"They didn't look like oaks anymore, or like stones either — trunks squared and gone grey as granite, bark smoothed to a knapped finish, roots knotted at the base in the pattern of a cairn."
1
"They stood — more or less stood, more or less solid — a few metres back, and the moonlight seemed to have trouble finding them."
2
"Rory took the pendant out from under her shirt — the crimson stone on its silver chain, warm as a coin left in sun on a day when there was no sun to speak of."
3
"Not quieted — removed, the way a word is removed from a page, the space left behind."
4
"The trees were in the same places — Rory was almost certain of it, the big beech with the lightning scar, the dip in the ground where the drainage ran — but everything else had been replaced."
5
"Not summer-warm; warm like a kitchen after the oven's been on, dry and full of smells that didn't belong in December: crushed green, honey, cold stone, something sweet and faintly burnt."
6
"Not night blue — day blue, a soft rinsed cobalt with high thin clouds drifting across it, though Rory's phone, when she pulled it from her pocket, still said 23:44 and still said no service."
7
"They were less than they had been — the edges of them feathered, their hands going translucent at the fingers, shadow without anything to fall on."
8
"Not springing back the way grass does — closing, deliberately, the petals folding in on themselves and the stems bowing out of the way, so that after a dozen steps there was no path behind them at all, only undisturbed blossoms and the pale glowing ones turning their faces to follow."
9
"The light didn't change — no sun to move, no shadows to lengthen, just the same even gold coming from everywhere and nowhere, which was worse than darkness once Rory thought about it."
10
"Four sets of prints in the moss — hers, Eva's, and a pair of bare ones far too large and elegant to belong to either of them, fading in at the edge of the clearing like a sentence begun before you came into the room — and behind all of them, nothing."
11
"The moss rose smooth as a made bed; the wildflowers had already closed."
12
"Nyx stood very still, looking at the prints, and their face — such as their face was — had gone carefully expressionless in a way Rory had learned to read as fear."
13
"She was looking at Rory's open palm, and the crimson stone in it, and something moved across her pale face — surprise, or hunger, or the particular pleasure of a person who has been right about something for three hundred years."
14
"She turned without leaving a footprint and walked into the trees, and she did not look back, and the flowers turned to follow her, and after a moment — because there was nothing else to do, because they had come this far, because time inside could be minutes or days and Rory had a delivery shift at the Golden Empress she was almost certainly going to miss — Rory followed."
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences
51
technicalSentenceCount
4
matches
0
"Somewhere behind them, beyond the trees, London hummed its low endless hum, muffled as if heard through water."
1
"Not summer-warm; warm like a kitchen after the oven's been on, dry and full of smells that didn't belong in December: crushed green, honey, cold stone, somethin…"
2
"Wildflowers stood ankle-deep around their boots, blue and yellow and a white that glowed faintly, blooming out of a soil that showed no sign of ever having know…"
3
"She was looking at Rory's open palm, and the crimson stone in it, and something moved across her pale face — surprise, or hunger, or the particular pleasure of …"