and went to the quiet end of the bar, where she started restacking glasses that did not need restacking."
100.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags14
uselessAdditionCount0
matches(empty)
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags1
fancyCount0
fancyTags(empty)
dialogueSentences70
tagDensity0.014
leniency0.029
rawRatio0
effectiveRatio0
92.0099%