Run: 2026-09-02-01M1GV2H48ZGP6YHAZKWQZDHVF

Run Details

Duration:
4m 38s
Cost:
$0.068241
Provider:
Z.AI

Model input

System
You are an expert fiction writer. Always keep the following rules in mind: - Write in past tense and use General English spelling, grammar, and colloquialisms/slang. - Write in active voice - Always follow the "show, don't tell" principle. - Avoid adverbs and cliches and overused/commonly used phrases. Aim for fresh and original descriptions. - Convey events and story through dialogue. - Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. - Skip "he/she said said" dialogue tags and convey people's actions or face expressions through their speech - Avoid mushy dialog and descriptions, have dialogue always continue the action, never stall or add unnecessary fluff. Vary the descriptions to not repeat yourself. - Put dialogue on its own paragraph to separate scene and action. - Reduce indicators of uncertainty like "trying" or "maybe" When writing text: - NEVER conclude the scene on your own, follow the beat instructions very closely. - NEVER end with foreshadowing. - NEVER write further than what I prompt you with. - AVOID imagining possible endings, NEVER deviate from the instructions. - STOP EARLY if the continuation contains what was required in the instructions. You do not need to fill out the full amount of words possible.
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4417" name="Tomás Herrera" aliases="Tommy, Tomás, Herrera" pronouns="he/him" species="Human" storyRole="Support"> <eyeColor>warm brown</eyeColor> <hair>short curly dark brown</hair> <height>5'10"</height> <age>29</age> <skinTone>olive skin</skinTone> <scar>scar running along his left forearm from a knife attack</scar> <medallion>Saint Christopher medallion around his neck</medallion> <birthplace>Seville, Spain</birthplace> <description>A former paramedic who provides off-the-books medical care for the clique.</description> <backstory>Born in Seville, Spain. He moved to London to work for the NHS but lost his license after administering unauthorized treatments to supernatural patients.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> </codex> Continue the story using the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the thriller genre. A detective is pursuing a suspect through rain-soaked city streets at night. The chase takes them from the street level down into an underground market. The detective must decide whether to follow the suspect into unfamiliar and potentially dangerous territory. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
By midnight the rain had stopped pretending. It came down hard and gray and sideways, drumming on the shuttered stalls of Buck Street market and pooling in every pothole along Chalk Farm Road. Harlow Quinn sat in an unmarked Astra with the engine off and the windows fogging, and watched a lockup garage across the street. Third night. The first two had bought her wet socks and a parking ticket. She checked the worn leather watch on her left wrist. Quarter past midnight. A minute later the side door of the lockup opened and a man stepped out under the awning — olive skin, dark curls flattened by rain, a nylon holdall over one shoulder. Glass clinked inside it with every step. Tomás Herrera. She knew the file by heart. Paramedic, struck off the register. His old NHS number had turned up folded in the pocket of a coat worn by the third of four bodies: a girl drowned on dry land, five miles from any water deep enough to do it. The first two had burned from the inside out. No accelerant. No suspect. A coroner's report that read like a shrug. Quinn got out of the car without hurrying. Rain hit her shoulders and ran off her cropped hair like off slate. She crossed at an angle, hands loose at her sides, and gave him the courtesy of her voice. "Tomás Herrera. Detective Quinn. Ten minutes of your time." He turned. The holdall swung. Under the awning's dead bulb his eyes found hers, and something in them gave up — the look of a man who had run before and knew how it ended. "Ten minutes." He said it like an apology. Then he ran. She gave him three strides, counted out of some old fairness, and went after him. He went west along Chalk Farm Road with his head down, then cut right into the Stables. Cobbles shone greasy under the sodium lamps. A fox bolted from under a stall and despised them both. Quinn ran the way she'd been taught to run — arms in, breath counted in threes, corners taken at the apex — while Herrera ran like the streets owed him money, never checking a junction, choosing without looking. Except he kept glancing back, and every time he did, the lamplight found the medallion at his throat and threw a coin of light across the brick. She ran on the coin. She pinned her phone to her ear mid-stride. Rain slicked the screen and her thumb along with it. "Control, Detective Quinn. Foot pursuit, westbound through the Stables off Chalk Farm Road. Male, late twenties, dark curls, brown jacket, carrying a medical bag." Static chewed the reply. She caught "say again" and "breaking up." "Foot pursuit, Camden. Units to both ends of the Stables. Now." The static thinned. "Nearest available is eleven minutes out, Quinn. There's a priority call at King's Cross—" "Then I'll want them in eleven." She pocketed the phone. Herrera hurdled a chain strung between two bollards; she went under it and a stitch settled in under her ribs like a blade finding its groove. Her knees kept a ledger these days. They'd send the bill tomorrow. "You've got the wrong man!" His voice bounced off the railway arches. "Then stop and tell me the right one!" "People are hurt tonight, Detective. I don't have time for you!" "Make time!" He burst onto the main road and a night bus missed him by a coat's width, its horn drowned under the rain. The bus bought her four steps. Ahead of him, a kebab shop was shuttering for the night, its owner wrestling the last panel down. "Police. The runner — which way?" The man pointed with his chin toward the lane. "Past the horse. He won't make the gate in this, though." Herrera made the gate. He threw a pallet against it and went over, holdall first. Quinn took the service gap by the bins, tore her coat free of a bolt head, and came out the far side with her lungs full of hot pennies. He kicked a stack of crates into the lane behind him; she went through the gap they left rather than around it. Then, halfway down the lane, he stopped being there. She pulled up short and spun on the wet cobbles. The lane dead-ended at hoarding — plywood warped by years of weather, posters hanging off it in wet curls. At the base of one sheet the rain had washed the mud into a trough. Fresh prints. Going in. She went through after him. The stairwell beyond went down farther than the street had any right to know about. A roundel on the tiled wall, the old kind, ringed in brown, half its letters given up. Rainwater ran the steps in a thin rope and gathered at the bottom around her ankles. Her pocket torch pushed a cone of light into the dark, and the dark pushed back. A WAY OUT sign pointed its rusted arrow at the ceiling. The tunnel breathed. In and out, cold gusts on a rhythm, as if the Underground still dreamed of trains somewhere far below. Her torch beam snagged on a shape draped along the wall, and the shape gathered itself — she counted legs and got a number her eye refused — and then it was plastic sheeting again, hanging, dripping, innocent. Draft, she told herself. Sheet caught in a draft. She kept the beam moving and her feet moving and did not let the two speeds argue. Amber light ahead. An iron door sat in the tunnel wall, freckled with rust, its hinges older than her warrant card. Herrera stood at it with one hand raised to knock, and he heard her — she saw it land in his shoulders. He turned, and the light from a slot at the door's edge caught his face, and he looked sorry. "Don't." His voice came down the tunnel thin and cracked. "Whatever they pay you, Detective, it isn't enough. Not for this." "Herrera—" He knocked — three, a pause, two — and fed something through the slot, small and pale as a knuckle bone. Iron groaned. The door cracked open on heat and noise and a smell like roasting meat over hot metal, and he was gone, and it boomed shut, and she arrived in time to hit it with both palms. The echo ran off down the tunnel and took its time coming back. A hatch snapped open at knee height. Two eyes sat in the dark behind it, and they caught her torch the way an animal's do. "Token." "Police." She held her warrant card to the hatch. "The man who just went through. I want him." Silence, long enough to count in. Then a sound like gravel shifting in a bucket. "Police." He tried the word out like something borrowed. "We had one of yours, once. Winters back." The tunnel got colder by a degree. "When." She kept her voice flat. "Loud coat. Loud questions." Teeth clicked — a laugh with the humor removed. "Went in walking. Came out carried." Her hand had the hatch frame in its fist before she remembered grabbing it. "His name was Daniel Morris. Say it." "Names cost extra, warm-blood." The hatch began to swing shut. She looked back the way she'd come. Up the stairwell, a gray slice of rain. Eleven minutes, maybe more if the priority at King's Cross bled over. By then Herrera would be a rumor, and the door's owner would be a story, and the question she'd carried for three years — the cellar in Bermondsey, Morris's torch rolling a slow circle on the floor beside him, and nothing else in that room, nothing, she'd written the word eleven times in her own statement — would fold itself shut like a file no one would ever open. "Open the door." She heard the decision in her own voice before she felt it land. "I'll pay the toll." "It's bone or barter, warm-blood." Her thumb found the strap on her left wrist. Leather gone soft as an old dog's ear; she'd replaced the keeper twice herself. Morris's watch. She had wound it every morning for three years so that somewhere in the world he still had the time. She unclasped it. "For the door." She set the watch into the palm that slid through the hatch — gray, wide, its knuckles bending half a turn past where knuckles should stop. "Not for the name." "Fair trade." The palm withdrew. Three bolts went back one by one, iron on iron, deep in the door's body. It opened on a wall of heat and noise: a hundred voices bargaining over the din, candle smoke, hot metal, a fiddle playing somewhere and something that was not a fiddle answering it. Light the color of old brass poured over the wet floor and stretched her shadow long behind her. Quinn wiped the rain off her face with the back of her hand and stepped over the iron sill. Behind her, the door swung shut, and the bolts went home.
created_at"2026-09-02T10:36:42.511Z" 9/2/2026, 10:36:42 AM
model"z-ai/glm-5.3-20260816"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency1587
moderation_latency(null)
generation_time277998
tokens_prompt1104
tokens_completion16356
native_tokens_prompt997
native_tokens_completion15192
native_tokens_completion_images(null)
native_tokens_reasoning13268
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
num_fetches(null)
web_search_engine(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
service_tier(null)
usage0.0682406
router(null)
user_agent"langchainjs-openai/1.0.0 ((node/v24.19.0; linux; x64))"
http_referer(null)
request_id"req-1788345402-4gcs8p73XtPwlSWiwVoP"
session_id(null)
preset_id(null)
api_type"completions"
id"gen-1788345402-Cb4MJWgMBDgVnZWUAiDk"
upstream_id"20260902183642f5b0946b686545ba"
provider_responses
0
endpoint_id"db975786-e7f6-4838-9e56-3e0b77f1bdc2"
id"20260902183642f5b0946b686545ba"
is_byokfalse
latency1587
model_permaslug"z-ai/glm-5.3-20260816"
provider_name"Z.AI"
status200
total_cost0.0682406
cache_discount(null)
upstream_inference_cost0
provider_name"Z.AI"
response_cache_source_id(null)
data_region"global"
workspace_id"97e315e5-d303-487d-83c1-83180e8a13d4"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags10
adverbTagCount0
adverbTags(empty)
dialogueSentences32
tagDensity0.313
leniency0.625
rawRatio0
effectiveRatio0
100.00% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1513
totalAiIsmAdverbs0
found(empty)
highlights(empty)
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
93.39% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1513
totalAiIsms2
found
0
word"echo"
count1
1
word"silence"
count1
highlights
0"echo"
1"silence"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences105
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount2
hedgeCount1
narrationSentences105
filterMatches
0"watch"
hedgeMatches
0"began to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences127
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
repeatedSegmentCount0
maxSentenceWordsSeen67
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1528
ratio0
matches(empty)
62.50% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions4
unquotedAttributions1
matches
0"Draft, she told herself."
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions29
wordCount1339
uniqueNames16
maxNameDensity0.45
worstName"Herrera"
maxWindowNameDensity1.5
worstWindowName"Herrera"
discoveredNames
Buck1
Street1
Chalk2
Farm2
Road2
Quinn5
Astra1
Herrera6
Stables1
Underground1
Silence1
Teeth1
King1
Cross1
Bermondsey1
Morris2
persons
0"Buck"
1"Street"
2"Quinn"
3"Herrera"
4"Underground"
5"Teeth"
6"King"
7"Cross"
8"Morris"
places
0"Chalk"
1"Farm"
2"Road"
3"Stables"
4"Bermondsey"
globalScore1
windowScore1
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences77
glossingSentenceCount0
matches(empty)
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1528
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences127
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs59
mean25.9
std24.14
cv0.932
sampleLengths
033
189
22
369
439
59
635
711
815
973
1032
1118
1224
1311
1411
1517
166
1742
1812
198
2011
212
2246
236
2420
2566
269
2748
285
2975
3022
3138
3226
333
3459
3521
361
3772
3825
391
4018
4115
4217
437
446
4519
4621
474
486
4996
98.58% Passive voice overuse
Target: ≤2% passive sentences
passiveCount2
totalSentences105
matches
0"been taught"
1"was gone"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount1
totalVerbs216
matches
0"was shuttering"
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount14
semicolonCount3
flaggedSentences13
totalSentences127
ratio0.102
matches
0"A minute later the side door of the lockup opened and a man stepped out under the awning — olive skin, dark curls flattened by rain, a nylon holdall over one shoulder."
1"Under the awning's dead bulb his eyes found hers, and something in them gave up — the look of a man who had run before and knew how it ended."
2"Quinn ran the way she'd been taught to run — arms in, breath counted in threes, corners taken at the apex — while Herrera ran like the streets owed him money, never checking a junction, choosing without looking."
3"Herrera hurdled a chain strung between two bollards; she went under it and a stitch settled in under her ribs like a blade finding its groove."
4"He kicked a stack of crates into the lane behind him; she went through the gap they left rather than around it."
5"The lane dead-ended at hoarding — plywood warped by years of weather, posters hanging off it in wet curls."
6"Her torch beam snagged on a shape draped along the wall, and the shape gathered itself — she counted legs and got a number her eye refused — and then it was plastic sheeting again, hanging, dripping, innocent."
7"Herrera stood at it with one hand raised to knock, and he heard her — she saw it land in his shoulders."
8"He knocked — three, a pause, two — and fed something through the slot, small and pale as a knuckle bone."
9"\"Loud coat. Loud questions.\" Teeth clicked — a laugh with the humor removed."
10"By then Herrera would be a rumor, and the door's owner would be a story, and the question she'd carried for three years — the cellar in Bermondsey, Morris's torch rolling a slow circle on the floor beside him, and nothing else in that room, nothing, she'd written the word eleven times in her own statement — would fold itself shut like a file no one would ever open."
11"Leather gone soft as an old dog's ear; she'd replaced the keeper twice herself."
12"\"For the door.\" She set the watch into the palm that slid through the hatch — gray, wide, its knuckles bending half a turn past where knuckles should stop."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1327
adjectiveStacks0
stackExamples(empty)
adverbCount28
adverbRatio0.02110022607385079
lyAdverbCount1
lyAdverbRatio0.0007535795026375283
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences127
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences127
mean12.03
std10.07
cv0.837
sampleLengths
07
126
223
32
412
510
63
732
87
92
106
115
1237
139
142
152
168
178
1813
1918
209
212
223
2330
248
253
2615
2717
287
2911
3038
3127
325
338
3410
3524
364
377
3811
393
4014
416
424
4326
447
455
4612
478
4811
492
83.46% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats4
diversityRatio0.5196850393700787
totalSentences127
uniqueOpeners66
100.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount3
totalSentences96
matches
0"Then he ran."
1"Then, halfway down the lane,"
2"Then a sound like gravel"
ratio0.031
65.83% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount37
totalSentences96
matches
0"It came down hard and"
1"She checked the worn leather"
2"She knew the file by"
3"His old NHS number had"
4"She crossed at an angle,"
5"He said it like an"
6"She gave him three strides,"
7"He went west along Chalk"
8"She ran on the coin."
9"She pinned her phone to"
10"She caught and"
11"She pocketed the phone."
12"Her knees kept a ledger"
13"They'd send the bill tomorrow."
14"His voice bounced off the"
15"He burst onto the main"
16"He threw a pallet against"
17"He kicked a stack of"
18"She pulled up short and"
19"She went through after him."
ratio0.385
64.17% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount76
totalSentences96
matches
0"It came down hard and"
1"Harlow Quinn sat in an"
2"The first two had bought"
3"She checked the worn leather"
4"Quarter past midnight."
5"A minute later the side"
6"Glass clinked inside it with"
7"She knew the file by"
8"His old NHS number had"
9"The first two had burned"
10"A coroner's report that read"
11"Quinn got out of the"
12"She crossed at an angle,"
13"The holdall swung."
14"He said it like an"
15"She gave him three strides,"
16"He went west along Chalk"
17"Cobbles shone greasy under the"
18"A fox bolted from under"
19"Quinn ran the way she'd"
ratio0.792
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences96
matches(empty)
ratio0
84.55% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences49
technicalSentenceCount4
matches
0"Ahead of him, a kebab shop was shuttering for the night, its owner wrestling the last panel down."
1"In and out, cold gusts on a rhythm, as if the Underground still dreamed of trains somewhere far below."
2"She kept the beam moving and her feet moving and did not let the two speeds argue."
3"It opened on a wall of heat and noise: a hundred voices bargaining over the din, candle smoke, hot metal, a fiddle playing somewhere and something that was not …"
100.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags10
uselessAdditionCount0
matches(empty)
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags1
fancyCount0
fancyTags(empty)
dialogueSentences32
tagDensity0.031
leniency0.063
rawRatio0
effectiveRatio0
88.4161%