Run: 2026-09-02-01M1H5K76Y10GVF56DFVSV5MQT

Run Details

Duration:
1m 7s
Cost:
$0.000508
Provider:
Z.AI

Model input

System
You are an expert fiction writer. Always keep the following rules in mind: - Write in past tense and use General English spelling, grammar, and colloquialisms/slang. - Write in active voice - Always follow the "show, don't tell" principle. - Avoid adverbs and cliches and overused/commonly used phrases. Aim for fresh and original descriptions. - Convey events and story through dialogue. - Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. - Skip "he/she said said" dialogue tags and convey people's actions or face expressions through their speech - Avoid mushy dialog and descriptions, have dialogue always continue the action, never stall or add unnecessary fluff. Vary the descriptions to not repeat yourself. - Put dialogue on its own paragraph to separate scene and action. - Reduce indicators of uncertainty like "trying" or "maybe" When writing text: - NEVER conclude the scene on your own, follow the beat instructions very closely. - NEVER end with foreshadowing. - NEVER write further than what I prompt you with. - AVOID imagining possible endings, NEVER deviate from the instructions. - STOP EARLY if the continuation contains what was required in the instructions. You do not need to fill out the full amount of words possible.
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4414" name="Eva Kowalski" aliases="Eva, Evie" pronouns="she/her" species="Human" storyRole="Best Friend"> <eyeColor>green</eyeColor> <hair>curly red</hair> <height>5'4"</height> <age>26</age> <glasses>round glasses</glasses> <satchel>worn leather satchel full of books</satchel> <freckles>freckled complexion</freckles> <nervousHabit>tucking hair behind her left ear</nervousHabit> <description>Aurora's childhood friend and an occult researcher.</description> <backstory>Moved to London two years before Aurora and works as a research assistant at the British Museum's restricted archives. She holds a master's degree in Ancient History from Oxford.</backstory> </character> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> <item id="2004" name="Veil Compass" aliases="the Compass, shadow compass" type="Tool" origin="The Veil Market"> <casingMaterial>small brass compass</casingMaterial> <faceMarkings>face etched with protective sigils</faceMarkings> <needle>points toward the nearest supernatural rift or portal</needle> <patina>casing has a patina of verdigris</patina> <creator>crafted by a Shade artisan</creator> <description>A compass attuned to supernatural energy.</description> </item> </codex> Continue the story using the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the mystery genre. A detective arrives at a crime scene in an unusual location. Something is wrong — the evidence doesn't add up. A colleague is present, offering a different interpretation. Through careful observation and deduction, the detective begins to see what others have missed. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
Rain slicked the roof of the abandoned mail depot behind King's Cross, and Detective Harlow Quinn stood in a pool of light from a portable lamp, staring at a body that refused to make sense. The victim—male, mid-thirties, no wallet, no phone, no identification—lay on his back between rusted mail sorters, arms at his sides like a man who had simply laid down and stopped. His coat was dry. Everything else was wrong. "He's been dead six hours, minimum," said the pathologist, snapping her gloves. "But lividity settled on his back and the ground under him is wet. He didn't die here." Quinn crouched. The concrete beneath the body glistened with rain runoff, yet the man's clothing held no dampness, no smear of grime. She leaned closer. His shoes were clean. Not walked-around-the-block clean. Factory clean. "Where's the person who called it in?" "Never showed. Anonymous, from a box number." She pulled a penlight from her coat and swept it across the victim's hands. No defense wounds. No ink, no calluses, no residue. She lifted his wrist, turned it. The skin there was unblemished—and faintly cold in a way that six hours dead shouldn't account for. She'd held enough corpses to know the temperature gradient of death. This one felt like a jar lifted from a refrigerator. "Dr. Shah. Does he have fingerprints?" "Pending." "Run them now. And check for something on the pads of his fingers." Quinn tilted his hand toward the light. A fine grey powder dusted each fingertip, waxy, catching the beam like graphite. She'd never seen it. "Sample that." "Detective." The voice came from the loading dock stairs. Eva Kowalski descended with her satchel swinging at her hip, glasses fogged from the cold, curls flattened by rain she'd clearly run through. She'd texted Quinn twenty minutes ago—*coming, don't let them bag the coat yet*—and Quinn had no good explanation for why she'd obeyed. "You're not on this case." Quinn rose. "You're a museum researcher." "I'm a consultant when you let me be, which is tonight, apparently." Eva stopped at the edge of the light and looked at the body the way she looked at artifacts—head tilted, hands clasped behind her to keep them off. "The coat. Please." Quinn nodded to the tech, who unrolled the evidence sheet. Eva crouched, drew a magnifier from her satchel, and worked along the seams without touching the fabric. "See the stitching? Double-lock seams, hand-tied. Nobody's done that commercially since before the war." She moved the magnifier to the collar. A small disc had been stitched inside, brass, green with age. "And this." "What is it?" "A token. Or part of one." Eva turned it over. The face was etched with lines too fine to read at a glance—sigils, if you believed in that sort of thing. Quinn didn't. Mostly. "There was a whole set of these documented in the twenties. They were entrance tokens. Invitations, effectively." "Invitations to what?" "To a market." The pathologist laughed behind her mask. "A dead man in a mail depot and we're talking about a flea market." Eva ignored her. "Harlow. The powder on his fingers. Did you sample it?" "Getting there." "Don't wait. I'll tell you what it is if you let me see the sample, but I already know. Shadow-wax. It's not on any forensic database because it's not manufactured. It can't be. It degrades into nothing within—" "—within a closed system, yes." Quinn heard herself say it before she understood why. Something Shah had mentioned offhand an hour ago, half to herself: *odd, no residue of anything in his stomach, like the last day just... wiped.* "You know that how?" "Because I've read three archival references to it and you've read none. That's the difference between us tonight." Eva tucked hair behind her ear—a tell Quinn had learned meant she was frightened and hiding it. "Two years ago a man was found in the disused station under Camden with the same clean-shoes problem. Same waxy fingers. The file was closed as accidental death. I pulled it because the location didn't make sense and the file had a second, sealed layer that I couldn't open." Quinn's jaw tightened. "And you're telling me this now." "I'm telling you this now because you're the first detective who noticed the lividity before being told." The rain intensified, drumming the tar roof. Quinn walked the scene again, slower this time, forcing herself to look at what she'd skipped. The mail sorters. A decade of pigeon droppings, cobwebs thick as rope—and a swept corridor through the middle of it, three feet wide, leading from the loading dock to the body. The techs had trampled the edges, but the corridor itself was unmistakable. Something had come through here. Or he had, walking a path that didn't exist for anyone who hadn't known it was there. She crouched at the end of the swept path. No footprints. But a single depression in the dust beside the body—a circle, four inches across, edged with verdigris she recognized from a thousand park benches. Brass, set down here recently enough to leave a ring. "Bag that spot. Cast the depression." Eva came to stand over her. When Quinn glanced up, the researcher's face had gone bloodless. "You've seen one," Quinn said. "A compass. If it's what I think it is, it's called a Veil Compass. There were two made. One's in a private collection that officially doesn't exist." Eva crouched beside her, voice dropping. "The needle doesn't point north. It points to the nearest... opening. A door. A gap." "A gap in what?" "Geometry. Reality. Pick the word that bothers you least." Eva's hands were shaking, so she pressed them flat against her knees. "Harlow, the Camden station case. The site where they found that man—the old platform—it closed in 1934, but the file contains a witness statement from a beggar who swore he saw the man walk out of a wall." "Then your beggar was drunk." "And your dead man was dry in a rainstorm with clean shoes and a hand-sewn coat, and his fingertips are dusted with a substance that eats itself." Eva stood. "The evidence doesn't add up because you're measuring it in the wrong units." Quinn rose to her full height, watching the techs photograph the swept corridor, the brass ring, the coat with its impossible stitching. Eighteen years of bodies, and every one of them had obeyed the laws of physics in the end. This one hadn't started obeying yet. "Dr. Shah. Time of death is six hours, you said. Contested?" "Within an hour either way. Why?" "Because his watch stopped." Quinn held up the victim's wrist by the tech's lamp. A cheap quartz digital, the kind that never stopped. The display blinked 00:00 in slow cycles. "Quartz watches run for years. This one didn't run out of battery. It ran out of time it agreed with." Eva made a small sound, quickly swallowed. "Where did you learn that?" "I didn't. My old partner used to say it." Quinn stared at the phrase the way you stare at a word you've used all your life that has suddenly gone foreign. DS Morris. Three years gone. Three years of a case file she'd never been able to close because the evidence refused to add up. "Sealed layer in the Camden file. Did it have a name attached?" "Yes." Eva's voice was barely above the rain. "A detective inspector. G. Morris." The lamp buzzed. Somewhere down the dark end of the depot, a door Quinn had checked twice—locked, chained, rusted shut—shifted on its hinges and swung open one inch, exhaling air that smelled of ozone and river water and nothing else. "Nobody touch that door," Quinn said, already moving toward it.
created_at"2026-09-02T13:40:35.171Z" 9/2/2026, 1:40:35 PM
model"z-ai/glm-5.3-flash-20260826"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency4119
moderation_latency(null)
generation_time67355
tokens_prompt1112
tokens_completion1960
native_tokens_prompt1027
native_tokens_completion1785
native_tokens_completion_images(null)
native_tokens_reasoning32
native_tokens_cached256
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
num_fetches(null)
web_search_engine(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
service_tier(null)
usage0.000507915
router(null)
user_agent"langchainjs-openai/1.0.0 ((node/v24.19.0; linux; x64))"
http_referer(null)
request_id"req-1788356435-evqUezu3sQmrq2nlGx8i"
session_id(null)
preset_id(null)
api_type"completions"
id"gen-1788356435-mEYwCGiKybDYgCfelH61"
upstream_id"202609022140354a35cf47b53b4db2"
provider_responses
0
endpoint_id"8e9fe48b-2f91-41c3-a8a7-e4a93a8c4ff0"
id"202609022140354a35cf47b53b4db2"
is_byokfalse
latency4118
model_permaslug"z-ai/glm-5.3-flash-20260826"
provider_name"Z.AI"
status200
total_cost0.000507915
cache_discount0.00003072
upstream_inference_cost0
provider_name"Z.AI"
response_cache_source_id(null)
data_region"global"
workspace_id"97e315e5-d303-487d-83c1-83180e8a13d4"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags13
adverbTagCount0
adverbTags(empty)
dialogueSentences50
tagDensity0.26
leniency0.52
rawRatio0
effectiveRatio0
92.33% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1304
totalAiIsmAdverbs2
found
0
adverb"quickly"
count1
1
adverb"suddenly"
count1
highlights
0"quickly"
1"suddenly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
88.50% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1304
totalAiIsms3
found
0
word"etched"
count1
1
word"database"
count1
2
word"stomach"
count1
highlights
0"etched"
1"database"
2"stomach"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences73
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount0
narrationSentences73
filterMatches(empty)
hedgeMatches(empty)
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences106
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
repeatedSegmentCount0
maxSentenceWordsSeen50
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans2
markdownWords22
totalWords1291
ratio0.017
matches
0"coming, don't let them bag the coat yet"
1"odd, no residue of anything in his stomach, like the last day just... wiped."
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions17
unquotedAttributions0
matches(empty)
32.66% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions37
wordCount767
uniqueNames9
maxNameDensity2.35
worstName"Quinn"
maxWindowNameDensity4
worstWindowName"Quinn"
discoveredNames
King1
Cross1
Detective1
Harlow1
Quinn18
Kowalski1
Eva12
Shah1
Morris1
persons
0"King"
1"Cross"
2"Harlow"
3"Quinn"
4"Kowalski"
5"Eva"
6"Shah"
7"Morris"
places(empty)
globalScore0.327
windowScore0.333
97.92% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences48
glossingSentenceCount1
matches
0"felt like a jar lifted from a refrigera"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1291
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences106
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs47
mean27.47
std23.01
cv0.838
sampleLengths
035
138
229
334
47
57
667
76
81
939
101
1153
1211
1343
1427
1534
163
1751
183
193
2020
2113
222
2338
2443
2584
269
2717
2888
2945
306
3116
325
3348
344
3559
365
3742
3846
3911
406
4150
4212
4367
4413
4540
4610
86.04% Passive voice overuse
Target: ≤2% passive sentences
passiveCount4
totalSentences73
matches
0"was unblemished"
1"been stitched"
2"was etched"
3"was frightened"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount1
totalVerbs139
matches
0"were shaking"
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount13
semicolonCount0
flaggedSentences10
totalSentences106
ratio0.094
matches
0"The victim—male, mid-thirties, no wallet, no phone, no identification—lay on his back between rusted mail sorters, arms at his sides like a man who had simply laid down and stopped."
1"The skin there was unblemished—and faintly cold in a way that six hours dead shouldn't account for."
2"She'd texted Quinn twenty minutes ago—*coming, don't let them bag the coat yet*—and Quinn had no good explanation for why she'd obeyed."
3"\"I'm a consultant when you let me be, which is tonight, apparently.\" Eva stopped at the edge of the light and looked at the body the way she looked at artifacts—head tilted, hands clasped behind her to keep them off."
4"The face was etched with lines too fine to read at a glance—sigils, if you believed in that sort of thing."
5"\"—within a closed system, yes.\" Quinn heard herself say it before she understood why."
6"\"Because I've read three archival references to it and you've read none. That's the difference between us tonight.\" Eva tucked hair behind her ear—a tell Quinn had learned meant she was frightened and hiding it."
7"A decade of pigeon droppings, cobwebs thick as rope—and a swept corridor through the middle of it, three feet wide, leading from the loading dock to the body."
8"But a single depression in the dust beside the body—a circle, four inches across, edged with verdigris she recognized from a thousand park benches."
9"Somewhere down the dark end of the depot, a door Quinn had checked twice—locked, chained, rusted shut—shifted on its hinges and swung open one inch, exhaling air that smelled of ozone and river water and nothing else."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount656
adjectiveStacks0
stackExamples(empty)
adverbCount10
adverbRatio0.01524390243902439
lyAdverbCount5
lyAdverbRatio0.007621951219512195
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences106
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences106
mean12.18
std10.44
cv0.857
sampleLengths
035
130
24
34
412
517
62
720
83
94
103
112
127
137
1414
153
166
176
1817
1911
2010
216
221
2320
2413
254
262
271
288
2923
3022
317
324
3340
343
3510
3617
3721
3811
392
403
4110
4221
432
441
4517
463
473
486
4914
78.93% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats3
diversityRatio0.49056603773584906
totalSentences106
uniqueOpeners52
52.91% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount1
totalSentences63
matches
0"Somewhere down the dark end"
ratio0.016
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount10
totalSentences63
matches
0"His coat was dry."
1"She leaned closer."
2"His shoes were clean."
3"She pulled a penlight from"
4"She lifted his wrist, turned"
5"She'd held enough corpses to"
6"She'd never seen it."
7"She'd texted Quinn twenty minutes"
8"She moved the magnifier to"
9"She crouched at the end"
ratio0.159
47.30% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount52
totalSentences63
matches
0"Rain slicked the roof of"
1"The victim—male, mid-thirties, no wallet,"
2"His coat was dry."
3"Everything else was wrong."
4"The concrete beneath the body"
5"She leaned closer."
6"His shoes were clean."
7"She pulled a penlight from"
8"She lifted his wrist, turned"
9"The skin there was unblemished—and"
10"She'd held enough corpses to"
11"This one felt like a"
12"Quinn tilted his hand toward"
13"A fine grey powder dusted"
14"She'd never seen it."
15"The voice came from the"
16"Eva Kowalski descended with her"
17"She'd texted Quinn twenty minutes"
18"Eva stopped at the edge"
19"Quinn nodded to the tech,"
ratio0.825
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences63
matches(empty)
ratio0
60.44% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences26
technicalSentenceCount3
matches
0"Rain slicked the roof of the abandoned mail depot behind King's Cross, and Detective Harlow Quinn stood in a pool of light from a portable lamp, staring at a bo…"
1"The victim—male, mid-thirties, no wallet, no phone, no identification—lay on his back between rusted mail sorters, arms at his sides like a man who had simply l…"
2"Somewhere down the dark end of the depot, a door Quinn had checked twice—locked, chained, rusted shut—shifted on its hinges and swung open one inch, exhaling ai…"
48.08% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags13
uselessAdditionCount2
matches
0"Eva stopped, hands clasped behind her to keep them off"
1"Eva crouched, voice dropping"
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags4
fancyCount1
fancyTags
0"she pressed (press)"
dialogueSentences50
tagDensity0.08
leniency0.16
rawRatio0.25
effectiveRatio0.04
82.8367%